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APRIL 23RD 2018 ROBERT BARRESE SECOND YEAR PORTFOLIO

2ND YEAR PORTFOLIOSCHOOL OF VISUAL ARTS

0102030405DESIGNER IMAGEGRAPHIC DESIGN- EXBLIRIS- PHILANTHROPY POSTER- BAND IDENTITY: ALCHEMY- EXPERIMENTAL SPREADS- WHAT PEOPLE THINK POSTERS- I AM SORRY POSTERS- INTENTIONAL LOGOSTABLEOFCONTENTS

04/23/180102030405TYPOGRAPHYVISUAL LITERACY- TYPE SPECIMEN POSTERS- MARTIN LUTHER KING SPEECH POSTER- CHASE CONTEMPORARY GALLERY (RETNA EXHIBITION) POSTCARDS AND ANNER- BITMAP TYPEFACE- BUTTON ENVELOPE- EMPLOYEE OF THE MONTH- MANHOLE- VISUAL DIARY- “THE GROWN UP” BY GILLIAN FLYNN BOOK JACKETSCOMPUTER STUDIO

04/23/18GRAPHIC DESIGN

04/23/182055-C2055-C2055-CMICHAEL SAINATOThe applications of typography and color to a variety of graphic design projects will be explored in this course. Assignments will also address the general rules of design and stu-dents will be encouraged to develop a personal vision within the frame-work of successful design solutions.TYPOGRAPHY01INSTRUCTOR:FALLSPRING SEMESTER&

1 2 3 4 5 6 7 8 9 0nAg12345THESIS SERIF THESISSER IF1994LUCAS DE GROOT Aa Aa Aa Aa Aa Aa Aa Aa Aa Aa Aa Aa Aa Aa OOIn the very beginnning of the semester of Type 1, we were assigned a typeface that was researched and use for the remainder of the semester in all of our assignments. This assign-ment is known as a series os speciment posters for the typeface that was given, “Thesis Serif ” by designer, Lucas de Groot. This is just the black and white nal version of the series.+ JUST TYPE + TYPE + NAME+ TYPE + NAME + YEAR DESIGNERTYPE SPECIMENPOSTERS

04/23/18TYPOGRAPHY1994THESIS SERIF A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z144LUCAS DE GROOT 1 2 3 4 5 6 7 8 9 0@ # $ & % !+ TYPE + NAME + YEAR DESIGNER+ ALPHABETTH ES ISEXTRALIGHTSERIFLUCAS DE GROOT 1994A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y zBLACKBOLD SEMIBOLD PLAIN LIGHTSEMI LIGHTLIGHTBOLD EXTRALIGHTSEMILIGHTPLAIN1 2 3 4 5 6 7 8 9 0Lucas de Groot, a Berlin based Dutch designer, is best known for creating a superfamily known as “Thesis”. The “Thesis Project” he created consists of: TheSans, TheSerif, TheMix, TheAntique, with monospreads of Arabic Variants. This Humanist typeface is the most comprehensive family, containing 8 diﬀerent weights for each: ExtraLight, Light, Semilight, Normal, SemiBold, Bold, and Black, and 6 diﬀerent Varients: Plain, Italic, Small Caps, Small Caps Italic, Expert, Expert Italic. This typeface contains an overall of 144 weights, based on Lucas’s theory: “The Interpolitan Theory”. This theory is about the optical behavior of the family of fonts increasing weight. Resulting in a formula to calculate intermediate weights that have been eﬀective and inﬂuential. Lucas’ overall goal was to design a family that was the total solution to corporate needs, looking good, and working well on business cards as on sides of buildings that contain it all for everyones needs. Lucas de Groot has designed fonts for Berlin newspapers such as “Le Monde”, “Metro”, “taz. die tageszeitung, “Jungle World”, “Der Speigel”, and has also worked with well known global brands like “Heineken”, “Volkswagon”, and “Miele”. With such experience, and the development of the “Thesis” family releasing in 1994, it has taken into eﬀect being used in the new logo of Berlin, the Dutch Post Oﬃce (Dutch PPT), the Dutch Ministry of Transportation, and in Ellen Luptons type book, “thinking with type”. Lucas de Groot aims “to make the world a better place by designing typefaces that look pleasant and work well under many circumstances and in as many languages as possible”.+ TYPE + NAME + YEAR DESIGNER+ ALPHABET+ PARAGRAPHAa Aa Aa Aa Aa Aa Aa Aa O

04/23/18TYPOGRAPHY04/23/184SERIF THESISSER IF1994LUCAS DE GROOT Aa Aa Aa Aa Aa Aa Aa Aa Aa Aa Aa Aa Aa Aa OOCOLOR WAS THEN ASKED TO BE ADDED.53THESIS

