S&N Digital Magazine 2024 : simplebooklet.com

2‘Eudaimonia’, the path for sustained happiness.Scene: The Weaving Room in a school. Calm & serene. The place where students engage with themselves and be in their own world for the whole period, experimenting and reﬂecting with patterns and colours on Handlooms. The resourceful music teacher starts singing a beautiful melody created with just 3 notes Sa, Ri, Ga.S, RG S,,G, SR G,,The students pick up three colours of their choice and start weaving on their Handloom and create a beautiful, colourful woven pattern as per the notes.R, SG R,So sings a student as she is weaving and she can’t wait to see how the colours will transform into a weaving pattern with her new tune. Whoever said ‘Weaving is visual music’ will shower accolades on this music teacher and the students! Well, this is not a ﬁctional story. This took place at Arsha Vidya Mandir, Chennai, the school which implemented Shuttles & Needles ‘BrainWeaves’ program a few years ago. This musical weaving was a collaborative project conceived by the school’s art teacher and music teacher. The students, as you see, learn the concepts of musical notes and also learn the basic elements of design, colours and composition as they happily sing & weave. You should have seen the beaming faces at the end of the class, ﬁlled with pride & joy!Weaving is not just a craft. It is so much more than that. It can be an expression of music, it can be an expression of a polynomial equation, it can take the principles of computation, and it can be an expressive art form too. It gives us the opportunity to understand the culture and intellectual capabilities of people from remote past and also build on the concepts to connect with the future. The rhythmic movement of our hands and limbs along with the focused approach to creation improves our emotional well-being. And the woven piece acts as a tangible testimony to celebrate the process of creation. A sort of psychic nourishment.Aristotle perceived the ‘highest human good’ and happiness as “eudaimonia”, the ﬂourishing of humans. (The Greek word eudaimonia translates as ‘good spirit’. eu-good; daimon- spirit)Modern philosophers interpret eudaimonia as the state of happiness which is derived from a combination of different factors: Choosing an action that not only actuates our inner self and contributes to our personal development but also gives a sense of belonging. And that action should encourage us to ‘be in the moment’.Sort of “Becoming, Belonging and Being”. Mind you, they do not talk about seeking pleasure as a means to achieve a state of happiness or well-being.Weaving and textile crafts as creative leisure activities seem to ﬁt perfectly with the concept of eudaimonia. We try to excel in what we ‘do’ and we ‘become’ better with our knowledge and skills, we feel socially connected and get a sense of ‘belonging’ to the culture & people and of course, totally ‘be’ in the moment and feel relieved from stress! At Shuttles & Needles, we are happy to play our part in spreading ‘eudaimonia’ to everyone! And yes, starting young deﬁnitely helps!Editor’s note by Naresh Ramasubramaniam

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3Contents :Beyond the Loomby Sasha & Ditya, Class XC, Babaji VidyashramContradictionsby Shivam Sharma, Knitwear and costume designerBhoomiby Kalyani Pramod, Fibre Artist and designerHand Spinning for Knittersby Lalitha Alwan, Knitwear Designer and Hand SpinnerArtistry in Threads- Jacquard weavingby Yasoda Ramesh, NID AssamFrom Threads to Thriving Ventures with Pashminaby GHE, social enterpriseWeaving the Art of mindfulnessby S.Vijayaraghavan, KC High International schoolSAORI- an amalgamation of context & feelingby Varshikaa MenonNAURASPUR- Textile Art installation at Bangalore airport by Pragati MathurProfessional Weavers: weaving as leisure craftFormal education for the uninitiatedby Anaka Narayanan, Designer & WeaverBeaming with joyShowcasing Beginner weaversSounds of CanBridge – Weaving by young adults with autismby Kavitha KrishnamoorthyStrong & Elegant: Women empowerment through Weaving: Samvit SudhaQuest for Weavingby Sharanya Dilip, Quest Unschooling projectHemp Table runner: Project for Rigid heddle weavers Rudraksha Chronicles: Project for Rigid heddle weaversYoung designers and artists: Interns showcasePassion for Craft: Interview with Designer Geethica NaiduWhat is in store0405060810121415161820222425262830323638

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4Beyond the Loomby Sasha, Ditya - Class XC, Babaji Vidyashram, Chennai“Only have two shafts on your loom? You can weave more than just a plain weave!”Weaving, deﬁned as the art of lacing ﬁbres together to make fabric, goes beyond simply bringing together yarns for the mere purpose of garmenting. It can even be creating a piece of fabric art with a speciﬁc purpose and idea associated with it. The weaving loom purchased by our school was a matter of extreme peculiarity for us students, for little did we know that this small loom could stimulate our creative abilities, pique our interests and inspire us to create something embodied with a unique touch.Weaving was a segment of the Art and Craft and Design Thinking curriculum in our school.While we were exposed to the concept of loom from a very tender age, we had little to no practical knowledge about this age-old practice. The school provided us with a platform to experiment with the loom, starting from Grade 8. Though these classes occurred only once a week, they were highly anticipated, as each session brought new lessons, experiments, and designs. We wove runners, mats, and scarves, and before we knew it, weaving became more than just an assignment; it turned into a hobby.In celebration of National Handloom Day, observed annually on the 7th of August to honour the handloom weavers who have made India synonymous with the epitome of culture, ourschool organized a weaving competition for grades 9 and 10. Buzzing with entries, the competition exceeded expectations providing us with an insight into the creative process behind the elegance of the nine yards. Having lived in Chennai all our life, we decided to pay homage to the city of our dreams by weaving one of its landmarks – the iconic Chennai Lighthouse. The intricate details of the landmark posed a unique challenge that pushed us to explore the full potential of our weaving skills. It wasn’t the slightest bit easy – the choice of colour, switching the shuttle and keeping a keen eye even on the minute details. Even though we came across quite a few challenges here and there, we were able to impart a substantial outcome by the end of the day. The judges were absolutely stunned by our piece. Little did we realize that we ended up bagging ﬁrst place against seven of the other group competitors. The moment our work was recognized, the cheer from the crowd enveloped us in a wave of accomplishment!The experience not only enriched our understanding of weaving but also instilled in us aprofound appreciation for the cultural signiﬁcance of handloom traditions. It reinforced the idea that weaving is not merely a craft; it is a form of storytelling that connects us to our heritage and allows us to express our unique perspectives through threads and patterns.Shuttles & Needles offersBrainWeavesprogram for schools. The program focuses on making the children think and create using hand weaving as a medium. Package includes supply of modern handlooms, yarns, course material and teacher training.

