MXG SOUNDS Issue 1 : simplebooklet.com

Jasminex-EditorwELCOME TO THE FIRST EVER ISSUE OF MXGwELCOME TO THE FIRST EVER ISSUE OF MXGSounds, A BRAND NEW MAGAZINE DEDICATEDSounds, A BRAND NEW MAGAZINE DEDICATEDTO SHOWING OFF UNSIGNED TALENT. WITHINTO SHOWING OFF UNSIGNED TALENT. WITHINTHESE PAGES YOU WILL FIND A WHOLE HOST OFTHESE PAGES YOU WILL FIND A WHOLE HOST OFSINGERS, BANDS, RAPPERS AND EVERYTHINGSINGERS, BANDS, RAPPERS AND EVERYTHINGIN BETWEEN OF ALL GENRES FROM ALL OVER THEIN BETWEEN OF ALL GENRES FROM ALL OVER THEUK.UK.Our mission is to shine a spotlight on theOur mission is to shine a spotlight on theincredible, diverse talent that MAYincredible, diverse talent that MAYOTHERWISE GO unnoticed, giving theseOTHERWISE GO unnoticed, giving theseartists the platform they deserve.artists the platform they deserve.We believe that every artist has a uniqueWe believe that every artist has a uniquestory to tell, and through MXG Sounds, westory to tell, and through MXG Sounds, weaim to bring those stories to theaim to bring those stories to theforefront. Each issue will feature adviceforefront. Each issue will feature advicefor new artists, a behind-the-scenes lookfor new artists, a behind-the-scenes lookat the creative process, and exclusiveat the creative process, and exclusiveinterviews that you won't find anywhereinterviews that you won't find anywhereelse.else.So, whether you're a passionate musicSo, whether you're a passionate musicenthusiast looking to discover newenthusiast looking to discover newsounds or an artist seeking ADVICE ANDsounds or an artist seeking ADVICE ANDINSPIRATION, MXG Sounds has somethingINSPIRATION, MXG Sounds has somethingfor you. We hope you enjoy this journeyfor you. We hope you enjoy this journeywith us as we celebrate the vibrant andwith us as we celebrate the vibrant andever-evolving world of unsigned talent.ever-evolving world of unsigned talent. hAPPY READING!hAPPY READING!John McDinesJohn McDinesPAGE 8PAGE 811

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Jimmy Oldfield Page 4Throughout 2024, Jimmy Oldfield amassed 4.7k streams onSpotify. "I just want to have fun with it and hopefully gainsome fans along the way," Jimmy says. And that's exactlywhat he's doing—creating music that speaks to both hispersonal artistic vision and the diverse tastes of hisaudience. With each new track, he keeps his listenersguessing, never shying away from blending unexpectedsounds.Whether you're listening to a solo track or one featuring acollaboration, you're guaranteed a musical treat. Each noteis meticulously crafted, creating an auditory experience thatresonates deeply with the listener. The harmony betweeninstruments and vocals allows every element to shine whileblending seamlessly into a cohesive whole.Pushing the Limits of CreativityMilton Keynes artist Jimmy Oldfield, aged just 28, isdetermined to make a name for himself with his genre-bending tracks. Carving a unique path, Jimmy draws from arange of influences that span everything from rock to deathmetal.Starting in December 2015, Jimmy began crafting music forhis solo project. However, like many artists, he found himselfunsatisfied with his work. In 2020, he made the bold decisionto have a complete reset, giving himself a fresh start. Thisdecision has defined his solo career, allowing him to refocusand grow both as a musician and a songwriter. His effortshave resulted in three demos on Spotify: Pray for the Weak,Underworld, and Take Control."I just want to havesome fun andhopefully gain somefans along the way"JimmyOldfield Jimmy's solo career is an evolving experiment in artisticexploration, combining styles from the music he listens towith his own creations. "What inspired me to start this soloproject was to further my own skills and create the music Itruly wanted to make," Jimmy explains. In 2021, he releasedhis first post-comeback album, Delusion, which showcasesheavy tones that hook listeners from the opening riff.