1 2 3 4 5 6 7 8 9 01 2 3 4 5 6 7 8 9 01994THESIS SERIF A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z144LUCAS DE GROOT @ # $ & % !THESISSER IF1994LUCAS DE GROOT Aa Aa Aa Aa Aa Aa OO... AND MORE COLOR

04/23/18GRAPHIC DESIGN1 2 3 4 5 6 7 8 9 0TH ES ISEXTRALIGHTSERIFLUCAS DE GROOT 1994A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y zBLACKBOLD SEMIBOLD PLAIN LIGHTSEMI LIGHTLIGHTBOLD EXTRALIGHTSEMILIGHTPLAIN1 2 3 4 5 6 7 8 9 0Lucas de Groot, a Berlin based Dutch designer, is best known for creating a superfamily known as “Thesis”. The “Thesis Project” he created consists of: TheSans, TheSerif, TheMix, TheAntique, with monospreads of Arabic Variants. This Humanist typeface is the most comprehensive family, containing 8 diﬀerent weights for each: ExtraLight, Light, Semilight, Normal, SemiBold, Bold, and Black, and 6 diﬀerent Varients: Plain, Italic, Small Caps, Small Caps Italic, Expert, Expert Italic. This typeface contains an overall of 144 weights, based on Lucas’s theory: “The Interpolitan Theory”. This theory is about the optical behavior of the family of fonts increasing weight. Resulting in a formula to calculate intermediate weights that have been eﬀective and inﬂuential. Lucas’ overall goal was to design a family that was the total solution to corporate needs, looking good, and working well on business cards as on sides of buildings that contain it all for everyones needs. Lucas de Groot has designed fonts for Berlin newspapers such as “Le Monde”, “Metro”, “taz. die tageszeitung, “Jungle World”, “Der Speigel”, and has also worked with well known global brands like “Heineken”, “Volkswagon”, and “Miele”. With such experience, and the development of the “Thesis” family releasing in 1994, it has taken into eﬀect being used in the new logo of Berlin, the Dutch Post Oﬃce (Dutch PPT), the Dutch Ministry of Transportation, and in Ellen Luptons type book, “thinking with type”. Lucas de Groot aims “to make the world a better place by designing typefaces that look pleasant and work well under many circumstances and in as many languages as possible”.1994

I am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation.Five score years ago, a great American, in whose symbolic shadow we stand today, signed the Emancipation Proclamation. This momentous decree came as a great beacon light of hope to millions of Negro slaves who had been seared in the ames of withering injustice. It came as a joyous daybreak to end the long night of their captivity.But 100 years later, the Negro still is not free. One hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination. One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the Negro is still languished in the corners of American society and nds himself an exile in his own land. And so we’ve come here today to dramatize a shameful condition.In a sense we’ve come to our nation’s capital to cash a check. When the architects of our republic wrote the magnicent words of the Constitution and the Declaration of Independence, they were signing a promissory note to which every American was to fall heir. This note was a promise that all men -- yes, black men as well as white men -- would be guaranteed the unalienable rights of life, liberty, and the pursuit of happiness.It is obvious today that America has defaulted on this promissory note insofar as her citizens of color are concerned. Instead of honoring this sacred obligation, America has given the Negro people a bad check, a check that has come back marked “insucient funds.”But we refuse to believe that the bank of justice is bankrupt. We refuse to believe that there are insucient funds in the great vaults of opportunity of this nation. And so we’ve come to cash this check, a check that will give us upon demand the riches of freedom and security of justice. We have also come to his hallowed spot to remind America of the erce urgency of now. This is no time to engage in the luxury of cooling o or to take the tranquilizing drug of gradualism. Now is the time to make real the promises of democracy. Now is the time to rise from the dark and desolate valley of segregation to the sunlit path of racial justice. Now is the time to lift our nation from the quicksands of racial injustice to the solid rock of brotherhood. Go back to Mississippi, go back to Alabama, go back to South Carolina, go back to Georgia, go back to Louisiana, go back to the slums and ghettos of our northern cities, knowing that somehow this situation can and will be changed. Let us not wallow in the valley of despair. I say to you today my friends -- so even though we face the diculties of today and tomorrow, I still have a dream. It is a dream deeply rooted in the American dream. I have a dream that one day this nation will rise up and live out the true meaning of its creed: “We hold these truths to be self-evident, that all men are created equal.”I have a dream that one day on the red hills of Georgia the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood.I have a dream that one day even the state of Mississippi, a state sweltering with the heat of injustice, sweltering with the heat of oppression, will be transformed into an oasis of free-dom and justice.I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.I HAVE A DREAM TODAYNOW IS THE TIME TO MAKE JUSTICE A REALITY FOR ALL OF GOD’S CHILDREN.It would be fatal for the nation to overlook the urgency of the moment. This sweltering summer of the Negro’s legiti-mate discontent will not pass until there is an invigorating autumn of freedom and equality. 1963 is not an end but a beginning. Those who hoped that the Negro needed to blow o steam and will now be content will have a rude awakening if the nation returns to business as usual. There will be neither rest nor tranquility in America until the Negro is granted his citizenship rights. The whirlwinds of revolt will continue to shake the foundations of our nation until the bright day of justice emerges.But there is something that I must say to my people who stand on the warm threshold which leads into the palace of justice. In the process of gaining our rightful place we must not be guilty of wrongful deeds. Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred. We must forever conduct our struggle on the high plane of dignity and discipline. Again and again we must rise to the majestic heights of meeting physical force with soul force. The marvelous new militancy which has engulfed the Negro community must not lead us to a distrust of all white people, for many of our white brothers, as evidenced by their presence here today, have come to realize that their destiny is tied up with our destiny. And they come to realize that their freedom is an extractably bound to our freedom As we walk, we must make the pledge that we shall always march ahead. We cannot turn back. There are those who are asking the devotees of civil rights, “When will you be satised?” We can never be satised as long as the Negro is the victim of the unspeakable horrors of police bru-tality. We can never be satised as long as our bodies, heavy with the fatigue of travel, cannot gain lodging in the motels of the highways and the hotels of the cities. We cannot be satised as long as the Negro’s basic mobility is from a smaller ghetto to a larger one. We can never be satised as long as our chil-dren are stripped of their selfhood and robbed of their digni-ty by signs stating “for whites only.” We cannot be satised as long as a Negro in Mississippi cannot vote and a Negro in New York believes he has nothing for which to vote. No, no we are not satised and we will not be satised until justice rolls down like waters and righteousness like a mighty stream.I am not unmindful that some of you have come here out of great trials and tribulations. Some of you have come fresh from narrow jail cells. Some of you have come from areas where your quest for freedom left you battered by storms of persecution and staggered by the winds of police brutali-ty. You have been the veterans of creative suering. Continue to work with the faith that unearned suering is redemptive.WE MUST NOT ALLOW OUR CREATIVE PROTEST TO DEGENERATE INTO PHYSICAL VIOLENCE