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5Contradictionsby Shivam SharmaIt all started with my visit to Haridwar. On my way, I rolled down the windows and suddenly heard a faint sound of water and just as we turned, there it was in all its grandeur- The river Ganga.Ever since I was a child, I had always been obsessed with Hindu mythology, the stories and all the imagery that came with it. One of the stories that always intrigued me was that of the goddess Ganga. I would read about the beauty, the serenity and the forgiving nature of Ganga water, how she gave life to the universe and became one with life. But the ﬁrst time I actually saw the river, I was perplexed. Was this the Ganga I read about? What I saw was just destruction, both of her waters by us and the destruction by her waters in return. This left a deep impact on my mind. So, when it was time to weave the project at the end of my SAORI weaving course at Shuttles & Needles, the only word in my mind was Ganga, nothing else. I chose to take my experience and personify it into Ganga.I decided to show the two sides that I knew of but in a more mature way with a deeper understanding. The ﬁrst was Ganga in all her glory, Ganga – free, beautiful and full of life dancing around the heavens. The second side was of Maa Ganga as we see her today, how she agreed to come to earth for humans and give birth to life and how we used her and presented a shallow human face by idolising her and dirtying her waters and leaving them to die.Shivam Sharma is a Knitwear Designer from NIFT, who has always felt a connection to stories and narrations. He aims to bring back narrative fashion in all its glory making it a visual communication mediumSAORI, the Japanese contemporary weaving practice encourages us to connect deeply with our creative selves and express ourselves authentically. Fosters a non-judgemental approach to life. Shuttles & Needles is the SAORI registered studio and supplies store in India.

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6BhoomiA ﬁbre art exhibition on climate change by Kalyani PramodKalyani Pramod, the ﬁbre artist and designer is the founder of Common Threads studio and a Director at Shuttles & Needles. She was ably supported by Gayathri S, Shriram K, Kiruba B and Chandra in the project ‘Bhoomi’ and it took 18 months for the team to put this together. Bhoomi had its ﬁrst exhibition at Alliance Française of Madras and received an overwhelming response. More exhibitions are being planned.Nature has always played a major part in my artistic endeavours. It saddens me to see the destruction that human-caused climate change has created on our earth, Bhoomi.We have experienced some major disasters in the last couple of years- ﬂoods in Chennai, Kerala, Uttarakhand, landslides in Himachal, and many others. Every day, as I return home from my studio, I am deeply concerned to witness the distressing sight of cows rummaging through garbage bins, consuming plastic.Every region in the world is projected to face increased climate hazards – such as ﬂooding, biodiversity loss, decrease in food production, forest ﬁres, tsunamis, coral bleaching, and countless others. Discussion on this alarming reality of the world should not be restricted only to global summits but rather be an integral part of everyday conversation. Art has always been a powerful instrument to convey complex messages as well as emotions as it transcends boundaries and speaks many languages. As a textile artist, with the skills and knowledge that I have, I tried to do my part in raising awareness of the complex issue of climate change.

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7“Bhoomi” portrays our past and current realities using three fundamental concepts: social change, upcycling, and craftsmanship. The project strives to raise environmental awareness regarding the effects of climate change. It encompasses three major diverse ecosystems: oceans, forests and mountains. Some of the key issues depicted through our art include coral bleaching, deforestation, forest ﬁre, melting of glaciers and avalanches.Care Earth Trust, contributed the scientiﬁc and statistical data, which helped us shed light on both global and regional impacts. The installation is a culmination of rigorous research, trial and error, and sharing of lived experiences. The sculptures and small elements were made of different scrap materials like fabrics, paper, plastic, and metal. The process of working with them involved a deep understanding of their properties such as malleability, durability and elasticity.Every small scrap collected locally from tailors and households was manually sorted by colour and size. Even pervasive and ubiquitous materials like plastic bags were hand-spun into yarn, giving new life to waste.By combining these materials with techniques such as crochet, knitting, weaving, embroidery, felting and punch needle, the individual small sculptures were carefully crafted with intricate details to form a whole. Essentially, every part of the installation has gone through a different journey, narrating a unique story.

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8Hand Spinning:Elevating the Knitter’s Craftby Lalitha Alwan, Knitwear DesignerShuttles & Needles conducts spinning workshops, supplies modern Spinning wheels from Ashford Handicrafts, New Zealand and a wide range of ﬁbres for hand spinning.As a passionate designer and advocate for the art of hand spinning, I’m excited to share the intricacies and transformative potential of this timeless practice. Within the textile world, hand spinning transcends mere creation; it encapsulates a journey, a connection with the ﬁbers, and an avenue for boundless creativity.One of my recent garments, a testament to the beauty of hand spinning, reﬂects the essence of my design collection. Inspired by the natural allure of jaspers, each strand of yarn was meticulously spun to echo the diverse hues and patterns found in these earth stones. Otherworldly textures of the Bumblebee Jasper come together in shades of yellow with organic bands of caramel and chocolate running along the border. To add a touch of intrigue, the neckline is adorned with beehive yarn; which also serves as a hint of fascination while being a play on words! This garment encapsulates not just a piece of clothing but a narrative, blending the art of spinning with the magic of design.Beyond aesthetics, delving into hand spinning unlocks an array of beneﬁts for knitters. The journey from ﬁbre to yarn empowered me to personalize my materials, infusing them with their unique touch and intention. This process enriches the crafting experience, offering a deep connection with the ﬁnal product.However, the essence lies not only in the ﬁnished yarn but also in the journey itself. The act of spinning embodies mindfulness and serenity. The rhythm of the wheel becomes a meditation, fostering tranquillity and a sense of accomplishment. Hand spinning transcends the mere creation of yarn; it’s a holistic experience that enriches the creative soul.For knitters considering embracing hand spinning, the allure lies in the opportunity to expand their creative horizons. It’s an invitation to craft with authenticity and uniqueness. Through hand spinning, they gain control over texture, colour, and material composition, elevating their craft to new heights.The world of hand spinning is an enchanting realm waiting to be explored. It’s a journey that beckons knitters to infuse their creations with authenticity, soul, and artistry. Embracing hand spinning opens doors to a world where creativity knows no bounds—a world where yarn becomes a canvas for self-expression.Lalitha Alwan is a dedicated and innovative knitwear designer driven by a passion for blending traditional artistry with modern creativity, based in Bangalore.

