AforArtistic Emagazine 2024 Winter Issue : simplebooklet.com

2 WINTER 2024 | aforartistic.comPlease click links belowto visit our social media sites:https://www.facebook.com/AFORARTISTICemagazinehttps://www.facebook.com/aforartistichttps://twitter.com/AforArtistichttp://www.pinterest.com/aforartistic/Please click links belowto visit our social media sites:https://www.facebook.com/AFORARTISTICemagazinehttps://www.facebook.com/aforartistichttps://twitter.com/AforArtistichttp://www.pinterest.com/aforartistic/Dear Fellow Artists:Happy New Year! As we embark on thecreative adventure that is 2024, let's take amoment to reect on the projects we'vebrought to life and those patiently waiting onthe shelves, eager to be completed. It's ashared sentiment among artists – the struggleto nd inspiration and dedicate time to nishwhat we've started.The arrival of a new year is a beautifulreminder of fresh beginnings and endlesspossibilities. It's an opportune moment to dustoff those half-nished projects, revisit thesketches tucked away, and breathe life into theideas that have been lingering in the recessesof our creative minds.Remember, it's never too late to reignite thespark and passion for projects that have beenin the works. Each stroke of the brush, everysculpture started and every bead stitch downis a step towards turning dreams into reality.The canvas of the new year is blank, awaitingthe vibrant hues of your imagination.Let's set our sights on new horizons, setachievable goals, and break down the creativebarriers that may have hindered us in the past.Embrace the journey, relish the process, andlet the joy of creation be our guiding force.May this year be a tapestry of inspiration,productivity, and artistic fulllment. Here's toa year where every stroke, note, and wordcarries the essence of your unique creativity.I want to express my sincere gratitude for theunwavering support you've providedthroughout the years. The existence andsuccess of AforArtistic emagazine oweeverything to our cherished readers. Withoutyou, this platform wouldn't be the vibrantcommunity it is today.Wishing you a wonderfully productiveand creatively fullling New Year!Creatively Yours,Adele Sciortino,ArtistEditor/PublisherEmbrace a Productive New Yearfor Your Artistic JourneyWinter 2024Robin by Adele Sciortino

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3 WINTER 2024 | aforartistic.comWINTER 2024www.aforartictic.com© 2024 A for ArtisticSubscription rate for USA & Canada1 year PDF digital edition(four issues) $27.50Please address e-mail proposalsto adele@aforartistic.com.PUBLISHER & EDITORAdele Sciortinoadele@aforartistic.comPublished four times per year(digital edition): Winter, Spring,Summer and FallContents10 19454 Hajnalka MayorOne of a Kind Artist17 Emily DvorinSculptural Basketry28 Remembering:Lisa LichtenfelsBy Kat Bunker45 Duaiv50 Years of Painting byAdele Sciortino55 Adele SciortinoMy Art Journey71 Marianna NardinVilla Luna77 Adele SciortinoBring Creativity in the New Year81 Book Connection

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5 WINTER 2024 | aforartistic.comWhat is your name andwhere are you from?Where are you fromoriginally?I'm Hajnalka Mayor, born inHungary in 1976, and my lifejourney has taken me across variouscountries. I resided in Hungary until2007 when I met my husband, aSwiss national. We tied the knot inSwitzerland, and our daughter cameinto the world there. Owing to myhusband's profession, we embarkedon a series of internationalrelocations.Our adventures led us fromSwitzerland to Belgium and then toEngland, where our family expandedwith the arrival of our second child,a son. A mere three months after hisbirth, we set forth for Toronto,Canada, and subsequently, we foundourselves settling in BritishColumbia. In 2016, our nomadiclifestyle brought us to thepicturesque shores of New Zealand,where we nally put down roots andestablished a more permanenthome.Did you have a creativechildhood?In Hungary during the 70s and 80s,the landscape of entertainment wasdevoid of much "articial"stimulation, creating a distinctlydierent world. In this era, thenecessity for children to tap intotheir creativity was paramount.Alongside my siblings and friends,we forged our own entertainment bycrafting imaginative stories thatcame to life through play.Birdie

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6 WINTER 2024 | aforartistic.comThe outdoorsserved as ourplayground,where climbingtrees, engagingin outdoorgames, andnavigating theterrain ona substantialmale-sized bikewere the norm.Fresh fruitstraight from thetrees and the joyof roasting baconover an open readded to thesimple pleasuresof those times.In the midst of theseadventures, Iseized everyopportunity to express mycreativity by sketching onanything within reach. Thoseformative years weremarked by a blend of outdoorexploration and artisticendeavors, a testament tothe resourcefulness andinventiveness fosteredby the limited entertainmentoptions of that era.Dreaming of Aotearoa

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7 WINTER 2024 | aforartistic.comWhat is yourbackground?My primary vocationis as a ceramist, andmy journey in therealm of creativityhas led me throughvarious other artisticdomains. For severalyears, I practiced theartistry ofprofessional makeup,delved into the worldof styling, andcontributed my skillsas a graphic designer.I explored the richmedium of oilpainting and furtherextended my artisticendeavors into thedynamic landscape ofthe lm industry,where I became partof the artdepartment.In addition to thesepursuits, andalongside my role asa parent, I brieyimmersed myself inthe intricate craft ofsugar art. Thisdiverse spectrum ofcreative experienceshas not only shapedmy professionalidentity but has alsoprovided a richtapestry of skills andinsights garneredfrom each uniqueventure.Girl on the Pohutukawa Tree

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8 WINTER 2024 | aforartistic.comGirl on the Pohutukawa TreeHow and when did you rst begin tocreate your art? How did you learn tomake your style of art? (formal trainingor self-taught)My daughter was diagnosed with severe autism at age 3, and hercondition became more and more complicated ever since. Eventhough she attends a special needs school, I’m always in standbyin case anything goes wrong during the day. I became her full-time caregiver, working outside of home became impossible. Ilearned sugar art rst back in Canada as I mentioned it above,but despite my quick success in the industry it wasn’t my call.I saw art dolls for the rst time in 2015 on social media, and Ibecame inspired immediately. I spent a couple of monthswatching online lessons, reading books, watching tutorials, youtube videos, before I ordered my rst supplies. It was obviousfrom the beginning that I found my calling. Sculpting helps me torelax, to nd peace, and to express myself. It became mytherapy, my happy place.

