Dialog und Bewegung im Film Visuelle Studien von Cornelia Raimondi Edition fluflu
Dialog und Bewegung im Film Visuelle Studien von Cornelia Raimondi Edition fluflu
Copyright 2020 by Edition fluflu Z rich Alle Rechte vorbehalten Druck und Bindearbeiten K ser Druck AG Sellenb ren Inhalt Layout Lithos Cornelia Raimondi Script https www studiobinder com blog S mtliche verwendeten Bilder wurden aus dem Film The Breakfast Club von John Hughes 1985 extrahiert Printed in Switzerland
Vorwort 7 Bewegung und Zeitempfinden 9 berlagerung von Bewegungen 25 Bewegung im Daumenkino 33 Kamerafahrt und Zoom 85 Mimik und Gestik beim nonverbalen Dialog 91 Verbaler Dialog als Comic 123 Social media Ein Ausblick 129
Wie THEfunktioniert BREAKFAST CLUB das Medium Film als Buch CLAIRE S FATHER I ll make it up to you BLANK SCREEN Honey ditching class to go shopping WieAgainst k nnen szenografische Fragen betreffend doesn t make you a defective Black TITLE CARD and these children Have a good day that you spit on as they try to change their worlds CUT TO Bewegung are immune to your Raum consultations und Zeit They re aus quite dem Film ins aware of what they re going through David Bowie Claire rolls her eyes and gets out of the car and The Blank Screen and Title Card SHATTER walks up the school front steps Buch to reveal bersetzt werden Wie zeigt man Kamera CUT TO 1 EXT SHERMER HIGH SCHOOL DAY fahrt nonverbale Dialoge oder Ton3 im INT Buch BRIAN S CAR DAY During Brian s monologue we see various views of We are in BRIAN s car His MOTHER is there and so is inside the school including Bender s locker Einthings Buch wirdBRIAN subjektiv und oft selektiv gelesen his little SISTER He is sort of a nerd VO Saturday March 24 1984 Shermer BRIAN S MOTHER Der Leser bestimmt die Dramaturgie und die High School Shermer Illinois Is this the first time or the last Dear Mr Vernon we accept the fact time we do this that we had to sacrifice a whole Geschwindigkeit Saturday in detentionselber for whatever BRIAN upset 7 it was that we did wrong what we Last did was wrong But we think you re crazy to make us write this essay telling you who we think we are what do you care You see us as you want to see us in the simplest terms and the most convenient definitions You see us as a brain an athlete a basket case a princess and a criminal Correct That s the way we saw each other at seven o clock this morning We were brainwashed 2 INT CLAIRE S CAR DAY We see CLAIRE and her FATHER sitting in their car in the parking lot Claire is the prom queen and is clearly a snob CLAIRE I can t believe you can t get me out of this I mean it s so absurd I have to be here on a Saturday It s not like I m a defective or anything BRIAN S MOTHER Well get in there and use the time to your advantage BRIAN Mom we re not supposed to study we just have to sit there and do nothing BRIAN S MOTHER Well mister you figure out a way to study Yeah BRIAN S LITTLE SISTER annoyingly Well go BRIAN S MOTHER Brian gets out of the car and walks towards the school CUT TO
Bewegung 4 INT ANDREW S CAR und DAY Zeitempfinden In walks Bender he touches everything on the checkout desk and takes a few things in the process We see ANDREW and his FATHER Andrew is clearly a He walks over to where Brian is sitting and points Filme jock bestehen he s wearing a letterman s aus statischen jacket with lots of Einzelbildern to the table on the opposite side of the Library patches on it Brian reluctantly gets up and moves Bender sits at the table where Brian was and puts his feet up Fotografien ANDREW S DieFATHER Illusion von Bewegung Allison walks entsteht in She walks all the way around the Hey I screwed around guys screw library and sits in the back corner table just around there s nothing wrong with behind Brian Andrew and Claire look at each other beim Betrachter that Except you gotwenn caught Sport Einzelbilder in and schneller snicker Brian looks at her in confusion and then turns away ANDREW Enter RICHARD VERNON a teacher He holds a stack of Abfolge gezeigt werden Heute werden seit JahrYeah Mom already reemed me papers wie in his left hand He addresses the group alright with such disrespect it makes you wonder how he ever got the job zehnten im Kino