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10Artistry in Threads Experiments with the Jacquardby Yasoda Ramesh, NID ASSAMThe history of Jacquard weaving in Indian traditional textiles is a fascinating journey that intertwines technological innovation with the rich cultural heritage of the subcontinent. The advent of the Jacquard loom in India marked a signiﬁcant milestone in the evolution of textile craftsmanship, revolutionizing the way intricate patterns and designs were woven into fabrics.The Jacquard loom, invented by Joseph Marie Jacquard in 1804, was introduced to India during the British colonial period. The mechanized loom was a groundbreaking invention that automated the process of creating complex patterns by using punched cards. This mechanisation allowed weavers to produce intricate designs with precision, transforming the landscape of Indian textile production.Initially, the looms were established in weaving centres such as Varanasi, Murshidabad, and other prominent weaving regions like Kanjeevaram. Yasoda Ramesh is the Head of Department / Discipline lead for Textiles & Apparels design department, NID Assam. A textile & interior design professional with experience in craft and retail sectors, she is passionate about teaching and design research.Shuttles & Needles supplies a wide range of Looms and tools for Design & Sample Development includingTable looms & Jack looms from Ashford Handicrafts, New Zealand, computer-controlled Dobby & Jacquard looms from AVL Looms USA and SAORI looms, Japan.

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11Artisans and weavers, known for their expertise in traditional handloom weaving, began to adopt this new technology to enhance their craftsmanship.Silk weaving, especially in regions like Varanasi, witnessed a signiﬁcant transformation with the introduction of Jacquard technology. The intricate patterns and elaborate designs that were traditionally woven by hand could now be replicated with greater efﬁciency and consistency. Brocade textiles, renowned for their opulence and detailed motifs, saw a surge in production, making them more accessible to a broader audience.The impact of Jacquard weaving extended beyond silk and brocade textiles. Sarees, the quintessential Indian garment, started featuring intricate Jacquard patterns. From traditional Banarasi sarees to Kanjeevaram silks, the versatility of the Jacquard loom allowed weavers to experiment with diverse designs, catering to the evolving tastes of consumers.The Jacquard Design course at TAD, NID Assam comprises conceptualizing Jacquard fabrics through research methodologies and exploring trends and industry demands. The students are taken through the various methods for conceptualization and ideation for Jacquard design using the latest software. They are also introduced to the technical aspects of Jacquard design like understanding yarn characteristics, weave structures, and fabric textiles. We acquired the AVL Jacq3G Jacquard loom for our institute as it had numerous features that facilitated the learning of our Jacquard course aptly. It is the ideal jacquard loom for design development, educational institutions and artists. In the contemporary era, the use of Jacquard weaving in Indian textiles and in export markets continues to evolve. The AVL computerized Jacquard loom has been a great resource for us and the students have found the loom very easy to warp up and weave. Because of the ease of operation, they are able to generate multiple samples to experiment with weave structures and create very interesting patterns. Exciting times ahead.

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12From Threads to Thriving VenturesPashmina Training as the Gateway to Local EntrepreneurshipLadakh, with its breathtaking landscapes and vibrant culture, is renowned for its exquisite pashmina wool and the art of pashmina weaving. In recent years, there has been a growing recognition of the importance of training local women in pashmina spinning & weaving.GHE, a social enterprise based out of Ladakh, has been working in the ﬁeld of rural development for the past 10 years. To enhance the tourism value chain and generate livelihood opportunities, GHE conducted a 30-day Pashmina weaving workshop for 20 women entrepreneurs at Leh. The training was focused on empowering the local women with the right skills, tools and knowledge to enable them to create market-ready Pashmina (Cashmere Wool) products. The overall aim of the training was to integrate these locally produced handicrafts as part of the sustainable tourism value chain to enhance diverse economic beneﬁts to the regionwhile maintaining the age-old art and craft of the region.GHE is a social impact enterprise fostering livelihoods through sustainable tourism and promotion of local handicrafts by women empowerment in remote Himalayan communities including Ladakh and North East India. Acknowledged by UNFCCC and WEF.- by GHE teamPhotos by GHE

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13The participants learnt not only the art of selecting, processing, and weaving pashmina wool, but the dyeing techniques and quality control as well. These skills have enhanced craftsmanship, attention to detail, and artistic abilities, enabling these individuals to produce high-quality pashmina products in future. They gained insights into industry trends, customer preferences, and business strategies to make informed decisions to run successful ventures.Women’s Empowerment and Gender Equality: Historically, women in Ladakh have played vital roles in their households and communities. By enhancing their skills in pashmina weaving, these local women have gained a newfound conﬁdence and sense of agency. By training women in pashmina production, they have gained economic independence, self-conﬁdence, and a platform for self-expression.Preserving Sustainable Practices: The pashmina industry relies on the responsible herding of cashmere goats and the eco-friendly processing of delicate pashmina wool. Through training, women weavers were educated about the importance of sustainable practices, such as ethical sourcing of raw materials, eco-friendly dyeing techniques and conservation of natural resources. Their involvement ensures the preservation of Ladakh’s fragile ecosystem, promoting a sustainable future for the region.Developing Communities with Technology Advancement:Training & capacity development are contingent upon providing community members with the appropriate craft tools. The existing local machinery poses various limitations in design and reliability, resulting in substandard quality and production. Providing the community with the right tools constitutes a signiﬁcant stride in augmenting their ability to create pashmina of international quality. GHE has made considerable effort to procure high-quality Pashmina looms speciﬁcally for women and Shuttles and Needles was an instrumental partner in helping us procure the right looms, wheels and tools for the community. These pashmina products are now of global standards.Value Addition and Product Diversiﬁcation:Participants learned about incorporating new designs, patterns, and techniques into their pashmina products, making them unique and appealing to customers. The ability to diversify product offerings helps entrepreneurs cater to a wider customer base and stay competitive in the market.Global Recognition of Ladakhi Pashmina:Ladakhi Pashmina products are gaining international acclaim for their exceptional quality and craftsmanship. By training local women in pashmina weaving, one can expect higher quality standards of production while ensuring the continued reputation of Ladakh as a global hub for ﬁne pashmina products. By investing in the skills and talents of Ladakhi women, we pave the way for a brighter, more inclusive future, where traditions are preserved, communities thrive, and the rich legacy of pashmina weaving continues to ﬂourish.Shuttles & Needles supplies modern spinning wheels & looms, trains the trainers and provides weaving design support to Social enterprises, NGOs and women empowerment clusters.

