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SELECTED WORKS 2014 - 2019

vvnagvekar.comVEERENDRA V. NAGVEKARWORK EXPERIENCEJUNIOR ARCHITECT / INTERNPAILANDS ASSOCIATES / Mangalore - India June 2015 – Dec 2016INTERNCHRISTOPHER NORONHA ASSOCIATES / Mangalore - India June 2014EDUCATIONMASTERS OF ARCHITECTUREDeakin University, Geelong2017-2018BACHELORS OF ARCHITECTUREFaculty of Architecture, MITManipal University, Manipal2011-2016DIPLOMA CERTIFICATECAD, REVIT, 3DS MAXCADD Centre, IndiaSKILLSAUTOCADREVITSKETCHUPPHOTOSHOPILLUSTRATORIN-DESIGN / PREMIERE LUMION 3D / V - RAY / PODIUM 3DS MAX / RHINOMS. OFFICE SUITEMETAL WORKING / LASER CUTTING / CNC ROUTER / 3D PRINTINGWORKSHOPSARCHIMARATHON - MELBOURNEAR. KEVIN HUI / March 2018 RAMMED EARTH WORKSHOPAR. VINU DANIEL - WALLMAKERS / Cochin - India / August 2013COMPETITIONS / AWARDSROCA ONE DAY DESIGN CHALLENGE - MELBOURNE / 2019Designing an innovative concept for any one bathroom product in one day at the locationBHAGDAD DESIGN CENTER / 2018A competition brief that I also chose for my Masterclass project as can been see in this portfolio - Project 1 BEST ARCHITECTURE DESIGN PROJECT Semester 3 / Semester 6 - Faculty of Architecture, Manipal UniversityReferences Available Upon RequestCONTACT MELBOURNE +61 481967576 veerennagvekar@gmail.comwww.linkedin.com/in/veeren92

CONTENTS

ACADEMICPROFESSIONALINTERIOR DESIGN02010304050607080910MASTERCLASS PROJECTTALKING SILOS08MASTERS COURSEWORK PROJECTCASCADING TERRACES31MASTERS COURSEWORK PROJECTLOUISE - WATERFRONT RESTAURANT57BACHELORS COURSEWORK PROJECTTEMPLE COMPLEX77JUNIOR ARCHITECT KANDLUR HOUSE [ UMAMAHESHWAR PRASAD ]91JUNIOR ARCHITECTUDMA MASJID93INTERNSHIP PROJECTS. BHAVANA95INTERNSHIP PROJECTM. K. RESIDENCE97REGISTERED ARCHITECT PROJECTPUNJA ASSOCIATES101A 706REGISTERED ARCHITECT PROJECT105

ACADEMIC

MASTERS COURSEWORK PROJECTTALKING SILOS01SUPERVISOR : AR. KEVIN HUI

TALKING SILOSSUPERVISOR : AR. KEVIN HUI

PROJECT TYPE :PURPOSE :SIZE :YEAR :Th is building is a design an d cultural center that retain s and interacts with the ex istin g herita ge facade of an old gover na te building on the site, whil e provid-in g a space for the peopl e of Bagdad to interact, dis cuss and design new build-in gs for the ci ty. The building uses silos to form ci rcular introver te d spac es to ai d social inetraction among the users as well as spaces th at show inte rplay be tween th e existi ng herit age and the ne w built Th is building is a design an d cultural center that retain s and interacts with the ex istin g herita ge facade of an old gover na te building on the site, whil e provid-in g a space for the peopl e of Bagdad to interact, dis cuss and design new build-in gs for the ci ty. The building uses silos to form ci rcular introver te d spac es to ai d social inetraction among the users as well as spaces th at show inte rplay be tween th e existi ng herit age and the ne w builTh is building is a design an d cultural center that retain s and interacts with the ex istin g herita ge facade of an old gover na te building on the site, whil e provid-in g a space for the peopl e of Bagdad to interact, dis cuss and design new build-in gs for the ci ty. The building uses silos to form ci rcular introver te d spac es to ai d social inetraction among the users as well as spaces th at show inte rplay be tween th e existi ng herit age and the ne w builTh is building is a design an d cultural center that retain s and interacts with the ex istin g herita ge facade of an old gover na te building on the site, whil e provid-in g a space for the peopl e of Bagdad to interact, dis cuss and design new build-in gs for the ci ty. The building uses silos to form ci rcular introver te d spac es to ai d social inetraction among the users as well as spaces th at show inte rplay be tween th e existi ng herit age and the ne w builTh is building is a design an d cultural center that retain s and interacts with the ex istin g herita ge facade of an old gover na te building on the site, whil e provid-in g a space for the peopl e of Bagdad to interact, dis cuss and design new build-in gs for the ci ty. The building uses silos to form ci rcular introver te d spac es to ai d social inetraction among the users as well as spaces th at show inte rplay be tween th e existi ng herit age and the ne w buil

PROJECT TYPE :PURPOSE :SIZE :YEAR :Th is building is a design an d cultural center that retain s and interacts with the ex istin g herita ge facade of an old gover na te building on the site, whil e provid-in g a space for the peopl e of Bagdad to interact, dis cuss and design new build-in gs for the ci ty. The building uses silos to form ci rcular introver te d spac es to ai d social inetraction among the users as well as spaces th at show inte rplay be tween th e existi ng herit age and the ne w built Th is building is a design an d cultural center that retain s and interacts with the ex istin g herita ge facade of an old gover na te building on the site, whil e provid-in g a space for the peopl e of Bagdad to interact, dis cuss and design new build-in gs for the ci ty. The building uses silos to form ci rcular introver te d spac es to ai d social inetraction among the users as well as spaces th at show inte rplay be tween th e existi ng herit age and the ne w builTh is building is a design an d cultural center that retain s and interacts with the ex istin g herita ge facade of an old gover na te building on the site, whil e provid-in g a space for the peopl e of Bagdad to interact, dis cuss and design new build-in gs for the ci ty. The building uses silos to form ci rcular introver te d spac es to ai d social inetraction among the users as well as spaces th at show inte rplay be tween th e existi ng herit age and the ne w builTh is building is a design an d cultural center that retain s and interacts with the ex istin g herita ge facade of an old gover na te building on the site, whil e provid-in g a space for the peopl e of Bagdad to interact, dis cuss and design new build-in gs for the ci ty. The building uses silos to form ci rcular introver te d spac es to ai d social inetraction among the users as well as spaces th at show inte rplay be tween th e existi ng herit age and the ne w builTh is building is a design an d cultural center that retain s and interacts with the ex istin g herita ge facade of an old gover na te building on the site, whil e provid-in g a space for the peopl e of Bagdad to interact, dis cuss and design new build-in gs for the ci ty. The building uses silos to form ci rcular introver te d spac es to ai d social inetraction among the users as well as spaces th at show inte rplay be tween th e existi ng herit age and the ne w builTALKING SILOSPROJECT TYPE : HERITAGE RE-DESIGNPURPOSE : DESIGN CENTERLOCATION : BAGHDAD, IRAQ YEAR : 2018In response to the existing site conditions, the proposed building uses an architectural approach that helps Baghdad celebrate it’s heritage while providing a platform for the designers to make the future buildings for Baghdad. Hence, this building is a Design and Cultural center that retains and interacts with the existing heritage facade of an old governate building on the site, while providing a space for the people of Baghdad to interact, discuss and design new buildings for the city. The building uses silos to form circular introverted spaces that aid in social interaction among the users. The insides of these circular provide dense interactive atmosphere, which is essential for the designers to discuss and work together.Also, the circular spaces formed by these silos result in maximum interaction and interplay with the existing heritage facade._KEY PROGRAMS GALLERY SPACEDESIGN STUDIOCO-WORKING SPACEDESIGN STUDIOLIBRARYWORKSHOPSOFTWARES USED: AUTOCAD, GOOGLE SKETCHUP, LUMION 3D, ADOBE IN-DESIGN, ADOBE PHOTOSHOPA Design and Cultural Center0110