04/23/18TYPOGRAPHYI am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation.Five score years ago, a great American, in whose symbolic shadow we stand today, signed the Emancipation Proclamation. This momentous decree came as a great beacon light of hope to millions of Negro slaves who had been seared in the ames of withering injustice. It came as a joyous daybreak to end the long night of their captivity.But 100 years later, the Negro still is not free. One hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination. One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the Negro is still languished in the corners of American society and nds himself an exile in his own land. And so we’ve come here today to dramatize a shameful condition.In a sense we’ve come to our nation’s capital to cash a check. When the architects of our republic wrote the magnicent words of the Constitution and the Declaration of Independence, they were signing a promissory note to which every American was to fall heir. This note was a promise that all men -- yes, black men as well as white men -- would be guaranteed the unalienable rights of life, liberty, and the pursuit of happiness.It is obvious today that America has defaulted on this promissory note insofar as her citizens of color are concerned. Instead of honoring this sacred obligation, America has given the Negro people a bad check, a check that has come back marked “insucient funds.”But we refuse to believe that the bank of justice is bankrupt. We refuse to believe that there are insucient funds in the great vaults of opportunity of this nation. And so we’ve come to cash this check, a check that will give us upon demand the riches of freedom and security of justice. We have also come to his hallowed spot to remind America of the erce urgency of now. This is no time to engage in the luxury of cooling o or to take the tranquilizing drug of gradualism. Now is the time to make real the promises of democracy. Now is the time to rise from the dark and desolate valley of segregation to the sunlit path of racial justice. Now is the time to lift our nation from the quicksands of racial injustice to the solid rock of brotherhood.