typischerweise 24 Bilder pro VERNON ANDREW S FATHER angry You wanna miss a match You wanna blow your ride Well well Here we are I want to Sekunde gezeigt Zeigt man im Buch jedes einzelne congratulate you for being on time ANDREW S FATHER Now no school s gonna give a scholraises her hand Bild aus einer Filmsequenz von drei Claire Sekunden arship to a discipline case CLAIRE Andrew gets out of the car and walks into the Excuse me sir I think there s been scheint einzelne school die Szene still zu stehen Werden a mistake I know it s detention but um I don t think I belong in here CUT TO Bilder weggelassen verl uft die Szene schneller und Vernon doesn t care He just continues to talk 5 EXT SHERMER PARKING LOT DAY es passiert etwas Die totale ReduktionItund Abk rVERNON We see JOHN BENDER walking towards us He is wearing sunglasses A car is coming towards him but he is now seven oh six doesn t stop walking The car slams on its breaks You have exactly eight hours and zung der Sekunden erreicht man fiftyfour beim minutes to think about directly in drei front of him Bender gets Film out of the why you re here To ponder the error frame Out of the car steps ALLISON She is dressed all in black She steps forward to look in the car s of your ways Zeigen front window desandersten the car drives und away des letzten Bildes Hier kann Bender spits into the air and catches the spit in his mouth again Claire looks like she is going to CUT TO gag weder die Bewegung nachvollzogen werden 6 INT LIBRARY DAY VERNON and you may not talk You will not Thereentsteht are six tables irgendein in two rows of three Claire f r vergangene noch Gef hl Zeit move from these seats sitting at the front table Brian comes in and sits at the table behind her Andrew comes in and points at the chair next to Claire at the front table She shrugs and he sits there He glances up at Bender and points at him 9
berlagerung von VERNON Bewegungen VERNON and you My office DieVernon Bewegung Objektes mit aufeinanderpulls the chairdes out from under Bender swird feet Vernon points VERNON VERNON gelegten Einzelbildern simuliert Diese will Ebenen not sleep Alright people is right across that hall Any we re gonna try something a little monkey business is ill advised different today We are going to Simulation hatofkeine grosse Auswirkung empwrite an essay no less than a He looks auf around die at them thousand words describing to me who you think you are VERNON fundene Zeit der Bewegungsablauf ist jedoch any questions BENDER Is this a test BENDER gutVernon sichtund nachvollziehbar Beim bereinanderYeah I got a question passes out paper and pencils and takes no notice of Bender Vernon looks at him suspiciously legen von verschiedenen Photoshop Kan len VERNON BENDER And when I say essay I mean essay Does Barry Manilow know you raid bestehend ausa single unterschiedlichen Zeit Augenblicken I do not mean word repeated his wardrobe a thousand times Is that clear Mr Bender VERNON zeigt sich die Dynamik ebenfalls deutlich I ll give you the answer to that Bender looks up question Mr Bender next Saturday Crystal BENDER VERNON Good Maybe you ll learn a little something about yourself Maybe you ll even decide whether or not you care to return Brian raises his hand and then stands BRIAN You know I can answer that right now sir That d be No no for me cause VERNON Sit down Johnson Thank you sir BRIAN Don t mess with the bull young man you ll get the horns Vernon leaves BENDER That man is a brownie hound Everyone tries to get comfortable and we hear a loud snapping sound Brian turns and looks and it is Allison biting her nails Bender s eyes widen as he turns to look Everyone is looking now Allison notices them looking at her BENDER You keep eating your hand and you re not gonna be hungry for lunch Allison spits part of her nail at Bender 25