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Adam Leeson5That’s not all. Adam has this amazing dexterity for taking a song and turning it intosomething uniquely his own. Whether it’s his stunning cover of Ocean Eyes by BillieEilish, collaborated with AJ Wyles, or his soulful rendition of No One by Alicia Keys,he adds a touch of calm sophistication to every note. It’s like he puts his ownpersonal spin on each track without stripping away the heart of the original. Instead,he amplifies the emotion, making the song feel both familiar and fresh at the sametime. It’s the perfect balance of honouring the original while putting his own signatureon it, ensuring that you’ll never hear it quite the same way again.In 2020, Adam released two tracks. The Storm,which is the kind of track that pulls you in fromthe very first note, instantly transporting youright into the heart of the chaos it describes.With a powerful, brooding energy, the songmirrors the turbulence of a storm—crashingwaves of sound, fluctuating between intensityand moments of stillness. But what’s uniqueabout The Storm is the undercurrent ofnostalgia that runs through it. Despite TheStorm’s fierce energy, there’s something aboutthe melody and rhythm that feels familiar, like amemory tugging at your soul. The combinationof raw emotion and the gentle pull of the pastcreates an atmosphere that’s both intense andbittersweet.Hailing from the tranquil landscapes of Lincolnshire, musician AdamLeeson brings a raw authenticity and emotional depth to his songwritingthat resonates across genres. His sound is profoundly influenced by hisdiverse musical upbringing, with artists like City and Colour and NewtonFaulkner serving as major inspirations. While Adam has been creating musicfor years, it was during the solitude and reflection of the pandemic that hetruly reconnected with his solo artistry. This period of isolation not onlyallowed him to delve deeper into his work but also became atransformative time for his creative journey.Adam’s songwriting, marked by intimate lyricsand soulful melodies, has found new depth ashe transitions through different stages of life.Most recently, the birth of his daughter hasbrought a fresh perspective to his creativeprocess. This life-changing experience has notonly added new layers to his music but has alsoreignited his passion for exploring complexemotions through song. His music is as muchabout capturing universal truths as it is aboutcelebrating personal milestones. He hasdiscovered fresh inspiration in exploring theintricacies of fatherhood, personal growth, andthe love that accompanies it.A Father’s Anthem: ASongwriter’s Mission to InspireHis DaughterThe World's Game opens with a captivatingpiano and drums intro that sets a reflective,almost cinematic tone. The gentle rhythm ofthe drums complements the piano’s smooth,flowing melody, creating a perfect backdrop forthe soft, emotive vocals that follow. The lyricsevoke a sense of introspection, as if the song isguiding you through the complexities of life’schallenges and triumphs. Adam’s voice is subtleyet powerful, carrying a quiet intensity thatdraws you in, allowing each word to resonatedeeply. The track strikes a delicate balancebetween vulnerability and strength, with thestripped-back instrumentation letting thevocals shine.For Adam Leeson, music is both a personal journey and a universal language. “It’s justthat first part, getting your feet off the ground. I promised myself I’d do it for my littleone. I want her to see me do it and not see that I gave up,” Adam reflected. His songsare an invitation to connect, to feel, and to reflect. As he continues to evolve as anartist, he remains dedicated to crafting music that is honest, heartfelt, and deeplyrelatable, inspiring listeners to find solace in his stories and, perhaps, in their own.Adam Leeson

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LAVENDERLAVENDERREVIEWREVIEW2024 has been a whirlwind year for SamThomas. On 1st March, he captivatedaudiences with the release of his criticallyacclaimed dance track Neverland, a vibranthomage to the timeless never-growing-uptale of Peter Pan. From that moment, theNorth East singer-songwriter hasn’t sloweddown. Whether hosting events, running hispopular TikTok live show The MorningCoffee, or releasing new music, Sam’spassion and dedication shine through ineverything he does.Most recently, on 22nd November, Sam tooka different approach with his latest release,Lavender. This soothing track, perfectlytimed for the busy holiday season,encourages listeners to pause, relax, andprioritise self-care. With its calmingmessage and reflective tone, Lavenderserves as a gentle reminder to take amoment for yourself amid life’s hustle andbustle.Lavender is one of those songs that, from the veryfirst notes, effortlessly transports you to a placeof calm and serenity. It’s clear that Sam’sintention with this track is to lift the weight of yourtroubles, if only for a few precious moments. Whilestaying true to the lo-fi aesthetic that hasbecome a hallmark of his sound, Sam introducessubtle new layers of depth and warmth,showcasing his ability to evolve as an artistwithout losing his unique identity.| Page 6SAMSAMTHOMASTHOMAS

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“Just because you’re a “creative”, doesn’t meanthat you always need to be creating. Don’t feelguilty to take time away if you’re feeling burntout” - Sam Thomas The song’s gentle instrumentation, paired withSam’s soothing vocals, feels like a comfortingembrace. Its mellow beats and etherealmelodies create a safe haven, invitinglisteners to unwind and reflect. Lyrically,Lavender strikes a perfect balance betweensimplicity and emotional resonance,reminding us all of the importance of findingpeace in the chaos of everyday life.Since its release, Lavender has resonateddeeply with fans, earning praise for itsheartfelt message and atmosphericproduction. It has become a staple onrelaxation playlists and a source of comfortfor those looking for solace in the midst oftheir busy routines. Online, fans have sharedhow the track has provided a much-neededescape, sparking conversations about self-care and mental health—an essentialdialogue in today’s fast-paced world.Sam Thomas The success of Lavender marks a significantmilestone in the creative journey of Sam Thomas,highlighting a year filled with artistic evolution anddeeper connections with his audience. Throughinnovative projects like The Morning Coffee onTikTok, Sam has not only entertained but alsonurtured a thriving community where music anduplifting conversations blend seamlessly. This liveshow has become a platform for fans to engage withhim in a personal and meaningful way.Lavender, as a reflective gift to his listeners,showcases Sam's remarkable ability to craft soulfulmelodies that resonate on a deeply emotional level.The song encapsulates his growth as an artist and astoryteller, allowing fans to see a more intimate sideof him. As the year draws to a close, anticipationbuilds for what 2025 will bring. Fans are eager to seehow Sam will expand his artistic repertoire, and thereis a palpable sense of excitement about the endlesspossibilities that lie ahead. With his talent anddedication, it's clear that Sam Thomas is poised toinspire and connect with his audience in even moreprofound ways in the future.Page 7 |