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11 WINTER 2024 | aforartistic.comWhile each medium has its merits anddrawbacks, I nd that polymer clay, despiteits versatility, is too weighty and tends toshift signicantly during the sculptingprocess, a characteristic I nd less thanideal. In contrast, the nished pieces withPremier clay possess an exceptionallightness, enabling me to venture intolarger-scale creations. Furthermore, the easewith which I can make adjustments orcorrections with Premier clay adds to itsappeal, potentially making it my preferredchoice moving forward.Morning Blessing

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14 WINTER 2024 | aforartistic.comWhat inspires you? Are therespecic images, artists,locations, or materials thatenhances your work?Inspiration comes from everywhere, but mostlyfrom my emotions and feelings. I have of coursemany artists, books, movies I admire and love,and I assume they are heavily inuencing myart. However, I always try to stay as original aspossible and stick to my own ideas.What led you to create yourcurrent style of work? How hasyour art, style, or techniquesevolved over the years?At some point, I made a conscious decision tostep away from taking commissions andredirect my artistic eorts towards creatingpieces that bring me joy. Navigating thechallenges of having a child with severedisabilities is not just an individual struggle buta collective one for the entire family. In themidst of this demanding reality, the act ofcreation has become more than a pastime; it hasevolved into a lifeline, allowing me to rise abovethe challenges. If ever I nd myself sinking, theprocess of artistic expression has the power topull me back to the surface.In the realm of my creations, I revel in gettinglost, immersing myself in the intricate details,and breathing life into the characters I bring tolife. The absence of commissioned worktranslates to a liberation from deadlines andpressure, aording me the luxury of dedicatingas much time as I desire to each piece. Thisnewfound freedom also encourages me toexplore and experiment with diverse mediums,such as integrating mulberry paper and needlefelting into my art, adding unique dimensions tomy creative repertoire.Sisters in the Rain

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15 WINTER 2024 | aforartistic.comWhat is the most surprisingthing you have learned as anartist, and what advice canyou pass along to aspiringartists?My best advice is for every artist is to stay trueto yourself, stay original. Dare to take your timeand be kind to yourself, no one can truly createunder pressure.Do you have any projects areyou currently working on orhave planned?My sketchbook is a treasure trove of ideas thatcould fuel my creativity for years to come—inspiration has never been in short supply.However, the real challenge lies in carving outboth the time and motivation needed to bringthese ideas to life. Currently, my focus remainson the tactile realm of polymer clay, with atouch of needle felting woven into my artisticendeavors.In the upcoming creations, I aim to delve into arealm of somewhat melancholic yet whimsicalstorytelling. Despite having a blueprint in mymind, I often nd myself on an unpredictablejourney once I set out to work on a piece. Theambiguity adds a layer of excitement to theprocess, as I never quite know where my artisticexploration will lead me.There and Back again

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18 WINTER 2024 | aforartistic.comAlchemical"I approach mybaskets the wayI approach mylife:with innovation,irreverence, &a dashof humor.""I call myselfa sculpturalbasket maker."My work focuses ontransforming commonmaterials intoinnovative,urban vessels that reectabstract ideas, includingsocietal excess andthrowawayconsumerism.I manipulate, construct,alter, coil and weave todevelop piecesthat marrymodernaesthetic withchildhood whimsy.I never imagined I wouldstumble upon myartistic passion later inlife.As a child, I wasencouraged to pursue a"sensible" career. To thatend, I studied hard,married young,and became a 3rd gradeteacher. When myhusband’s job brought usto California, my life tooktwo important turns.

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26 WINTER 2024 | aforartistic.comI strive to give the viewera process of discovery.What at rst seem likeconventional bers mayturn out to be a subtlearrangement of pianoinnards, shoulder pads,forks, curlers, spools ormy signature material,cable ties.My goal is to change thedenition of basketry byexploring contemporaryinterpretations ofa traditional craft usingnon-traditionalingredients. Thus, asunorthodox mediums arereinterpreted as bers,I can explore andillustrate the concept thateven unexpected objectsthat we take for grantedcan become works of art.O O La LaRouge et NoirScrumptious

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28 WINTER 2024 | aforartistic.comLisa LichtenfelsBy KAT BUNKERRememberingELEPHANT POLO by Lisa LichtenfelsKasumi is enjoying the sport of the internationally jetsetting rich - elephant polo. The game has existed sincethe 70s, although back then it was played only by typeA personality men on HUGE elephants. As more womenentered the fray, the elephants got smaller, althoughMurray, her mount, is still substantially large.Even though players would like to think they are incontrol of such big beasts, none would have a chance ateven getting on an elephant without a trusty Mahoutwho controls Murray with two little sticks and footnudges under the ears - not a skill set to be picked upquickly or casually.

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29 WINTER 2024 | aforartistic.comLisa L. Lichtenfels was avisionary artist endowedwith a divine spark ofcreativity and innovation.Her pioneering spirit ledher to forge uniquetechniques in the realm ofsoft sculpture,unparalleled to this day.The echoes of her artisticbrilliance resonate notonly in prestigiousinstitutions like the Louvrein Paris but alsoreverberate throughmuseums, celebritycollections, and privateshowcases globally. Lisa'sdistinctive imprint has leftan indelible mark on theart world, captivatingaudiences far and wide.Since 1984, the Erie ArtMuseum in Lisa L. Lichtenfels'home state of Pennsylvania hashoused a permanent collectionshowcasing her earlymasterpiece, the AvalonRestaurant diorama. Lisa'ssister, Allyson, sheds light onher artistic evolution, stating,"She elevated her soft sculpturetechniques, fashioning uniquefabric gures using armaturewire as a skeleton, ne cottonbatting for the body, and nylonfor the skin." The meticulousprocess involves wire-formed'bones,' shaped by heavy felt,with 'muscles' simulated by nebatting in precise anatomicalalignment. Fiberll then impartsa softness akin to fascia, andlayers of delicately seamed,variously colored nylonstockings form the skin.Lisa LichtenfelsCheck out

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31 WINTER 2024 | aforartistic.comPhoto on Left:JEANNE IN HEAVENWhen Jeanne Louise Calment died in 1998, at the age of 122 shewas the oldest person known int he world. Lively and sharpwitted, she liked to say: “God has forgotten me.”My portrait of Jeanne has her nally in heaven with a comfycushion for her feet and her ciggies. (She smoked continuouslyfor over 100 years until she was 118 when arthritis made it toodicult for her to hold a cigarette). Her wings might seem a bitragged, but that is exactly how she has earned them, and thereis no possibility they could fail her now.As the years progressed, Lisa honed her techniques, imbuing hercreations with heightened detail and a deeper sense of soul. Theresult is a remarkable suppleness and human-like quality in hersculptures that resonates with viewers.Check out