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14WEAVINGThe Art of mindfulness with great joyby S.Vijayaraghavan, Visual arts faculty, KC High – International School, ChennaiStudents are encouraged to express themselves creatively and to experiment with many art forms through the Visual Arts department at KC High. In KC High’s silver jubilee year, we have brought weaving into the classroom. Not only will it serve as an art form for our kids, but it will also beneﬁt those who struggle with attention in other classes.The journey started at Shuttles and Needles, Chennai, where I learned to weave using hand looms. In todays world, it is essential for educational development as a whole to foster mindfulness and creativity. Since Shuttles & Needles’ weaving program values spontaneity and acceptance of ﬂaws, its concepts are highly congruent with those of mindfulness. The repetitive and rhythmic nature of weaving helps students focus and relax by encouraging them to live in the now.For students who have trouble putting their feelings, ideas, and thoughts into words, weaving provides a physical experience that taps into their inner creativity. They can let their creativity run wild on the loom, which serves as a secure laboratory for trying new things. Consistent focus and energy are required to complete weaving projects with rhythmic patterns. Through the process of creating something new, students develop skills in concentration that they may use in many aspects of their lives, not just art.A key component of weaving that has contributed to self-awareness and personal improvement is “reﬂection”. As they weave, students reﬂect on their work including the ideas, challenges, and emotions sparked by both the process and the end result. Because of this reﬂective practice, their communication skills develop, and they are able to articulate themselves and their thoughts more effectively.As a visual arts facilitator, I have found great fulﬁlment in implementing how weaving contributes todeveloping a growing mindset. It shows the transformative power of an innovative and holisticapproach to education, reafﬁrming the importance of nurturing the mind, body, and spirit.Shuttles & Needles offersBrainWeavesprogram for schools. The program focuses on making the children think and create using hand weaving as a medium. Package includes supply of modern handlooms, yarns, course material and teacher training.

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15SAORIby Varshikaa MenonAn amalgamation of context and feelingAs an information arts and design practitioner, I was exposed to various materials and media: be it illustrations, animation, ﬁlm or textiles. Weaving was introduced to me in college as a short workshop; since then I have been intrigued. However, I never thought I would be put in front of a million possibilities when I was introduced to SAORI weaving at Shuttles and Needles.Although I can communicate with multiple media, weaving felt more intimate and personal. The process and the product are tactile and so the woven piece becomes more than only a visual; it becomes a feeling as well. Weaving helped bring to life an amalgamation of context as well as feeling. Conventional art and design applauded symmetry and exactness, which I struggled to keep up with. I have always been someone who wants to showcase realness through my art and that also meant ﬂaws, vulnerabilities, intuition and mistakes. SAORI as a philosophy has helped me to appreciate this outlook instead of thinking of it as a wrong approach: I was able to build conﬁdence in my reﬂective practice.The philosophy behind SAORI did not seem to restrict itself only to weaving; I was able to use these ideologies in other media. Moreover SAORI as an approach has been helpful in my life as well.Varshikaa is a multidisciplinary artist, creating narratives through textile arts such as weaving, crochet, and embroidery. She incorporates other analog and digital media as well to convey multidimensional expressions of her narratives.SAORI is a contemporary Japanese weaving which focuses on mindfulness. It is rooted in the activity of free-ﬂowing, uninhibited hand weaving and the core philosophy that we are all born with unique sensibilities and the power to create.

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17NAUSRASPURArtist showcase- Pragati MathurIrsha HasyaFollow Pragati Mathur’s work on her Instagram handle @pragatimathurtheweaver or better still, see her installation showing all the 9 rasas at Bangalore International Airport.The creative journey of Pragati Mathur, a Bengaluru-based experimental weaver and textile artist, ﬁnds its expression in a remarkable artwork suspended at Bangalore International Airport. This ceiling-suspended masterpiece is a sensory exploration of emotions, techniques, and materials. Nauraspur draws inspiration from a 9-tiered city conceived by Ibrahim Adil Shah II, the ruler of Bijapur, whose fascination with the “rasas” – the nine fundamental human emotions – led to the creation of his poetic masterpiece, ‘Kitab-i-Nauras.’Pragati Mathur’s vision unfolds in the layers of Nauraspur, each dedicated to one of the nine rasas. The intricacies of the artwork delve into Shringara (beauty and love), Bhaya (fear), Bheebhatsya (revulsion), Irsha (jealousy), Shanta (peace), Adbhuta (wonderment), Hasya (happiness), Karuna(compassion), and Raudra (anger). It’s not just a visual spectacle, but a profound sensory experience.Mathur deftly intertwined six textile-based techniques- tapestry, shag pile (rug weaving), basketry (for crafting ﬂowers), colour and weave effects, block prints, and plain weave – uniting them with a common thread that echoes her identity as a weaver. “Receiving the BIAL commission brought immense joy, validating decades of hard work. The realization that great trust entails great responsibility dawned on me. The Curator, Yamini Telkar, and her team took a signiﬁcant leap of faith in me and my talent. Nauraspur’s signiﬁcance as a “ﬁrst” will always remain precious” - Pragati Mathur

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18DILIP VYAS, Charted Accountant, MumbaiCHINMAYI KRISHNAPURCorporate Lawyer, BengaluruI work as a Finance Director in a multinational company. I look after the compliance of the company in the areas of accounting, auditing, company law, taxation and licensing requirements. What led him to pursue weaving as a hobby?My ﬁrst job around 40 years ago during a vacation was with a textile mill in the weaving department. It was a clerical job but I had an opportunity to work closely with the weaving master. The process of fabric manufacturing always held my interest, but I couldn’t pursue it any further. Later on, I read a lot about weaving as a hobby and it suddenly revived my interest. I found a goldmine when I came across ‘Shuttles and Needles”. I realised that my interest could become a reality and got my ﬁrst loom. After about 2 years, I am still thrilled about learning new skills in weaving and creating fabrics which are used by my family and friends in India and abroad. What weaving means to him?The weaving action, though it may appear monotonous, is very meditative. You get into the rhythm and you forget how time ﬂies. I do not get exhausted at all. I may get up in the middle of the night, do some weaving, and then go to sleep. What is his favourite thing? Preparing the loom or weaving? No doubt, I love drawing and denting the loom.My work in law is centred on the asset management industry. Usually, very long workdays and most of it is spent glued to a screen.What led her to pursue weaving as a hobby?I picked up knitting in law school as a stress buster and then took up crochet, embroidery and sewing over the years. That afﬁnity led me to explore how cloth is woven. I couldn’t resist the temptation to make a dent in my yarn stash with this miraculous new craft, as I’m sure many knitters would relate to. Soon enough, I had devoured 50-60 hours of video tutorials, found myself throwing shuttles in my dreams and ultimately I knew I had to invest in a loom.How does weaving help her as a stress buster?The repetitive motions in measuring a warp, throwing a shuttle and changing sheds are meditative and I seek them out especially when I’m stressed or anxious. Besides, it’s immensely rewarding to create something tangible, when a lot of my time is otherwise spent stacking words upon words, as a lawyer. Does she ﬁnd any parallel between her legal work and weaving?Creativity within a structure is one of them. Learning the rules to know how to bend them, is another. It certainly feels like ﬁnding loopholes in laws and ﬁnding unlikely hacks on my looms stretch the same brain muscles!‘Professional’ Weavers