[ site plan ]PORTFOLIODESIGN AND CULTURAL CENTER11

_SITE PLANThe building site sits on the famous historic center of Baghdad, Al-Rusafa, with many historic buildings on one side and typical residential blocks with courtyards on the other side. These historic buildings either have ‘Domes’ or ‘Minarets’ and huge entrance arches as an important architectural element in the surrounding neighborhood. Therefore we can see a ‘juxtaposition of circles inside quadrilaterals’ in the plans of neighboring context._AIMAs mentioned earlier, the proposed Design and Cultural Center retain the old broken facade on the site to celebrate the heritage of Baghdad. This site has no order and is an abstract shape in plan. The new built form aims to create interactive internal spaces for the designers to come and work together, while also having an interaction with the existing walls. This could be achieved by introducing several smaller circular spaces within the boundary of the existing facade. These circular spaces turned out to relate to a similar architectural pattern as existing in the context. _SITE DESCRIPTIONThe period following 2003 has been one of the most challenging periods of Baghdad. In the last 15 years, Iraq has lost more than 50 percent of its historic buildings. The site of the proposed Design and Cultural Center is located on the very famous Al-Rusafa, known to be one of the main historic center of Baghdad. Currently, the broken facade of a Heritage governate building sits on the site, which is the remains post the looting and vandalism in the week that followed the US invasion of Iraq in 2003.MASTER’S PROJECTARCHITECTURE12

Circular spaces achieving increased interaction with the existing facade, avoiding isolated corners and giving more importance to the existing corners of the old facade.Giving verticality to the circular spaces forms multiple “silos” providing more usable floor area at higher levels.The verticality that comes with the silos forms introverted along with interactive space that encourages truly a communal learning experience.Streamlined movement achieving maximum contact with the existing facade.Juxtaposing ‘circular spaces over linear spaces’, ‘vertical forms over horizontal form’ and ‘new structure over old’. The silos are introduced to create a strong visual connection with the adjacent walls and to benefit views from the surrounding neighborhood and river.[ form development ]PORTFOLIODESIGN AND CULTURAL CENTER13

Introverted, enclosed spaces providing a concentrated social atmosphere for the designers.Voids are created through the volumes to bring in daylight to the interior spaces. Cutouts punched through the volumes of the silos to form interesting spaces as well as give openness to the building.Circular spaces providing continuous movement to the users.~ A circular amphitheater efficiently directs all concentration towards the stage.~ Spiral design for the gallery gives continuous flow in the circulation to the viewers.~ A circular co-working space increases social interaction and easy movement from one space to another.Silos are sliced at different angles on the top to control and create an interplay of light inside the building. Glazing and Vertical fins are used in the facade for Passive solar shading and light control. AmphitheatreGalleryCo-Working_IDEAThe first step taken while designing the proposed center was to create circular spaces that aid in providing maximum internal interaction, external interplay with the heritage facade and continuous movement through various spaces, thus having strong spatial energy. The use of circular spaces helps in achieving both internal and external interactions, providing highly networked space within the circles as well as between the circles and the square facade. MASTER’S PROJECTARCHITECTURE14

[ ground floor plan ]PORTFOLIODESIGN AND CULTURAL CENTER15

[ first floor plan ]MASTER’S PROJECTARCHITECTURE16

[ second floor plan ]PORTFOLIODESIGN AND CULTURAL CENTER17

[ third floor plan ]MASTER’S PROJECTARCHITECTURE18

[ section ]PORTFOLIODESIGN AND CULTURAL CENTER19

MASTER’S PROJECTARCHITECTURE20

[ axonometric view ]PORTFOLIODESIGN AND CULTURAL CENTER21

MASTER’S PROJECTARCHITECTURE22

WALL FINISHPAINTGYPSUM BOARD (T=9.5MM)PLYWOOD (T=9.5MM)SPRAY POLYURETHANE FOAM (SPF, T=120MM)CONCRETE SILO STRUCTURE=3OOMMGAPGAP TO GIVE A SENSE OF SEPERATION FROM VERTICAL ELEMENTS AND IS FILLED WITH WATER THAT RELATES TO ABLUTION POND WHICH IS AN AGE OLD ISLAMIC TRADITION FOLLOWED IN BAGHDADCEILINGGYPSUM BOARD CEILINGGALVANIZED VERTICAL FINSFOR PASSIVE SOLAR SHADING FOR LIGHT AMOUNT OF LIGHTING STRUCTURAL SUPPORTFLOORINGDECORATIVE TILE FINISH(T=10MM)ASPHALT WITH SAND RUBBERED FLOAT FINISHFLOOR HEATING MEMBRANEURETHANE WATER PROOF COATINGCONCRETEINSULATED GLASSSTRUCTURAL SILICONE SEALENTSPACE GASKETSTRUCTURAL SILICONE WEATHER SEALPOLYETHYLENE FOAM BACKER RODSTRUCTURAL MULLION~~[ detail at A ]DETAIL AT X[ facade finish ][ detail of a section ]AXSILOS ARE SLICED AT DIFFERENT HEIGHTS AND DIRECTIONS TO PROVIDE AN INTERPLAY OF LIGHT AND DETAILED WITH GI FRAME INSPIRED BY MARIO BOTTA DETAIL. PORTFOLIODESIGN AND CULTURAL CENTER23

WALL FINISHPAINTGYPSUM BOARD (T=9.5MM)PLYWOOD (T=9.5MM)SPRAY POLYURETHANE FOAM (SPF, T=120MM)CONCRETE SILO STRUCTURE=3OOMMGAPGAP TO GIVE A SENSE OF SEPERATION FROM VERTICAL ELEMENTS AND IS FILLED WITH WATER THAT RELATES TO ABLUTION POND WHICH IS AN AGE OLD ISLAMIC TRADITION FOLLOWED IN BAGHDADCEILINGGYPSUM BOARD CEILINGGALVANIZED VERTICAL FINSFOR PASSIVE SOLAR SHADING FOR LIGHT AMOUNT OF LIGHTING STRUCTURAL SUPPORTFLOORINGDECORATIVE TILE FINISH(T=10MM)ASPHALT WITH SAND RUBBERED FLOAT FINISHFLOOR HEATING MEMBRANEURETHANE WATER PROOF COATINGCONCRETEINSULATED GLASSSTRUCTURAL SILICONE SEALENTSPACE GASKETSTRUCTURAL SILICONE WEATHER SEALPOLYETHYLENE FOAM BACKER RODSTRUCTURAL MULLION~~[ detail at A ]DETAIL AT X[ facade finish ][ detail of a section ]AXSILOS ARE SLICED AT DIFFERENT HEIGHTS AND DIRECTIONS TO PROVIDE AN INTERPLAY OF LIGHT AND DETAILED WITH GI FRAME INSPIRED BY MARIO BOTTA DETAIL. MASTER’S PROJECTARCHITECTURE24

[ gallery space - new : old ]PORTFOLIODESIGN AND CULTURAL CENTER25

MASTER’S PROJECTARCHITECTURE26

[ spiral museum ]PORTFOLIODESIGN AND CULTURAL CENTER27

MASTER’S PROJECTARCHITECTURE28

[ studio space ][ arrival space ceiling ]PORTFOLIODESIGN AND CULTURAL CENTER10

[ co-working space ][ arrival interactive space ]MASTER’S PROJECTARCHITECTURE30

MASTERS COURSEWORK PROJECTCASCADING TERRACES02SUPERVISOR : AR. KEVIN HUI

CASCADING TERRACESSUPERVISOR : AR. KEVIN HUI

CASCADING TERRACESPROJECT TYPE : RE-DESIGNPURPOSE : MIXED-USE DEVELOPMENTLOCATION : MELBOURNE, AUSTRALIA YEAR : 2018The project was to transform an existing car-park structure into a mixed-use development with singular residential as one of the main use. The focus of the project was individual activity, addressing a future with population control has atomized society. In this evolving context, car parks are now an opportunity, where ‘one individual per car park spot’ became the starting condition for the proposal.The proposal demanded accommodation for the same number of individual as the original structure parking spots. The design can include extensions on original volume for ‘indispensables’ as interconnected programs to residential activity.The project integrated sustainable matters, therefore the design demonstrated environmental awareness and attended interdependent issues. To do so the proposal combined residential program with more ‘indispensable’ attentions, to solve issues regarding interaction of humans with the earth and with each other. CONVERSATION IN A CAR PARK BUILDING02SOFTWARES USED : AUTOCAD, GOOGLE SKETCHUP, V-RAY, LUMION 3D, ADOBE IN-DESIGN, ADOBE PHOTOSHOP34