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33 WINTER 2024 | aforartistic.comHer works exude an uncanny lifelike quality,seemingly breathing before our eyes. Theprofound gaze from their eyes imparts a senseof soul, creating a profound connection betweenthe observer and the art.In 1985, Lisa achieved the prestigious honorof being elected to the National Institute ofAmerican and International Doll Artists(NIADA). On her artist's page within theorganization's website, she articulated, "Fabric,an ancient craft, has now evolved into a mediumcapable of rendering remarkably lifelike gures,thanks to the advent of nylon. This revolutionaryfabric, highly moldable and able to stretch vetimes its length, spurred a technological leap inmy craft." Lisa innovatively layered variouslycolored nylons and utilized "needle modeling"to sculpt them over mixed-media bodies,resulting in gurative realism.Josephine, 26 x 20 x7

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34 WINTER 2024 | aforartistic.comWhile the majority of Lisa's creationsstand under 25 inches tall, she alsoventures into crafting life-sizedsculptures and large installations,seamlessly blending gures intoimmersive environments. The level ofrealism she achieves is so striking that,when captured in photographs, hersculptures are occasionally mistakenfor actual people. A captivating anecdoteshared by her friend, Kat Bunker,recounts an incident where the policewere summoned as a concernedneighbor mistook what appeared to bea human body being loaded into Lisa'svan for delivery. This amusing incidentunderscores the astonishing lifelikequality of Lisa's work, transcending theboundaries between art and reality.In 2016, Lisa faced a profound loss withthe passing of her husband, the poetJeremy Ward Wilson. A mere week later,she received the devastating diagnosis ofan aggressive form of breast cancer. Inan interview featured in the Springeld,MA "Sunday Republican" on April 16,2017, Lisa expressed her heartfelt desire,saying, "If I can share my art'stechniques with someone who will carryon what I do, then I'll be prepared tomove on."Supported by the unwavering assistanceof her devoted sister, Allyson, andher close condant, David, Lisacourageously navigated more than sevenarduous years of cancer treatments. Herresilience and determination persisteduntil she transitioned into her nexteternal chapter on October 10, 2023.Lisa graced this world with her presenceon June 2, 1958, born in Erie, PA. Herlegacy, rooted in her artistry andpassion, remains a testament to herenduring spirit and creative brilliance.Massai Warrior

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35 WINTER 2024 | aforartistic.com“A while back, I heard about a 3,000-year-old tomb inscription that had been sculpted of an Egyptianprincess racing an ostrich. I though that was interesting, but then I saw a documentary on how ostrich-feather farms, back in the 30s and 40s, had been turned into bird-wrangling parks, and people hadgone to them so they could ride ostriches. They took lms of people riding the birds, and rolls of thoselms were still in the old barns. When I saw that I knew I had the information to get the princess backin the race and here she is again on her championship lap”. Lisa LichtenfelsLisa's formative years in Erie immersed her in atapestry of vibrant personalities, some of whomwould later become the subjects of her sculpturalmasterpieces. A serendipitous encounter duringher childhood, when she was dropped o at adance studio, redirected her path. Wanderinginto a small classroom above the studio, shestumbled upon an oil painting class, captivatedby the allure of the art form. Her passion forpainting eclipsed her initial dance pursuits, muchto her mother's surprise.According to her sister Allyson, Lisa exhibitedartistic tendencies from the outset, showcasingher talent through sketches and even venturinginto the realm of animated Claymation duringhigh school. Her artistic journey took a tangibleform as she contributed a mural to theHarborcreek High School library. Lisa'scommitment to excellence was furtherunderscored as she graduated as theValedictorian of her high school class, laying thefoundation for a future marked by creativebrilliance and academic achievement.Princess Arsinoe in the Ostrich Race

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36 WINTER 2024 | aforartistic.comDuring her teenage years, Lisa attended theGovernor's School, setting the stage for herartistic journey. In college, she pursued studiesat the Philadelphia College of Art, undertakinga double major in Animation and Illustration.It was during this transformative period that shecrossed paths with Judy Jampell, gainingexposure to the emerging realm of 3-dimensionalsoft-sculpted facades.Reecting on this encounter, Lisa shared, "I wascaptivated by the notion of enveloping nylonentirely to fashion a freestanding sculpture."Eager to explore this innovative approach, shecrafted several gures titled "Street People" fora prominent graduating competition. Despitewinning an Ely award and recognizing thepotency of her idea, Lisa temporarily shelved itas she had committed to a career in animation.This pivotal juncture in her academic journeyshowcased Lisa's versatile talents, hinting at thedynamic fusion of creativity and commitmentthat would characterize her artistic trajectory.In 1979, as part of an assigned project, Lisaembarked on a transformative artistic endeavor.She repurposed a denuded lampshade, which, toher imagination, resembled a rib cage, givingbirth to her inaugural soft sculpture. Recollectingthis creation, Lisa shared, "I still hold dear myrst soft sculpture, a symbol of the timeI presented it to my college professor."Regrettably, the initial response to her work wasdisheartening, as he dismissively labeled it the"worst piece of junk" he had ever critiqued,delivering a lengthy chastisement.Despite the professor's harsh criticism, Lisarecalls how she remained unfazed, much to hissurprise and dismay. Little did he realize that hisstringent words would inadvertently solidify anenduring bond between a budding artist and hercreation. Reecting on her artistic journey, Lisaremarked, "I can't say I consciously explored mymedium; rather, I followed where it led me." Herjourney has been a source of enlightenment,enrichment, and forgiveness, making eachmorning in her studio an exciting prospect.She emphatically expresses that she wouldn'ttrade the life she has lived for anything.In the introduction to her book, "Figures inFabric," Lisa reects on the diverse inuencesthat have shaped her artistic journey, stating,"Every facet of my past studies, from drawingand painting to anatomical sculpting with a focuson Classical Greek and Renaissance gurativeart, as well as my experiences in experimentaland traditional Disney animation andcontemporary illustration, has contributed tothe work I produce today. Threads from allthese disciplines are intricately woven into afresh approach to fabric manipulation."In the preface to the same book, John DarcyNoble pays homage to the profound impact ofLisa's friendship, describing it as "both preciousand innitely rewarding.Don and his Deardorf