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19‘Professional’ WeaversDR. PREMILA SUGANTHAN, Dentist, Chennai.SHREYA MUKHERJEEManagement consultant, BengaluruI work from 9 am to 3 pm, and I’ve taken time off my evening practice for the past 2 years. Now I have extra time in the evening. I sit with my daughter who is preparing for her boards. This is the time I do my hobbies.Why weaving as a hobby?My daughter was interested in weaving initially and I took her for a session. I wanted to try too and I found it enjoyable. It gave me a positive feeling. How does weaving contribute to her emotional well-being?In a single word- Weaving is a healer. People would have ups and downs, everybody would feel pulled down. When I’m in this profession I help people with their problems. But me being a doctor myself, these options for getting off the stress is less.When I’m alone, weaving gives me company. Gives me an atmosphere to think about myself. Weaving time is “me time”. Some of my patients feel very low. They are lonely. They call themselves “only a housewife”. I want them to get out of that space in their mind and think about the beautiful things they can create. I speak to them about weaving. I tell them how I motivate myself. My friends ask me how I get the time to weave my projects when I have a busy job that also involves travelling for work. I believe one has to make time for their hobbies. It is good to pamper yourself at times. As a Management Consultant with an MNC, my job is to ensure the organization has the right people with the right skills for the right job. How did she get into weaving?Our country is losing its traditional arts and there is a need to keep it alive and pass it on to the next generations. Whenever I would tell someone that I crochet/knit, I would hear, “Oh! My grandma used to do it”. And I had a recurring thought, why does almost no one say my mom does it? When we extrapolate that to weaving, the percentage is much lower. So, I decided this was going to be my new adventure. How does weaving help you as a person?Imagine this – you have a scented candle lighted, your favourite playlist is on, and you are seated comfortably with your back well-rested and weave. Things could be burning all around you (ﬁguratively) and you’ll still feel a calm like no other! Any parallels between your work and intricacies of weaving?Both consulting and weaving draw the threads of creativity, precision, and adaptability. Just as the selection of weaving structure and colours should suit the person, the occasion and the climate, my job involves building a people structure that will stand the test of a dynamic business environment.

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20Formal education for the uninitiatedI have to confess, at ﬁrst I was reluctant to take a course at Shuttles & Needles. Something about the high-end, westernized look of their studio and the imported looms made me question their approach. Was I really going to learn weaving on looms from New Zealand while sitting in India? They seemed like the branded version of a more authentic experience. This ill-afforded hesitation was despite being rejected as a paid apprentice by a few handloom weavers. I had spent much of the slow pandemic months reﬂecting on what role design plays in the Indian context of hand-crafted textiles. The inter-connectedness of the variables involved is frustrating. Decades after independence, India still struggles with the problem of livelihood, so this economic reality drives a lot of conversations towards employment and sales. Then, there is the aspect of identity, and from there stems the need for craft revival and preservation of heritage. Amidst all these responsibilities that craft has to endure, I wondered where design and innovation hold a space. Perhaps by freeing itself from the burden of responsibility and preservation, Shuttles & Needles is able to focus on the process of weaving by doing. Of course this would also be the case in a 4 year undergraduate course on textile design, but that might not be an option for everyone. In confronting existing narratives about craft, I had to also wrestle with my own notion of what is authentic. Must something be old and traditional for it to be authentic? Today I weave at home on a backstrap loom, and I also work with two weavers – in Maheshwar and in Nagaland. The goal is to work towards small, limited edition collections, and a long term dream is to collaborate with these weavers to create something together. It’s daunting to attempt anything new in textile design when it seems by Anaka Narayanan

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21After running a clothing label for over 12 years, working extensively with hand-crafted textiles, Anaka now weaves textiles in her home and works closely with weavers to develop collections for which the making process informs the design. Anaka is on Instagram @anakanarayanan and her work can be seen @brasstacksindia like the best of the best has already been done. And yet, if we’re only going to repeat what was done earlier, does the repetitive nature of warping, bobbin winding, drafting, and denting then become skilled-labour? Do we still call it design, if we do not put thought into new iterations anymore? I dropped my pre-conceived notions about Shuttles and Needles within minutes on the ﬁrst day of my 4 shaft loom course. I needed the theory and the simpliﬁed loom (designed for hobbyists, rather than production) to make the learning easier, less frustrating, and therefore possible. They allowed me to make myself at home; I took over their speaker with my music, and I still call on the instructors there when I run into technical difﬁculties with weaving. Weaving will always be linked to craftspeople for me; they are a part of the craft, in a sense. My motivation to do anything with textiles and clothes is connected to this strong relationship. However, as far as learning environments go, it is refreshing to experience an environment free of these politics. By focusing on the technical knowledge, Shuttles & Needles gives you a language with which to communicate to other weavers – hobbyists and artisans alike. Shuttles & Needles conducts weaving courses for fashion designers, costume designers, upcycling designers & artists. The courses are curated as per individual requirements