RETNAOPENINGMON - SUN10AM - 6PM04 / 05231 10TH AVENUEBETWEEN W 23 AND 24TH ST212-337-3203info@chasecontemporary.comMARQUIS LEWIS IS03 / 15RETNACHASE CONTEMPORARY GALLERY RETNA EXHIBITION POSTCARDS

04/23/18GRAPHIC DESIGN

03150405OPENINGTO231 10TH AVENUEBETWEEN W 23RD AND 24TH STMON- SUN10AM - 6PM212-337-3203info@chasecontemporay.comRETINAMARQUIS LEWIS IS RETNARETNAOPENING0315MON - SUN10AM - 6PMTO231 10TH AVENUEBETWEEN W 23 AND 24TH ST212-337-3203info@chasecontemporary.com04 05CHASECONTEMPORARYThe street and studio artist Retna, born Marquis Lewis, picked his moniker from the lyrics of a Wu Tang song that resonated with him in his youth. Retna explains that he was inspired to pursue art after seeing grafti on the freeway, and his practice now includes street art and painting on canvas. Retna has become known for his long and geometric script, which he developed while looking towards Egyptian and Native American traditional symbols. Though his marks resemble the calligraphy of multiple cultures (and he maintains that he composes his works in English and Spanish), the writing does not belong to a particular language. Retna explains, “I want my text to feel universal. I want people from different cultures to all nd some similarity in it—whether they can read it or not.”RETNAMARQUISLEWIS23RD 24THOPENING03 / 15MON - SUN10AM - 6PM231 10TH AVENUEBETWEEN W 23 AND 24TH ST212-337-3203info@chasecontemporary.com04 / 05RETNAOpening: March 15th - April 5th 2018Monday - Sunday : 10 am - 6 pmBetween W 23rd and 24th st231 10th Avenueinfo@chasecontemporary.com212-337-3203SKETCHES

04/23/18TYPOGRAPHYOPENINGOPENINGMON - SUNMON - SUN10AM - 6PM10AM - 6PM04 / 0504 / 05231 10TH AVENUE231 10TH AVENUEBETWEEN W 23 AND 24TH STBETWEEN W 23 AND 24TH ST212-337-3203212-337-3203info@chasecontemporary.cominfo@chasecontemporary.comMARQUIS LEWIS ISMARQUIS LEWIS IS03 / 1503 / 15RETNARETNARETNARETNAFINAL POSTCARDS

CUBIC STRETCH TOTE BAG

TYPOGRAPHYBITMAP:a representation in which each item corresponds to one or more bits of information, especially the information used to control the display of a computer screen.BITMAPThis assignment was to design our own typeface inspired by Bitmap. I decided to create a more longated (stretched) style, while still containing the identity of an original bitmap. Thus, leading to the typeface i created known as, Cubic Stretch.

12111009080701 02 0310 pt.18 pt.24 pt.

04/23/18GRAPHIC DESIGN5353045

04/23/18COMPUTERSTUDIO2095-A2095-A95-A2ADAM WAHLERINSTRUCTOR:This introduction to design on the Macintosh desktop publishing system will begin with the basics of the Macin-tosh operating system, and continue with software packages (including Adobe Photoshop, InDesign, and Bridge) as tools for visual creation.SPRING SEMESTERFALL AND02

A canny young w oman i s struggling to survive by p erpetrating various levels o f mostly h armless fraud. O n a rainy April morning, s he i s reading a uras a t Spiritual Palms when S usan B urke w alks i n. A k een observer of human b ehavior, our unnamed narrator i mmediately diagnoses b eautiful, rich Susan as an unhappy woman eager to give her l ovely life a d rama i njection. However, when the "psychic" visits the eerie Victorian home that has been the source of Susan's terror a nd g rief, she realizes s he may not have to pretend to believe in ghosts anymore. M iles, S usan's t eenage s tepson, doesn't help matters with h is d isturbing manner a nd g risly imagination. The t hree are soon l ocked in a c hilling battle to discover where the evil truly lurks and what, if anything, can be done to escape it.04/23/18COMPUTER STUDIOTHE GROWNUPBOOK COVERBY: GILLIAN FLYNN

04/23/18COMPUTER STUDIO

04/23/18GRAPHIC DESIGN0303

04/23/1803VISUAL2070-B2070-BLITERACYRICHARD WILDEINSTRUCTOR:2070-Bexperimental workshop dealing with the various issues of visual communication that pertain to the graphic and advertising worlds. Weekly home assignments will be based on ideas covered in class. SPRING SEMESTER

NEUROLOGIST DIETITIAN SURGEON OBSTETRICIANUROLOGISTORTHODONTISTOPTOMETRIST RADIOLOGIST

04/23/18VISUAL LITERACY BUTTON ENVELOPERedesign a button envelope to express psychological, physical, personal and emotional characteristics that are inher-ent in nature. Using formal elements of the button envelope, consider addidng, subtracting, repositioning, increasing and decreasing the size of the button to best express your concepts. Also consider the linear aspects of the tie portion of the envelope as constrasted to the solid shape of both the button and the envelope. NuerologistDietitianObstericianSurgeonUrologistOrthodontistOptometristRadiologist