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37 WINTER 2024 | aforartistic.com" Having rst encountered Lisa in the mid-'80swhen he invited her to participate in the exhibithe curated, "Flights of Fancy," at the Museum ofthe City of New York, Noble shares a revelationabout Lisa's creations. He observes that herfabric gures transcend mere descriptions ordepictions, evolving into living presences withwhat he would swear are hearts and minds oftheir own. Noble passionately asserts that Lisa'swork stands unparalleled, declaring it as art ofthe highest order and hailing her as a genius.Fresh out of college, she secured a covetedapprenticeship as an animator at DisneyAnimation Studios in California, contributing herskills to iconic lms like "The Fox & The Hound,""The Black Cauldron," and "Beauty & The Beast."Within the realm of Disney, her responsibilitiesextended to the development of three-dimensional gurines featuring posableskeletons for stop-motion animation.During her tenure at Disney, she experienced thehonor and privilege of being mentored by noneother than Eric Larson, a distinguished gureamong Disney's original animators, oftenreferred to as one of the "Nine Old Men." Thisinvaluable mentorship not only enriched herartistic prowess but also provided a uniqueinsight into the legacy of Disney animation,shaping her trajectory in the world of visualstorytelling.In her free time, the soft sculpture keptwhispering to her to develop it. She said, “I justknew I had to go (leave Disney to pursue her art).I had discovered this incredible art form, and Ihad to see what I could do with it.” Whatfollowed was a career as an independent artist,developing techniques of soft sculpture the worldhad never before seen. As Allyson says, “Hercareer spanned over forty years and her creationshave been welcomed throughout the world,displayed in galleries and museums.”.Lisa's generosity extended beyond her artwork;she freely shared her techniques and oeredunwavering encouragement to emerging artists.Connie Smith, a member of NIADA, remarked,"Lisa dedicated her entire life to the evolution ofher art form. During my initial discovery that Iwas not alone in my compulsion to create objectsakin to ours, Lisa emerged as the reassuringvoice of encouragement and inclusion. Ourfriendship throughout the years served as awindow into a broader world for me, revealingthe boundless possibilities within our sharedpassion." Lisa's legacy not only thrives in hercreations but also in the nurturing support andinspiration she provided to fellow artists,fostering a sense of community and artisticexploration.Bob McKinley

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38 WINTER 2024 | aforartistic.comPaulinePHOTO ON THE RIGHT:PAULINEPauline is the latest in myline of “ticket-takers”, lifesize sculptures for hometheatres. Pauline is asensualist without excusesor remorse. A supersizedhot-ticket item herself, sheloves excess, because she isso fabulously gorgeous andall is under control whileshe can slip into a size 5shoe. Happily, she’s intolounging, not long walks.Pauline is the perfect tickettaker. She is generouslyfriendly, especially withmale customers, and isnever bored, not whilethere’s plenty of popcorn,bon bons, milk duds, andother tasty treats to keepher entertained.Shelley Thornton, amember of NIADA,eloquently expressed theunparalleled impact ofLisa's artistry. Sheremarked, "Lisa's creationsstood as a pinnacle ofuniqueness and inspirationwithin the realm of cloth artdolls. Her inventivetechniques bordered on themarvelous and mysterious,seemingly defying the limitsof what human hands couldachieve. Lisa's passion foranatomical study infused anunmatched realism into hergures within a mediumthat's notoriouslychallenging to master."

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39 WINTER 2024 | aforartistic.comLiviaPHOTO ON THE LEFT:LIVIALivia Drusilla (58 BCE to29 CE), was the mostpowerful woman of theearly Roman Empire, andmany historians insist shewas the most powerful everto have lived. As the wife ofCaesar Augustus, she notonly had the Emperor’s ear,but, if he was slow inimplementing his advice,she could just doing itherself, and pretend it hadbeen his idea. Besidesguiding the rst Emperorthrough his 50 year career,she gave birth to the lines ofthe next four emperors aswell, to wit: son TiberiusCaesar, grandson Claudius,great-grandson Caligula,and great-great-grandsonNero. During anexceptionally long life shewove her lines of powerskillfully - enemies andunwanted descendantsproved mysteriously shortlived. Indeed, Livia’s graspon who should be in power,and who should not, was asrm as the hand of death.Entering the cloth dolldomain, I was awestruckand motivated by Lisa'swork, forever grateful forher inuence, ingeniousperspectives, andintellectual depth. revealedher compassionate heart,infectious humor, andwelcoming demeanor.

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40 WINTER 2024 | aforartistic.comThese personal connections forged a lastingimpression, etching memories of a trulyexceptional individual whose legacy transcendsartistic boundaries, leaving an indelible mark onall who encountered her warmth and brilliance.Lisa's artistic repertoire spans a rich tapestry ofsubjects, encompassing portraits, historicalgures, fantasy characters, and mythologicalentities. Through these diverse themes, shefound a unique avenue to delve into theintricacies of personality and character, delvinginto the profound study of the face as the primarymedium of communication.Her creations, varying in size from mere inchesto life-sized manifestations, oer a testament tothe breadth of her artistic vision. Notably, Lisaeven crafted life-sized ticket-takers for theopulent in-home theaters of the auent,seamlessly blending functionality with artisticexpression. In this expansive exploration ofthemes and scales, Lisa's work not onlyshowcased her technical prowess but alsoreected a profound understanding of the humanexperience across dierent realms anddimensions.Throughout her extensive career, Lisa has craftednumerous portraits, capturing the essence ofnotable individuals such as Demi Moore—foreverremembered for the iconic pregnant nudemagazine cover. Barbara Streisand and BetteMidler have also found immortality throughLisa's skilled hands, with her rendition of"Barbara Streisand" even making an appearanceon the David Letterman show.Celebrity recognition extended beyond theartistic realm, as Lisa's work found homes withnotable gures such as Demi Moore and RichardSimmons. A noteworthy tribute to Lon Chaney,"the Man of a Thousand Faces," showcases Lisa'sintricate craftsmanship, featuring severalcharacter heads used by Chaney. In each portrait,Lisa not only captures the physical likeness butalso infuses her creations with a depth thattranscends mere representation, making themtimeless reections of the individuals theydepict.In 1991 she rendered the irrepressible artist, BobMcKinley, in fabric. She captured his vivaciousessence perfectly! (Page 37)In her diorama titled "Check-out," Lisa engagesin a contemporary reinterpretation of Manet'smasterpiece, "Le Bar aux Folies-Bergères."Demonstrating her wit, Lisa cleverly shifts thefocus to a weary modern check-out clerk in aconvenience store. The diorama is a testament toher keen observation of humanity and herexceptional sense of humor, evident in theintricate details.Lisa's artistic brilliance unfolds in the meticulousrendering of the scene, inviting viewers toexplore the nuances embedded in the magazinecovers and product packaging. Each detailcontributes to a delightful narrative, elicitinggiggles from those who appreciate the subtlelayers of wit woven into the composition.Through this imaginative and humorous lens,Lisa transforms a classic painting into acontemporary commentary, showcasing herability to infuse art with both insight and levity.(See Check Out page 31)Livia