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...one that blends the grit of country, the spirit of rock, and the energy of pop in a way that feels both timeless and fresh. JohnMcDines may not have a single out—yet—but his music is already resonating with audiences through his raw, heartfeltperformances on TikTok Live. With nothing more than a guitar, his powerful voice, and the kind of honesty that grabs you fromthe first note, John is quickly building a loyal following online.For John, music isn’t just something you hear, it’s something you live and breathe. Growing up in Glasgow, he was steeped inmusic from an early age. Influenced by his late father and uncle, both musicians, John learned that for some, music is morethan just a passion; it’s a way of navigating life’s highs and lows. It was through music that John found his voice, and after yearsof quietly honing his craft, he’s now sharing it with the world.John McDines9Despite having only recently begun performing live, John’sjourney to this moment has been years in the making. Openmics across Glasgow and South Lanarkshire were the firststages to experience his gravelly, soul-stirring vocals. But hisrecent move to TikTok Live has been a game changer.Unfiltered and authentic, these performances offer fans achance to connect with him in real time, while also introducinghis original music to a global audience.When you listen to John McDines, you’ll hear echoes of hisinfluences—Neil Young’s folk-infused melodies, ChrisStapleton’s country soul, and Pink Floyd’s atmospheric rock.But what sets him apart is his ability to blend these styles intosomething entirely his own. His songs are rich with storytelling,weaving together themes of nostalgia, identity, and thecomplexities of relationships, all set against the rugged beautyof Scotland. There’s grit in his voice, but also tenderness, withevery word delivered in a thick Scottish accent that addsanother layer of authenticity to his sound.Though John is still in the studio working on his debut single,his live performances are where the magic happens right now.His TikTok Live sessions give fans an intimate look into hiscreative process and a preview of what’s to come. Each sessionfeels like a personal concert, with John’s emotionally chargedmelodies and anthemic hooks pulling listeners in, leaving themwanting more.As John prepares to take his music from TikTok to stages acrossScotland, there’s no doubt that he is a star on the rise. Hisvoice tells the story of a life steeped in music, of a man whosings because it’s in his blood. And if his TikTok performancesare any indication, John McDines is set to become one ofScotland’s most compelling new artists—whether he has asingle out or not.For now, the best way to experience his music is to tune in,listen closely, and watch as John McDines brings the soul ofScotland to life, one song at a time.

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My real first name is Jack. Fox is my nana's maiden name.My grandad was a working stand-up comedian for 50 years,and his real government name was Thomas Duffy. When hefirst started doing clubs, he was a singer and went by thename Tommy Duffy. But back in the day, there was also asinger who was a bit more popular than him called JohnnyDuffy. So before social media, when you would advertisegigs just by word of mouth, pubs would say Tommy Duffy isplaying here this weekend, and if you’d had a couple ofdrinks, you might accidentally think it’s actually JohnnyDuffy. Some people would turn up to my grandad’s gigsthinking they were seeing Johnny Duffy when, actually, itwas Tommy Duffy. Some people were annoyed by that, somy grandad decided to change his name to Alan Fox—Alan,just because it was ‘A’ and ‘A’ would appear first in thephone book. That’s how you’d get gigs in those days: peoplewould look in the phone book.When I first started my career as a rapper, I used to go by"Big Jack," which I always thought was a cop-out; it's astupid name. Somebody called me that, and I was like,"Okay, sure, let’s go with that." But when I started to take ita bit more seriously, I just thought Jack Fox was better, and Iwanted to put everything under the same umbrella. So, I docomedy under Jack Fox and my rap stuff under Jack Fox aswell, and it has a better ring to it, I think.I like telling the story. I meet people in comedy who I haven’tmet before, so they just think it’s my real name and don’tquestion it. But I like going by Jack Fox, and I like the storybehind it, so I don’t mind telling it at all.Firstly, how did the name Jack Fox come about?Would you say your grandad has been a source ofinspiration for you?Oh, absolutely. Not necessarily in terms of material and stuff,because if you ever watched any of his performances, it’s veryold-fashioned. He wore a suit and did set-up, punchline, set-up, punchline-type jokes. But his work ethic and the way heconducted himself—he was his own agent. I used to hear himon the phone booking gigs, and he’d do eight gigs a week,sometimes gigging twice on a weekend, on both Saturday andSunday. His work ethic and the way he conducted himself—everything—I watched that as I was growing up, and it’s justseeped into my brain.Speaking of inspiration, you have a podcast called Tiredand Inspired known for its humorous anecdotes andcomedic fake sponsors. What motivated you to start this?During the pandemic, I think everyone was bored and lookingfor things to do, and I really got into listening to loads ofpodcasts. Whenever I’ve been really inspired by something orwhenever I’ve really enjoyed something, I’ve always wanted totry it myself.Even when I was a kid, when I first got into football, all I used to dowas dress in football kits and kick a football around the house. It justescalated from there. I thought I’d try making a podcast because Ihad all the musical recording equipment, so I just thought, “Fuck it,I’ll just do it.” It seemed really easy to do. I did it, and people seemedto quite like it, so I just keep doing it because it’s fun.Funnily enough, I was uploading next week’s episode and scrollingthrough the archives, and the first episodes are a lot of me just going“erm… er” and stumbling. I didn’t know what to say. But thisweek’s episode, I go on a 20-minute rant about hoodies and T-shirts,and it’s absolutely ridiculous, so I think I’ve gotten better at it.In 2018, you challenged yourself to release 1 EPevery single month. How did that come about?Well, to be perfectly honest, I think it partially came about becausemy favorite band of all time is the Red Hot Chili Peppers. Theguitarist, John Frusciante, is arguably my favorite artist of all time asa solo artist. One year, he put out six albums in one year. I mean, Iguess it helps when you’re the guitarist of the Red Hot Chili Peppers,you know? He released loads of different albums—an electronicalbum, an acoustic album, a full-on rock album—and when I firstheard those, I thought, “Holy shit, this is unbelievable.” ForChristmas in 2017, I got an audio interface. During the weekbetween Christmas and New Year, I recorded four songs just messingaround with a guitar, and I was like, “Oh, there’s a little EP; sure,why not?” In January, I recorded four rap songs and thought, “Oh,I’ve made two EPs in two weeks here.” I just wanted to challengemyself, so I decided to release one in January, one in February, and Ithought, “I’ll do one in March as well.”I just kept going, and I have a little bit of ADHD, where if I startsomething, I have to finish it. I couldn’t just do three and leave it atthat, so I thought, “Fuck it, I’ll do it for the whole year.” I got betterat using this little device, better at recording, and better at learninghow to play things on my laptop and guitar. I just kept going with it. I wanted to also try and make a name for myself in the scene. I waskinda just starting out and a lot of people who I looked up to in thescene were like “oh you’re releasing an EP a month that’s absolutelymental” and I was like “well yeah I know but at least you’re talkingto me now.”How did it feel when you released Words & Animals inDecember knowing you had completed the challenge?It was cool. I was contemplating keeping it going and doing it overthe next year as well, but I thought, no, that’s absolutely ridiculous.Words & Animals was the only one where I purposely had a featureon each track, and it was the one where I went into a studio torecord them. The other ones I just did in my bedroom, so it was goodto do the last one “properly” and go into a studio with some peopleto record it. It felt fitting to round it off that way.My girlfriend, Christina, really likes that EP. I feel like I was throwingin the towel a little bit. I think some of the verses that I wrote were abit phoned in. I ran out of energy and ideas, and I wrote them reallyquickly. They’re not my favorite songs, but I’m still pleased with howit came out.