I personally wanted to take a political stance with the representation of how the dollar bills will be shown:YOUR THOUGHTS:A DOLLAR FOR There is always talk about how the government knows more than what they proclaim they do. This dollar expresses how the conspiracy as to how the government spies on peo-ple in various methods.SPY DOLLARThere is a huge opiod and other drug epi-demic in america and how it can kill and destroy so many lives.SKULL DOLLARThis concept hints at the idea that in today’s day in age, our government seems to be a joke in my opinion. We have an egotistical, ignorant, racists president who is in charge on millions all over the United States.CIRCUS DOLLAR

04/23/18GRAPHIC DESIGN

EMPLOYEE MONTHOFTHEThe intent of this assignment is to cre-ate provacative solutions that investigate humor, social commentary and personal imgery. Portraits can be comprised of the entire face, or portion of the facve, or may be formed using symbols, typography and abstraction.This is not a traditional portrait assignmentin that you will be creating icon-ic image for each subject

04/23/18VISUAL LITERACYPUPPETTEERBEEKEEPERHAIR STYLISTCELLPHONE REPAIRMAN

JANITORELECTRICIAN“POLITICIAN”EXTERMINATORI took the approach for this assignment by using well known characters and/or people that are well known to then create graphics that show very minal shading. This assignment is supposed to be humurous but yet communicate the idea of who would best t the occupa-tion given

04/23/18VISUAL LITERACYUNDERTAKER

04/23/18VISUAL LITERACY Use the graphic language of a manhole cover, more specically the dimensional shapes, forms, patterns and typography that consititues these industrial iconic subjects to create nine (9) of the following subjects to depict a New York City landmark:MANHOLEConey IslandCentral Park ZooMuseum of Modern ArtChryler BuildingBotanical GardensMuseum of SexGuggenheim MuseumChinatownBrooklyn Bridge

04/23/18GRAPHIC DESIGNVISUAL DIARYUse the graphic language of a manhole cover, more specically the dimensional shapes, forms, patterns and typography that consititues these industrial iconic subjects to create nine (9) of the following subjects to depict a New York City landmark:

paranoid about this assignmentstarted insternship at 2xistexplored the west villagesuperbowl partytried pad thai for the first timefell asleep in classhike through central parkon phone for hours with best friendout of the house from 6:30-10pm, running around04/23/18

04/23/18GRAPHIC DESIGNVISUAL LITERACYfelt sick the next dayconteplated transferringlonelyon phone with momvalentines day with baehaircut20th birthday

post birthdaybooked flight to los angelessuprise in-class essayalot of people watchingover school and ready for a summer adventuredidnt wanna go to ENTpackedanti-social kind of dayoversleptapartment huntingoverthinkingfinished visual diary

04/23/18GRAPHIC DESIGN

04/23/18GRAPHIC DESIGN04

04IMAGEFrom the cave wall to the computer screen, the desire to communicate one's unique vision has always existed. A great concept combined with the right technique, be it nger painting or Adobe Photoshop, can produce extremely powerful images. This course will focus on exploring style in design through experimen-tation with various mediums such as collage, rubbings, image transfers, use of found objects, and many other techniques. Students will be encouraged to think and create in unconventional ways.VIKTOR KOENINSTRUCTOR:2168-B2168BSPRING SEMESTERDESIGNER2168-B

04/23/18DESIGNER IMAGEAn Exlibris is used as an inscription on a bookplate to show the name of the book’s owner.EXLIBRISOn this assignent, we had to use symbols to express our family and who they are. My family is a family of 5 with a background of being Italian Ameri-can. My parents were born and raised in Brooklyn NY, so being raised with certian mannerisms and slang is something I take pride in. The bird sitting on the edge of the exlibris indicates that there is a great big world beyond how you were raised or where you came from.

04/23/18DESIGNER IMAGE

04/23/18DESIGNER IMAGEBAND IDENTITYBAND NAME: ALCHEMYGENRE OF MUSIC: ALTERNATIVE FOLKBAND INSPIRATION: VANCE JOYOF MONSTERS AND MENFLORENCE AND THE MACHINEMUMFORD AND SONSThe class was given the name of the band, DJ, independent singer, etc, Alchemy. From that, we got to decide what genre of music we wanted to work with to then further dreate, a logo, album covers, and t-shirts. I didnt want to create a logo, but more of an identity for this band as alternative folk.