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41 WINTER 2024 | aforartistic.comHer “Falling Angel” shows her technologicalbrilliance. The gure, plunging head down to theearth, is balanced on the pedestal by the point ofone elbow. (see Falling Angel on page 30)Livia, the wife of Emperor Caesar Augustus,mother of Tiberius, glowers at you ercely fromher perch on a Roman chair in a surround thatfaithfully reects what archaeologists uncoveredin Italy. (Livia page 39)Lisa's approach to her craft was devoid ofapprehension about sharing her artistic secrets.As Kat Bunker fondly recalls, "She told me, 'youcan't steal the heart of an artist.'" To further theeducation of emerging talents in her eld, Lisatook the initiative to document her techniques inseveral instructional books and videos.In 1991, "The Basic Head - Soft SculptureTechniques of Lisa L. Lichtenfels" was published,oering a comprehensive guide to her intricatemethods. Following this, in 1995, "The BasicBody – Soft Sculpture Techniques" providedfurther insights into her artistic processes. Lisa'scommitment to education extended to visualmediums as well, with videos like "Persephone"(focusing on the head) and "Ama - Soft SculptureBody Construction," later transformed intoDVDs.In 2001, Portfolio Press unveiled a glossy photobook titled "Figures in Fabric, The Sculpture ofLisa Lichtenfels." This publication featured acaptivating 26-page section titled "The Progressof a Figure," oering a visual journey throughthe creation of her remarkable "Maasai Warrior."Through these educational resources, Lisa notonly shared her techniques but also imparted adeeper understanding of her artistic philosophy,leaving an enduring legacy for aspiring artists toexplore and learn from. (See Three Graces below& Massai Warrior page 34)Three Graces

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42 WINTER 2024 | aforartistic.comThe concluding section of "Figures in Fabric,"aptly titled "Evolution in Fabric," unfolds as a 41-page mini autobiography that provides anintimate glimpse into Lisa's remarkable journey.Beyond tracing the evolution of her gures, fromthe initial creation her professor dismissed to themastery she achieved, this section oers a uniqueopportunity to acquaint oneself with thewonderful human being behind the art.In these pages, readers are introduced to Lisa'smultifaceted personality—brilliant and funny,generous and gentle, vibrant and deep. Readingthis autobiographical segment is not just awindow into the artistic progression but aprofound encounter with the essence of Lisa L.Lichtenfels. To have known her is described as anhonor and privilege, as her impact transcends therealm of art, leaving an indelible mark on thosefortunate enough to glimpse the layers of herbrilliance and warmth.Allyson, Lisa's sister, fondly recalls, "Lisa neversuccumbed to her illness. During our visits to thecancer center for treatment, she would insist toour chemo nurse that she felt perfectly ne,devoid of any sickness. The nurse, catching myeye, would receive a subtle shake of my head, andI would proceed to inform her of Lisa's numerousside eects so they could be addressed. As thededicated caregiver throughout this journey, Ican attest that Lisa's unyielding positivitysignicantly eased my responsibilities. Even asher mental and physical capacities waned, Iendeavored to maintain patience, often repeatingdetails she had forgotten or tasks she needed tocomplete."For a period, Lisa harbored the belief that if sheever lost the ability to create her art, life wouldlose its purpose. However, when neuropathy andlymphedema eventually robbed her of thisartistic outlet, she discovered renewed purpose inthe love and care bestowed upon her by thosewho cherished her. Finding solace in simple joys,such as sitting on the porch and relishing thesoothing cadence of rain, Lisa exhibitedresilience during her most challenging moments.Even in her nal days, she managed to give backto her caregivers, expressing gratitude for theireorts, even if her words were limited.Allyson tenderly shares, "I was by her side in hernal moments when her breath left her body.She leaves behind a world enriched by herpresence and a body of work that I hope willcontinue to inspire for generations to come."Lisa's enduring spirit, exemplied by her art andthe grace with which she faced adversity, leavesan indelible mark on those touched by her life.Lisa's enduring legacy is carried on by hersurviving family: her sister, Allyson Lichtenfels,brothers Robert "Bob" Lichtenfels, and William"Bill" Frazier, along with her boyfriend, DavidGiordano.See the link tothe book on page 44.

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43 WINTER 2024 | aforartistic.comUrban ShamanPHOTO ON THERIGHT:URBANSHAMANBack in the late70s, when I wasa frantic artstudent inPhiladelphia,I once took ashortcut througha back alley andcame across anamazing oldcrone whoseemed to knowme.As soon as sheturned, shescreeched andrushed at me in acloud of steepedurine, alley dust,and a voice thatcould shatterglass. She startedscreaming righto about how I’dnever make lmsor be anillustrator.“You’re justpissing your lifeaway - PISSINGIT AWAY!”I never ran sofast in my life.I have lots ofancient traumas,but his one reallystuck with me - itwas true.Lisa Lichtenfels

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44 WINTER 2024 | aforartistic.comYukon GirlWhile she may no longer be withus, her impact resonates in thehearts of friends and colleaguesacross the globe, undoubtedlyleaving an indelible mark thatwill continue to inspire the nextgeneration of soft sculptureartists.The heartfelt wish Lisa oftenexpressed—that fellow artistswould embrace and furtherdevelop her soft sculpturetechniques—is now a sharedsentiment among those who hadthe privilege of witnessing hergenius and marveling at hercreations rsthand.In the collective hope ofperpetuating her artisticvision, there lies acommitment to ensure thatthe rich tapestryof Lisa's contributions to theworld of soft sculptureremains vibrant andcontinues to evolve in thehands of those who follow inher creative footsteps.GoFundMe NIADA publishLisa’s 2nd book. Link below:https://www.gofundme.com/f/publish-lisa-lichtenfels-nal-works?utm_medium=email&utm_source=product&utm_campaign=p_email_m_pd-5332-donation-receipt-adyen&utm_content=internal&fbclid=IwAR0FWg2bBa722ELmh5wP_m0menwHp2CI9IcTg6qYe9u6C5JLir1_EuxMk0QLisa Lichtenfelshttps://lisalichtenfels.net