_ CARDIGAN HOUSE CARPARK, MELBOURNEThe above image is a visualization of existing Cardigan House car-park building. It is one of the best examples of Brutalist architecture where off-form concrete is employed in emphatic structural and functional expression.PORTFOLIOCASCADING TERRACES35

_ CARDIGAN HOUSE CARPARK, MELBOURNE_KEY PROGRAMSA PLACE TO WORKShared Library / Co-working space : Students-Startups-ResearchA PLACE TO LIVEAccommodation : Graduates-Students-Visiting Faculties-YuppiesSPACE FOR EVENTSThought LABs : Hackathons : Floor Talks : Exhibition OPEN SPACE FOR RECREATIONEntrance leading to central open space : Oasis - Rooftop GardensCOMPLIMENTARY SPACESRetails : Restaurants : Cafe’s : Gaming Arena _IDEATo design a building that can instill a sense of authority and monumentality that may underlie the functions housed within. The housing should communicate ideas about how to live by the way they are organized on the inside and how they relate to the public realm on the outside while responding to the surrounding contextual street-scape conditions._SITE DESCRIPTIONThe site is located at Parkville, which is an inner-city suburb of Melbourne, Victoria. Parkville is a major research, education and healthcare precinct and home to the top universities and hospitals and this cluster employs 40,100 people. The site encompasses of an existing car-park building called Cardigan House Car Park and is bordered on three sides by existing streets being Grattan Street to the south, Dorrit street to the east and Cardigan street to the west. The building is a concrete structure with brick walls in the north and south.MASTER’S PROJECTARCHITECTURE36

[ site plan ]PORTFOLIOCASCADING TERRACES37

MASTER’S PROJECTARCHITECTURE38

EXISTING BUILDING LIFTING THE EDGE - ENTRANCE ARCHURBAN OASIS - CENTRAL OPEN SPACEACTIVATING EDGES BY RETAIL AND CAFE OPENING TO NEIGHBORHOOD OPENING TO LIGHTCASCADING TERRACESFOR LIGHT AND PANORAMIC VIEWSPERMEABLE FACADE ELEMENTS ON EVENT SPACES TO CREATE INTEREST FROM THE STREET AS WELL AS VISUAL CONNECTIVITY &LANDSCAPED TERRACES[ form development ]PORTFOLIOCASCADING TERRACES39

LIFTING THE EDGE - ENTRANCE ARCHURBAN OASIS - CENTRAL OPEN SPACEPERMEABLE FACADE ELEMENTS ON EVENT SPACES TO CREATE INTEREST FROM THE STREET AS WELL AS VISUAL CONNECTIVITY &LANDSCAPED TERRACESThe first step taken towards the proposed mixed development was to create a CENTRAL OPEN SPACE to bring in sunlight and natural ventilation.The main corner of the building was then opened to create an ENTRANCE ARCH to the building by lifting the edge and creating an entrance to the central open space. The height of the building was then increased to accommodate Residential units and introduced with CASCADING TERRACES that aid in providing panoramic views of the city as well as bring in light and ventilation. The edges on the ground floor were opened by Retails and Cafeteria’s to ACTIVATE THE EDGES, to create interaction between the busy street and the building, thus making use of the ground level frontage on three sides.An URBAN OASIS was designed in the Central Open Space to create a more soothing experience and contrast from the busy surrounding neighborhood. This would invite people to sit, relax, socialize and activate the core of the building, thus creating continuous movement through different spaces creating strong spatial energy and adding value to the building.PERMEABLE FACADE ELEMENTS AND GLAZING were used on event spaces to create interest and visual connectivity from streets.LANDSCAPED TERRACES with activity zones were provided for the users of the building for recreational purposes and quality of life.The overall approach helped in obtaining an innovative and site-responsive form.MASTER’S PROJECTARCHITECTURE40

AA'ENTRYENTRYENTRYBB'[ ground floor plan ]PORTFOLIOCASCADING TERRACES4110567 98

AA'ENTRYENTRYENTRYBB'MASTER’S PROJECTARCHITECTURE421. ENTRANCE ARCH2. LOBBY 3. CONCIERGE4. GAMING LOUNGE5. PUB / RESTAURANT6. RESIDENTIAL UNITS7. RETAIL8. RESTAURANT9. CAFE10. URBAN OASIS1234

AA'BB'[ sixth floor plan ]PORTFOLIOCASCADING TERRACES4378645

AA'BB'MASTER’S PROJECTARCHITECTURE441. EVENT SPACE2. LOBBY3. CO-WORKING SPACE4. GYMNASIUM5. WAITING AREA6. RESIDENTIAL LOUNGE7. RESIDENTIAL UNITS8. OASIS123

[ section _ AA’ ]PORTFOLIOCASCADING TERRACES45

MASTER’S PROJECTARCHITECTURE46

[ section _ BB’ ]PORTFOLIOCASCADING TERRACES47

MASTER’S PROJECTARCHITECTURE48

PLASTER 10 - 20 MMPLASTER 10 - 20 MMBRICK WALLINSULATION - 50 MMGALVANIZED STEEL FOR WATER DRAINAGEHERBACEOUS PERRENIAL GROUND COVER,DECORATIVESOIL WITH HIGH WATER RETENTION CAPACITY - 150 MMCLOTH OF NON-WOVEN POLYPROPYLENE PANEL - 2 MMEXPANDED POLYSTERENE PANEL - 8 MMDUAL SHELL HD POLYETHYLENE, WATERPROOFING - 10 MMCEMENT+POLYSTYRENE BEADS+MESH, SCREED - 50 MMPOLYSTYRENE FOAM PANELS, INSULATION, ACOUSTICSMULTILAYER FILM+ALUMINIUM VAPOUR BARRIER - 3 MMCONCRETE SLAB PLASTER - 10 MMLIME PLASTER AND SILICONE RESINS, DECORATIVE [ detail of green roofing base ][ facade finish : material ][ detail at A ][ detail section of CO-WORKING SPACE ]PORTFOLIOCASCADING TERRACES49[ detail at A ]

PLASTER 10 - 20 MMPLASTER 10 - 20 MMBRICK WALLINSULATION - 50 MMGALVANIZED STEEL FOR WATER DRAINAGEHERBACEOUS PERRENIAL GROUND COVER,DECORATIVESOIL WITH HIGH WATER RETENTION CAPACITY - 150 MMCLOTH OF NON-WOVEN POLYPROPYLENE PANEL - 2 MMEXPANDED POLYSTERENE PANEL - 8 MMDUAL SHELL HD POLYETHYLENE, WATERPROOFING - 10 MMCEMENT+POLYSTYRENE BEADS+MESH, SCREED - 50 MMPOLYSTYRENE FOAM PANELS, INSULATION, ACOUSTICSMULTILAYER FILM+ALUMINIUM VAPOUR BARRIER - 3 MMCONCRETE SLAB PLASTER - 10 MMLIME PLASTER AND SILICONE RESINS, DECORATIVE [ detail of green roofing base ][ facade finish : material ][ detail at A ][ detail section of CO-WORKING SPACE ]MASTER’S PROJECTARCHITECTURE50 A [ detail of green roofing base ]

