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Message INTERNATIONAL PORCELAIN ARTISTS AND TEACHERS, INC. Porcelain Artist January/February/March 2025 Volume 65, No. 1 Rebecca Lo Hong Kong “Luminous” 2024 IPAT Online Competition Porcelain Painting Gold Ribbon Award Winner With two stars

As we welcome 2025, IPAT is filled with excitement for the journey ahead. In this issue, we delve into the heart of the Convention, showcasing workshops, demonstrations, and the vibrant connections forged among attendees. The record-breaking participation in the EXPO IPAT Convention Competition has truly inspired us, and we continue to celebrate these exceptional works. Additionally, we feature studies focused on luster application artworks. As we enter this new year, remember to renew your membership and stay connected with the IPAT family. We encourage you to submit your work for publication. Together, let’s push boundaries, explore new techniques, and share our passion with the world! DDrr.. CCoorriinnnnaa SSiiuu IPAT is a nonprofit 501(c)(3) organization and donations are tax deductible and required to sustain IPAT.Porcelain Artist Vol. 65 #1 January/February/March 2025 COPYRIGHT 2025 BY INTERNATIONAL PORCELAIN ARTISTS AND TEACHERS, INC. All rights reserved. Nothing contained within this publication can be reproduced without the written permission of IPAT, Inc. and/or the contributing artist.Porcelain Artist (USPS 266-780 ISSN-08880336) is a quarterly publication of the International Porcelain Artists and Teachers, Inc. (IPAT) at PO Box 1807, Grapevine, TX 76099. Periodicals postage is paid at Grapevine, Texas or additional mailing offices. POSTMASTER: Please send change of address to IPAT at PO Box 1807, Grapevine, TX 76099. Subscriptions are included with membership dues to IPAT. DIRECTORS OF TECHNOLOGYJustin FungSamson ShiuCONTRIBUTING EDITORSSuzanne PainterAnna Marie SkoniecznyCorinna Siu REGIONAL REPORTERS Jane WrightLinda BadgerCarol PicklerEtsuko Hanajima Seo Yeon ChoFresia Leigue Maya Fares GRAPHICS ARTISTS Corinna SiuJanice WilliamsJason Williams Editorial Board COPY DIRECTORSuzanne PainterLetha SandiferPeggy HodgsonVal Naber 

