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PROGRAM NOTESMozart, Eine kleine Nachtmusik"Eine kleine Nachtmusik," or "A Little Night Music" in English, is one of Wolfgang AmadeusMozart's most cherished compositions. This serenade, cataloged as K. 525, was crafted byMozart in 1787 during his time in Vienna. Comprising four movements—Allegro, Romanza(Andante), Menuetto (Allegretto), and Rondo (Allegro)—the piece is scored for a chamberensemble typically consisting of two violins, viola, cello, and double bass. The composition ischaracterized by its graceful melodies, elegance, and sheer musical beauty, showcasing Mozart'sexceptional talent for crafting accessible yet engaging music. Notably, there is no survivingautograph of "Eine kleine Nachtmusik" in Mozart's hand, and the piece is known from a copymade by the publisher Franz Anton Hoffmeister. Despite uncertainty about its specific occasionof creation, "Eine kleine Nachtmusik" remains one of Mozart's most frequently performed andrecorded compositions, solidifying its place as a beloved classic in the world of classical music.Its enduring popularity stands as a testament to Mozart's unparalleled ability to create musicthat captivates audiences across generations.Anderson, The Waltzing CatLeroy Anderson (1908–1975) was an American composer celebrated for his delightful andaccessible orchestral music. Born in Cambridge, Massachusetts, Anderson displayed earlymusical talent, mastering multiple instruments including the piano and trumpet. He pursuedformal music education at Harvard University, studying composition under Walter Piston. DuringWorld War II, Anderson served in the U.S. Army's military intelligence division while alsocomposing music. His compositions, marked by catchy melodies, inventive orchestration, and aplayful spirit, gained immense popularity. Some of his most iconic works include "Sleigh Ride,""Blue Tango," "The Typewriter," and "Syncopated Clock," which continue to be cherishedclassics. Anderson's ability to capture vivid musical imagery solidified his status as a belovedfigure in American music. "The Waltzing Cat" is characterized by its playful melody and catchy rhythms, which evoke theimage of a feline engaged in a comical waltz. The music is filled with light-hearted charm, and thecat's imaginary dance is vividly brought to life through Anderson's inventive orchestration.In this piece, Anderson employs a variety of musical techniques to create a whimsicalatmosphere. He uses pizzicato strings to simulate the light and bouncy steps of the waltzing cat,while the woodwinds and percussion add further color and character to the composition."The Waltzing Cat" is relatively short, typically running about two minutes in duration, yet it ispacked with delightful musical ideas. Its accessibility and humor have made it a popular choicefor orchestral performances, appealing to audiences of all ages. Leroy Anderson's "The WaltzingCat" is a testament to his ability to infuse classical music with humor and imagination. It standsas an example of his talent for creating engaging and enjoyable music that continues tocaptivate listeners to this day.He also made significant contributions as a conductor and arranger, frequently leadingperformances of his own music and creating arrangements of popular songs and Broadwaytunes. Leroy Anderson's enduring legacy endears him to audiences worldwide, as his musiccontinues to be performed and cherished for its lighthearted charm and lasting appeal.Pryor, The Whistler and His DogArthur Pryor (1870–1942) was a distinguished American trombonist, conductor, and composerrenowned for his contributions to both classical and popular music. Displaying exceptional