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50 WINTER 2024 | aforartistic.comDuaiv is an extraordinary self-taught artist, originally drivenby a fervent passion for creatingbreathtaking canvases. Despite hisdeep connection to painting, hisfather insisted that Duaiv pursuea musical path, urging him tomaster the cello. While Duaivindeed became a procient cellist,his heart remained steadfast in hislove for painting.Refusing to succumb entirely to hisfather's expectations, Duaiv courageouslytook to the streets, where he dedicatedhimself to his true artistic calling—painting. Through relentless dedicationand boundless creativity, he forged hisown path until his talent could no longerbe ignored. Duaiv's journey from theconstraints of musical expectations to theliberated realm of street art ultimately ledto his well-deserved recognition as anemerging and inuential painter.Duaiv's life unfolds as a rich tapestry of artisticexpression, seamlessly weaving his profoundpassion for cars, motorcycles, and, of course, hisawe-inspiring paintings. The pinnacle of theevening manifested in a special musicalperformance, with Duaiv showcasing his masteryon the cello, accompanied by a skilled violinistand pianist. The harmonious melodies theyconjured lled the space, transporting us to anenchanting realm.This soirée served as a unique opportunity tocultivate connections with fellow art enthusiastsand gain profound insights into the world ofDuaiv. My husband and I are deeply grateful tohave been part of this exclusive gathering, feelingtruly honored to share in such a memorable andartistic experience.Duaiv with celloArt Studio

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51 WINTER 2024 | aforartistic.comCreated by Bernd OgrodnikDuaiv refers to the Frenchartist, musician, and painterChristian Dubois, knownprofessionally as Duaiv. He isrecognized for his vibrant anddynamic paintings that oftendepict scenes of nature,landscapes, and cityscapes.Duaiv is also known for hisdistinctive personal style, bothin his art and in his appearance,often wearing colorful andunconventional clothing.Artistic Fusion: Duaiv's signature style is avibrant blend of distinctive and colorfulelements, characterized by bold brushstrokesthat infuse his paintings with dynamic andlively compositions. His artistic repertoirespans a wide range of subjects, fromlandscapes and cityscapes to engagingportraits.Harmonious Talents: Beyond visualart, Duaiv is a multifaceted artist withmusical prowess, masteringinstruments like the piano and thecello. His musical sensibilities oftenintertwine with his approach topainting, resulting in a unique fusionof visual and auditory artistry.Duaiv refers to the Frenchartist, musician, and painterChristian Dubois, knownprofessionally as Duaiv. He isrecognized for his vibrant anddynamic paintings that oftendepict scenes of nature,landscapes, and cityscapes.Duaiv is also known for hisdistinctive personal style, bothin his art and in his appearance,often wearing colorful andunconventional clothing.Artistic Fusion: Duaiv's signature style is avibrant blend of distinctive and colorfulelements, characterized by bold brushstrokesthat infuse his paintings with dynamic andlively compositions. His artistic repertoirespans a wide range of subjects, fromlandscapes and cityscapes to engagingportraits.Harmonious Talents: Beyond visualart, Duaiv is a multifaceted artist withmusical prowess, masteringinstruments like the piano and thecello. His musical sensibilities oftenintertwine with his approach topainting, resulting in a unique fusionof visual and auditory artistry.Table setting

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53 WINTER 2024 | aforartistic.comGlobal Impact: Duaiv hasachieved international acclaim,with his artworks prominentlyfeatured in galleries andexhibitions worldwide. Theenergetic and positive vibesemanating from his creationshave resonated with audiencesglobally, solidifying his statusas a renowned artist.Personal Flamboyance: Duaiv's artisticexpression extends to his amboyant andunconventional personal style. His wardrobe,characterized by colorful and eye-catchingattire, serves as a reection of his artisticspirit and individuality, creating a visualextension of his creative persona.Collaborative Artistry: Duaiv hasseamlessly integrated his art intovarious collaborations withorganizations and luxury brands.His works have adorned exclusivepartnerships, and he has craftedcustom pieces for special events,showcasing the versatility andadaptability of his artistic vision.

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56 WINTER 2024 | aforartistic.comEmbarking on my journey tobecome an artist has been aformidable challenge.Born into an era when society expectationsdictated that I should aspire to be a secretary ora housewife, I found myself at odds with thesepredened roles. While I did acquire procienttyping skills—thankful for the ability to typeeortlessly without glancing at the keys and at aremarkable speed—I quickly discovered that therealm of secretarial duties was not my destinedpath, particularly detesting the shorthand classthat came with it.On the contrary, my true sources of joy werefound in the roles of a devoted mother,grandmother, and great grandmother, all facetsof life that brought immense fulllment. Yes, Iam happily married, a signicant chapter in thenarrative of my life.The absence of support throughout the years hasposed a signicant barrier to the realization ofmy aspirations to become a full-time artist. It'scrucial to acknowledge that support, whetherfrom family or close friends, plays a pivotal rolein one's ability to advance and pursue theirdreams. The impact of this lack ofencouragement has been profound,underscoring the importance of a strong supportsystem in nurturing and fostering creativeambitions.It took me quite a while to fullyembrace the realization that I am,indeed, an artist.My heart, however, has always been drawn to thearts. As a child in school, I fully immersed myselfin creative projects, with my highest gradesconsistently earned in the realm of art.Moorish Idol, watercolor

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57 WINTER 2024 | aforartistic.comMy anity for art has always been rooted in my love forvarious mediums—paper, color pencils, brushes, andwatercolors. The mere presence of these art supplies,whether in use or not, has consistently lled my heartwith joy.In the early stages of my artistic journey, my aspirationscentered around becoming a watercolor artist. I beganby immersing myself in the works of renowned watercolorartists at the Schmitt Art Gallery in Mobile, Alabama.Subsequently, I honed my skills under the guidance ofWilliam Morris, a distinguished duck stamp artist.Morris's mentorship propelled me towards realism inGouache, urging me to appreciate the intricate detailsof a subject and savor every brushstroke—a philosophythat continues to resonate in all my artistic endeavors.My initial venture into creating a series of underwaterpaintings and achieving publication was unfortunatelyshort-lived due to life's demands for earning a living.During this phase, I found myself engaged in portraitcommission work, maintaining a connectionwith the arts even as family obligations tookprecedence.In moments of respite, I diversied my artisticpursuits, delving into basket weaving, ceramics,sewing, doll repair (culminating in a smallbusiness venture), and various other creativeavenues.Four Eyed Buttery,watercolorAdele, circa 1980