As we welcome 2025, IPAT is filled with excitement for the journey ahead. In this issue, we delve into the heart of the Convention, showcasing workshops, demonstrations, and the vibrant connections forged among attendees. The record-breaking participation in the EXPO IPAT Convention Competition has truly inspired us, and we continue to celebrate these exceptional works. Additionally, we feature studies focused on luster application artworks. As we enter this new year, remember to renew your membership and stay connected with the IPAT family. We encourage you to submit your work for publication. Together, let’s push boundaries, explore new techniques, and share our passion with the world! DDrr.. CCoorriinnnnaa SSiiuu IPAT is a nonprofit 501(c)(3) organization and donations are tax deductible and required to sustain IPAT.Porcelain Artist Vol. 65 #1 January/February/March 2025 COPYRIGHT 2025 BY INTERNATIONAL PORCELAIN ARTISTS AND TEACHERS, INC. All rights reserved. Nothing contained within this publication can be reproduced without the written permission of IPAT, Inc. and/or the contributing artist.Porcelain Artist (USPS 266-780 ISSN-08880336) is a quarterly publication of the International Porcelain Artists and Teachers, Inc. (IPAT) at PO Box 1807, Grapevine, TX 76099. Periodicals postage is paid at Grapevine, Texas or additional mailing offices. POSTMASTER: Please send change of address to IPAT at PO Box 1807, Grapevine, TX 76099. Subscriptions are included with membership dues to IPAT. DIRECTORS OF TECHNOLOGYJustin FungSamson ShiuCONTRIBUTING EDITORSSuzanne PainterAnna Marie SkoniecznyCorinna Siu REGIONAL REPORTERS Jane WrightLinda BadgerCarol PicklerEtsuko Hanajima Seo Yeon ChoFresia Leigue Maya Fares GRAPHICS ARTISTS Corinna SiuJanice WilliamsJason Williams Editorial Board COPY DIRECTORSuzanne PainterLetha SandiferPeggy HodgsonVal Naber Placing Ads in the Porcelain Artist To place an ad in the Porcelain Artist, submit your ad copy to office@ipatinc.org along with payment before the deadlines. Ads cannot be published without receipt of payment. Ads need to be print ready as a .jpg, .png, or PDF file. Resolution must be 300 dpi Prices are per issue Buy 3 Ads get the 4th FREE Full page …………….. $200 One-quarter page .. $50 Half page …………….. $100 Business card ..…….. $25 IPAT can create QR codes for your advertisement at no additional charge. Visa/MasterCard/PayPal in US$ is accepted. Send change of address notification at least 45 days before effective date. Include both the old and new addresses and new telephone number, if applicable. All corres-pondence and informational changes may be emailed or sent to IPAT. IPAT’s mailing address is P.O. Box 1807, Grapevine, TX 76099. Email address is office@ipatinc.org and website is www.ipatinc.org. Replacement magazines will be electronic copies only. DISCLAIMER: The Porcelain Artist is presented in good faith. No warranty is given to the user relating to any contents within the magazine, submissions of any kind may be edited for better magazine presentation. Neither IPAT, Inc., nor the Porcelain Artist is liable for any results from article instructions or charges made for claims of patent or from copyright infringement by submitting artists. It is solely the contributor’s responsibility to guarantee their submission was not produced using a copyrighted article/ photo/painting/ephemera or copyright infringement of any kind before submitting items for publication. QR codes: IPAT is not responsible for upgrading or maintaining content. Content may be deleted (12) months after publication in the Porcelain Artist. IPAT is not responsible for the content nor any untoward results. Table of Contents Front cover – Rebecca Lo Editor’s Message & General Info 2 Table of Contents 3 Chairman & President’s Message 4 Convention Report – Installation Ceremony 5 - Meetings 6-7 - Night at Museum 8-9 - Demonstrations 10-15 - Workshops 16-18 Joyce Baiss, Rebecca Lo 19 Chae-bok Lee, Mi-ae Kim 20 Hyun-ji Kim, Mi-sun Eom 21 Kyoung-ran Kim 22-24 Jacqueline Law, Brenda Pau 25 Samantha Chin 26-27 Jhansi Rani, Susan Greathouse 28 Ji-hey Yeo, Vicky Yeo 29 Vicky Yeo 30-31 Kate Collins, Fresia De Yapur 32 In Joo Jeong, May Ling 33-35 Lily Tam 36 Yu-ri Ju, Anna Skonieczny 37 Anna Skonieczny 38-39 Teri Koenig 40 Brenda Archibald, Young-eun Hyeon 41 Kitty Fung, Chole Tam 42 Mary Pruitt 43 Youth Painting on Porcelain 44-47 Michelle Wong 48-50 Mina Kwok 51 Advertisements 52-53 A World of Thanks 54 Convention – Smiling faces 55 Back Cover – Joyce Baiss Submission deadlines Issue #1 – Nov. 7; Issue #2 – Feb. 7 Issue #3 – May 7; Issue #4 – Aug 7 

2024 EXPO IPAT Museum Convenon Installing new ocers is a crucial procedure in operaons, holding signicant meaning for both the newly elected ocers and the members. Anna Skonieczny led the Installaon Ceremony . Installaon of Ocers for 2024-2026 Scan QR Code for the Installaon video Chairman’ Message As we look back fondly and remember the fun times we shared at the 2024 EXPO IPAT Museum Convention…IPAT’s goal is to continue and expand on our successes. We invite you to contact Anna Skonieczny at skonieczny@mindspring.com or your area representative if you are willing to teach a lesson or demonstration using zoom and/or submit an article featuring your art for this magazine or IPAT Newsletter. IPAT has added a weekend apprentice who attends a local college and is an art major. The apprenticeship is funded by a grant from the Texas Association on the Arts. This allows IPAT to now welcome the many weekend visitors attending the city of Grapevine’s special events and festivals. Our association with the Chamber of Commerce and Grapevine’s many artist associations has created much more visitor interest on the weekend. Our parking lot and rear entrances have a new gate. We are adding new signs on our building facing that parking lot to entice visitor participation and tours. Our apprentice is also scanning all printed back issues of our Porcelain Artist Magazine for our archives. This will be most valuable in our virtual history library. Best wishes for 2025 and keep painting!!! President’s Message Welcome 2025!! Happy New Year to all China painters around the world. We wish all of you welcome to the IPAT 2025-2026 season. We are all looking forward to working together in an inspiring and positive way to make IPAT bigger and stronger. We encourage old and new members to join us for inspiration, friendship and to build bridges around the world. Let us work together for a good connection, share notes, techniques, and to learn from and inspire each other. In this way we will find China painting creative and exciting. Please share your love for art with your neighbors, friends and even gatherings you attend. It can be an ice breaker when having small talk when you meet new people. Promote your artistic work and your achievements and goals. Invite them to visit your studio for a cup of coffee and cake (The Scandinavian way ). By sharing your art form and dedication you will promote yourself and IPAT where one can go for resources and start learning this wonderful art form. We would love to hear your success stories. Experience the joy of painting on porcelain with IPAT, where creativity flourishes and friendships blossom across the globe! Suzanne Painter IPAT Chairman 2024-26 Audny Thuestad IPAT President 2024-26 