04/23/18DESIGNER IMAGE

04/23/18GRAPHIC DESIGN

04/23/18DESIGNER IMAGEthe medieval forerunner of chemistry, based on the supposed transformation of matter. It was concerned particularly with attempts to convert base metals into gold or to FInd a universal elixir.ALCHEMY:

04/23/18GRAPHIC DESIGN

04/23/18GRAPHIC DESIGN05

is course is an introduction to the various aspects of graphic communi-cation and will cover concepts, typography, layout and general graphic techniques.2025-M2025-M2025-M052025-MFALL & SPRING SEMESTERGRAPHICDESIGN05

04/23/18GRAPHIC DESIGNTHEBY:ALBERTCAMUS

04/23/18GRAPHIC DESIGNIONALINTENT

1.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test251.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test1.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test1.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test1.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test1.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test1.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test1.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test1.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test1.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test如果我們在陸地上損失了450萬平方公里的生產區，每個人都會感到震驚，“布雷特堡在一份聲明中說，”但是海洋表面下方發生的事情是看不見的，容易忽視或忽視。“隨著水中含氧量的下降，魚類和其他海洋生物的行為和生長受到影響 - 缺氧會使它們更容易受到疾病的影響，或使其更難以繁殖。在極端的情況下，它們會令人窒息。儘管某些類型的微生物在低氧條件下繁殖，但大多數較大形式的海洋生物或者死亡或者放棄缺氧的水域，侵入附近的生態系統，在那裡它們可能破壞生命平衡，破壞食物網或增加它們對捕食者的脆弱性，研究作者解釋說。恢復氧氣Breitburg在一封電子郵件中告訴Live Science，在某些情況下，證據表明損害可以逆轉，營養物和污水從水中吸走氧氣的地區可能會在污染物流失後恢復。例如，倫敦泰晤士河口和特拉華河河口的部分地區 - 兩者都經歷了長時間的無氧和無魚期 - “現在已經得到了很大的改善，並成為充滿活力的魚類群落，”B-reitburg說。而在馬薩諸塞州的切薩皮克灣（Chesapeake Bay） - 以其季節性覆蓋面積約30％的死亡區而聞名 - 由於農業實踐和污水管理得到改善，空氣質量得到改善，氮污染水平下降了24％，例如根據這項研究，清潔空氣法案。然而，當涉及到公海的氧氣損失時，“我們正處於未知領域，”Breitburg說。 “我們不知道海洋應對需要多長時間。”解決這一全球性問題需要世界各地的合作和舉措，以緩解化石燃料排放和遏制營養污染。研究作者報告稱，在海洋中建立更多的保護區並支持保護受威脅和脆弱的海洋生物的政策也將有助於掙扎的生態系統恢復。“減緩並最終阻止公海的氧氣減少，以及由於氣候變化引起的沿海水域的氧氣減少，將需要全球努力，但需要完成 - 不僅要改善海洋中的氧氣，以避免全球變暖可能造成的最嚴重破壞，“布雷特堡說。

25MY04/23/18LIES14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”MYLI14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”14.) I dont like pizza15.) I am full (when the food looks gross)16.) “ oh yeah, I remember you”17.) “I am busy “to my friends18.) My phone died/ broken19.) “lets keep in touch”20.) “it wasnt me”21.) I am 2222.) I am not transferring schools23.) “Fortune cookies actually originatd in the US” 24.) “I know how to do that”25.) “I definitely liked your photo”1.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test1.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test251.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test1.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test1.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test1.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test1.) I agree with you2.) telling someone their art work is good3.) I LOVE YOU4.) you are beautiful5.) I am smart6.) I didnt cheat on a test7.) I am straight8.) I’m fine9.) liking someones outfit10.) everything is going to be fine11.) “I am not mad”12.) Loving the christmas gift my aunt gave me13.) I failed a test如果我們在陸地上損失了450萬平方公里的生產區，每個人都會感到震驚，“布雷特堡在一份聲明中說，”但是海洋表面下方發生的事情是看不見的，容易忽視或忽視。“隨著水中含氧量的下降，魚類和其他海洋生物的行為和生長受到影響 - 缺氧會使它們更容易受到疾病的影響，或使其更難以繁殖。在極端的情況下，它們會令人窒息。儘管某些類型的微生物在低氧條件下繁殖，但大多數較大形式的海洋生物或者死亡或者放棄缺氧的水域，侵入附近的生態系統，在那裡它們可能破壞生命平衡，破壞食物網或增加它們對捕食者的脆弱性，研究作者解釋說。恢復氧氣Breitburg在一封電子郵件中告訴Live Science，在某些情況下，證據表明損害可以逆轉，營養物和污水從水中吸走氧氣的地區可能會在污染物流失後恢復。例如，倫敦泰晤士河口和特拉華河河口的部分地區 - 兩者都經歷了長時間的無氧和無魚期 - “現在已經得到了很大的改善，並成為充滿活力的魚類群落，”B-reitburg說。而在馬薩諸塞州的切薩皮克灣（Chesapeake Bay） - 以其季節性覆蓋面積約30％的死亡區而聞名 - 由於農業實踐和污水管理得到改善，空氣質量得到改善，氮污染水平下降了24％，例如根據這項研究，清潔空氣法案。然而，當涉及到公海的氧氣損失時，“我們正處於未知領域，”Breitburg說。 “我們不知道海洋應對需要多長時間。”解決這一全球性問題需要世界各地的合作和舉措，以緩解化石燃料排放和遏制營養污染。研究作者報告稱，在海洋中建立更多的保護區並支持保護受威脅和脆弱的海洋生物的政策也將有助於掙扎的生態系統恢復。“減緩並最終阻止公海的氧氣減少，以及由於氣候變化引起的沿海水域的氧氣減少，將需要全球努力，但需要完成 - 不僅要改善海洋中的氧氣，以避免全球變暖可能造成的最嚴重破壞，“布雷特堡說。

