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Fine Art Auction Catalog - October 27, 2016 6:00PM EST

Fine American and European Paintings Drawings Prints and Sculpture Milford Connecticut October 27 2016
Fine American and European Paintings, Drawings, Prints and Sculpture Milford, Connecticut     October 27, 2016
Artist Index 170 Absentee Phone Bid Form 173 Conditions of Sale 174 Consignment Information 172 Directions 172
Artist Index  170  Absentee-Phone Bid Form  173  Conditions of Sale  174  Consignment Information  172  Directions  172
THURSDAY OCTOBER 27 2016 6 00 P M FINE AMERICAN A N D EUROPEAN PAINTINGS DRAWINGS A N D SCULPTURE SHANNON S AUCTION GALLERY MILFORD CT PREVIEW DATES TIMES October 17 26 Weekdays 11 a m 6 p m October 22 Saturday 10 a m 3 p m Closed Sunday October 27 Thursday 1 12 p m 5 30 p m The sale will begin at 6 00 p m EDT on Thursday October 27 2016 For future consignments please contact Gene Shannon or Sandra Germain at info shannons com Shannon s Fine Art Auctioneers 354 Woodmont Road Milford CT 06460 www shannons com email info shannons com 203 877 1711 Fax 203 877 1719 Front cover illustration 54 detail Back cover illustration 36
THURSDAY       OCTOBER 27, 2016       6 00  P.M  .  FINE AMERICAN A N D EUROPEAN PAINTINGS, DRAWINGS, A N D SCULPTURE SHAN...
1 JOHANN BERTHELSEN American 1883 1972 5TH AVENUE oil on canvas 16 x 12 inches signed lower right Private Collection Connecticut Estimate 3 000 5 000 PROVENANCE 1 2 JOHANN BERTHELSEN American 1883 1972 WASHINGTON SQUARE oil on board 12 x 9 inches signed lower right Private Collection Connecticut Estimate 3 000 5 000 PROVENANCE 2 2
1  JOHANN BERTHELSEN American  1883-1972  5TH AVENUE  oil on canvas, 16 x 12 inches, signed lower right. Private Collectio...
3 3 JOHANN BERTHELSEN American 1883 1972 SUMMER EVENING THE PLAZA NEW YORK CITY oil on canvas 25 x 30 inches signed lower right signed titled and dated 1948 on reverse Private Collection Connecticut Estimate 7 000 10 000 PROVENANCE 3
3  3  JOHANN BERTHELSEN American  1883-1972   SUMMER EVENING, THE PLAZA, NEW YORK CITY   oil on canvas, 25 x 30 inches, si...
4 JOHN C TERELAK American b 1942 FLATIRON BUILDING oil on canvas 36 x 24 inches signed and inscribed 92 lower left Private Collection Long Island New York Estimate 5 000 7 000 PROVENANCE 5 JOHN C TERELAK American b 1942 DIAMOND DISTRICT oil on canvas 16 x 20 inches signed and dated 87 lower right Private Collection Long Island New York Estimate 2 500 3 500 PROVENANCE 4 5 4
4  JOHN C. TERELAK American  b. 1942  FLATIRON BUILDING  oil on canvas, 36 x 24 inches, signed and inscribed    92  lower ...
6 6 DOUGLAS BREGA American b 1948 STORM AT GREYSTONE oil on masonite 24 1 4 x 29 7 8 inches signed lower right Private Collection Pennsylvania Estimate 5 000 7 000 PROVENANCE 5
6  6  DOUGLAS BREGA American  b. 1948  STORM AT GREYSTONE  oil on masonite, 24 1 4 x 29 7 8 inches, signed lower right. Pr...