2024 EXPO IPAT Museum Convenon Installing new ocers is a crucial procedure in operaons, holding signicant meaning for both the newly elected ocers and the members. Anna Skonieczny led the Installaon Ceremony . Installaon of Ocers for 2024-2026 Scan QR Code for the Installaon video Chairman’ Message As we look back fondly and remember the fun times we shared at the 2024 EXPO IPAT Museum Convention…IPAT’s goal is to continue and expand on our successes. We invite you to contact Anna Skonieczny at skonieczny@mindspring.com or your area representative if you are willing to teach a lesson or demonstration using zoom and/or submit an article featuring your art for this magazine or IPAT Newsletter. IPAT has added a weekend apprentice who attends a local college and is an art major. The apprenticeship is funded by a grant from the Texas Association on the Arts. This allows IPAT to now welcome the many weekend visitors attending the city of Grapevine’s special events and festivals. Our association with the Chamber of Commerce and Grapevine’s many artist associations has created much more visitor interest on the weekend. Our parking lot and rear entrances have a new gate. We are adding new signs on our building facing that parking lot to entice visitor participation and tours. Our apprentice is also scanning all printed back issues of our Porcelain Artist Magazine for our archives. This will be most valuable in our virtual history library. Best wishes for 2025 and keep painting!!! President’s Message Welcome 2025!! Happy New Year to all China painters around the world. We wish all of you welcome to the IPAT 2025-2026 season. We are all looking forward to working together in an inspiring and positive way to make IPAT bigger and stronger. We encourage old and new members to join us for inspiration, friendship and to build bridges around the world. Let us work together for a good connection, share notes, techniques, and to learn from and inspire each other. In this way we will find China painting creative and exciting. Please share your love for art with your neighbors, friends and even gatherings you attend. It can be an ice breaker when having small talk when you meet new people. Promote your artistic work and your achievements and goals. Invite them to visit your studio for a cup of coffee and cake (The Scandinavian way ). By sharing your art form and dedication you will promote yourself and IPAT where one can go for resources and start learning this wonderful art form. We would love to hear your success stories. Experience the joy of painting on porcelain with IPAT, where creativity flourishes and friendships blossom across the globe! Suzanne Painter IPAT Chairman 2024-26 Audny Thuestad IPAT President 2024-26

Convenon Meengs Since ocers are located worldwide, business for IPAT has primarily been conducted via email. The Biennial Convenon is a key event where ocers and members gather to report, discuss and nalize important maers. The Last Board Meeng for 2022-2024 The First Board Meeng for 2024-2026 

Members General Meeng 

Night at the Museum The Ocial Opening of IPAT’s remodeled Museum to members had been postponed unl this Convenon due to the global pandemic. Members at the Convenon expressed their enthusiasm, nong that the Museum is even more impressive than in photos. We were also pleased to have City Ocials pre present at the event. Posing in front of the Museum sign from le to right are: Kayce Vanderpool, City of Grapevine, Audny Thuestad, Incoming President, Janice Williams, Oce Manager, Suzanne Painter, Chairman of the Board, Jolynn Green, City of Grapevine, Corinna Siu, Outgoing President, and Christy Caunitz, City of Euless. IPAT’s display cabinet at the Grapevine Convenon and Visitor's Bureau. 

