CommunicationUnderstanding ConnectionCompassionLovePeace01
Communication02PeaceLoveCompassionConnectionUnderstanding
03IntroductionI was invited in 2009 to create a piece for an art exhibition entitled roundabout which broughttogether 108 artists from New Zealand and around the world. At the heart of the show and woven through Martin Luther King Jnr; ‘I have decided to stick with love, hate is too great a burden to bear’written in 1968 at the height of turbulent times in the United States.I set out to create a piece that would bring people together, a place to connect and shareto include language and somehow integrate the beautiful text into their pieces.Justice. Communication in all its forms is the reason we fall on one side or the other of the love/hate knife edge.I decided to build the piece from Walnut and darkened steel, materials traditionally used to buildweapons used instead to make something with the opposite reason for being.perhaps a collaborative approach to decipher its meaning.
04I decided to use Braille. A form of communication we all recognize but most of us cannot read. Iwas fascinated to learn that Braille came into being through a collaboration between the youngLouis Braille, blinded in an accident in his father’s leather workshop, and Charles Barbier, one ofNapoleon’s captains who was tasked with the challenge of creating a form of night writing toTo put everyone, sighted or blind on the same footing, I altered the scale and indented rathertactility and endurance, was traditionally used to make the stocks of guns.Removal of any one stave would result in the entire structure failing.on a precision bearing.arranged so that the word love sat still and constant at the dead center of the complex revolvingsingle words to poems that infused the entire structure of pieces that included all manner of objects, from aclock made with my horologist father to a huge boardroom table and now to the purely expressive words in this book.
051821 Table
06Braille infused custom piece
07Text IBeginning
was inspired by a conversation with a dear friend and ex colleague on the hottest day in London’s history in 2022. It was written on the train from London to York the following day.and evolution from making objects of utility to objects whose sole purpose is to convey deeply personal messages.Beginning speaks of the awakening and decision to start making and memories of people, places and experiences I hold most dear.08
09Balance I Brass and Walnut 600 x 600 x 55 mm1 of 12023
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Brass and Walnut 900 x 900 x 60 mm1 of 1202311Balance II
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13Balance III Brass and Walnut 600 Diameter x 55 mm1 of 12023
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15Balance IV Brass and Walnut 900 Diameter x 60 mm1 of 12023
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17Home V Steel and Walnut 600 x 600 x 55 mm1 of 12023
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19Home VI Steel and Walnut 900 x 900 x 60 mm1 of 12023
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Balance VII Steel and Walnut 600 Diameter x 55 mm1 of 1202321
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23Balance VIII Steel and Walnut 900 Diameter x 60 mm1 of 12023
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25Beginning IX Solid Walnut 600 x 600 x 55 mm 1 of 12023
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27Beginning X Solid Walnut 900 x 900 x 60 mm 1 of 12023
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29Beginning XI Solid Walnut 600 Diameter x 55 mm 1 of 12023
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31Beginning XII Solid Walnut 900 Diameter x 60 mm 1 of 12023
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33Text number IIHome
the pond, I was overwhelmed by a realization that I have two homes. my family, and friends. my way to who knew where.I began to grow again, became a husband and a father, grew new roots and learned new ways to live and be. My purpose and creative potential found fertile soil here in Aotearoa voice and share it with the world.34
35Text number IIIBalance
During this time I was increasingly drawn to projects where utility, In 2022 I committed to start making purely expressive works that would hang on walls, the vertical realm of what is generally considered ‘art’.myself as an artist? What will everyone think? Is the work good enough? Will people like it? Will anyone want to hang it ontheir wall? Does anyone even care what I have to say?the words we so dearly want to speak, stop us sharing the things we believe and care about, our truths that we could, should and ought toshare.creativity slumbers, slipping in and out of restless dreams of what could be if we just let go.Unlike the words of Beginning and Home that spilled out of me 36
37BeginningWhy I do this, What I care about. What I want and need to say, To share connect and inspire. Find my voice.
HomeHome where my bones are from, Raised me. Into its natural rhythm. Home again in another land far away From my beginning. A new place of nurture for my body And soul. A haven of peace, joy and discovery for My own family.Gratitude for my places of belonging And a growing awareness that the Welcoming light of our hearts’ home is Received in even the briefest moments 38
BalanceHesitant to to return to the stage,As if onto wet ice, unsure it will hold Me.Solid boards under my feet but a rope.Applause and heckling greet me.Unnerving periods of silent stillness Test my balance.I inch forward feeling naked in the Spotlight. Focusing inwards, noticing my Movements in response to the gentle Sway of the rope. Just inches above the stage.39
40He studied Fine Cabinet Making then Industrial Design before spending a decade in London working alongside David Linley (now Snowdon) creating extraordinary custom furniture.2002 establishing his own practice Cruikshank the following year focusing on the creation of timeless enduring furniture and objects.Since 2010 his work has featured embedded text, predominantly expressed in a pierced version of Braille.