PROGRAM NOTES CONT’Dmusical talent from an early age, Pryor joined the John Philip Sousa Band as a trombonist atjust20 years old. His virtuosic playing quickly garnered recognition, and he became celebratedfor his expressive and lyrical style. Beyond his instrumental prowess, Pryor was a prolificcomposer, creating numerous compositions for solo trombone that have become integral piecesin the trombone repertoire. Some of his most notable works include "Blue Bells of Scotland,""Annie Laurie," and "Fantastic Polka." In addition to his solo career, Pryor formed his ownconcert band, showcasing his conducting skills and earning acclaim for his leadership. Hiscontributions to the world of music, both as a performer and composer, continue to becelebrated, solidifying Arthur Pryor's status as a significant figure in the history of Americanmusic.Marianelli, Music from “Pride and Prejudice”Dario Marianelli composed the musical score for the 2005 film adaptation of "Pride andPrejudice," directed by Joe Wright. Marianelli's score plays a crucial role in enhancing theemotional depth and atmosphere of the film.One of the most notable pieces in Marianelli's score is "Dawn," which is prominently featured inthe film. This composition captures the essence of the story's romantic tension and is oftenassociated with the iconic scene where Mr. Darcy (played by Matthew Macfadyen) emerges fromthe mist at dawn.Marianelli's score for "Pride and Prejudice" received widespread acclaim and won severalawards, including the Academy Award for Best Original Score in 2006. The score's delicatemelodies and intricate arrangements beautifully complement the film's period setting andthemes of love and societal expectations.Overall, Dario Marianelli's music in "Pride and Prejudice" is considered a significant contributionto the film's success and is celebrated for its ability to evoke emotion and enhance the viewer'sexperience.Schickele, Olé!” Concerto in F for Brass vs. PianoPeter Schickele is a composer, conductor, and musician known for his diverse body of work,including classical, comedic, and satirical compositions. He was born on July 17, 1935, in Ames,Iowa, USA. Schickele is perhaps best known for his alter ego, P.D.Q. Bach, a fictional "last andleast" son of Johann Sebastian Bach, whom Schickele created for comedic and parodic musicalcompositions.As P.D.Q. Bach, Schickele produced a large catalog of humorous and often absurd works, pokingfun at classical music conventions and styles. Some of the most well-known P.D.Q. Bach piecesinclude "The Abduction of Figaro," "1712 Overture," and "Eine Kleine Nichtmusik.” Beyond hiswork as P.D.Q. Bach, Peter Schickele has composed numerous serious classical pieces, includingorchestral, chamber, and vocal music. He has received commissions from various organizationsand has had his works performed by orchestras and ensembles around the world. Schickele'smusic often demonstrates a mastery of classical forms and techniques, while also incorporatingelements of humor and wit. His contributions to the world of classical music, both serious andcomedic, have earned him a dedicated following and recognition as a unique and influentialfigure in contemporary composition.In addition to his compositional endeavors, Peter Schickele has also conducted orchestras,recorded albums, and performed as a pianist and bassoonist. He has contributed significantly tothe cultural landscape by bringing a sense of humor and accessibility to classical music.

PROGRAM NOTES CONT’DMassenet, Meditation from Thais"Méditation" is a well-known piece from the opera "Thaïs" composed by Jules Massenet. It is aninstrumental intermezzo that occurs in Act II of the opera. "Méditation" is often performed as astandalone piece in concert settings due to its lyrical and expressive qualities. The piecefeatures a solo violin accompanied by orchestral and, sometimes, piano accompaniment.However, there are also arrangements that replace the violin solo with a flute solo. In thisversion, the flute takes on the role of the solo instrument, interpreting the melodic linesoriginally written for the violin. In today’s edition, you will hear two solo flutes gently weavingthe melody together in expressive tandem.The music exudes a serene and introspective atmosphere, making it well-suited for meditationand reflection, as the title suggests. Its beautiful and flowing melodies, combined withMassenet's sensitive harmonies, create a poignant and emotive experience for both theperformer and the listener. The adaptation for solo flute allows for a different timbral quality,providing a unique interpretation while retaining the piece's inherent contemplative nature. Thisversion of "Méditation" with solo flutes offers a fresh perspective on a beloved classical work,showcasing the versatility and adaptability of Massenet's composition.Gounod, Marche Funèbre d’une MarionnetteCharles Gounod (1818–1893) was a distinguished French composer renowned for his significantcontributions to both opera and sacred music. Born in Paris, Gounod displayed prodigiousmusical talent from an early age. He received formal training at the Paris Conservatoire, wherehe honed his compositional skills and won the prestigious Prix de Rome in 1839. Gounod'soperatic career soared with the creation of masterpieces like "Faust" (1859) and "Romeo andJuliet" (1867), solidifying his reputation as one of the leading composers of his time. His operaswere celebrated for their rich melodies and dramatic storytelling. Beyond the realm of opera,Gounod made substantial contributions to sacred music, composing masses, oratorios, andhymns. His "St. Cecilia Mass" (1855) is particularly revered. Gounod's poignant setting of the"Ave Maria," based on a Prelude by Johann Sebastian Bach, remains an iconic piece in the choraland vocal repertoire. His music is characterized by its lyricism, graceful melodies, and refinedorchestration. Charles Gounod's enduring legacy in French music endures through thecontinued performance and appreciation of his works, which continue to resonate withaudiences worldwide."Marche de Marionnette" (Marionette's Funeral March) is a short, playful composition for pianowritten by the French composer Charles Gounod. Composed in 1872, this piece is known for itswhimsical and light-hearted character. The title, "Marionette's Funeral March," may seemparadoxical, as it combines the cheerful notion of marionettes with the somber concept of afuneral march. Gounod's composition playfully imagines a marionette's mock-serious funeralprocession, blending elements of comedy and drama in musical form. The piece is structured asa miniature musical narrative. It begins with a lively, almost mischievous melody, representingthe animated movements of a marionette. This theme is then juxtaposed with a more solemnand measured section that embodies the imagined funeral march. The contrast between thesemusical elements creates a charming and slightly quirky atmosphere. "Marche de Marionnette"has gained recognition not only for its musical merit but also for its cultural impact. It has beenused in various forms of media, including in television and film, contributing to its popularity andwidespread recognition. Overall, Gounod's "Marche de Marionnette" exemplifies his ability toinfuse character and imagination into his compositions, even in shorter, more light-heartedpieces. Its enduring appeal and recognizability have solidified it as one of Gounod's mostcherished and frequently performed works.