Night at the Museum The Ocial Opening of IPAT’s remodeled Museum to members had been postponed unl this Convenon due to the global pandemic. Members at the Convenon expressed their enthusiasm, nong that the Museum is even more impressive than in photos. We were also pleased to have City Ocials pre present at the event. Posing in front of the Museum sign from le to right are: Kayce Vanderpool, City of Grapevine, Audny Thuestad, Incoming President, Janice Williams, Oce Manager, Suzanne Painter, Chairman of the Board, Jolynn Green, City of Grapevine, Corinna Siu, Outgoing President, and Christy Caunitz, City of Euless. IPAT’s display cabinet at the Grapevine Convenon and Visitor's Bureau. 

Convenon Demonstraons The convenon showcased a series of free demonstraons that were greatly appreciated by all aendees. We extend a hearelt thank you to the teachers who generously shared their me and skills, making each session both informave and enjoyable. Here are some photos capturing the aenve engagement of the aendees as they watched the arsts demonstrate. Asya Baldwin on  Making the best landscape composion,  3-D Realisc painng and  Animal eyes 

Convenon Demonstraons The convenon showcased a series of free demonstraons that were greatly appreciated by all aendees. We extend a hearelt thank you to the teachers who generously shared their me and skills, making each session both informave and enjoyable. Here are some photos capturing the aenve engagement of the aendees as they watched the arsts demonstrate. Asya Baldwin on  Making the best landscape composion,  3-D Realisc painng and  Animal eyes Donna Rasco Castle on Painng ornaments and Painng on glass Rosemari Borges on Relief ma and bright, Pewter and color gel, and Palee knife painng Nancy Bergman on Lusters 

Nancy Benede on Porcelain clay Audny Thuestad on Water lilies and bueries Mary Hale on Roses Birgit Porter on KPM Dresden Flowers, and Portraits 

Nancy Benede on Porcelain clay Audny Thuestad on Water lilies and bueries Mary Hale on Roses Birgit Porter on KPM Dresden Flowers, and Portraits Simona-Marina Braathen on Lace scratch-o method and bueries in lace Paola Bari on Scratch technique on gold background Mary Reel on MX54 uses Kathy Cochran-Gilbert on Poinllism 

Fresia Leigue on Scratch Fresia way Jane Wright on Crystal bowl with fruit Joyce Preston Baiss on One re Sunower Vase Susan Greathouse on Shells 

Fresia Leigue on Scratch Fresia way Jane Wright on Crystal bowl with fruit Joyce Preston Baiss on One re Sunower Vase Susan Greathouse on Shells Elaine Rice on Permanent gi tags Patricia Bergander on Painng trees Kim Miles on Wire Wrapping and Portraits 

Convenon Workshops Nancy Bergman’s workshop — Luster Daisies on Mae Background Students’ works before ring: Apply Red Resist and dab Mae background; remove red resist and apply Luster then re Cone .017. 

Susan Greathouse’s workshop — Hydrangeas 

Susan Thumm’s workshop — Bird on a Blue Jar Janet Nelson’s workshop — A Sweet Girae Students’ works before ring 

Susan Thumm’s workshop — Bird on a Blue Jar Janet Nelson’s workshop — A Sweet Girae Students’ works before ring Rebecca Lo Hong Kong “Reecon” 2024 IPAT Online Convenon Compeon Joyce Baiss Florida, USA “Sunower Vase” 

Cheabok Lee South Korea “Light, Immaterial Reality” Mi-ae Kim South Korea “Tiger Strolling” 2024 IPAT Online Convenon Compeon 

Cheabok Lee South Korea “Light, Immaterial Reality” Mi-ae Kim South Korea “Tiger Strolling” 2024 IPAT Online Convenon Compeon 2024 IPAT Online Convenon Compeon “Tiger” “A Tiger in a Jungle” Mi-sun Eom South Korea Hyun-ji Kim South Korea 

2024 IPAT Online Convenon Compeon Kyoung-ran Kim South Korea “A Dierent World” 

2024 IPAT Online Convenon Compeon Kyoung-ran Kim South Korea “A Dierent World” 2024 IPAT Online Convenon Compeon “True Heart” “Lady of Constellaon” Kyoung-ran Kim South Korea 

2024 IPAT Online Convenon Compeon “Sunower” “Costume of King” Kyoung-ran Kim South Korea 

2024 IPAT Online Convenon Compeon “Sunower” “Costume of King” Kyoung-ran Kim South Korea Jacqueline Law Hong Kong “Peaceful Scene” 2024 IPAT Online Convenon Compeon Brenda Pau Hong Kong “Fruit Bowl” Aer rst re 

