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 Direction Contrast Quality of Light Source Color (We discussed this in a previous class)

 The art and craft of photographing moving objects on lengths of continuous film; the devices, procedures, and techniques used to achieve this. As is often said, cinematography is painting motion with light.

 The Direction of the lighting creates the shadows. These shadows, or even lack of shadows, can have dramatic effects on the audience. The following slides discuss types of shadows and their potential effects on the audience.

 Contrast is the range of tones between pure white and pure black. Low-contrast images have a wide range and appear soft to the eye,  while high-contrast images have a small range and appear stark. There are bright highlights and dark shadows.

HIGH CONTRASTLOW CONTRAST

 The quality of light is its perceived hardness or softness. A hard quality has dark shadows with sharp edges, while a soft quality has lighter, diffused shadows.

 Often achieved through 3-point lighting Key Fill Backlight Video

 The dramatic content of the scene dictates its brightness. Generally, you will find that high-key lighting is favored for upbeat scenes, and low-key lighting is the choice for slow or taut dramatic action.

 High-key lighting means an overall brighter picture.  Key light is strong, but soft; back and fill lights work together to create low contrast, greys instead of blacks and whites Often used in comedies and musicals

 Low-key lighting means an overall darker picture.  Often used in crime and horror shows Key light is much brighter than the fill light This is how you achieve chiaroscuro Shadows, extremely high contrast

 Lighting for light/dark contrast.  Creates volume and gives drama to a scene. The function of chiaroscuro lighting is realism, directional, spatial/compositional, thematic, and emotional.

 Chiaroscuro Rembrandt Cameo Silhouette

 Cameo lighting is chiaroscuro lighting to its extreme. The lighting is highly directional, has sharply defined cast shadows, and the background is unlit. It is used to have the viewer focus on a specific person or prop.

 Silhouette lighting is the exact opposite of cameo. The background is lit, but the subjects are not. Silhouetted subjects have no volume or details. It is often used to make subjects appear in a dark mood.

 Omnidirectional lighting from no particular singular source The major function of flat lighting is maximum visibility, though it can communicate thematic and emotional qualities. Sitcoms Talk shows

 Source is where you see the light source in the screen (lights on table, window) Natural light is generally outside, sunlight or moonlight

 Lighting Direction General Lighting Principles More Color Theory