Bewegung im Daumenkino BENDER CLAIRE disgusted I ve seen you before you know Please Ab playing We einer see Vernon Frequenz look out from von his office etwa We see f nfzehn Brian Bildern pro BENDER with his pen If you gotta go We hear Bender unzip his fly Sekunde BRIAN werden quietly diese to himself auf Grund des ZusamWho do I think I am Who are you BENDER Who are you You gotta go menwirkens von Stroboskopeffekt und NachbildwirHe attaches the pen to his bottom lip and puts the Everyone is now looking at Bender top under his upper lip kung Tr gheit BRIAN des Auges auf der Netzhaut CLAIRE disgusted Oh my God I am a walrus desBender menschlichen Auges nicht mehr alsHey Einzelbilder ANDREW looks at him in utter confusion Brian yer not urinating in here man notices this laughs and takes the pen out of his sondern als filmische Bewegung wahrgenommouth embarrassed BENDER Bender and Brian begin to take their jackets off Don t talk Don t talk It makes it at the same time They both notice this Brian stops crawl back up men removing die his optisch jacket Bender einer takes his realen all the way Bewegung hnelt ANDREW off Brian rubs his hands together and pretends to be cold He pulls his jacket back on He turns and You whip it out and you re dead looks Einzelbild at Bender who is still staring at einer him before the first drop hits the floor Jedes wird auf Seite platziert BRIAN Bender gasps mockingly the shits huh DurchIt s gew hnliches Umbl ttern wirkt der Ablauf BENDER Bender glares at him and Brian utters an uncomfortYou re pretty sexy when you get laugh langsam Nutzt man die Seiten angry grrr He turns to Brian derable Szene als Bender turns away and crumples up his essay paper He throws it at Claire It misses and goes over BENDER Claire s head Andrew and Claire acknowledgeund it butvermittelt Hey homeboy Daumenkino ist sie schnell noch am continue to ignore Bender Bender starts loudly singing the musical part of a song Nah nah nah Brian nah nah nah nah nah nah points at himselfwith his pen ehesten den Zeitablauf im Film why don t you go close that CLAIRE to herself I can t believe this is really happening to me Bender stops singing abruptly BENDER Oh shit What re we s posed to do if we hafta take a piss door We ll get the prom queen impregnated Claire turns and glares at him Hey Bender ignores him ANDREW 33
Kamerafahrt und ANDREW Zoom BENDER to Claire Hey Sweets you couldn t ignore me if you tried Die Kamerafahrt BENDER ist die Bewegung einer Kamera What Claire rolls her eyes durch Ifeinen Raum ANDREW beim Filmen Eine Kamera BENDER I lose my temper you re totaled So so man Are you guys like boyfriend girl f hrt beispielsweise einem unbeweglichen friend Objekt BENDER a beat Totally Steady dates entlang Das Bild wird St ck f r St ck aufge another beat ANDREW Lo vers Totally another beat baut bis amCLAIRE Ende das ganze Objekt sichtbar ist Derwith me Do Come on Sporto level to Bender you slip her the hot beef injecWhy don t you just shut up Nobody tion Zoom here stellt eine Ver nderung der Brennweite is interested Claire and Andrew turn to face Bender both furious ANDREW am Kameraobjektiv dar bei der sich dieGoPosition Really 85 CLAIRE der screams Buttface to hell Kamera nicht ver ndert und imitiert eine HinBENDER ANDREW screams Well hey Sporto What d you do Enough to get in here Forget to wash your oder R ckfahrt jock beispielsweise die Ver nderung von CUT TO BRIAN nervous der Totalen Uh excuse in me eine fellas INaheinstellung think we Ein oder 7 Das INT VERNON S OFFICE DAY should just write our papers We see Vernon in his office Auszoomen ANDREW wird to im Bender Film oft zum Aufbau der DramaLook just because you live in here VERNON yells doesn t give you the right to be Hey What s going on in there pain in the ass so knock off turgiea verwendet Bei iteinem zoom in scheint Smug little pricks Bender mockingly registers pain in his face CUT TO sich der Betrachter auf ein Objekt zuzubewegen ein BENDER 8 INT LIBRARY DAY It s a free country They all look at each other Andrew turns away from zoomout erweckt den Eindruck einer R ckw rtsCLAIRE to Andrew Bender He s just doing it to get a rise out of you Just ignore him ANDREW to himself bewegung Scumbag