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So you’re a rapper, a stand up comedian, a drummer in botha RHCP band and in Hivemind, an original band. You have apodcast, and you have a gig where people pay you to writemusic for them. You have a lot of projects, do you everexperience burn out? How do you unwind?The short answer is yes. I don’t know; I do a lot of stuff, but it’s myjob, so I think you have an obligation to show up to your job, nomatter what it is. Fortunately, most of my daytime is actually quitefree, so my life is kind of upside down. I’m mostly busy in theevenings, so during the day, I’m not doing much unless I’m writingfor a customer or recording something. But I’ve got that down to ascience now; I kind of know what I’m doing.If I ever want to hang out with my girlfriend, one of us has to hop theAtlantic pond, so I go over to America a few times a year. You’ve gotto have hobbies as well. Speaking of my girlfriend, I love football. Afew years ago, I was really into football tactics (I still am, to adegree). I think it was during the pandemic when I was playingFootball Manager while also making an EP a month—because I’m afucking idiot. I was really into the science of football and the tactics,and Christina was trying to persuade me to do football coaching. Iwas like, “I can only do so much; this is ridiculous.”I like having some things as hobbies, like I was saying before—whenI’ve been interested in something, I’ve always wanted to pursue itand do it for myself. Football is one of those things that I was like,“No, I need to keep this as a hobby; I need to keep this at arm’slength.” I watch loads of TV shows and movies, too.I have definitely experienced burnout. It tends to happen when I dolots of things. For example, Hivemind, my originals band, issomething we take very seriously. I’m under no illusions that we’regoing to headline Glastonbury next year or whatever, but we do takeit seriously. When lots of things are happening in lots of differentfields, that’s when I experience burnout.A couple of weeks ago—this is a real look behind the curtain—myRHCP band played at Trillians in Newcastle, which is one of the bestvenues in the city. It's always a highlight of the year for us. Then, theweek after, Hivemind had our headline show at The Cluny and wasalso releasing our new single, so there was a lot of pressure. I wasdealing with the Chili Peppers lads, trying to make that show asgood as we could, while also handling Hivemind—we were trying tocreate content, make the show the best it could be, and release asingle. I felt really pressured.What ended up happening is that I had a big argument with oursinger in Hivemind, Georgia, who’s like a sister to me; I love her todeath. It was really unlike us to have such a big argument. We had afalling out, but everything’s fine now. I called her and said, “I’mbeing a dick; I’m under a lot of pressure, and I’m stressed.” Butthat’s the downside of it. A lot of people say to me, “Oh, you do somuch; how do you manage?” On social media, you can make it lookreally easy and fun, and it is fun, but it’s also hard work. It’s likejuggling a lot of plates, and when it gets on top of you, it can reallyweigh you down.It was uncharacteristic for Georgia and me to fall out like that. It onlylasted for about an hour, then we called each other, sorted it out,and everything was fine. It’s just what happens, isn’t it? But peopledon’t see that; we didn’t post about it on social media. People justsee the shows, the streams, and whatever else. Burnout is a realthing, and pressure and anxiety happen too. There isn’t really a wayto avoid it because I still love what I do, and I’m not going to stop forany reason I can’t solve.