[ landscaped setting on the cascading terrace ][ facade performance ]PORTFOLIOCASCADING TERRACES51

MASTER’S PROJECTARCHITECTURE52[ urban oasis ]

PORTFOLIOCASCADING TERRACES[ new building in the context ]

MASTER’S PROJECTARCHITECTURE

[ event space ]PORTFOLIOCASCADING TERRACES55

MASTER’S PROJECTARCHITECTURE56

MASTERS COURSEWORK PROJECTWATERFRONT RESTAURANT03SUPERVISOR : AR. JAMES COULSON

WATERFRONT RESTAURANTSUPERVISOR : AR. JAMES COULSON

LOUISEPROJECT TYPE : DESIGN RESOLUTIONPURPOSE : RECREATIONLOCATION : MANGALORE, INDIA YEAR : 2017WATERFRONT RESTAURANT03SOFTWARES USED : AUTOCAD, GOOGLE SKETCHUP, LUMION 3D, ADOBE IN-DESIGN, ADOBE PHOTOSHOPThe unit ARCHITECTURAL DESIGN RESOLUTION focused on architectural design development, which is essentially the development of depth in architectural thinking and it’s representation. The process of design development helps architectural ideas to gain essential depth and brings a sense of order, material richness, structural integration, particular qualities of light, and sophisticated spatial definition to the project through repeated design investigation. For this, the unit required to select one of my previous design projects from 5th, 4th or 3rd-year design unit, and use it as the base for the unit’s design investigations. The project, Waterfront Restaurant is a part of a luxury beach river resort designed in my bachelor’s course work final Thesis Project situated in Surathkal, Karnataka, India. Water - used as an aesthetic element, both either as a feature or a function to enrich the design of the building was the main driving principle in the design development of the main project which can be seen in-depth by clicking on the following link - ‘Apas’ Beach River Resort.60

W ENS[ site plan ]PORTFOLIOWATERFRONT RESTAURANT61

_ARCHITECTURAL IDEA + DESIGN PRINCIPLEThe restaurant block sits in a beautifully landscaped setting, surrounded by a water-body on the north and the east sides and serene combination of a hard and soft landscape on all the sides. The objective was to create a strong relationship between the presence of water and landscape in and around the design of the building. From the beginning, the main design principle driving the project was to give the waterfront and landscape view to the users and make the most use of it and was achieved by producing a series of drawings which are further refined and investigated._SPATIAL ORDER + STRUCTURAL ORDERThe drawings of the ordering principles helped define the column grid and understand the hierarchy of the spaces within, which pointed out that the proposed columns in the original Plan of the restaurant were causing hindrance to the view, thus defeating the main design principle. Therefore, all the columns were offset from all the sides of the Plan, to avoid hindrance to the outside view from inside the restaurant, as can be seen in the Plan. Further refinement in the Plan was based on following the geometry and the grid.[ elevation ]MASTER’S PROJECTARCHITECTURE62

T/O PLINTH LVL +0.45T/O ROOF SLAB LVL +3.45GROUND LVL +/- 0.00T/O ROOF SLAB LVL +4.40T/O ROOF SLAB LVL +6.45T/O PLINTH LVL +0.45T/O ROOF SLAB LVL +3.45GROUND LVL +/- 0.00T/O ROOF SLAB LVL +4.40T/O ROOF SLAB LVL +6.45NLN'L'KEY PLANMM'VERANDAH+0.45 LVLUP+/- 0.00 LVLBIND EX SEALANTRCC COLUMNCONNECTION TO STEEL STUDMASONRY ANCHORSTONEBIND EX SEALANTSTEEL STUDMASONRY ANCHORSTONECURTAIN WALL DETAILVERANDAHMARBLE SKIRTING[ section ][ constructive drawing establishing the relationship with the landscape ]PORTFOLIOWATERFRONT RESTAURANT63

T/O PLINTH LVL +0.45T/O ROOF SLAB LVL +3.45GROUND LVL +/- 0.00T/O ROOF SLAB LVL +4.40T/O ROOF SLAB LVL +6.45T/O PLINTH LVL +0.45T/O ROOF SLAB LVL +3.45GROUND LVL +/- 0.00T/O ROOF SLAB LVL +4.40T/O ROOF SLAB LVL +6.45NLN'L'KEY PLANMM'T/O PLINTH LVL +0.45T/O ROOF SLAB LVL +3.45GROUND LVL +/- 0.00T/O ROOF SLAB LVL +4.40T/O ROOF SLAB LVL +6.45T/O PLINTH LVL +0.45T/O ROOF SLAB LVL +3.45GROUND LVL +/- 0.00T/O ROOF SLAB LVL +4.40T/O ROOF SLAB LVL +6.45NLN'L'KEY PLANMM'PLAN TO SECTIONUNIT TO WHOLEMASSINGNATURAL VENTILATIONSTRUCTURE CIRCULATION TO USE SYMMETRY AND BALANCEREPETITIVE TO UNIQUEPARTIHIERARCHYADDITIVE AND SUBTRACTIVEGEOMETRYSTRUCTUREHIERARCHYGEOMETRYCIRCULATION TO USEADDITIVE : SUBTRACTIVEREPETITIVE TO UNIQUESYMMETRY : BALANCEPARTIPLAN TO SECTION[ graphical representation of formative ideas used for design generation ]MASTER’S PROJECTARCHITECTURE64PLAN TO SECTIONUNIT TO WHOLEMASSINGNATURAL VENTILATIONSTRUCTURE CIRCULATION TO USE SYMMETRY AND BALANCEREPETITIVE TO UNIQUEPARTIHIERARCHYADDITIVE AND SUBTRACTIVEGEOMETRYPLAN TO SECTIONUNIT TO WHOLEMASSINGNATURAL VENTILATIONSTRUCTURE CIRCULATION TO USE SYMMETRY AND BALANCEREPETITIVE TO UNIQUEPARTIHIERARCHYADDITIVE AND SUBTRACTIVEGEOMETRYPLAN TO SECTIONUNIT TO WHOLEMASSINGNATURAL VENTILATIONSTRUCTURE CIRCULATION TO USE SYMMETRY AND BALANCEREPETITIVE TO UNIQUEPARTIHIERARCHYADDITIVE AND SUBTRACTIVEGEOMETRYPLAN TO SECTIONUNIT TO WHOLEMASSINGNATURAL VENTILATIONSTRUCTURE CIRCULATION TO USE SYMMETRY AND BALANCEREPETITIVE TO UNIQUEPARTIHIERARCHYADDITIVE AND SUBTRACTIVEGEOMETRYPLAN TO SECTIONUNIT TO WHOLEMASSINGNATURAL VENTILATIONSTRUCTURE CIRCULATION TO USE SYMMETRY AND BALANCEREPETITIVE TO UNIQUEPARTIHIERARCHYADDITIVE AND SUBTRACTIVEGEOMETRYPLAN TO SECTIONUNIT TO WHOLEMASSINGNATURAL VENTILATIONSTRUCTURE CIRCULATION TO USE SYMMETRY AND BALANCEREPETITIVE TO UNIQUEPARTIHIERARCHYADDITIVE AND SUBTRACTIVEGEOMETRYPLAN TO SECTIONUNIT TO WHOLEMASSINGNATURAL VENTILATIONSTRUCTURE CIRCULATION TO USE SYMMETRY AND BALANCEREPETITIVE TO UNIQUEPARTIHIERARCHYADDITIVE AND SUBTRACTIVEGEOMETRYPLAN TO SECTIONUNIT TO WHOLEMASSINGNATURAL VENTILATIONSTRUCTURE CIRCULATION TO USE SYMMETRY AND BALANCEREPETITIVE TO UNIQUEPARTIHIERARCHYADDITIVE AND SUBTRACTIVEGEOMETRYPLAN TO SECTIONUNIT TO WHOLEMASSINGNATURAL VENTILATIONSTRUCTURE CIRCULATION TO USE SYMMETRY AND BALANCEREPETITIVE TO UNIQUEPARTIHIERARCHYADDITIVE AND SUBTRACTIVEGEOMETRYPLAN TO SECTIONUNIT TO WHOLEMASSINGNATURAL VENTILATIONSTRUCTURE CIRCULATION TO USE SYMMETRY AND BALANCEREPETITIVE TO UNIQUEPARTIHIERARCHYADDITIVE AND SUBTRACTIVEGEOMETRYPLAN TO SECTIONUNIT TO WHOLEMASSINGNATURAL VENTILATIONSTRUCTURE CIRCULATION TO USE SYMMETRY AND BALANCEREPETITIVE TO UNIQUEPARTIHIERARCHYADDITIVE AND SUBTRACTIVEGEOMETRY