04/23/18GRAPHIC DESIGN

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04/23/18GRAPHIC DESIGNDARKRASOMEWHEREYOUWILLNOTKNOWWHEREYOUARE,ANDBECONFUSED,BUTTHATISNOTAPROBLEM,THEPROBLEMWILLBEWHENYOURECOGNIZEYOUAREBACKTOKNOWING

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04/23/18GRAPHIC DESIGNSOLAR

CTTER?Land mammals can get plenty In a new study, scientists show why that is. BIGbut to nd the planet’s true giants, you'll have to take to the seas.Marine mammals "have to nd a happy medium between getting enough food and producing enough body heat," says study leader William Gearty, an ecologist at Stanford University.Previously, research-ers believed that marine mammals could be so large because the buoy-ancy of water frees them from the con-straints of gravity. Although this freedom may still be a factor, Gearty says that his results show that marine mammals need their heft to keep themselves warm in the often chilly oceans.BIGGER IS BEWhen Gearty and colleagues created a series of computer models analyzing factors that inuence size, they found two that converged to determine body size in aquatic mammals.The rst is that these mammals need to be large to trap enough body heat. Larger mammals also lose less of this heat to the surrounding water, which gives them a major advan-tage over their smaller coun-terparts, according to

04/23/1804/23/18CCCCCCCCCCCCCCCCCCCCCCCCCBut larger animals need more food to support their bulk, which created the second factor in Gearty’s model. Big mammals may trap heat better, but if they can’t get enough food to fuel their metabolism, then it doesn’t matter.In a new study, scientists show why that is. BIGBIGGER IS BE

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04/23/18GRAPHIC DESIGNREAL

04/23/18GRAPHIC DESIGN

04/23/18GRAPHIC DESIGNmeSOMETIMES I JUST DO NOT UNDER-STANDSOMETIMES I JUST DO NOT GET ITSOMETIMES I JUST DO NOT REACH M Y GOALS

More Sharks Ditching Annual Migration as Ocean WarmsThe annual migration of blacktip sharks from southern Florida to North Carolina has begun—and researchers who track this amaz-ing ritual say there are seeing only about one-third the usual number.The sharks—all male—swim south during the coldest months of the year and head north when spring arrives to mate with females. But for the past two years, many sharks are stay-ing north, thanks to the East Coast's warm-ing waters.That could be a prob-lem. These traveling sharks keep Florida's coastal ecosystem healthy by weeding out weak and sick fish, and thereby helping to preserve coral reefs and seagrasses.