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With working across a range of creative fields, how dothese different mediums influence each other in yourwork?Who would you say is your dream music collaboration?I have a few dream collaborations. For rapping, I would love toget a beat from The Alchemist. It probably wouldn’t happen,but I would like to try. It’s controversial, but being in thestudio with Kanye West while he’s making some absolutelymad shit would be unbelievable. However, if we’re talkingmore realistically, I’d love to work with Rick Fury fromNewcastle. I was really into rap music when I was in school,and he was the first person I heard who made me think, “Oh,you can do it in our accent and talk about stuff that’s relevantto us; that’s really cool.”As for drumming, the Chili Peppers are my favorite band. I’dlove to jam with Flea and John Frusciante; that would be reallycool. But I also love playing with Hivemind—those are myguys. Whether it’s jamming on something random, making anew song, or playing some of our old songs, I just love doingthat. I’m definitely a band person. I’ve tried to do drum solos,but I really enjoy playing with others. I’d love to play with Flea;that would be unbelievable because he’s just an incrediblemusician, isn’t he?If you weren’t a performer, what would you be doing?Before I did all this, I was teaching music at a college. That wasgood and very fulfilling, but I can’t imagine myself doing anythingelse. I used to give one-on-one drum lessons to some friends, andthat was fun. However, that phrase “those who can’t, teach” it felta bit like that. When I was teaching college kids, you don’t reallyhave to do a lot of actual teaching; you just need to keep them onthe right path. When they asked questions, my experience allowedme to guide them, which helped a lot.I think the drumming, rapping, and comedy I do are all abouttiming. I’ve even turned punchlines from rap songs into jokes.Comedy and rap are closely related because both involve writingand timing, while drumming is different since it involves workingwith others. Though some rappers, like Post Malone and MGK,cross over into other areas, you don’t often find drummers whoalso rap and do stand-up, aside from a few like Fred Armisen andBill Burr. It might be a timing thing, but I haven’t really thoughtmuch about it.Some of my favorite lyrics are the ones that people don’t really pick upon. I have some random football bars, mostly comparing myself to howI look like certain players. For example, I have one about KarelPoborský, who was an old Man United right winger. There’s also a linein Flashmen where I say her pussy looks like a sideways cheeseburger,which is pretty funny and always gets a reaction. A lot of theoutrageous sex bars, like “I’m in her mouth twice a day like atoothbrush”. In Times & Places, when I say my hair looks like Baggiofrom ’94, I was really proud of that one. Roberto Baggio had thosebraids during the World Cup in ’94, and nobody seems to ever pointthat out, and I’m like “it’s a fun lyric!” Comparing my hairstyle todifferent footballers is really fun for me, even though it’s so stupid. InShotgun Hotline, I say my hair looks like Muzzy Izzet, which is justridiculous. I like bars that make people think, “What are you talkingabout? That’s so ridiculous!”—where it’s on the edge of “that’s thehardest bar I’ve ever heard” and “that’s absolutely fucking ridiculous;why did you even say that?”It was fun because I was a student there, so I know what it’s like tobe discovering all these new bands. When I signed up to do musicat college, I went in very single-minded, thinking, “Oh, I’m arapper, and I only like rap music; everything else is shit.” But itreally broadened my horizons. I came out loving The Beatles,Zeppelin, Hendrix, The Beach Boys, Steely Dan, and all these bandsI didn’t even know existed or thought, “Oh, my dad listens tothem.” It’s fun to discover that stuff, so teaching at a level whereyou can talk to the students as people would be really cool.You’re known for the best football bars in the North Eastand some pretty out there lyrics. Do you have a favouritelyric you have written?2022 was a big year for you, with headlining your own gigas well as having a solo festival slot. Additionally, you’vesupported such acts as Goldie Lookin’ Chain, Lazy Habitsand BUSHROD. What would you say was your biggestachievement so far?Doing my own headline show was really cool, but there was a lot ofpressure and stress involved. Anyone can put a gig on anywhere,which is great, but doing it in a proper venue, selling tickets, having asolid lineup, and running a theme through the night—that was reallycool. Then from the way my grandad would look at it, going back towhat my grandad was like, it was about making a career out of it. I’mnot the biggest star in the world, but making a living off my music isan achievement in itself, I think. Getting Hivemind to a point wherewe’re respected and recognized by our peers as a good band has beenfulfilling. We just played a gig that was packed; people were crowdsurfing, starting mosh pits, and jumping around. The biggestachievement for me is when, at a live show, people know the words toour songs. When they scream the lyrics in my ear or I can hold the micout to the audience, and they shout the lyrics back at me, it’s anincredible feeling. We have a song in Hivemind called A Lullaby High,where the bridge just repeats, “you’re a lullaby.” Every time peoplesing that back to me while I’m playing the drums, I tear up. I knowwhat it feels like to be in the crowd for a band I really like, and to havepeople connect with us like that is unbelievable. I also have thatexperience with Drive A Car With Your Eyes Closed, where peopleknow the words. I’ve supported Goldie Lookin’ Chain twice, and whenI get an email asking, “Do you want to support this person?” it’salways fun because it shows that people trust me to open the showand set the tone. The biggest achievement is people connecting withmy lyrics or turning into fans. When I come off stage, and someonesays, “Oh, I love that song,” or “I just followed you on social media,”that’s a big deal for me too. Connecting with people is the reason Istarted doing this, so anytime that happens, it’s a tick, a highlight, andan achievement in my book.

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What’s next for Jack Fox?Aye, it’s always what is next, isn’t it? Over a year ago I actuallyAye, it’s always what is next, isn’t it? Over a year ago I actuallyrecorded a full EP and I’ve been performing some of thoserecorded a full EP and I’ve been performing some of thosesongs at live shows as well to the point now where I’m startingsongs at live shows as well to the point now where I’m startingto get bored of them already but I haven’t released them. It’s 5to get bored of them already but I haven’t released them. It’s 5or 6 tracks, and I’m really really proud of these songs but I’mor 6 tracks, and I’m really really proud of these songs but I’mjust scared to release them. In that time, I’ve recorded andjust scared to release them. In that time, I’ve recorded andreleased a full other EP that I recorded in America so I shouldreleased a full other EP that I recorded in America so I shouldrelease it really. It just comes back to what I was saying beforerelease it really. It just comes back to what I was saying beforeabout juggling loads of plates and find the right time where Iabout juggling loads of plates and find the right time where Ihave got a gap in my calendar to set this out and I want to dohave got a gap in my calendar to set this out and I want to doanother headline gig for it as well but it’s just finding the rightanother headline gig for it as well but it’s just finding the righttime for it, so to answer your question, that. I should release ittime for it, so to answer your question, that. I should release itbecause it’s pointless just keeping it on my laptop and I reallybecause it’s pointless just keeping it on my laptop and I reallylike it and I’m really proud of it. That will be next. I don’t knowlike it and I’m really proud of it. That will be next. I don’t knowwhen it will be, but that will be next, releasing an EP. For me,when it will be, but that will be next, releasing an EP. For me,as a rapper anyway. With Hivemind, we’re going to just keepas a rapper anyway. With Hivemind, we’re going to just keepwriting songs and doing gigs and become millionaires nextwriting songs and doing gigs and become millionaires nextyear.year.