Mimik Bender und stands up Gestik and walks beim over to the nonverbalen railing He Dialog BENDER to Claire sits on it Maybe the prep club too Student council Eine Geste oder BENDER ein Blick sagen mehr als tausend What do you say we close that door ANDREW We can t have any kind of party with No they wouldn t take you Worte Vernon Diechecking Mimik us outspiegelt every few Emotionen Beim seconds BENDER I m hurt Film wird dieses BRIAN Werkzeug oft durch spezielle CLAIRE Well you know the door s s posed to You know why guys like you knock stay open Kameraeinstellungen unterst tzt Besonders everything die BENDER BENDER to himself So what Nahaufnahme und die Amerikanische nur Oh Zeigt this should be stunning ANDREW So why don t you just shut up CLAIRE die Augenpartie werden There s four other people in here f r solche Szenen It s cause you re afraid you know BENDER with mock enthusiasm gerne God genutzt Oft wird auch ein Gegenstand BENDER Oh God Youals ritchies are so smart you can count See I knew you that s exactly why I m not heavy in had to be smart to be a a wrestler activities Mittelpunkt des nonverbalen Dialogs in Szene CLAIRE ANDREW Who the hell are you to judge anyYou re a big coward gesetzt body In anyway diesem Fall ndert zwar das Bild doch Brian feels left out CLAIRE der Fokus Really bleibt auf dem Objekt Seite 99 100 BRIAN to no one in particular I m in the math club ANDREW Z ndholz Blicke unterschiedlicher Personen CLAIRE You know Auch Bender you don t even See you re afraid that they won t count If you disappeared forever it take you You don t belong so wouldn t make any difference You die der mayselben as not even Richtung exist at this school folgen werdenyou injust der have to dump all over it BENDER Bender probably is upset at this and he pauses Well it wouldn t have anything to gleichen a moment before Bildposition speaking He doesn t festgehalten let his emo Seiten 111 119 do with you activities people being tions out however assholes now would it Alle schauen zuBENDER Allison und sie schaut aus der CLAIRE Well I ll just run right out and Well you wouldn t know You don t join the wrestling team even know any of us entgegengesetzten Richtung zur ck Andrew and Claire look at each other and laugh 91
Verbaler DialogBENDER als Comic BRIAN Well I don t know any lepers either In physics um we ah we talk but I m not gonna run out and join about physics about properties of Die nahe one ofliegendste their fucking clubs Option verbalen Dialog physics ins Buch ANDREW BENDER zu bersetzen Hey let s watch the istmouth es huh eine Szene als Comic So it s darsorta social demented and sad but social Right Brian again feels he needs to contribute zustellen Die jeweiligen Bilder und dieYeah gew hlten BRIAN BRIAN well I guess you could I m in the physics club too consider it a social situation I Sprechblasen unterst tzen das Gespr ch Dem mean there are other children BENDER to Claire in my club and uh at the end of the S cuse me a sec year we have um you know a big Betrachter wird wenig eruh at the Hilton What are you babbling about Fantasie abverlangt banquet und at the BRIAN BENDER kann die Papier in seinem eigenen Well Szene what I said auf was I m in You load up you party the math club the Latin club and the physics club physics club BRIAN Tempo lesen Besonders in den 1980 er Jahren Well no we get dressed up I mean Bender nods and turns to Claire but we don t we don t get high BENDER CLAIRE to Bender kamenHey die Fotostorys gross in Mode Zeitschriften Cherry do you belong to the Only burners like you get high physics club BRIAN wie das BRAVOCLAIRE ver ffentlichten w chentlich And uh I didn t have any shoes That s an academic club So I had to borrow my dad s It was kindaFotofolge weird cause my mom doesn t eine solche Die Mischung aus Comic und like me to wear other people s shoes BENDER And uh my cousin Kent my cousin So Kendall from uh Indiana He got fand grossen Anklang beim Publikum high once and you know he started CLAIRE So academic clubs aren t the same as other kinds of clubs BENDER Oh but to dorks like him Bender points at Brian they are BENDER to Brian What do you guys do in your club eating like really weird foods BRIAN And uh and then he just felt like he didn t belong anywhere You know kinda like you know Twilight Zone kinda CLAIRE laughs to Bender Sounds like you 123
EAT MY SHORTS YOU YOU JUST BOUGHT BOU YOURSELF ANOTHER ONE SATURDAY MISTER RI TH WELL I M FREE THE SATURDAY WHAT WAS THAT OH CHRIST EAT MY SHORTS GOO ARE Y THROU NO I M DOING SOCIETY A FAVOR SO