7 7 EMILE ALBERT GRUPPE American 1896 1978 GLOUCESTER DOCK WORKERS oil on canvas 19 5 8 x 23 3 4 inches signed lower right Private Collection Seattle Washington Private Collection West Virginia Estimate 5 000 7 000 PROVENANCE 8 6 8 ANTHONY THIEME American 1888 1954 GLOUCESTER HARBOR oil on artist board 16 x 20 inches signed lower right Private Collection Butterfield Butterfield Bohnam s San Francisco December 09 1992 Lot 3195 Private Collection California Estimate 4 000 6 000 PROVENANCE
7  7  EMILE ALBERT GRUPPE American  1896-1978  GLOUCESTER DOCK WORKERS  oil on canvas, 19 5 8 x 23 3 4 inches, signed lowe...
9 9 PETER BELA MAYER American 1887 1993 VILLAGE BY THE COAST oil on canvas 36 x 40 inches signed lower right in a Heydenryk frame Private Collection New York New York Private Collection Connecticut Estimate 3 000 5 000 PROVENANCE 10 WALTER FARNDON American 1876 1964 BOOTHBAY HARBOR oil on board 14 x 18 inches signed lower right A Connecticut Estate Estimate 2 500 3 500 PROVENANCE 10 7
9  9  PETER BELA MAYER American  1887-1993  VILLAGE BY THE COAST  oil on canvas, 36 x 40 inches, signed lower right, in a ...
11 11 T M NICHOLAS American b 1963 TRINITY CHURCH NEWPORT RHODE ISLAND LOOKING WEST oil on canvas 16 x 20 inches signed lower left Bellevue Galleries Newport Rhode Island Private Collection Rhode Island Estimate 2 500 3 500 PROVENANCE 12 8 12 ARRAH LEE GAUL American 1883 1980 COURTYARD WITH BLUE DOOR oil on canvas 24 x 30 inches signed lower right Estate of the artist Private Collection Massachusetts Estimate 3 000 5 000 PROVENANCE
11  11 T. M. NICHOLAS American  b. 1963  TRINITY CHURCH, NEWPORT, RHODE ISLAND - LOOKING WEST  oil on canvas, 16 x 20 inch...
13 13 EVERETT LLOYD BRYANT American 1864 1945 FLOWER MARKET oil on canvas 30 x 36 inches signed lower right Purchased from the Artist by his New York City dealer Howard Cosby Alley 1876 1947 Alley was a partner in the New York City art firm of Alley and Trask Trask was the head of the PAFA who left academia to make money by using his contacts to gather a stable of artists By descent to his granddaughter Property of The Boston Art Club Stretcher marked with the stamp of A H Abbott Co Chicago Illinois Estimate 8 000 12 000 PROVENANCE 9
13  13 EVERETT LLOYD BRYANT American  1864-1945   FLOWER MARKET   oil on canvas, 30 x 36 inches, signed lower right. Purch...
14 14 BRUCE BRAITHWAITE American b 1950 MANHATTAN RAINS oil on canvas 24 x 30 inches signed lower right signed titled numbered 500 inscribed Across Chambers St Manhattan Municipal and dated 2016 The artist Estimate 3 000 5 000 PROVENANCE 15 10 15 VINCENT JANNELLI American 1882 1962 NEW YORK SKYLINE FROM NEWARK oil on canvas 24 x 31 inches signed and dated MCMXXXIX lower right Private Collection New York New York Estimate 4 000 6 000 PROVENANCE
14  14 BRUCE BRAITHWAITE American  b. 1950   MANHATTAN RAINS   oil on canvas, 24 x 30 inches, signed lower right, signed, ...
16 16 PETER POSKAS American b 1939 WINTER MORNING NORTH CORNWALL oil on canvas 27 x 56 inches signed lower left Sherry French Gallery Inc New York New York Private Collection Vermont Estimate 10 000 15 000 PROVENANCE 11
16  16 PETER POSKAS American  b. 1939   WINTER MORNING, NORTH CORNWALL   oil on canvas, 27 x 56 inches, signed lower left....