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24The CanBridge Academy, Chennai, is a College-like space for young adults with autism, where we identify and nurture their interests and build on their strengths. Preparing them for work, exploring varied art forms and building skills for living independently.The Sounds of CanBridgeKannana kanne, kannana kanne…..Krishna nee begane baro ….Hur, hur, dabang, dabang, dabang ….And then ….Clang, clang … clang, clang …Clang, clang … clang, clang …The rhythmic sound of two looms!At the CanBridge Academy, Chennai, we are surrounded by an eclectic mix of sounds. Our trainees, all young adults with autism, love music. And it is that love of rhythm that probably draws many of them to the loom. The CanBridge Academy emerged as a response to the gap in training services for autistic young adults above 18 years. The aim was to provide opportunities for these youngsters to explore what they like doing and to help them do it. Much like a liberal arts college, CanBridge provides the space for them to explore a wide variety of activities that engage the head, heart and hands, slowly narrowing down on what they would enjoy doing for a considerable part of their day.Weaving has been an integral part of what we offer to every trainee in CanBridge. The weaving process appeals to many of our trainees as it is rhythmic, structured and repetitive. The yarns with their vibrant colours are visually very attractive. Once the skill is learnt, weaving has the potential to be something that engages our youngsters for long durations, offering a source of livelihood.For R, weaving did not come easy. His facilitator talks about how, initially, she had to train his legs to follow the motion required for weaving. From there, he moved to mastering the process and then onto working for two hours at a stretch, with a couple of breaks. The speed with which he wove would leave everyone breathless. At his peak, he would weave almost a metre an hour! It is also very therapeutic, leading to a certain sense of calm among those who take to it. One of the most endearing sights at CanBridge has been that of A listening to his favourite song on a phone, slowly and surely working the loom, sometimes humming along. And then, we have naughty V, who needs to learn to beat the reed of the loom only 3 times. But he has other plans. When weaving, he will say 1,2,3 slowly, each time beating the reed and though he must stop, will rush through till 20, beating the reed at an increasing and stronger pace, drawn so strongly as he is to the rhythm he is creating. Currently, the trainees work on a SAORI loom, sourced from Shuttles and Needles, with a pre-set warp and pre-decided yarns for the weft. While continuing to craft weaves this way, we have also been wondering whether we can use weaving as a mode of self-expression, much like we do with art forms like music, movement and visual art. Wouldn’t it be magical if the youngsters could choose their own yarns, and make their own patterns? Can we also dabble with other looms like frame looms to create tapestries? Can we expand the kind of materials we use to weave and see what happens? And even as we grapple with these questions, for now, do drop by, and listen in as one of our trainees sings Santa Claus is Coming to Town, while happily beating the weft in the loom. Shuttles & Needles supplies looms for Rehab & Vocation and trains the trainers for people with Intellectual & Developmental Disorders.by Kavitha Krishnamoorthy

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25Samvit Sudha, a women empowerment initiative, located in the quaint village of Shirali in North Karnataka, started as a tailoring and embroidery unit. Today, it designs and sells exclusive handcrafted We have always been on the lookout for newer techniques to upgrade and enhance our products range, and weaving seemed to be the perfect choice. Weaving could take our products to a whole new level of elegance. Shilpa Rao, an avid weaver, and an ardent Samvit Sudha admirer, residing in USA, introduced the art of Inkle Weaving to us and told us about Shuttles and Needles.Samvit Sudha was ably supported by Emuge Franken Indian Pvt. Ltd., Pune, who offered to sponsor this new project, as a part of their Corporate Social Responsibility (CSR). In early April 2023, our volunteers underwent a three-day training at Shuttles and Needles in Chennai, which was an amazing experience. Learning to weave the colourful band, was a very therapeutic experience, almost meditative, and the joy of creating something new was beyond words. It was like creating magic with yarn.Subsequently, six women have been trained to weave inkle bands at our unit. Since the time they started working on these looms, they have been totally immersed in weaving, and this has helped them be patient and stay focused on their work. The ﬁrst product planned is a set of denim travel pouches with an Inkle band going around it as an embellishment. More products are in the pipeline using the inkle bands as embellishments to enhance overall beauty and value. Going forward, we also plan to introduce weaving on the Rigid Heddle Loom soon!products made from fabric, handmade paper and upcycled newspapers. Our primary aim is to provide a steady source of income to the local underprivileged women. This initiative not only offers economic independence, but also serves as a platform for these rural women to express their creativity and gain conﬁdence, while balancing their domestic obligations. Beyond stitching and embroidery, Samvit Sudha is committed to preserving the tradition of India’s invaluable arts and crafts.Strong & ElegantSamvit Sudha® is dedicated to the empowerment of women in and around Chitrapur, Karnataka. Their mission is to provide gainful employment opportunities that enable women to achieve ﬁnancial independence without compromising their essential family responsibilities.by Team Samvit SudhaShuttles & Needles supplies modern spinning wheels & looms, trains the trainers and provides weaving design support to Social enterprises, NGOs and women empowerment clusters.

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26Quest for WeavingChennai-based Quest’s Unschooling Project offers a self-directed learning environment for children aged 6 to 17, fostering autonomy in choosing and enjoying interests, supported by mentors for goal-setting and planning.The connection we’ve forged at Shuttles & Needles, an extension of Quest, has been extraordinary. Our learners discover purpose in expressing creativity through yarn, guided by mentors at the studio. Their return to Quest, sharing their learning goals and progress with their mentors, validates our approach to nurturing self-directed learning.When Srikanth and I envisioned Quest as a learning hub in Chennai, we imagined learners seamlessly moving between Quest and other centres across the city, pursuing their goals. Shuttles & Needless, our ﬁrst partner, is fully aligned with this vision. Even before The Unschooling Project, our shared philosophy was evident in our weekend learning experiences for families back in 2016.The Unschooling Project aims to cater to families seeking customized learning paths for their children, fostering self-directed individuals. It all begins with learners ﬁnding meaning in their pursuits, setting achievable goals, and immersing themselves in the experience.by Sharanya Dilip, Quest Chennai.

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27At Quest, our learners often reﬂect on the invaluable gift of time and the effort they invest within those hours towards their pursuits. Our steadfast support is in helping them thrive within environments that nurture, offering plentiful resources and gentle guidance. Their progress is inspiring—a testament to their willingness to step beyond their comfort zones. They’ve ventured into neon-coloured warp experiments, embraced entirely novel weaving patterns, experimented with complex multi-shaft weave structures including weaving double cloths and uncovered a newfound appreciation for handmade textiles through decoding others’ creations.At Shuttles & Needles this quarter, our learners are eagerly planning extensive studio sessions to delve deeper into their learning goals. Some have taken the initiative to acquire looms for weaving at home. The most gratifying feedback comes from Shuttles & Needles, acknowledging our learners’ potential for enrolling in the best design schools and from parents witnessing the genuine joy our programs ignite in their children.“My experience at Shuttles And Needles has been amazing. I’ve learned different techniques on so many different looms. They have helped me understand my emotions better; I’m able to connect my emotions to patterns and colours. They and Quest have also helped me connect different interests to weaving – such as math; my patterns contain a lot of thought and planning so math makes it so much easier. Thank you so much Shuttles And Needles!”- Maithreyi, age 11