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58 WINTER 2024 | aforartistic.comAligned with my role as an advertisingcounselor, I ventured into the realm ofgraphic design, eventually foundingmy own venture, Images Unlimited,in Mobile, Alabama. Here, Ispecialized in crafting comprehensivepresentations aimed at promotingworkplace safety and employeerecognition award programs. Myresponsibilities included designinglogos and layouts for these initiatives.Years later, a determination to formalizemy artistic education led me back toschool in my 40s. The endeavor was notwithout its challenges—balancing nightclasses with a full-time job, completinghomework and projects during weekendsand late nights, often stretching into thewee hours of the morning. Armed withnished assignments and fueled bycoee, I seamlessly transitioned fromlate-night study sessions to the demandsof my daytime job.My academic pursuits encompassed acomprehensive exploration of ne arthistory, drawing, ceramics, and theintricacies of graphic layout, both byhand (no computer) and, at that time,the growing world of computer graphicswas coming into play-signicantlydistinct from its contemporary form.This journey, marked by perseveranceand passion, has molded my artisticperspective, and continues to fuel mycreative pursuits today.Once more, the juggling act of familyresponsibilities, work commitments,and academic pursuits led me to halt myeducation before earning a degree.However, this pause didn't stie mypassion for the arts; instead, it steeredme towards a new avenue of expression—graphic art.Cosmic ChickEllen SilberlichtTiger Dragony

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59 WINTER 2024 | aforartistic.comUpon relocating to Canada and joiningforces with my husband in thecommercial printing sector, I seized theopportunity to deepen my involvement inthe graphics department. Recognizing theneed for enhanced graphic design skills,I embarked on a one-year college-levelcertication course. The journey wasnothing short of intense, demanding arelentless commitment to weekly tests,quarterly exams, and portfolio projects—all governed by strict timelines. Latenights and weekends once again becamededicated to homework, culminating in ayear entirely devoted to securing mygraphics certication. The day Isubmitted my completed portfoliomarked a signicant milestone, oeringa sense of relief amidst the demandingresponsibilities of our bustling printingbusiness, which included managing tradeshows, overseeing the art department,and supervising a team of 35 employees.During these professional pursuits,I stumbled upon the enchanting worldof gurative arts. Witnessing the creativewonders unfolding in this realm left mein awe, further enriching my artisticjourney.My fascination with art knewno bounds, leading me toexplore the vast world ofartists online. To myamazement, I discovered amultitude of creative mindsworking wonders with cloth,polymer clay, paper clay, andmixed media. The sheerdiversity of artistic expressionfueled my excitement,sparking a desire to delve intothis captivating realm ofcraftsmanship.Willow

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60 WINTER 2024 | aforartistic.comDriven by an eagerness to comprehend theintricacies of this art form, I enrolled in coursestaught by accomplished doll artists such as AnkieDaanen, Olga Rohl, Patti Culea, and GeorgeStuart, among others. While costuming presentedminimal challenges, acquainting myself with thediverse materials employed in gure creationproved to be a learning curve.I embarked on my journey with larger gures,standing at an impressive 18 inches, graduallyhoning my skills and comfort level before venturinginto smaller sizes. Though I initially favoredworking with cloth and dedicated several years to it,the quest for heightened realism propelled metowards the enchanting world of polymer clay—aninfatuation that quickly took hold. The transitionmarked a whole new approach to my craft.Sakura’s Garden Pond,polymer clay

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63 WINTER 2024 | aforartistic.comEngulfed in the world of polymer clay, Ifound myself captivated by its uniquepossibilities. While I believe I havedeveloped prociency in this medium,honing the skill demands consistentpractice and unwavering patience. Thepursuit of realism in my creations hasbecome an ongoing journey, one thatcontinually challenges me to rene mytechniques and deepen myunderstanding of this intricate art form.My artistic journey has evolved into arich tapestry, allowing me to seamlesslyintegrate various mediums that I'mpassionate about—sewing costuming,beading, embroidery, painting, mixedmedia, photography, and more,depending on the specic project athand. The pursuit of setting andachieving goals has been a constantdriving force, propelling me towardshigher levels of artistic expression.One longstanding aspiration was to becomea part of an organization known for its highstandards in gurative art. This goalmaterialized, only to be swiftly thwarted.While I won't delve into the details, theexperience imparted a signicant lesson.Despite setbacks that temporarily impededmy progress, it became evident thatanchoring my artistic trajectory to thejudgment of a committee, unfamiliar withthe depth of my contributions, was nota sustainable approach. The critiqueI received did not align with the substanceof my submissions, and the subsequentrejection was delivered in a harsh manner.Aurelia,Cinderella’s Cousin

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64 WINTER 2024 | aforartistic.comFortunately, a strong sense of self-worthshielded me from potential paralysis inmy sculpting endeavors. Taking a briefhiatus, I explored other artistic mediums,needle felting, tapestry beading andminiatures, to continue to rene my skills.During this period, I delved into othercourses focused on anatomy, a pursuitthat proved instrumental in honing andperfecting specic areas that I felt neededrenement. This phase of exploration notonly reinforced my resilience but alsobroadened my artistic horizons,reinforcing the belief in my capacity forcontinuous growth and creative evolution.When I approach an artistic endeavor, I initiatethe process by vividly envisioning the nal piece.For more intricate projects, I iterate throughmental constructions and deconstructions,solidifying the concept in my mind before I evenlay a hand on the materials. Extensive researchbecomes a crucial part of my preparation when theproject demands a deeper level of renement.Hornbil,needle feltingSerenity, felting

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68 WINTER 2024 | aforartistic.comPhotography serves as another canvasfor my creative expression. Over theyears, I've immersed myself in the art ofcapturing moments, transitioningseamlessly from lm to digital formats.The joy of freezing a moment in timeand sharing it with family and friendshas been a source of immensesatisfaction. Photography, in all its facets,has remained a longstanding passion,occasionally intertwined with my graphicwork.Cabinet makerFlamingoBeyond my personal artistic pursuits,there's an eagerness to explore amultitude of artistic avenues andcontribute to the journeys of fellowartists. The desire to delve deeper intothe realms of art is boundless, andwhile the journey may span aconsiderable stretch of time, Iapproach each day with acommitment to make it count. Theevolving landscape of art continuallybeckons, and I am determined to leaveno stone unturned in my quest forcreative fulllment and theempowerment of others on theirartistic journeys.