The annual migration of blacktip sharks from southern Florida to North Carolina has begun—and researchers who track this amaz-ing ritual say there are seeing only about one-third the usual number.The sharks—all male—swim south during the coldest months of the year and head north when spring arrives to mate with females. But for the past two years, many sharks are stay-ing north, thanks to the East Coast's warm-ing waters.That could be a prob-lem. These traveling sharks keep Florida's coastal ecosystem healthy by weeding out weak and sick fish, and thereby helping to preserve coral reefs and seagrasses.The annual migration of blacktip sharks from southern Florida to North Carolina has begun—and researchers who track this amaz-ing ritual say there are seeing only about one-third the usual number.The sharks—all male—swim south during the coldest months of the year and head north when spring arrives to mate with females. But for the past two years, many sharks are stay-ing north, thanks to the East Coast's warm-ing waters.That could be a prob-lem. These traveling sharks keep Florida's coastal ecosystem healthy by weeding out weak and sick fish, and thereby helping to preserve coral reefs and seagrasses.The annual migration of blacktip sharks from southern Florida to North Carolina has begun—and researchers who track this amaz-ing ritual say there are seeing only about one-third the usual number.The sharks—all male—swim south during the coldest months of the year and head north when spring arrives to mate with females. But for the past two years, many sharks are stay-ing north, thanks to the East Coast's warm-ing waters.That could be a prob-lem. These traveling sharks keep Florida's coastal ecosystem healthy by weeding out weak and sick fish, and thereby helping to preserve coral reefs and seagrasses.The annual migration of blacktip sharks from southern Florida to North Carolina has begun—and researchers who track this amaz-ing ritual say there are seeing only about one-third the usual number.The sharks—all male—swim south during the coldest months of the year and head north when spring arrives to mate with females. But for the past two years, many sharks are stay-ing north, thanks to the East Coast's warm-ing waters.That could be a prob-lem. These traveling sharks keep Florida's coastal ecosystem healthy by weeding out weak and sick fish, and thereby helping to preserve coral reefs and seagrasses.That could be a probsharks keep Florida's coastal ecosystem healthy by weeding out weak and sick sh, and thereby helping to preserve coral reefs and seagrasses.The annual migration of blacktip sharks from southern Carolina has begun—and researchers who track this amazing ritual say there are seeing only about one-third the usual number.The sharks—all male—swim south during the coldest months of the year and head north when spring arrives to mate with females. But for the past two years, many sharks are staying north, thanks to the East Coast's warming waters.That could be a problem. These traveling sharks keep Florida's coastal ecosystem healthy by weeding out weak and sick fish, and thereby helping to preserve coral reefs and seagrasses.LEM. THESE TRAVELINGTHETHEFLORIDA TO NORTHThe annual migration of blacktip sharks from southern Florida to North Carolina has begun—and researchers who track this amaz-ing ritual say there are seeing only about one-third the usual number.The sharks—all male—swim south during the coldest months of the year and head north when spring arrives to mate with females. But for the past two years, many sharks are stay-ing north, thanks to the East Coast's warm-ing waters.That could be a prob-lem. These traveling sharks keep Florida's coastal ecosystem healthy by weeding out weak and sick fish, and thereby helping to preserve coral reefs and seagrasses.

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04/23/18GRAPHIC DESIGNY OUE

IintentionalINTENTIONALINTENTIONALINTENTIONAL N T E N T O N A LINTENTIONALiN TN TiONALEINTENTIONALINTENTIONALINTENTIONALINTENTIONALINTENTIONALINTENTIONALI N T E N T I O N A LINTENTIONALI N T E N TI O N A LINTENTIONALI N T E N T I O N A LINTEOALNTININTENTIONALintention al I N T E N T I O N A LN T E N T I O N A LI N T E N T I O N A LINTENTIONALin t e n tio n ali n e n t i o n a tl I N T E N T I O N A Li n t e n t i o n a li n t e n t i o nINTENTIONALINTEN TIONALINTENTIONALINTENTIONALINTENTIONALI N T E N T I O N A LS C H O O L O F V I S U A L A R T SINTENTIONALI N T E N T I O N A LI N T E N T I O N A Lintentionalintentionalintentional[ ]in tention al.INTENTIONALINTENTIONALintentionalIINTENTIONALINTENTIONALi n t e n t i o n a lIINTENTIONAL

I N T E N T I O N A LS C H O O L O F V I S U A L A R T SINTENTIONALINTIONALIINTENTIONALNTENTIONALINTENTIONALI NT L10I N TIONALINTIONAL.i n t e n t i o n a lintentionalINT ENT IOALNINT ENT IOALNNT IOALNINT ENT IOALNINT ENT IALNINT ENT IOALNINT ENT IOALNI ONALT ENT INI ONALT ET NIONET IOs c h o o l o f v is u a l a r t s I N T E N T I O N A LintentionalI N T E N S H O N A LI NTENTIONALINTENTIONALintentional.theIntnet ional...Intentional intentionalIntentIonalI N T E N T I O N A LNNNNNNNNN!NTENT!ONALTHETENTIONALININTENTIONALIN10TIONALIN1 0 TIONALNTENT ONALTHEINTENTSHONALINTENTI NALOINTENTIONAL1 0INTENTIONALINTENTIONALintentionalintentionalIINTENTIONALI N T E N T I O N A L

INTENTIONALINTINTENTIONALintentendendtheissue 01INTENTIONALM A G A Z I N EOOINTENTIONALmagazineINTENTIONALLANOITNETNITHEINTENSHONAL Intnetional...IntentionalI N TENSION A LI N T E N T I O N A LI N T E N T I O N A LI N T E NT I O N A LENTI N T E N T I O N A LINTENTIONALIIINTENTIONALINTENTIONALINTENTIONALINTENTIONALCreating a logo seems easy when asked for a couple. But when asked for 100 every week; you run into some dicul-ties. these were the various logos I came up with over the word “Intentional”.

04/23/18GRAPHIC DESIGN“FIND YOUR OWN SOUND”- FRANK YOUNGINTENTIONAL

04/23/18

2017-2018 Portfolio

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