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What is the best way to Explore. Find your sound. Try not tolisten to too many outside influences,but find a few people who you feelcomfortable enough to share yourcreations with and get some feedback.Art takes time. Never rush. worry aboutrecord deals and albums later!You're the artist. You're the personthat is in control of that. TIME.Take big bands (such as one of myfavourites, the Arctic monkeys forexample) they're clever in the factthat they don't put albums out justto cater to demand. It depends onyour team. With...Welcome to the Soundboard: MXG Sounds'exclusive advice column presented by musicianSam Thomas and his manager Sarah Attoe,drawing from their extensive experience invarious sectors of the industry18So I’ve been inspired QUESTIONto become a musician. What now?Be authentic and patient with theprocess. If you have a true passionfor it then this will come easy butit's important to let yourself bewhoever you come to be.QUESTIONfind my unique sound or style?Writing about what matters toyou and going with your gut whenwriting. It can never be too muchof something. You have to kind ofbegin creating and then see wherethe process takes you. The morenatural it all feels, the easier itwill be. Do I need any expensiveQUESTIONequipment?No. You have to be creative with thetools you have and in turn that willhelp shape your sound. No! Start with a pen and notebook, yourbrain is your muse and your voice yourinstrument. There are free apps nowthat you can make magic on and theydon't cost a penny.How can I gain confidence in QUESTIONperforming in front of an audience?By doing it over and over again andalso having your friends and familycome along to support. Focus onthem when you are performing andyou'll feel safe.Also showing up to an open mic andusing that as not only a way topractice but meet fellow creatives!What’s the best way toQUESTIONnetwork with other musicians and industry professionals?Be yourself first and foremost andbe respectful. Show support wheneveryou can and make sure it is genuinewith every interaction you make bothon social media and in real lifeOpen mics, social media, but also justgood old fashioned networking. Getmessaging, chatting, you'll be surprised.How do I start bookingQUESTIONlive gigs as a new artist?Find a venue you really love andpitch them your idea. I'd alsorecommend giving other artists andbands bands an opportunity toperform and support you on the billtoo. That way you will expand youraudience. Start close to home. Find local gigspots that you think will suit youmusically. Basically, just enquire.Have an email template ready to goand adjust as you need to make sureyou include any links too, and makeall your profiles uniform and easy tonavigate.How do I promoteQUESTIONMy music?When you have the passion anddrive to do so, you'll feel inspired.Once that spark is there, you gottaignite. Utilise that flame until itburns out. Plan plan plan! Give yourself enoughtime to promote, let it marinate withyour audience then final push in thelast week on the socials

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QUESTIONWhat are the most common kit?QUESTION I feel burnt out, how can I stay motivated?Should I create a press mistakes a musician can make, andhow can I avoid them?QUESTIONWhat is the best way to learn about the business side of the musicindustry?QUESTIONQUESTIONHow important is feedback On my work?19Burn out. It is so important torecognise when you're running onempty and take that time away torecharge. I would hold this as thehighest priority. Trying to please everyone.Remember you're the artist andyour voice is the one being listenedto. Also, never get an ego. Havesomeone who you trust that you canask to keep you grounded as andwhen you need it. QUESTIONHow do I handle rejection in the music industry?Focus on the constructive sideof itand purely as opinion. NOT fact.Music is subjective and youraudience IS out there. You just haveto stay true to who you are and bepatient. Your vibe attracts yourtribeAs blunt as it sounds, you get usedto it. It's a cut-throat industry that90% of artists never see the top of.That doesn't mean you can't besuccessful in your own right andmake a living from it and be happy.Find your own path.I think it's hard to have a businesshead as well as a creative one sothat is why building a team is soimportant. Do your own research, try to setupmeetings or attend events. Beforemanaging Sam, my experience was adancer and I worked full time betweenjobs for an accountancy firm who wasone of the best in the entertainmentindustry, So I owe them a lot in regardsto knowing the legal and financial sideof things! It's always worth being a niceperson, you never know when you mightneed their advice.Take time away and don't feelguilty. Your music will be there whenyou need it again.Before I met Sam I would feel bad fortaking a break. It's taken practice. I'mnot great at stopping, but you have tolisten to your mind and body. As adancer, I have experience in that. yourmind and body are your bread andbutter. You need to take time to be you.The feedback that matters is yourown. Trust your instinct and believe in your art.Always great! But only when you feelready to share. Maybe start withpeople you know who will be honest butconstructive. Also, share with your workwith your peers, such as at open micnights.Yes. A press release is so important.The more professional you look themore serious the industry will takeyou. Having a kit is always useful.Keep it short, not too braggy andjust keep it about you and the atyou make.The Soundboard is inpartnership with The MusicalCompass podcast. Two friends, endless topics.Diving into everythingand anything withunapologetic honesty.Whether you're curious aboutnavigating the music industry, honingyour craft, or balancing thebusiness and creative sides of yourcareer, Sam and Sarah are here tooffer their advice.Got a question for The Soundboard? Submit it hereKit?