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70 WINTER 2024 | aforartistic.comhttps://www.facebook.com/adelemaria.sciortinohttps://www.adelesciortino.photography/https://www.etsy.com/shop/AforArtisticwww.aforartistic.com/ adele@adelesciortino.comAdele SciortinoBut that's not all—I'm also in the process ofassembling another online course, this one centeredaround the art of crafting compelling graphics andvideos.The goal is to empower fellow artists in eectivelyshowcasing themselves and their art in the digitallandscape. The intersection of creativity andtechnology is a space I'm passionate about, andthese courses are my way of sharing that passionand knowledge with a broader community ofartists.My life is constantly immersed in the world of art,managing an online class site where I host variousartist classes, curating my Etsy store, andoverseeing the creation of AforArtistic Emagazine.There's always something in progress, ensuring thatthere's never a dull moment in my artisticendeavors.Simultaneously,I've ventured intothe realm ofeducation, craftinga dynamic onlinecourse tailored forartists. This courseis designed to equipthem with the skillsneeded to enhancetheir self-promotion on socialmedia, blending therealms of sales andmarketing into anengaging learningexperience.

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77 WINTER 2024 | aforartistic.comBeing a creative person involvesembracing and expressing yourunique perspective, ideas, andimagination. Creativity is notlimited to specic artisticendeavors; it can manifest invarious forms and acrossdierent aspects of life.Creativity can have a profound impact onyour everyday life, inuencing variousaspects of your personal and professionalwell-being.Renewing your creativity for the new yearcan be a refreshing and inspiring process.Here are some tips to help you kickstartyour creativity in the coming year:by Adele Sciortino, Figurative ArtistBring CREATIVITYin the NEW YEAR

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78 WINTER 2024 | aforartistic.com1. Reect on the Past Year:Take some time to reect on thepast year.What creative projectsdid you enjoy the most? Whatchallenges did you face?Reecting on your experiencescan help you identify areas forgrowth and improvement.2. Set Creative Goals:Dene clear and achievablecreative goals for the new year.Whether it's learning a new skill,completing a project, orexploring a different artisticmedium, setting goals can giveyou a sense of purpose anddirection.3. Create a Creative Space:Designate a space in your homeor workspace specically forcreative activities.A well-organized and inspiringenvironment can stimulate yourcreativity and make it easier todive into projects.4. Try Something New:Step outside your comfort zone and trysomething new.This could be a new artisticmedium, a different writing style, or exploringa creative hobby you've never considered before.5. Read and Consume Creatively:Read books, watch movies, listen to music, orexplore art exhibits. Exposing yourself todifferent forms of creativity can spark newideas and perspectives. Pay attention to whatresonates with you and incorporate thoseinuences into your own work.6. Practice Mindfulness and Meditation:Clear your mind through mindfulness andmeditation.A calm and focused mind can enhanceyour creativity. Consider incorporatingmindfulness practices into your daily routine topromote mental clarity.7. Collaborate with Others:Collaborating with other creative individuals canprovide fresh perspectives and ideas. Joina creative group, attend workshops, or connectwith like-minded individuals to share andexchange ideas.

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79 WINTER 2024 | aforartistic.com8. Take Breaks and Rest:Don't forget the importance ofrest.Taking breaks and allowingyour mind to recharge is crucialfor maintaining creativity.Sometimes stepping away from aproject can lead tobreakthroughs when you returnwith a fresh perspective.9. Document Your Ideas:Carry a notebook or use a digitalapp to document your creativeideas. Inspiration can strike at anytime, and having a place tocapture your thoughts ensuresthat you won't forget them.10. Celebrate Small Wins:Acknowledge and celebrate yoursmall achievements along the way.Recognizing your progress, nomatter how minor, can boostyour condence and motivation.

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80 WINTER 2024 | aforartistic.comADELE SCIORTINO is an artist who lives in Montreal, Quebec, Canada. She also has her own sitehelping artists to become known as professional artists through sales and marketing workshops &webinars https://www.aforartistic.com. She may be reached by email at adele@adelesciortino.com.Incorporating creativity intoyour everyday life doesn'tnecessarily mean pursuingartistic endeavors; it can be assimple as approaching routinetasks with a fresh perspective ornding creative solutions tocommon challenges. Cultivatingcreativity can lead to a morefullling, resilient, andenjoyable daily experience.Remember, everyone has the potential forcreativity, and it can be cultivated andnurtured over time.Whether you expressyour creativity through art, problem-solving, or innovative thinking, embracingyour creative nature can lead to a morefullling and dynamic life.Creativity is a journey, not a destination.Embrace the process, stay curious, andenjoy the adventure of expressing yourselfcreatively in the new year.

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81 WINTER 2024 | aforartistic.comBOOKconnection365 Days of Art: A Creative Exercisefor Every Day of the Yearby Lorna Scobie365 Days of Art is an inspiring journaldesigned to help readers and budding artistsnurture their creativity and explore theirfeelings through the medium of art. Featuringan activity for every day of the year.• Language : English• Paperback : 352 pages• ISBN-10 : 1784881112Art in Felt & Stitchby Moy MacKayThere is guidance on stitching, including bothhand- and machine-stitching, as well as howto use colour and introduce texture in theform of different bres and threads.Thereare numerous examples of Moys workthrough the book, and by the end you willnot fail to be inspired to create gorgeousfelt paintings of your own.• Language : English• Paperback : 128 pages• ISBN-10 : 9781844485635The Art of Disney Costuming:Heroes, Villains, and SpacesBetween by Jeff KurttiThe elegant and adventurous array ofdresses, uniforms, and other attire is a feastfor the eyes and a fascinating examinationof pure craft and of the creative mindsbehind it.The collection begins with asummation of the costumes created forDisney animation, along with showwardrobes sported at the Disney Parks.• Language : English• Hardcover : 176 pages• ISBN-10 : 1484741226Fairy Housesby Sally J. SmithImagine a fairy home that has dragony wingsas stained-glass windows, twigs for windowframes, birch bark for walls, and driedmushrooms for shingles—with Fairy Houses,you can create one in your own garden.• Language : English• Hardcover : 192 pages• ISBN-10 : 9781591866725Around the World in 80 Tanglesby MZ CreatesWhat start as doodles in your notebookcan be expanded and combined to createa beautiful new art form – Zentangles!• Language : English• Paperback : 108 pages• ISBN-13 : 979-8731601887Practical Basketry Techniquesby Stella HardingBasketry is experiencing a resurgence ofpopularity, and enjoying an exciting comebackat the hands of a new and dynamicgeneration of makers who are not afraid toexperiment with mixing materials andtechniques.• Language : English• Paperback : 160 pages• ISBN-10 : 1912217937