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28Project for Rigid Heddle WeaversRequiring very minimal water and almost zero need for heavy pesticides and fertilisers, hemp is environmentally friendly to grow and like other natural ﬁbres, it is biodegradable too. Its roots spread in such a way that it prevents soil erosion.When mixed with cotton, the yarn gets a nice balance of texture and suppleness. Shuttles & Needles Hemp Rich yarn has a little linen too in the composition, adding a slight crispness to the yarn. The yarn is good for weaving home textiles.To show the richness of the yarn, this Table runner is woven with a single colour. While a single colour ensures a clean canvas, the narrative takes a twist with the introduction of Leno weave—a technique where two warp yarns elegantly entwine the weft. The key lies in the delicate placement of horizontal leno bands, elevating your creation. Unveil the beauty of simplicity with this project, where each thread weaves a tale of creativity. EQUIPMENTLOOM : Rigid heddle loomREED : 12.5 dpiSHUTTLES : One stick shuttleOTHER : One pickup stickYARNWARP :Hemp Rich Yarn; Sapphire – 471mWEFT :Hemp Rich Yarn; Sapphire – 425m SPECIFICATIONSTECHNIQUE : Plain weave & LenoEPI : 12.5 | PPI : 12WIDTH AT REED : 13.5”WARP ENDS : 168WARP LENGTH :2.8m (Including shrinkage & loom wastage)WEAVING LENGTH : 94”FINISHING : Decorative TasselsFINISHED SIZE : 12” x 84” + tassels CARE : Hand wash your hemp table runner in lukewarm water with a mild detergent, avoiding harsh chemicals. Soak for 30mins. Rinse well. Gently pat and air-dry to maintain its natural texture. The yarn sheds during weaving, it is normal.PROCEDURE 1. Warp the loom using your preferred method for a total of 168 ends, 2.8mlong. Centre for a weaving width of 13.5” and thread 1 end per hole and slot in a 12.5 dent reed. 2. Weave with the same yarn to achieve plain weave. Add leno strips as per the weaving plan. 3. Take the fabric off the loom and add decorative tassels by adding decorative knots(optional) as shown in the picture. One can also choose to fold and stitch the edges for a cleaner ﬁnish. Hemp Table Runnerby Aarthi Neelakrishnan

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293. Insert a pickup stick to hold the twist in place for every few sets of yarns. STEPS FOR WEAVING LENO1. Place the reed in neutral position. 2. From one corner of the warp pickup two yarns next to each other – Twist the yarns to get the yarn on the right to the left and vise versa. Picture for reference4. Continue across the warp exchanging adjacent threads. 5. Turn the pickup stick on its edge and pass the shuttle through the somewhat smaller shed.6. Next, withdraw the pickup stick.7. Now, shift to the next shed and beat ﬁrmly. Pass the shuttle back and beat ﬁrmly again. TIP: Beat the weft yarn inserted closer to the previous plain weft yarn to avoid long warp ﬂoats. Maintain the same gap between plain weft and the leno weft on both sides. Following the above instructions one can achieve weaving 1/1 Leno. It can be woven repeatedly as a border or plain weave rows maybe woven to separate Leno rows. Variations are 2/2 or 3/3. For a different effect, lift up two threads from the bottom warp. Then, over the two top threads and continue 2/2 across the warp threads.

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30Embark on a journey that intertwines tradition and creativity with this weaving project.Rudraksha- the intricate motif adorning handwoven sarees. A motif often dismissed as mere design. However, beyond aesthetics lies a sacred narrative. Pause, observe, and discover the spiritual, sacred, and medicinal facets of the Rudraksha bead.The Rudraksha seed comes from the fruit of the Rudraksha tree (Elaeocarpus ganitrus), which is found mainly in the Himalayan region, as well as parts of Southeast Asia. People wear Rudraksha jewellery for both spiritual and aesthetic reasons. It is believed that wearing Rudraksha beads can bring a sense of peace, clarity, and focus. The Rudraksha motif is often used in hand weaving, jewellery, and other decorative items. As we string Rudraksha beads into the warp and weft of our project using pick-up technique, we mirror the eternal rhythm and cosmic power symbolized by these sacred seeds.Project details:LOOM : Rigid Heddle LoomREED : 15 dpiSHUTTLES : Two stick shuttlesOTHERS : One pickup stickYARNS:WARP : Mercerised Cotton Yarn – 10/2; Shade – Black Diamond : 470m, Tropical Flame: 90mWEFT : Yoga Cotton Nylon Yarn 8/2; Shade – Onyx Brown – 500m, Tropical Flame – 65m SUPLEMENTARY WEFT: Yoga Cotton Nylon Yarn 8/2; Shade – Sunﬂower – 30mEPI : 15PPI : 16WIDTH AT REED : 14”WARP ENDS : 210WARP LENGTH : 2.6m (Allowing for shrinkage + 20” loom wastage)WEAVING LENGTH : 88”FINISHING : Stitched hemFINISHED SIZE : 12” x 2m long stoleCARE : Hand wash your stole in lukewarm water with a mild detergent, avoiding harsh chemicals. Soak for 30mins. Rinse well. Gently pat and line dry. 2. Use Yoga Cotton Nylon yarn as the ground weft. There are two ground weft colours. Follow ﬁg 4 for the weft colour sequence. 3. Take the fabric off the loom and add decorative tassels by adding decorative knots(optional) as shown in the picture. One can also choose to fold and stitch the edges for a cleaner ﬁnish. PROCEDURE 1. Warp the loom using your preferred method for a total of 210 ends, 2.6m long. Centre for a weaving width of 14” and thread 1 end per hole and slot in a 15 dpi reed. Follow ﬁg1 for warping colour pattern. WARP COLOUR ORDER : 15TF, 180BD, 15TF (1”, 12”, 1”)(TF: Tropical Flame; BD: Black diamond)Project for Rigid Heddle WeaversRudraksha ChroniclesA Scarf design by Aarthi NeelakrishnanFig 1

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31pick up your yarns following the graphInsert the Supplementaryweft.Lift a shed enough for shuttles to pass through.STEPS TO WEAVE THE PICKUP PATTERN 1. After weaving 5” plain weave using Yoga yarn shade Tropical Flame, start weaving the pick-up pattern. 2. Use a pickup stick close to lift the yarns according to the graph ﬁg2. One Rudhraksh is a 14 ends unit repeat. Pick alternate yarns in the border where there is Tropical Flame (15ends) Start the pick-up from the 16th end where the warp switches to black. Picture for reference.3. Turn the pickup stick on its edge and pass the shuttle through the somewhat smaller shed. 4. For the motif use Yoga yarn shade Sunﬂower, as the supplementary weft. 5. After every pickup (supplementary weft), weave a ground weft – Yoga yarn shade – Onyx Brown. One needs to alternate.6. Follow ﬁg4 for the weaving pattern, use supplementary weft for both ends of the stole for the border. Weave the ground weft the body for the centre 65” Fig 4