2024 IPAT Online Convenon Compeon Samantha Chin Hong Kong “Rose Bowl” 2024 IPAT Online Convenon Compeon Samantha Chin Hong Kong “Peony Box” 

2024 IPAT Online Convenon Compeon Samantha Chin Hong Kong “Rose Bowl” 2024 IPAT Online Convenon Compeon Samantha Chin Hong Kong “Peony Box” 

Jhansi Rani India “Belur Hainduva Shilpam” 2024 IPAT Online Convenon Compeon Susan Greathouse Texas, USA “Blooming Blue Mums” 

Vicky Yeo Hong Kong “Hydrangea Bloom” 2024 IPAT Online Convenon Compeon Ji-Hey Yeo South Korea “Bucket List” 

Colors and materials: blonde flesh,warm shadow, meissen red,pompadour rose, banksia red, whiterose, moss green, french blackgreen, meissen blue, delfen blue,special colbalt blue, sevres rose,american beauty, elderberry wine,warm grey, misty, black, matt white"Farewell My Concubine" is a tribute piecehonoring the character of Cheng Dieyi,portrayed by Leslie Cheung in the film ofthe same name. This portrait capturesthe essence of the exquisite Peking Operaactor as seen in the movie. The piece hasreceived a Gold Award in the 2024 IPATOnline Competition.by Vicky Yeo, Hong KongFarewell My ConcubineFarewell My ConcubineFarewell My Concubine

Colors and materials: blonde flesh,warm shadow, meissen red,pompadour rose, banksia red, whiterose, moss green, french blackgreen, meissen blue, delfen blue,special colbalt blue, sevres rose,american beauty, elderberry wine,warm grey, misty, black, matt white"Farewell My Concubine" is a tribute piecehonoring the character of Cheng Dieyi,portrayed by Leslie Cheung in the film ofthe same name. This portrait capturesthe essence of the exquisite Peking Operaactor as seen in the movie. The piece hasreceived a Gold Award in the 2024 IPATOnline Competition.by Vicky Yeo, Hong KongFarewell My ConcubineFarewell My ConcubineFarewell My ConcubineINGOUDECOMPANYBestServicesDigital MarketingBranding DesignDevelopmentBranding Design3rd fire4th fire1st fire 2nd fire

Mixed Media 2024 IPAT Online Convenon Compeon Kate Collins England “Over the Moon” Mixed Media Fresia Leigue Bolivia “My Crazy Teapot” 

Mixed Media 2024 IPAT Online Convenon Compeon Kate Collins England “Over the Moon” Mixed Media Fresia Leigue Bolivia “My Crazy Teapot” “Buery with Flower” 2024 IPAT Online Convenon Compeon “Monkey and Flower” In Joo Jeong Hong Kong 

In Joo Jeong Hong Kong “Roses in a Glass Jug” 2024 IPAT Online Convenon Compeon May Ling Hong Kong “Blossom Song” 

In Joo Jeong Hong Kong “Roses in a Glass Jug” 2024 IPAT Online Convenon Compeon May Ling Hong Kong “Blossom Song” May Ling Hong Kong 2024 IPAT Online Convenon Compeon “Silent Wisdom” “A Moment of Comfort and Companionship” 

Lily Tam Hong Kong 2024 IPAT Online Convenon Compeon “Carousel” “Parenthood” Mixed Media 2024 IPAT Online Convenon Compeon Mixed Media Anna Skonieczny Alabama, USA “Crystal Guardian” Yu-Ri Ju South Korea “Oer’s Dream” Mixed Media 

Lily Tam Hong Kong 2024 IPAT Online Convenon Compeon “Carousel” “Parenthood” Mixed Media 2024 IPAT Online Convenon Compeon Mixed Media Anna Skonieczny Alabama, USA “Crystal Guardian” Yu-Ri Ju South Korea “Oer’s Dream” Mixed Media 