OUTDOOR SEATINGLADIES WASHROOM1.80 X 4.60GENTS WASHROOM2.60 X 4.608.60 X 12.00BARDESSERT COUNTERVERANDAHSERVICE ENTRY+0.45 LVLINDOOR RESTAURANT18.00 X 12.00UP- 0.60 LVLUP+/- 0.00 LVL+ 0.45 LVLINDOOR RESTAURANT - 325 sq.m,OUTDOOR SEATING - 60 sq.m,UP+/- 0.00 LVLUP+/- 0.00 LVLWATER BODY654321a b c d e f654321a b c d e f654321a b c d e f654321a b c d e fSTRUCTURAL GRID GEOMETRY HIERARCHY CIRCULATIONEVOLUTION OF PLAN[ plan ]OUTDOOR SEATINGLADIES WASHROOM1.80 X 4.60GENTS WASHROOM2.60 X 4.608.60 X 12.00BARDESSERT COUNTERVERANDAHSERVICE ENTRY+0.45 LVLINDOOR RESTAURANT18.00 X 12.00UP- 0.60 LVLUP+/- 0.00 LVL+ 0.45 LVLINDOOR RESTAURANT - 325 sq.m,OUTDOOR SEATING - 60 sq.m,UP+/- 0.00 LVLUP+/- 0.00 LVLWATER BODY654321a b c d e f654321a b c d e f654321a b c d e f654321a b c d e fSTRUCTURAL GRID GEOMETRY HIERARCHY CIRCULATIONEVOLUTION OF PLANSTRUCTURAL GRID GEOMETRY HIERARCHY CIRCULATIONEVOLUTION OF PLANPORTFOLIOWATERFRONT RESTAURANT65

[ the space is hierarchized by a concrete base which receives horizontal and vertical elements of concrete, steel and wood ]MASTER’S PROJECTARCHITECTURE66

[ section ]PLAN TO SECTIONUNIT TO WHOLEMASSINGNATURAL VENTILATIONSTRUCTURE CIRCULATION TO USE SYMMETRY AND BALANCEREPETITIVE TO UNIQUEPARTIHIERARCHYADDITIVE AND SUBTRACTIVEGEOMETRYNATURAL VENTILATION MASSING UNIT TO WHOLET/O PLINTH LVL +0.45T/O ROOF SLAB LVL +3.45GROUND LVL +/- 0.00T/O ROOF SLAB LVL +4.40T/O ROOF SLAB LVL +6.45T/O PLINTH LVL +0.45T/O ROOF SLAB LVL +3.45GROUND LVL +/- 0.00T/O ROOF SLAB LVL +4.40T/O ROOF SLAB LVL +6.45NLN'L'KEY PLANMM'PORTFOLIOWATERFRONT RESTAURANT67PLAN TO SECTIONUNIT TO WHOLEMASSINGNATURAL VENTILATIONSTRUCTURE CIRCULATION TO USE SYMMETRY AND BALANCEREPETITIVE TO UNIQUEPARTIHIERARCHYADDITIVE AND SUBTRACTIVEGEOMETRYPLAN TO SECTIONUNIT TO WHOLEMASSINGNATURAL VENTILATIONSTRUCTURE CIRCULATION TO USE SYMMETRY AND BALANCEREPETITIVE TO UNIQUEPARTIHIERARCHYADDITIVE AND SUBTRACTIVEGEOMETRY

T/O PLINTH LVL +0.45T/O ROOF SLAB LVL +3.45GROUND LVL +/- 0.00T/O ROOF SLAB LVL +4.40T/O ROOF SLAB LVL +6.45T/O PLINTH LVL +0.45T/O ROOF SLAB LVL +3.45GROUND LVL +/- 0.00T/O ROOF SLAB LVL +4.40T/O ROOF SLAB LVL +6.45NLN'L'KEY PLANMM'T/O PLINTH LVL +0.45T/O ROOF SLAB LVL +3.45GROUND LVL +/- 0.00T/O ROOF SLAB LVL +4.40T/O ROOF SLAB LVL +6.45T/O PLINTH LVL +0.45T/O ROOF SLAB LVL +3.45GROUND LVL +/- 0.00T/O ROOF SLAB LVL +4.40T/O ROOF SLAB LVL +6.45NLN'L'KEY PLANMM'The design involved in the restaurant space consisted of a cubical structure sitting on top of the water and garden. The vision was to create a space with thoroughly clean lines and very minimal embellishments. By preventing distractions of ornamentation within the restaurant, viewers can focus on the surrounding landscape and natural elements, including light water and wind.Geometry and Proportions were used to keep the structure simple and clean. The main shape is a square shared with two rectangles which, when divided, also has the same proportions similar to the geometry of the main square. Concrete, timber and glass were used in the structure. A solid wall is used at the rear of the building to maintain privacy to service areas, kitchen and utilities.MASTER’S PROJECTARCHITECTURE68