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32Custom Woven Window Blinds by Anurima Pandit3rd Year, B.des Textile Design - NIFT, Chennai. The time, dedication, affection, and ﬁnancial resources we pour into constructing our spaces are unparalleled. Each of us weave a dream place in our thoughts. With such care, we consciously select every hue and texture, so why not opt for custom-made woven interiors? If furnishings and accents can be personalized, then customized woven interiors stand ready to level up the experience. Whether it’s imprinting the vision of stripes onto the curtains, or introducing the layers of textures into the wall partitions – these personalized touches redeﬁnes the game.Guided by this concept, the journey for creation of elegant curations began. With color palettes that sit calmly within the room, and not shout for attention, the ﬁrst project- Blinded By the Blended Blinds began, which delivered a customized blind with a taste of blended weaves in it. Enhanced by vertical stripes, as you roll the curtain down, the transformation of patterns is discovered. These transformations are the key essence that breathes life into the room, and begins the tale of belonging into the space.Ombre Woven Jacketby Yashil Nagda, B.des Textile Design Graduate, NID.My intention to explore the Diversiﬁed Plain Weave (DPW) structure for my internship made me search for a subject which allowed pattern inspiration. I faintly rememberedseeing pictures of ancient terracotta pots and abstract motifs on them. Those images in my head became the starting point for my exploration. Another direction I tried to explore was to play with colour and rhythm. This play of just two colours with different proportions to create an ombre effect culminated in my project to weave a yardage for a unique jacket.Interning at Shuttles & NeedlesYoung designers and artists

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33Learning the science of dyeing to create Artby M. Bhuvaneshwari G. Anupriya, G. PriyankaFinal year, Textile DesignGovernment College of Fine Arts, Chennai. 3 Primary colours: Red, Blue & Yellow.By mixing these dyes in different proportions, 352 unique hues were created for dyeing Wool Roving yarns at the studio in a controlled fashion and documented meticulously. These yarns were used for creating Wall Arts inspired by Van Gogh’s paintings.Split shed splendour by Anwesha Mukherjee3rd Year, B.des Textile Design – NIFT, Chennai. A 3-panel wall hanging with interconnected elements. Using the split shed technique, a woven wall hanging was created inspired from Australian Aboriginal Art. Composed with inﬁnite dots of different colours, they appeared to be heavily loaded with texture. The motifs symbolise people, meeting places, rainbows and clouds.Woven on Ashford Jack loom, the split shed technique gives any weaver with a 4-shaft loom the ability to weave pictorial imagery using continuous wefts.

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34Starﬁsh Area Rugs by A.HariharanFinal year, Textile DesignGovernment College of Fine Arts, ChennaiFor an artist, the ﬂexibility of a medium fosters imagination. The ﬂexibility to blend colours and textures makes Punch Needle Craft a unique medium of creativity. Another interesting aspect of this medium is the ability to create the ﬁnal fabric piece in the shape required rather than cutting the fabric into shape after making it. Inspired by aquatic life, a set of Area Rugs in Starﬁsh shape with vibrant colours were created with Wool Roving yarns using 5mm Punch Needles.Functional Artby K. KarthikeyanFinal year, Textile DesignGovernment College of Fine Arts, ChennaiAs a Fine Arts student, my specialisation lies in realistic portraits. This project gave me theopportunity to challenge the notions of my artistic journey and helped me embrace other genres as well. This was an attempt at abstraction using geometric patterns. Making a physical product with tactile qualities evoked a feeling of a new beginning for me.This Tote bag was made using Punch Needle craft with Wool Roving yarns on Monk’s cloth.

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35A Fusion of Fabric and Leather: Unveiling a New Material Sensibility in Women’s Bags by Lakshana L.NFinal Year, Bdes. Accessory Design, NIFT, Chennai.Inspired by the diverse textures and inherent qualities of fabric and leather, the project aimed to create a collection of women’s bags that embody a reﬁned yet contemporary style. By exploring the interplay between these two materials, we envisioned a harmonious blend of elegance, durability, and functionality. Our design approach focused on contrasting the soft, tactile nature of fabric with the structured strength of leather. We experimented with weaving techniques to create stable and visually intriguing patterns and textures on the product’s surfaces. The collection featured a range of bag styles, from sleek totes and shoulder bags to versatile backpacks and sling bags. Construction techniques emphasizing precision and craftsmanship ensure the longevity and durability of the bags. Intricate stitching details, subtle embellishments, and thoughtfully placed pockets add a touch of elegance and enhance the overall functionality. Through the careful selection of materials, innovative construction techniques, and a reﬁned design aesthetic, this collection redeﬁned a modern woman’s bag.

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36Passionfor CraftI am Geethica Naidu, a graduate from NIFT Chennai, and I’ve been deeply involved in the world of textiles ever since. I thrive on projects that explore materials and involve handcrafted work. I enjoy curating book layouts for my research work. Beyond being a textile enthusiast, I unwind through painting potraits.1. Can you tell us about your journey with textiles?Since 2013, I’ve been deeply immersed in textiles, particularly weaving, ﬁnding it almost magical to create fabric. My drive as a designer is fueled by my passion for the craft and supporting forgotten craft communities.2. How do you identify yourself as a designer? Adopting a hands-on approach, I enjoy exploring unconventional materials and marrying various techniques. My aim is to counteract the environmental impact of fast fashion through a connection with nature, crafting consciously-made textiles. I’d like to call myself a textile practitioner at the moment and not be troubled by the ﬁnance metrics. This allows me to do what’s best for the craftsmen and the textile I’m creating, ensuring fair compensation and attention to detail, rather than trying to cut down costs.Interview with designer Geethica Naidu.Shuttles & Needles supplies Looms & tools for Design Development studios for Textile Designers, Up-cycling designers & Costume designers.

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373. How do your beliefs about craftsmanship and respect for artisans shape your design philosophy?Tradition for me is something that is important to know and understand. Traditionally things would’ve been practiced a certain way based on the availability of resources they have. Itry not to move away too much from age-old techniques, because most of the time they are far more advanced than today. My textiles are more than mere creations; they carry stories, not just mine but those of the skilled hands through which they passed.4. Can you elaborate on your experience with khadi?My journey with khadi began with a khadi garment I designed for a client’s diplomatic event where he represented India. The resulting blazer, taking three months to spin, weave and complete, was adorned with ceramic buttons, embodying a completely handmade piece. This crafts a narrative that speaks about India’s essence, culture and diversity.5. What’s your studio like? What future do you envision for your work?In the studio, we have a Jack loom, spinning wheel and related tools for design development & sampling. We undertake diverse projects like home furnishings, khadi and jacquardexplorations, and research documentation. Looking ahead, the grand vision for our studio is to foster multiple creative clusters, creating a diverse range of textiles that reﬂect our passion and commitment to craft.

S&N Digital Magazine 2024

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