2024 IPAT Online Convenon Compeon “Jimmy” “Hortensia” Teri Koenig Maryland, USA Free to Roam By Anna Marie Skonieczny, Alabama USA Supply list: Use three values of green, such as eve green, grass green and black green for the leaves of the palm trees. Tree trunks are rich brown and black. Cornower blue to shadow the cows. Black ink for pen work. Red resist. Brushes: Square shader number 8 or 10 Lusters: orange, yellow, purple, light blue, dark blue and other blues, black, brown, mother of pearl. All rings at .017. First re: Pen in cows and palm trees with black. Second Fire: Paint the sun with orange luster. The palm trees are done by triple-loading your brush. Start with the lightest green (side load), connue to load with middle value green working the paint next to the lightest green on your brush. Lastly load the brush with your darkest green. You now have three colors on your brush. Do a stroke on the palm leaf starng from the middle of the leaf to the edge. Angle your stroke to slant towards the end of the leaf. Clean your brush and load again. Repeat this process unl you have complet-ed all the leaves. Make one brush stroke for each load of the brush. For the leaves that do not show a middle, just start from the top and angle to-wards the end of the leaf. On the trunk of the palm tree, paint rich brown in a rough texture. Load your brush with black, hold the bristles straight up and down on the boom of the palm tree trunk, push your bristles up about ¾ of an inch on the trunk. Li your brush and do it again, loading your brush as needed, moving up the total length of the trunk (a small area at a me). You should be making texture on the palm tree trunk. There should be a ridge on the top of each stroke. Third re: Use the view from an apartment in Costa Rica for background. Resist outside the mountains and island. Flow horizontal black, purple, brown and orange luster on the mountains and island. Paint orange luster on the sand area. 

2024 IPAT Online Convenon Compeon “Jimmy” “Hortensia” Teri Koenig Maryland, USA Free to Roam By Anna Marie Skonieczny, Alabama USA Supply list: Use three values of green, such as eve green, grass green and black green for the leaves of the palm trees. Tree trunks are rich brown and black. Cornower blue to shadow the cows. Black ink for pen work. Red resist. Brushes: Square shader number 8 or 10 Lusters: orange, yellow, purple, light blue, dark blue and other blues, black, brown, mother of pearl. All rings at .017. First re: Pen in cows and palm trees with black. Second Fire: Paint the sun with orange luster. The palm trees are done by triple-loading your brush. Start with the lightest green (side load), connue to load with middle value green working the paint next to the lightest green on your brush. Lastly load the brush with your darkest green. You now have three colors on your brush. Do a stroke on the palm leaf starng from the middle of the leaf to the edge. Angle your stroke to slant towards the end of the leaf. Clean your brush and load again. Repeat this process unl you have complet-ed all the leaves. Make one brush stroke for each load of the brush. For the leaves that do not show a middle, just start from the top and angle to-wards the end of the leaf. On the trunk of the palm tree, paint rich brown in a rough texture. Load your brush with black, hold the bristles straight up and down on the boom of the palm tree trunk, push your bristles up about ¾ of an inch on the trunk. Li your brush and do it again, loading your brush as needed, moving up the total length of the trunk (a small area at a me). You should be making texture on the palm tree trunk. There should be a ridge on the top of each stroke. Third re: Use the view from an apartment in Costa Rica for background. Resist outside the mountains and island. Flow horizontal black, purple, brown and orange luster on the mountains and island. Paint orange luster on the sand area. Fourth re: Important - wipe turpenne over the areas that are painted with luster so the red resist does not sck. Resist palm trees, cows, mountains and islands, plus the inner edge of the sand. Place the lighter color lusters and orange in the area where you have painted the sun. Make sure you have the lusters on both sides of the mountains ow horizontally. Place your darker blue lusters on the edges and ow horizontally. Let the lusters dry. Remove red resist. Using a Q-p, pounce brown luster over the orange luster sand, making a texture on the orange sand. 

2024 IPAT Online Convenon Compeon“Jimmy”“Hortensia”Teri KoenigMaryland, USA

2024 IPAT Online Convenon Compeon Brenda Archibald California, USA “Curious Finnegan” Young-eun Hyeon, South Korea “Dandelion” 2024 IPAT Online Convenon Compeon“Jimmy”“Hortensia”Teri KoenigMaryland, USA

Mixed Media 2024 IPAT Online Convenon Compeon “Mama Sunday” “Oh, Holy Night” Mixed Media Mary Prui Arkansas, USA 2024 IPAT Online Convenon Compeon Chole Tam Hong Kong “Jelly Fish” Kiy Fung Hong Kong “Sunrise of Chanchun, China” 

Mixed Media 2024 IPAT Online Convenon Compeon “Mama Sunday” “Oh, Holy Night” Mixed Media Mary Prui Arkansas, USA 2024 IPAT Online Convenon Compeon Chole Tam Hong Kong “Jelly Fish” Kiy Fung Hong Kong “Sunrise of Chanchun, China” 