17 17 PETER POSKAS American b 1939 CORNWALL FARM oil on canvas 11 x 13 3 4 inches signed on canvas on reverse STUDY FOR WINTER MORNING The artist Private Collection Vermont Estimate 3 000 5 000 PROVENANCE PROVENANCE 18 12 18 PETER POSKAS American b 1939 oil on board 12 x 12 1 2 inches signed lower right The artist Private Collection Vermont Estimate 2 000 3 000
17  17 PETER POSKAS American  b. 1939   CORNWALL FARM   oil on canvas, 11 x 13 3 4 inches, signed on canvas on reverse.   ...
19 19 PETER POSKAS American b 1939 TRACERIES EDGE OF SPRING oil on canvas 48 x 30 1 2 inches signed lower right Sherry French Gallery Inc New York New York Private Collection Vermont Estimate 10 000 15 000 PROVENANCE 13
19  19 PETER POSKAS American  b. 1939   TRACERIES, EDGE OF SPRING   oil on canvas, 48 x 30 1 2 inches, signed lower right....
20 20 LEVI WELLS PRENTICE American 1851 1935 STILL LIFE WITH PEACHES IN A BASKET oil on canvas 11 3 4 x 18 inches signed lower right Alderfer Auction June 11 2010 Lot 3024 Private Collection New Jersey Estimate 12 000 18 000 PROVENANCE 14
20  20 LEVI WELLS PRENTICE American  1851-1935  STILL LIFE WITH PEACHES IN A BASKET  oil on canvas, 11 3 4 x 18 inches, si...
21 21 WILLIAM MASON BROWN American 1828 1898 AUTUMN oil on board 18 x 15 inches initialed lower right Private Collection Florida Partial old label on the reverse Wm M Brown near Trenton N J Estimate 10 000 15 000 PROVENANCE 15
21  21 WILLIAM MASON BROWN American  1828-1898  AUTUMN  oil on board, 18 x 15 inches, initialed lower right. Private Colle...
22 22 EDMUND C COATES American 1816 1871 THE NAVAL ENGAGEMENT BETWEEN THE UNITED STATES AND THE MACEDONIA oil on canvas 27 x 35 3 4 inches signed dated 1855 and inscribed SNY SLA lower center A Connecticut Estate A letter and appraisal dated November 5 1974 from Vose Galleries Boston Massachusetts accompany the Lot indicating that the subject is taken directly from a painting by Thomas Birch Estimate 5 000 7 000 PROVENANCE 16
22  22 EDMUND C. COATES American  1816-1871   THE NAVAL ENGAGEMENT BETWEEN THE UNITED STATES AND THE MACEDONIA   oil on ca...
23 23 MAURITZ FREDERICK H DE HAAS American 1832 1895 BRIGANTINE SCHOONER AND STEAMSHIP AT SEA oil on canvas 16 1 2 x 24 5 8 inches signed lower left Skinner Inc Boston Massachusetts May 16 2014 Lot 445 Estimate 6 000 8 000 PROVENANCE 17
23  23 MAURITZ FREDERICK H. DE HAAS American  1832-1895  BRIGANTINE, SCHOONER AND STEAMSHIP AT SEA  oil on canvas, 16 1 2 ...
24 24 ESTEBAN VICENTE American 1903 2001 ABSTRACT oil on canvas 31 1 4 x 37 inches signed and dated 61 on the reverse Private Collection New York Estimate 12 000 18 000 PROVENANCE 18
24  24 ESTEBAN VICENTE American  1903-2001  ABSTRACT  oil on canvas, 31 1 4 x 37 inches, signed and dated   61  on the rev...
25 25 PAUL KELPE American 1902 1985 A UNIQUE PIPE CABINET hand painted wood 28 3 4 H x 11 3 4 W x 11 3 4 D lacquered wood enameled steel Gift from the Artist circa 1934 to H R Hantke Chicago descended in the family Valerie Carberry Gallery Chicago Illinois Private Collection Illinois Estimate 20 000 30 000 PROVENANCE 19
25  25 PAUL KELPE American  1902-1985  A UNIQUE PIPE CABINET  hand-painted wood, 28 3 4  H x 11 3 4  W x 11 3 4  D, lacque...