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Greg Murray & The Seven Wonders is a band that refuses to be confined to anysingle genre. Their music blends the unmistakable twang of Irish-Americana with thevibrant energy of Latino influences, the raw edge of "death country," and thesoaring power of anthemic, larger-than-life choruses. This eclectic mix of soundsforms a musical landscape that rises and falls with incredible emotional depth,taking listeners on a journey that spans everything from soul-stirring ballads to life-affirming, euphoric anthems. Powered by rousing guitars, lush keys, and bold brass,the band’s sound isn’t just heard—it’s felt deep within.At the heart of the band is James Gregory Murray, a Northern Irish singer-songwriter whose artistry goes far beyond the mere act of writing music. Murray isthe driving force behind the band’s identity—writing the lyrics, crafting themelodies, playing guitar, and leading with his distinct, evocative vocals. His music isa reflection of both his personal journey and universal emotions, blendingvulnerability with resilience in a way that resonates deeply with audiences. Trackslike Tore My Heart Out and The Way She Talks are prime examples of his rawstorytelling talent, weaving complex emotions into each note and lyric. Each ofthese songs showcases a different facet of Murray’s musical range, whether it's thegut-punching confessions in Tore My Heart Out, or the exuberant, joy-filled energyof The Way She Talks.In Murray’s vision, music is aboutconnection. For Greg Murray & TheSeven Wonders, the band is not just acollective of talented musicians; it’s afamily of close-knit friends, eachcontributing their own unique skills tobring Murray’s compositions to life.This collaborative spirit is evident inevery note they play, as eachmember pours their heart and soulinto every performance. Together,they craft music that is more thanjust a collection of sounds—it’s ashared experience that inviteslisteners to not only hear the musicbut to truly feel it. The band’s soundis a celebration of the emotionalpower of music, as well as the bondof friendship that fuels their creativejourney.The band’s music is an exploration ofcontrasts—haunting, poignantmoments balance the uplifting andtriumphant choruses that they areknown for. Their ability to shiftbetween these emotional extremes iswhat gives their music such anarresting power. Their most recentrelease, Seen An Angel, a Christmassingle, perfectly captures thisversatility. The track adds a joyful,festive twist to the band's musicalportfolio, showcasing their ability tostir the soul while offering a freshperspective on the holiday season.The beauty of Greg Murray & TheSeven Wonders lies not only in therichness of their sound but in theauthenticity of their storytelling. 20Greg Murray andThe SevenWonders"Just to get out there to entertain is a great honourand a luxury that we as a band do not take forgranted" - Greg Murray, interview with The Sentinel

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The Human Experience When I started out, I ended up playing all of the local venues thatI wanted to play, so your academy gigs, The Cluny that sort ofthing, locally they’re really good venues to play. Once I’d donethem I just started taking gigs at venues that I thought wereinteresting. Sometimes a bit odd, sometimes a bit weird. So, I didthis sort of Hippy night market thing, that was kind of cool. I likethat because you could get their attention onstage while they arethere for something completely different that’s kind of a vibe initself. It would have to be something completely stupid. Like an oilrig, not with a crowd, just while people are doing their jobs. See ifI can distract them. It’s not just about the performance, it’s like your personality isdifferent when you’re wasted on stage compared to what it iswhen you’re not and you can get banned from a lot of places andsome radio stations. Generally if I’m doing a gig I don’t drinkbeforehand so I leave it all until afterwards. Coca cola as well. It’snot product placement, it’s just really good for lubricating thethroat. So, if I can get sponsored by them that’ll be great.Who has had the biggest influence on your life, personally orprofessionally? In the least arrogant way, I’d have to say myself. I have threesingles out at the minute but I have been writing for 15 years. I’dreleased CDs beforehand. The theme of all the songs, even theones that might sound a little different or tell some sort of obscurestory, it all just draws back to what I call the human experience.So it’s always processing emotions, like the stories might be toldaren’t true stories necessarily but they’re based on things that I’veseen or things that I’ve experienced and then trying to tell thatstory from the perspective of either myself or what I think theperspective of somebody else is so it’s everybody around me butalso mostly just my own experience. Introducing...Richard AytonHey Richard. Let’s get to know you a bit more. What was the first ever albumyou bought?The first album I bought with my own money was Dookie byGreen Day. It was purely based on the fact that the case wasgreen and there was poo related drawings on the front. I was like10 years old, so to me that was the funniest thing I’d ever seen. IfI had to be honest and say the first one I ever owned was Life bySimply Red. I got it as a Christmas present and I liked one songon the album so I would just listen to that on repeat for about ayear. North East singer-songwriter RichardAyton is making waves in the local sceneat the moment. Having previously beenbanned from a charity gig, he promised tobe on his best behaviour when we satdown with him. 22What’s a passion or hobby you have outside of music that people might notknow about? This changes every week. I get sidetracked on a lot of sidequests like I just sort of forget to do anything else other thanrandom things I pick up. I build a lot of things, like build randomcomputers. If I’m not at work or out doing something I’m at homewith my guitar or piano. I can’t binge watch TV shows. I end upsitting there halfway through an episode of something and I endup picking my guitar up and then complaining that I can’t hearwhat I’m watching because I’m playing guitar which has annoyeda lot of ex girlfriends. If you could perform at any venue or event in the world, where would it be andwhy? Do you have a ritual or routine before you create or perform music? Yeah. Performing is very different to be fair. I learnt very early onnot to get drunk before I go on stage. It’s a disaster. What’s a song or album you’ve been listening to on repeat recently? In The Aeroplane Over The Sea by Neutral Milk Hotel. It’sprobably been this year's obsession. It’s more to do with thesongwriting in it - it’s really bizarre. Really obscure. The reasonwhy I fell in love with this album is because of the way it’srecorded. It’s all very DIY and that’s kind of the ethos I’m goingfor at the minute. I have dealt with indie record labels in the past -didn’t care for it, so when I decided to start up again last year orso the idea was that I was going to do everything in house interms of recording, mixing, planning, booking everything it’s justall done in house now