Celebrang the Golden Jubilee: Porcelain Painng Class at SWCS Chan Pak Sha School IPAT Master Teachers conducted a special porcelain painng class to inspire the next generaon of creave thinkers, marking one of the celebraon events for SWCS Chan Pak Sha School's Golden Jubilee Anniversary. This unique experience fostered collaboraon and arsc expression, enabling students to seamlessly blend contemporary designs with the rich heritage of Chinese culture. Together, they explored the vital role that art plays in nurturing creavity and innovaon. From le to right: Lily Huang, IPAT Teacher Chan Ying Ying, Principal of SWCS Chan Pak Sha School Dr. Corinna Siu, IPAT Teacher Rebecca Lo, IPAT Teacher 

Aer rst re Aer last re  Trace the leering onto one side of the porcelain vase.  Mix Black paint powder with Water Based Medium and Water, write the leering onto the porcelain vase with small Chinese calligraphy brush.  Apply Pearl Blue MOP Luster by synthec brush thinly onto both sides of the vase. Fire .017  Use another synthec brush, apply a thick layer of Crystal Magic to the fourth side of the vase. The coat needs to be thick enough to ow. Set it aside to dry. As it dries, it forms crystal paerns all by itself. There is no need to re Crystal Magic. 

 Paint the Anniversary Logo to the front of the vase. Fire .017.  Add colors to the Anniversary Logo. Paint the top and boom of the vase with Gold color powder mixed with open medium to reect the celebraon of the school’s Golden Jubilee.  Apply Light Green and Dark Green Lusters with separate synthec brushes in a thin vercal layer. Fire .017.  Apply Pearl Blue MOP Luster by synthec brush in a thin vercal layer to the boom part of the vase. Fire .017.  Mix White Enamel with Turquoise color powder, apply two lines along the top border of the Luster. Fire .017. 

 Paint the Anniversary Logo to the front of the vase. Fire .017.  Add colors to the Anniversary Logo. Paint the top and boom of the vase with Gold color powder mixed with open medium to reect the celebraon of the school’s Golden Jubilee.  Apply Light Green and Dark Green Lusters with separate synthec brushes in a thin vercal layer. Fire .017.  Apply Pearl Blue MOP Luster by synthec brush in a thin vercal layer to the boom part of the vase. Fire .017.  Mix White Enamel with Turquoise color powder, apply two lines along the top border of the Luster. Fire .017. Design on paper and paint freehand onto the porcelain cups. The handles on the cup and the cap are painted in gold to reect the school’s Golden Jubilee. 

STEP BY STEP OF LUSTER MUGBY MICHELLE WONGThis coffee mug isdonated to a hospital as agift to a patient duringChristmas. I want to givehope and encouragementto the patient receivingthis mug, so I chose“Believe” as my design forthis mug. Cover thenon-lusterarea withduct tapeor 3Mblue tape.1. Clean your brushes with acetone.1. 2. Pour small amount of distilled turpentine in a small dish. 3. Use a separate brush for violet, blue, and clean distilled turpentine. Page 1Design IdeaPrepare the mug forluster3. Use red resist to cover the word “Believe”.Set up work station for luster2. Trace the word “Believe” on the body of the mug. 

Tap drops of violet luster (amber color before fire) on the mug. 1.2.� Tap drops of blue luster (red colorbefore fire) on the mug.3a. Tap about 10-12 drops of distilled turpentine on top of violet and blue luster, it will create a “bloom” when distilled turpentine touches luster.4. In about 90seconds, lusterwill start to setand stop flowing.Page 2Luster on mug (1st fire)3b. At this time, luster and distilled turpentine will mix together and start to flow aroud the mug.5. Wait about 15 minutes for the luster todry, then remove the duct tape and bluetape.6. Use acetone to clean luster that gotunder the tape.7. Use tweezersto remove the red resist on the mug. Fire at cone .017.Here’s how it looks after the 1st firing 

Outline the word "Believe" with dots of raised base for gold.Page 3Base raised for gold (2nd fire)Gold bands & handle (3rd fire) Measure 1mm-2mm below the luster edge,1. apply blue tape around the mug, measure the top band’s width, then add a second blue tape around the mug2. Do the same measurement and apply bluetape to the bottom gold band.3. Apply liquid bright gold on the top andbottom bands of the mug.4. Use a small pieceof sea sponge toapple liquidbright gold onthe handle of themug.5. Remove all the blue tapes and fire at� cone .018. Here is the finished mug after 3rd firing 