OUTDOOR SEATINGLADIES WASHROOM1.80 X 4.60GENTS WASHROOM2.60 X 4.608.60 X 12.00VERANDAH+0.45 LVLALL DIMENSIONS ARE IN METERS.SPOT LIGHTCHANDELIERLEGENDTYPICAL SECTIONGYPSUM BOARDALCOVE LIGHTING654321a b c d e f654321a b c d e f654321a b c d e f654321a b c d e fSTRUCTURAL GRIDBEAM STRUCTUREDESIGN DEVELOPMENTREFLECTED FALSE CEILING PLANEVOLUTIONGYPSUM BOARDALCOVE LIGHTINGGYPSUM BOARDALCOVE LIGHTINGGYPSUM BOARDBEAMOUTDOOR SEATINGLADIES WASHROOM1.80 X 4.60GENTS WASHROOM2.60 X 4.608.60 X 12.00VERANDAH+0.45 LVLALL DIMENSIONS ARE IN METERS.SPOT LIGHTCHANDELIERLEGENDTYPICAL SECTIONGYPSUM BOARDALCOVE LIGHTING654321a b c d e f654321a b c d e f654321a b c d e f654321a b c d e fSTRUCTURAL GRIDBEAM STRUCTUREDESIGN DEVELOPMENTREFLECTED FALSE CEILING PLANEVOLUTIONGYPSUM BOARDALCOVE LIGHTINGGYPSUM BOARDALCOVE LIGHTINGGYPSUM BOARDBEAMOUTDOOR SEATINGLADIES WASHROOM1.80 X 4.60GENTS WASHROOM2.60 X 4.608.60 X 12.00VERANDAH+0.45 LVLALL DIMENSIONS ARE IN METERS.SPOT LIGHTCHANDELIERLEGENDTYPICAL SECTIONGYPSUM BOARDALCOVE LIGHTING654321a b c d e f654321a b c d e f654321a b c d e f654321a b c d e fSTRUCTURAL GRIDBEAM STRUCTUREDESIGN DEVELOPMENTREFLECTED FALSE CEILING PLANEVOLUTIONGYPSUM BOARDALCOVE LIGHTINGGYPSUM BOARDALCOVE LIGHTINGGYPSUM BOARDBEAMOUTDOOR SEATINGLADIES WASHROOM1.80 X 4.60GENTS WASHROOM2.60 X 4.608.60 X 12.00VERANDAH+0.45 LVLALL DIMENSIONS ARE IN METERS.SPOT LIGHTCHANDELIERLEGENDTYPICAL SECTIONGYPSUM BOARDALCOVE LIGHTING654321a b c d e f654321a b c d e f654321a b c d e f654321a b c d e fSTRUCTURAL GRIDBEAM STRUCTUREDESIGN DEVELOPMENTREFLECTED FALSE CEILING PLANEVOLUTIONGYPSUM BOARDALCOVE LIGHTINGGYPSUM BOARDALCOVE LIGHTINGGYPSUM BOARDBEAMOUTDOOR SEATINGLADIES WASHROOM1.80 X 4.60GENTS WASHROOM2.60 X 4.608.60 X 12.00VERANDAH+0.45 LVLALL DIMENSIONS ARE IN METERS.SPOT LIGHTCHANDELIERLEGENDTYPICAL SECTIONGYPSUM BOARDALCOVE LIGHTING654321a b c d e f654321a b c d e f654321a b c d e f654321a b c d e fSTRUCTURAL GRIDBEAM STRUCTUREDESIGN DEVELOPMENTREFLECTED FALSE CEILING PLANEVOLUTIONGYPSUM BOARDALCOVE LIGHTINGGYPSUM BOARDALCOVE LIGHTINGGYPSUM BOARDBEAM[ reflected ceiling plan ][ ceiling section ]STRUCTURAL GRID GEOMETRY HIERARCHY CIRCULATIONEVOLUTION OF PLANOUTDOOR SEATINGLADIES WASHROOM1.80 X 4.60GENTS WASHROOM2.60 X 4.608.60 X 12.00VERANDAH+0.45 LVLALL DIMENSIONS ARE IN METERS.SPOT LIGHTCHANDELIERLEGENDTYPICAL SECTIONGYPSUM BOARDALCOVE LIGHTING654321a b c d e f654321a b c d e f654321a b c d e f654321a b c d e fSTRUCTURAL GRIDBEAM STRUCTUREDESIGN DEVELOPMENTREFLECTED FALSE CEILING PLANEVOLUTIONGYPSUM BOARDALCOVE LIGHTINGGYPSUM BOARDALCOVE LIGHTINGGYPSUM BOARDBEAMPORTFOLIOWATERFRONT RESTAURANT69

[ interior view from main entrance ][ interior view from the east side ]MASTER’S PROJECTARCHITECTURE70

[ axonometric view ]PORTFOLIOWATERFRONT RESTAURANT71

CEILINGGYPSUM BOARD CEILINGFLOORINGDECORATIVE TILE FINISH(T=10MM)ASPHALT WITH SAND RUBBERED FLOAT FINISHFLOOR HEATING MEMBRANEURETHANE WATER PROOF COATINGCONCRETE[ detail of a section ]MASTER’S PROJECTARCHITECTURE72

GEOMETRYGEOMETRY[ east elevation ]GEOMETRY[ emergence in the neighborhood ]PORTFOLIOWATERFRONT RESTAURANT73

GEOMETRYMASTER’S PROJECTARCHITECTURE74

[ tranquil space]PORTFOLIOWATERFRONT RESTAURANT75

MASTER’S PROJECTARCHITECTURE76

SUPERVISOR : DR. PRADEEP G. KINI

BACHELORS COURSEWORK PROJECTTEMPLE COMPLEX 04SUPERVISOR : DR. PRADEEP G. KINI

PERDOOR PLAZAPROJECT TYPE : URBAN RE-DEVELOPMENTLOCATION : PERDOOR, KARNATAKA INDIAYEAR : SPRING, 2013AWARD : BEST DESIGN PROJECT SEMESTER 6 It is commonly known as temple city, with an ancient temple of Lord Sri Ananthapadmanabha (LORD VISHNU) in the center of the village, which is known to be more than 1,000 years old. There is a sacred stepped water tank known as Pushkarani, within the premises of the temple. The temple is famous for an offering of 1001 bananas to the deity, by people on fulfillment of their wishes. Perdoor Sankranti festival, which occurs every month as per the Hindu calendar, is very famous and attracts thousands of people. The townhouses a rich temple heritage but fails to convey this image to its visitors. The temple square is crowded with small commercial shops, houses, bus stops etc. This spoils the temple vistas, thus deteriorating the heritage value of the town, failing to attract tourists to visit the place. To improve the quality of this heritage site, the temple square needs a face-lift. Using the heritage and culture of South Karnataka to redesign the place, would create a strong visual impact on the people, thus rendering the temple square noteworthy of its characteristics.Design of a Temple Complex04SOFTWARES USED : AUTOCAD, GOOGLE SKETCHUP, V-RAY, LUMION 3D, ADOBE PHOTOSHOP80

PORTFOLIODESIGN OF A TEMPLE COMPLEX81[ section ]

_BASIC REQUIREMENTS,Entrance - Exits, Landscaping/Water Features, Installations and Art Kiosks, Seating Spaces, Street Furniture, Street Lighting, Paved Walking Spaces, Parking etc. These features sum up to the basic requirements of the design. Further addition of interactive features, informal seating spaces, buffer zones, restaurants will help to bring people together and thus collectively enhance the design._SITE DESCRIPTIONPerdoor is a small village located in Udupi district, Karnataka with a total of 2248 families and has a population of 10,957 as per population census 2011.The existing scenario calls for the need to redesign the temple square. By proposing new commercial shops with more organized layout, restaurants, seating spaces, buffer zones and landscaping, we can strive for a better design. _KEY PROGRAMSCOMMERCIAL SPACE [ RETAIL / RESTAURANTS ]MAHADWARA - SHARED STREETPUBLIC PLAZA WATER BODYGREEN SPACE}_IDEATo use the Vernacular architecture of South India - that helps to keep the culture and heritage of the region in the mind of the people. By using traditional architecture, one can not only help to increase the experience of the visitor but also helps to retain the heritage value of the place. This also adds to the quality of the design, making it unique and aesthetically appealing. BACHELOR’S PROJECTURBAN DESIGN82

EXISTING SITEThe temple square was cluttered with small retail shops and vacant mini-blocks with settlements sprouting up across the streets on all the sides. There was a major clash in the foot traffic and vehicular traffic since the road abutting the site were the main road and lack of facility for pedestrians.RE-DESIGN OF COMMERCIALThe temple square was cleared, and the commercial space was relocated and re-designed to create an ordered settlement [ design development ][ aerial view of the shared street on the east side PORTFOLIODESIGN OF A TEMPLE COMPLEX83

MAHADWARA / SHARED STREETMahadwara’s are introduced on all sides to create a prominent entry to the temple and create a sense monumentality. The road abutting the temple on the east side was pedestrianized and changed to the shared street to ease the circulation of people from temple to the commercial zone and also for the Rath to carry out the necessary circumambulation during yatra without hindering the traffic and usual activities.COLONNADED PLAZA / WATER BODYTEMPLE RENOVATION~A green plaza was designed on the north-east side of the temple where people could gather in the evening/during the festival with its periphery marked by series of columns to provide a view of the plaza from the heavy vehicular traffic passing by.~A waterbody (miniature Yamuna Creek ) with Musical Lotus fountain, Rotating Sudarshan Chakras and mini shrine structures were provided to engage the visitors and create interest.~Temple premise was renovated, and additional aesthetic spaces were designed inside the premise._DESIGN CONCEPTIn Hindu mythology, the traditional depiction of Lord Vishnu is that of him reclining on the coils of the serpent Shesha, accompanied by his consort, Lakshmi with left hand-hand holding a Padma (lotus flower) and right hand handing the Sudarshana Chakra and residing deep in the ocean. Water, Lotus and Sudarshan Chakras are believed to be Lord Vishnu’s enchanting elements. Since it was a Vishnu temple, a small scale Yamuna creek outside the temple and to enhance it Musical Lotus fountain, Rotating Sudarshan Chakras producing beautiful ripple effect and mini shrine structures reciting Vishnu’s various shlokas were created.BACHELOR’S PROJECTURBAN DESIGN84