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Introducing...23What do you hope people take away from your music, beyond the lyrics? I don’t really think about it, to be honest. If people like it, thenthat’s enough for me. If they don’t like it, that’s fine as well, aslong as there’s some kind of reaction to it. The worst thing thatcould happen is if it becomes background music, like elevatormusic. I wrote a song a few years ago, which I do plan to releaseat some point. It came from personal grief, and the idea behind itwas imagining watching someone you love on their deathbed. Itraises the question: What are they thinking in that moment? Iknow what I’m thinking and how I’m going to cope, but I wonderwhat’s going through their mind. They can’t communicate that,but I can’t help but wonder.I played that song at a show once, and one of the guys there hadjust lost his partner about a month earlier. As I was playing, I sawhim crying in the audience. Afterward, I spoke to him, and he saidit was the first time he’d heard that feeling articulated in that way.It was sad, but it was nice to see someone react to it the way itwas intended. There are no original ideas in what I do; it’s justthoughts that everyone has, but I try to articulate them in a waythat works for me, even though I’m not great at expressing myselfotherwise.There are things I haven’t finished and released yet that would beup for consideration for different reasons. Be it lyrically ormusically. But from what I’ve released so far, I’d probably go withthe last single, ‘Hey,Yeah’. It’s nothing lyrically profound, it wasjust capturing a feeling I had one morning. I’d been in a bit of aslump and woke up with unusual optimism one day and the songmore or less complete in my head. I wanted to start it as a janglyacoustic track, akin to my previous singles, but to crescendo intosomething more orchestral with brass, strings and piano. Iwanted something that started very black and white and thenadded hints of colour throughout, which would all come into playhalf way through and continue to build until the end. The resultwasn’t perfect but it was musically ambitious and I learned a lotfrom the process.What’s a song or project you’re most proud of, and why? What do you find to be the most rewarding part of being a musician? There are a couple of clear rewards, and I’m sure this varies fromperson to person, but it’s a combination of the connections thatyou make with people and the means to express things that Iwouldn’t otherwise be able to articulate. I generally start with aguitar or keyboard and just play the first thing my hands decide toplay. That will translate to a sound that reflects how I feel, andthen I’ll improvise a melody and lyrics over it, and that will usuallysay exactly what I was wanting to say. And then I get to movearound and perform it to, and alongside, incredible people.Meeting other musicians and creative people is such a blessingand is absolutely my favourite part of being a musician.What’s a lyric you’ve written that means the most to you? That’s most likely from the stuff I’m currently working on andhaven’t put out yet. There are a couple of tracks exploring humannature, loneliness and the need to find purpose. If I had to choosea line or two from them, it may be “Your kindness a rarity, I don’twant to hurt you, but it’s in my nature now to exploit your virtue”.It’s from one of four songs loosely following a single story.What’s a dream you’ve had outside of music that you still want to achieve?I don’t think I have any these days. There’s just the endlesspursuit of trying to do the right things and be the right person. Idon’t know what any of that is, which is why it’s probably endless.A film is being made about your life, who is playing you?Absolutely no resemblance or any logic behind this decision, butI’d want to be played by Elvis. I just think watching Elvis relive mylife experiences, whilst dressed in a diamond encrusted jump suitand with his full Elvis accent, would be surreal.What was your first gig/concert?My first gig was the ska band Bad Manners. My dad took me inthe 90’s when I was very young and I’d never seen live musicbefore. I just remember looking around at people pogo dancingand then thinking how cool it must be to be able to make peopledo that.Have you had any stand out experiences when performing?I need to be careful with this answer because not everything isprintable and I have a track record for saying the wrong things tothe wrong people at the wrong time. Getting stage rushed by abeehive’d woman while I was covering an Amy Winehouse songwas definitely an experience. She took the mic and startedsinging, so I started playing the chords to Wonderwall instead.This seemed to trigger something inside of her and just as shewas raging on the stage, she was tackled by security andescorted out. That or being reprimanded by a local radio stationwho were broadcasting a charity gig live (I didn’t know this washappening) and I proceeded to drunkenly heckle a perfectly nicecrowd from the stage in between songs. Which is why I no longerdrink and gig.

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HAVE YOURSAY!THANK YOU TO THISTHANK YOU TO THISISSUE'S CONTRIBUTERSISSUE'S CONTRIBUTERSMXG SOUNDSWhether you are a musician, a photographer, a reviewer or just have aquestion for us, we would love to hear from you. Are you an unsigned artist ready to share your music withthe world, or a reviewer passionate about discoveringfresh talent? We want you to join us! Head over to ourwebsite to submit your profile and become part of agrowing community of creators and music lovers. We’rehere to spotlight your talent, amplify your voice, andconnect you with others who share your passion. Have aquestion for The Soundboard? You can submit that onthe website too! Dan Low is a talentedphotographer whocaptures musicians in aspecial way. His photoshighlight the beauty oflight and composition,making each image feellike a song. Every portraitshares a unique story,combining art andemotion. Dan turns quickmoments into beautifulpieces of art, showing hisskill in capturing musicalportraits. We areconstantly amazed by hiswork!Sarah is our unstoppablework managerextraordinaire! She's theglue that holds this wildbunch together, thecompass that keeps usgrounded, and the enginethat powers us forward.Her hustle, humor, andheart are the perfecttrifecta that makeeverything click. Thank youfor juggling a million thingswith grace and making itlook easy—we’d be lostwithout you!Sam Thomas: the beaconof hope and harmony weall need! His unwaveringbelief in us inspiresconfidence, and hisheartfelt songs are likewarm hugs that remind uswe’re never alone. Hismission to build acommunity through musicand connection is a gift tothe world, bringing peopletogether in a beautifulsymphony of shareddreams and mutualsupport. Sam, keep shiningyour light—it’s contagious,and we’re all better for it!www.mxgsounds.com