PROGRAM NOTES CONT’DBach, Fugue In G Minor BMV 578Bach's Fugue is one of Johann Sebastian Bach's most renowned and frequently performedcompositions. Often referred to as the "Little Fugue in G minor," it is a prime example of Bach'smastery of counterpoint and fugue writing. Composed during Bach's time in Weimar, Germany,likely in the early 1700s, the piece showcases his exceptional skill in crafting intricate andharmonically rich musical structures.The fugue is written for the organ, an instrument for which Bach was particularly adept, havingserved as an accomplished organist in various positions throughout his life. The composition ischaracterized by its solemn and majestic atmosphere, typical of many of Bach's works. The maintheme, or subject, of the fugue is a distinctive and memorable motif that undergoes varioustransformations and interactions with itself throughout the composition.The fugue follows a strict contrapuntal structure, with multiple voices (melodic lines) interactingwith each other in a highly organized and intricate manner. Bach employs techniques such asinversion, augmentation, and stretto (overlapping of subject entries) to create a rich tapestry ofmusical voices.Despite its title, the "Little Fugue in G minor" is far from diminutive in its musical complexity andemotional depth. It stands as a testament to Bach's profound understanding of musical formand his ability to create works of enduring beauty and intellectual rigor. This compositionremains a staple of the organ repertoire and continues to be admired and studied by musiciansand music enthusiasts around the world.

Thank you to our host!ATLANTA COMMUNITY SYMPHONY ORCHESTRAThursday, November 9, 2023, 7:00pmPhillip E. Allen, Guest ConductorSt. Bartholomew Episcopal ChurchRev. Canon Dr. Angela F. Shepherd, Rector • Stephen Frketic, Director of Music and OrganistEine Kleine Nachtmusik, K. 525 – Wolfgang Amadeus Mozart (1756-1791)Arranged for Chamber Orchestra by Jane Thomas I. AllegroFor Lovers of Animals:The Waltzing Cat – Leroy Anderson (1908-1975)The Whistler and His Dog – Arthur Pryor (1869-1942)Spotlight on the STRING SECTION:Music from “Pride and Prejudice” – Dario Marianelli (1963 - )Arranged by John MossAnnie Cook, Piano SoloistSpotlight on the BRASS SECTION:“Olé!” Concerto in F for Brass vs. Piano – Peter Schickele (1935 - ) I. Largo Maestoso, Allegro ModeratoAnnie Cook, Piano SoloistSpotlight on the WOODWIND SECTION:Meditation from THAIS – Jules Massenet (1842-1912)Arranged and Orchestrated by Phillip E. AllenTisa McDougald Schuurman and Joel Ryan Emerson, FlutistsMarche Funèbre d’une Marionnette – Charles Gounod (1818-1893)Orchestrated by Tomáš KöpplFugue in G minor (“Little”), BWV 578 – Johann Sebastian Bach (1865-1750)Arranged and Orchestrated by Phillip E. Allen

BassoonJason Lee, principalCharles JaretFrench HornChristopher Nichols, principalVicky AvanzatoMichael McFarlinTrumpetCraig Sprinkle, principalHerb KraftTrombone/Bass TromboneRichard Schulman, principalPaul BonapfelTuba John McKevittHarpLiesl HaganPianoAnnie CookTimpani/PercussionBill BittmanBeth Green-CharlesViolin 1Peter Strauss, ConcertmasterDavid AndersenViolin 2 Dara Jonkoski, principalNicole BonillaMelissa LuchtAntoine MiltonViolaCaitlin Kelly, principalBruce GuteliusSarah ShapleyNorman ZollerCelloAbby Jones, principalCourtney EmersonBassTerry Klemensen, principalCurtis MurdockFlute/PiccoloTisa Schuurman, principalJoel Emerson, principal piccoloOboeIvy Francis, principalJean RussClarinet/Alto SaxophoneStacy Quiros, principalRay CaputoMatthew Hess, principal alto sax