TEXTILE STORERESTAURANTSERVICE ENTRYFRUIT SHOP5.23 X 6.105.23 X 6.33GENERAL STORE5.77 X 5.898.00 X 3.12INFO DESKJEWELLERY SHOP4.0 X 5.23WASH5.23 X 5.0014 X 6.77KITCHENTEMPLE ESSENTIALS4.00 X 3.126.00 X 4.34HANDICRAFTS4.77 X 5.23 5.0 X 5.23[ retail shop plan ]TEXTILE STORERESTAURANTSERVICE ENTRYFRUIT SHOP5.23 X 6.105.23 X 6.33GENERAL STORE5.77 X 5.898.00 X 3.12INFO DESKJEWELLERY SHOP4.0 X 5.23WASH5.23 X 5.0014 X 6.77KITCHENTEMPLE ESSENTIALS4.00 X 3.126.00 X 4.34HANDICRAFTS4.77 X 5.23 5.0 X 5.23TEXTILE STORERESTAURANTSERVICE ENTRYFRUIT SHOP5.23 X 6.105.23 X 6.33GENERAL STORE5.77 X 5.898.00 X 3.12INFO DESKJEWELLERY SHOP4.0 X 5.23WASH5.23 X 5.0014 X 6.77KITCHENTEMPLE ESSENTIALS4.00 X 3.126.00 X 4.34HANDICRAFTS4.77 X 5.23 5.0 X 5.23[ elevation ][ section ]PORTFOLIODESIGN OF A TEMPLE COMPLEX85

[ view of the collonaded periphery from the street ][ interior view of the plaza ]A look-alike of Vrindavan is recreated around this temple, with varieties of lush vegetation, green pastures, elegant vistas of fruit-bearing trees, flower-laden creepers serenaded by bird songs, all recreated from descriptions in the Srimad Bhagavatam and other sourcebooks of Lord Sri Krishna to transport the visitors to Krishna’s times in Vrindavan.BACHELOR’S PROJECTURBAN DESIGN86

[ architecture to create an engaging space ]PORTFOLIODESIGN OF A TEMPLE COMPLEX87

The miniature Yamuna creek provides Krishna Lila attractions, with lotuses, lilies, Swan’s and fountains, to create an memorable and entertaining experience for all the visitors.The Bhagavad Gita Expo will ignite the minds and invigorate the intellect with the stupendous wisdom given by Lord Sri Krishna that forms the bedrock of the culture and the philosophy of life in India.BACHELOR’S PROJECTURBAN DESIGN88

PROFESSIONAL

DNM.BED ROOM18'-0" X 16'-9"BED ROOM15'-0" X 12'-0"TOILET9'-0" X 5'-0"9'-0" X 5'-3"TOILETBED ROOM15'-0" X 12'-0"BED ROOM15'-0" X 12'-0"TOILET15'-0" X 12'-0"5'-0" X 9'-0"BED ROOMCUTOUT15'-6" X 16'-0"CUTOUTCUTOUTUP DN13'-0" X 11'-6"10'-0" X 10'-0"BALCONY5' WIDEBAY WINDOWBALCONY5' WIDEWATER TANK3000 LTRTOILETTOILET5'-0" X 9'-0"TOILETTOILET5'-0" X 9'-0"DUCTDUCTW E L LM.BED ROOMLIVING16'-0" X 14'-0"UTILITYW.MDINING18'-3" X 17'-6"TVKITCHEN15'-0" X 12'-0"9'-0" X 5'-9"TOILETM.BED ROOM5'-0" X 9'-0"CAR PORCH18'-0" X 16'-9"19'-6" X 19'-6"CAR PORCH10'-0" X 19'-6"DOUBLE HEIGHTFRIDGEMICROWAVEPOOJA10'-0" X 10'-0"DOUBLE HEIGHT6'-0" X 4'-0"TOILETUPVERANDAH 8'-0" WIDESERV. ROOM10'-6" X 10'-0"TVFAMILY ROOM DOUBLE HEIGHT13'- 0" X 16'-6"TOILETHAND WASHBED ROOM15'-0" X 12'-0"TOILETTOILET5'-0" X 9'-0"6'-0" X 10'-0"BED ROOM15'-0" X 12'-0"DUCTDUCTDUCTW E L LW E L L[ street perspective ][ elevation ][ site / ground floor plan ]DNM.BED ROOM18'-0" X 16'-9"BED ROOM15'-0" X 12'-0"TOILET9'-0" X 5'-0"9'-0" X 5'-3"TOILETBED ROOM15'-0" X 12'-0"BED ROOM15'-0" X 12'-0"TOILET15'-0" X 12'-0"5'-0" X 9'-0"BED ROOMCUTOUT15'-6" X 16'-0"CUTOUTCUTOUTUP DN13'-0" X 11'-6"10'-0" X 10'-0"BALCONY5' WIDEBAY WINDOWBALCONY5' WIDEWATER TANK3000 LTRTOILETTOILET5'-0" X 9'-0"TOILETTOILET5'-0" X 9'-0"DUCTDUCTW E L LM.BED ROOMLIVING16'-0" X 14'-0"UTILITYW.MDINING18'-3" X 17'-6"TVKITCHEN15'-0" X 12'-0"9'-0" X 5'-9"TOILETM.BED ROOM5'-0" X 9'-0"CAR PORCH18'-0" X 16'-9"19'-6" X 19'-6"CAR PORCH10'-0" X 19'-6"DOUBLE HEIGHTFRIDGEMICROWAVEPOOJA10'-0" X 10'-0"DOUBLE HEIGHT6'-0" X 4'-0"TOILETUPVERANDAH 8'-0" WIDESERV. ROOM10'-6" X 10'-0"TVFAMILY ROOM DOUBLE HEIGHT13'- 0" X 16'-6"TOILETHAND WASHBED ROOM15'-0" X 12'-0"TOILETTOILET5'-0" X 9'-0"6'-0" X 10'-0"BED ROOM15'-0" X 12'-0"DUCTDUCTDUCTW E L LW E L LPORTFOLIOUMAMAHESHWAR PRASAD91