U JUST UGHT E MORE IGHT HERE CUT IT OUT I VE GOT YOU FOR THE REST OF YOUR NATURAL BORN LIFE IF YOU DON T WATCH YOUR STEP YOU WANT ANOTHER ONE OD STOP YOU UGH YOU GOT IT YOU GOT ANOTHER ONE RIGHT THERE THAT S ANOTHER ONE PAL YES YOU THROUGH
NOT EVEN CLOSE BUD THAT S SEVEN INCLUDING THE GOOD ONE WHEN WE YOU GOT ONE FIRST CAME IN MORE RIGHT YOU STAY OUT OF IT AND YOU ASKED THERE MR VERNON HERE WHETHER BARRY MANILOW KNEW THAT HE RAIDED HIS CLOSET DO YOU REALLY THINK I GIVE A SHIT EXCUSE ME S IT S SEVEN ANOTHER NOW YOU IT S EIGHT THROUGH SHUT UP PEEWEE HOW MANY IS THAT
I M GOING TO BE RIGHT OUTSIDE THOSE DOORS THE NEXT TIME I I M HAFTA COME IN CRACKING HERE I M CRACK SKULLS ING SKULLS WHAT CAN I SAY I M THRILLED OH I M SIR N SURE THAT S EXACTLY WHAT YOU WANT THESE PEOPLE TO BELIEVE to everyone ALRIGHT THAT S IT FUCK YOU
SocialLook media ANDREW Ein Ausblick BRIAN you guys keep up your talking Tights and Vernon s gonna come right in Die mediale here I gotWelt a meet this entwickelt Saturday and sich weiter Schon ANDREW defensive I m not gonna miss it on account of Shut up boneheads lange you gibt es mehr als nur Film und Buch They hear Vernon Bei dem moving around out in the hall so BENDER to Andrew Bender quickly comes and sits in the chair between Oh and wouldn t that be a bite Claire and Andrew He folds his hands on the table medien bergreifenden Bender lets out a moan of fake agony Denken kann Vernon dergoes verback into his office Bender laughs and Missing a whole wrestling meet gets up He starts walking towards the double doors that separate the library from the hallway bale Dialog in einem ANDREW Buch durchaus auch in einen Well you wouldn t know anything BRIAN about it faggot You never competed You know there s not s posed to be Whats App Chat dembusiness in your whole life bersetzt werden Dank any monkey BENDER with mock hurt Bender turns and points at Brian allgemeinen f r die Emoticons und den Oh I know Verst ndnis I feel all empty inside because of it I have such a deep BENDER in a stern voice admiration for guys that roll around Young man have you finished your on the floor with other guys pers nlichen Konnotationen welche mit paper die129 ANDREW Bender turns back away and goes to the door He Ahhh you d neversind miss it werden You don t looks cautiously and removes a screw from the sen verbunden sowohl diearound Aussagen have any goals door BENDER als auch die Emotionen richtig verstanden in CLAIRE Oh but I do What are you gonna do ANDREW ANDREW den meisten F llen Yeah Drop dead I hope BENDER I wanna be just like you I figure all I need s a lobotomy and some tights Brian becomes interested BRIAN You wear tights ANDREW to Brian No I don t wear tights I wear the required uniform 9 INT HALLWAY DAY CUT TO We see Vernon getting a drink at the fountain He stands up and checks the way he looks in a mirror He does a muscular pose and utters some manly jibberish Cobadonga CUT TO 10 INT LIBRARY DAY Brian looks up Bender is messing with the door to the library
BENDER Yes BENDER So BENDER NO VERNON I ve got you That s another one right now for the rest of your natural born life if you don t watch You want another one your step VERNON I m doing society a favor VERNON Cause it s gonna be filled we ll keep Good Say the word goin You want another one Instead of going to prison just say the word Are you through you ll come here beyond that VERNON You just bought one more right there VERNON You just bought another Saturday mister BENDER Well I m free the Saturday after that I m gonna have to check my calendar BENDER Oh Christ BENDER EAT MY SHORTS VERNON What was that Vernon spins in his tracks and faces Bender again The Breakfast Club Allison Andrew Bender Brian Claire Vernon BENDER Eat my shorts 7 55
BENDER FUCK YOU A musical riff builds to a climax as Bender screams Vernon leaves and closes the door VERNON You re mine Bender For two months I gotcha I gotcha BENDER What can I say I m thrilled VERNON Now it s eight VERNON You through Bender glares at him VERNON Another VERNON You got one more right there Good VERNON You through BENDER Do you really think I give a shit BENDER How many is that Claire mouths the word Stop to Bender BENDER Not even close bud CLAIRE Cut it out VERNON You got it You got another one right there That s another one pal