Mina KwokMina KwokCaliforina, USACaliforina, USA

AAtt HHOOMMEE wwiitthh SSuuzzaannnnee Francesca Predolini Nancy Benede Birgit Porter

AAtt HHOOMMEE wwiitthh SSuuzzaannnnee Francesca Predolini Nancy Benede Birgit Porter

A World of Thanks for Your Aucon Donaon!Alice MargrafAnna Marie SkoniecznyAsya BaldwinAudny ThuestadBirgit PorterCharlie SandiferCindee McHenryCorinna SiuDonna Rasco CastleElaine RiceElvina ChanEmily DriggersKaren FredrickKate CollinsKim MilesLolita C SmithLouWayne McQuirckA World of Thanks for Your Convenon Donaon and Support!City of Grapevine CVB  Dallas China  Texans for the ArtsCorrina Siu    Fantasy Porcelain  7ͲElevenA World of Thanks to our Convenon Volunteers!Myrna SanchezNancy BenedettiNancy BergmanPaige LukensͲGreyRobin Pond Audny ThuestadBel HenshawDeborah HughesEstate of Louise DavisHwang Kyung Hee "Esther"Janet NelsonFresia LeigueJane WrightJerry SkoniecznyJoyce Preston BaissKathy CochranͲGilbertKayce VanderpoolKim MilesLetha SandiferMary HaleMary ReelNancy BenedettiNancy BergmanNils BraathenOla Andreas ThuestadPaige LukensͲGreyPaola BariPatricia HolleyͲBerganderRosemari BorgesSimonaͲMarina BraathenStephanie TaylorSusan GreathouseSuzanne PainterTana ParksA World of Thanks to our 2024 Donors!Dr Alexander & Maria BerlinAsya BaldwinCarilane Newman ViereggDécor & More GroupDr Gary BerlinJane MarcksJanet Nelson Leonid & Irina BerlinLetha SandiferMarsha WalkerNada Bin ZaalPatricia MorriceRobin PondSuzanne PainterTana ParksVal Dangerfield

A World of Thanks for Your Aucon Donaon!Alice MargrafAnna Marie SkoniecznyAsya BaldwinAudny ThuestadBirgit PorterCharlie SandiferCindee McHenryCorinna SiuDonna Rasco CastleElaine RiceElvina ChanEmily DriggersKaren FredrickKate CollinsKim MilesLolita C SmithLouWayne McQuirckA World of Thanks for Your Convenon Donaon and Support!City of Grapevine CVB  Dallas China  Texans for the ArtsCorrina Siu    Fantasy Porcelain  7ͲElevenA World of Thanks to our Convenon Volunteers!Myrna SanchezNancy BenedettiNancy BergmanPaige LukensͲGreyRobin Pond Audny ThuestadBel HenshawDeborah HughesEstate of Louise DavisHwang Kyung Hee "Esther"Janet NelsonFresia LeigueJane WrightJerry SkoniecznyJoyce Preston BaissKathy CochranͲGilbertKayce VanderpoolKim MilesLetha SandiferMary HaleMary ReelNancy BenedettiNancy BergmanNils BraathenOla Andreas ThuestadPaige LukensͲGreyPaola BariPatricia HolleyͲBerganderRosemari BorgesSimonaͲMarina BraathenStephanie TaylorSusan GreathouseSuzanne PainterTana ParksA World of Thanks to our 2024 Donors!Dr Alexander & Maria BerlinAsya BaldwinCarilane Newman ViereggDécor & More GroupDr Gary BerlinJane MarcksJanet Nelson Leonid & Irina BerlinLetha SandiferMarsha WalkerNada Bin ZaalPatricia MorriceRobin PondSuzanne PainterTana ParksVal DangerfieldEveryone brings home happiness and shares it at the next convenon. 

Porcelain Arst USPS 266-780 ISSN-08880336 © Phone: 817-251-1185 Email: oce@ipanc.org Website: www.ipanc.org Mailing Address: PO Box 1807 Grapevine, TX 76099 Physical Address: 204 E Franklin St Grapevine, TX 76051 Joyce Baiss Florida, USA Heliconia