DNM.BED ROOM18'-0" X 16'-9"BED ROOM15'-0" X 12'-0"TOILET9'-0" X 5'-0"9'-0" X 5'-3"TOILETBED ROOM15'-0" X 12'-0"BED ROOM15'-0" X 12'-0"TOILET15'-0" X 12'-0"5'-0" X 9'-0"BED ROOMCUTOUT15'-6" X 16'-0"CUTOUTCUTOUTUP DN13'-0" X 11'-6"10'-0" X 10'-0"BALCONY5' WIDEBAY WINDOWBALCONY5' WIDEWATER TANK3000 LTRTOILETTOILET5'-0" X 9'-0"TOILETTOILET5'-0" X 9'-0"DUCTDUCTW E L LM.BED ROOMLIVING16'-0" X 14'-0"UTILITYW.MDINING18'-3" X 17'-6"TVKITCHEN15'-0" X 12'-0"9'-0" X 5'-9"TOILETM.BED ROOM5'-0" X 9'-0"CAR PORCH18'-0" X 16'-9"19'-6" X 19'-6"CAR PORCH10'-0" X 19'-6"DOUBLE HEIGHTFRIDGEMICROWAVEPOOJA10'-0" X 10'-0"DOUBLE HEIGHT6'-0" X 4'-0"TOILETUPVERANDAH 8'-0" WIDESERV. ROOM10'-6" X 10'-0"TVFAMILY ROOM DOUBLE HEIGHT13'- 0" X 16'-6"TOILETHAND WASHBED ROOM15'-0" X 12'-0"TOILETTOILET5'-0" X 9'-0"6'-0" X 10'-0"BED ROOM15'-0" X 12'-0"DUCTDUCTDUCTW E L LW E L LDNM.BED ROOM18'-0" X 16'-9"BED ROOM15'-0" X 12'-0"TOILET9'-0" X 5'-0"9'-0" X 5'-3"TOILETBED ROOM15'-0" X 12'-0"BED ROOM15'-0" X 12'-0"TOILET15'-0" X 12'-0"5'-0" X 9'-0"BED ROOMCUTOUT15'-6" X 16'-0"CUTOUTCUTOUTUP DN13'-0" X 11'-6"10'-0" X 10'-0"BALCONY5' WIDEBAY WINDOWBALCONY5' WIDEWATER TANK3000 LTRTOILETTOILET5'-0" X 9'-0"TOILETTOILET5'-0" X 9'-0"DUCTDUCTW E L LM.BED ROOMLIVING16'-0" X 14'-0"UTILITYW.MDINING18'-3" X 17'-6"TVKITCHEN15'-0" X 12'-0"9'-0" X 5'-9"TOILETM.BED ROOM5'-0" X 9'-0"CAR PORCH18'-0" X 16'-9"19'-6" X 19'-6"CAR PORCH10'-0" X 19'-6"DOUBLE HEIGHTFRIDGEMICROWAVEPOOJA10'-0" X 10'-0"DOUBLE HEIGHT6'-0" X 4'-0"TOILETUPVERANDAH 8'-0" WIDESERV. ROOM10'-6" X 10'-0"TVFAMILY ROOM DOUBLE HEIGHT13'- 0" X 16'-6"TOILETHAND WASHBED ROOM15'-0" X 12'-0"TOILETTOILET5'-0" X 9'-0"6'-0" X 10'-0"BED ROOM15'-0" X 12'-0"DUCTDUCTDUCTW E L LW E L L_BRIEF The project demanded a Residential villa with 7 Bedrooms, and the clients’ main requirement was to have traditional architecture and to retain the existing well and all the trees in the site since it was their ancestral property. Hence, the plan eventually evolved around the existing site conditions after various proposals and changes.Laterite Masonry was used for the walls with plaster, and Mangalore tiles were used for roofing with wooden bat-tens to give a traditional look. Exposed Masonry was used only on the top portion of the walls to a point were eaves projection could protect it from heavy rainfall conditions. Antique wooden columns were used at the entrance patio to achieve a complete vernacular appearance on arrival.*Working drawings are not attached due to office restrictions._ROLEWorked under principal Architect Venkatesh Pai, Pailands Associates - Mangalore, throughout the project with the range of tasks involvingSite Survey / Analysis - Area Programming - Design Con-cept - Presentation Drawings - 3d Visualization / Walk-through Video - Quotations - Client Discussions - Working Drawings - Vendor MeetingsSOFTWARES USED : AUTOCAD, REVIT, LUMION 3D, ADOBE PHOTOSHOP, MS WORD[ first floor plan ] [ terrace floor plan ]pailands associatesKANDLUR HOUSE05PROJECT TYPE : RESIDENTIAL ARCHITECTURELOCATION : DONGARKERY, MANGALORE AWARD : WELL BUILT RESIDENTIAL VILLA ACCE [I] MLR - ULTRATECH AWARDS 2017JUNIOR ARCHITECT PROJECTARCHITECTURE92

[ emergence in the site ]PORTFOLIOUDMA MASJID93

pailands associatesUDMA MASJID06PROJECT TYPE : TRADITIONAL ARCHITECTUREPURPOSE : WORSHIPLOCATION : UDMA, KERALA _ROLESite Survey - Area Programming - Design Concept - Presentation Drawings - 3d Visualization - Quotations Client Meetings - Community PresentationWorking Drawings*Drawings are not attached due to office restrictions.JUNIOR ARCHITECT PROJECTARCHITECTURE94

[ envisage of the scheme ]PORTFOLIOCOMMERCIAL95

pailands associatesS. BHAVANA07PROJECT TYPE : COMMERCIALPURPOSE : MARRIAGE / FUNCTION HALLLOCATION : BANTWAL, KARNATAKA _ROLESite Survey - Area Programming - Design Concept - Presentation Drawings - 3d Visualization - Client discus-sions*Drawings are not attached due to office restrictions.INTERNSHIP PROJECTARCHITECTURE96

[ residence view from the abutting street ]PORTFOLIOM. K. RESIDENCE97

pailands associatesM.K. RESIDENCE08PURPOSE : RESIDENTIALPROJECT TYPE : ARCHITECTURE / INTERIORLOCATION : MANGALORE, KARNATAKA _ROLESite Survey - Area Programming - Design Concept - Presentation / Production Drawings - 3d Visualization - Client Meetings - Working Drawings - Execution*Drawings are not attached due to office restrictions.INTERNSHIP PROJECTARCHITECTURE98

INTERIOR DESIGN

PUNJA ASSOCIATESPROJECT TYPE : INTERIOR DESIGNPURPOSE : OFFICE SPACE LOCATION : MANGALORE YEAR OF COMPLETION : 2017CONCEPT : FOLLY LINESWith a set of predetermined materials, the purpose of the project was to design main office space for a well-known entrepreneur on the ground floor of the company’s building.Space is characterized by custom-made veneers and ceramic tiles with crisp marble texture, which are complemented by viper skin patterned laminates and metallic accessories. At the central axis of the space is a timber-framed partition, which is flanked by two sides accommodating Reception Lobby, MD Cabin, Informal Cabin (meeting room), Staff Workspace, Kitchenette and Washrooms._ DESIGN The vertical partition members are incorporated in the design in a way that they seem folly and is for aesthetic purpose. Taking inspiration from M.C. Escher’s square tessellation - Book and Diamond match of veneers were made with a gradual progression of slowly morphing into tessellated patterns as they move towards the bottom. Services Provided : Site inspection - Concept design - Visualization / AR Experience - Detail / Working Drawings - Color / Material Palette - ExecutionMaterials Used: Ceramic tiles, Tinted mirror finish glass, Ply Wood, Veneer, Laminate, Steel Profile Section, Powder Coated Metal Gypsum Board 09

[ informal cabin ][ managing director’s cabin ]PORTFOLIOPUNJA ASSOCIATES103

[ reception lobby ]FREELANCE PROJECTINTERIOR DESIGN104

A 706PROJECT TYPE : INTERIOR DESIGNPURPOSE : RESIDENCELOCATION : MANGALORE YEAR OF COMPLETION : 2017 CONCEPT : JUXTAPOSING NATURE LINESFull furnishing throughout this three Bedroom residential apartment, set within the most luxurious building in town -Planet SKS. _DESIGNThe intention was to create a comfortable and contemporary livable space with simplistic furniture design and the interplay of veneer grains/groove spacing.Veneers were used in Block Matching style throughout the apartment to maintain a seamless theme. Highlighter Veneers were designed and used within the Living, Master Bedroom and Daughter’s Bedroom to provides statement focal points.Services Provided : Site inspection - Concept / Design - Visualization - Detail / Working Drawings - Color / Material Palette - Execution.Materials Used: Ply Wood, Veneer, Laminate, Lacquered Glass, Steel Profile Section, Powder Coated Metal10

[ prayer unit ] [ breakfast counter ][ living room ]PORTFOLIOA 706107

[ mud room ]FREELANCE PROJECTINTERIOR DESIGN108

[ kitchen ]PORTFOLIOA 706109

[ master bedroom ][ daughter’s bedroom ]FREELANCE PROJECTINTERIOR DESIGN110

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