26 26 ANDY WARHOL American 1928 1987 MARILYN MONROE II 26 1967 color screenprint 36 x 36 inches signed and numbered 33 250 on the reverse Private Collection Connecticut PROVENANCE Feldman Schellmann II 26 Note Published by Factory Additions New York Estimate 10 000 15 000 LITERATURE 20
26  26 ANDY WARHOL American  1928-1987  MARILYN MONROE  II.26 , 1967  color screenprint, 36 x 36 inches, signed and number...
27 27 ANDY WARHOL American 1928 1987 VEGETABLE MADE WITH BEEF STOCK FROM CAMPBELL S SOUP I 1968 color screenprint 35 x 23 inches signed and numbered 133 250 on the reverse Private Collection Connecticut PROVENANCE Feldman Schellmann II 48 Note Published by Factory Additions New York Estimate 4 000 6 000 LITERATURE 21
27  27 ANDY WARHOL American  1928-1987  VEGETABLE MADE WITH BEEF STOCK  FROM CAMPBELL S SOUP I , 1968  color screenprint, ...
28 28 KEITH HARING American 1958 1990 AMERICAN MUSIC FESTIVAL NEW YORK CITY BALLET 1988 print 24 x 36 inches signed and dated 88 lower right From the Artist Private Collection Connecticut Printing by Philip Morris Companies Inc Estimate 2 500 3 500 PROVENANCE 29 KEITH HARING American 1958 1990 UNTITLED terra cotta with marker 8 diameter sight signed dated 89 and inscribed For Tom Love Keith on the reverse Private Collection Connecticut Estimate 4 000 6 000 PROVENANCE 29 22
28  28 KEITH HARING American  1958-1990  AMERICAN MUSIC FESTIVAL, NEW YORK CITY BALLET, 1988  print, 24 x 36 inches, signe...
30 ILYA BOLOTOWSKY American Russian 1907 1981 RHOMB PALE YELLOW BLUE AND WHITE acrylic on wood 15 1 2 x 8 7 8 inches signed dated 1976 and titled on the reverse Private Collection Florida Estimate 6 000 8 000 PROVENANCE 30 31 ILYA BOLOTOWSKY American Russian 1907 1981 YELLOW AND RED DIAMOND acrylic and graphite on paper 7 3 8 x 3 7 8 inches initialed center right Private Collection Connecticut Estimate 2 500 3 500 PROVENANCE 31 23
30 ILYA BOLOTOWSKY American Russian  1907-1981   RHOMB, PALE YELLOW, BLUE AND WHITE   acrylic on wood, 15 1 2 x 8 7 8 inch...
32 SCHOOL OF JARED FRENCH American 20th Century ART AND SCIENCE C 1939 oil on canvas 50 x 40 inches unsigned in a Heydenryk Frame Private Collection New York New York Property of The Boston Art Club There is another painting on the reverse Estimate 6 000 8 000 PROVENANCE 33 LUCION BERNHARD American 1883 1972 NAP AT THE BEACH oil on board 13 1 4 x 19 1 4 inches unsigned Son of the artist Private Collection Connecticut PROVENANCE Lucion Bernhard Designer as Painter UCONN Branford House Von Schlippe Gallery 1994 EXHIBITED Illustrated in Designer as Painter The Day May 10 1994 Estate stamp on the reverse Estimate 3 000 5 000 ILLUSTRATED 32 33 24
32 SCHOOL OF JARED FRENCH American  20th Century  ART AND SCIENCE, C. 1939  oil on canvas, 50 x 40 inches, unsigned, in a ...
34 RAPHAEL SOYER American 1899 1987 WAITING AT THE STATION oil on canvas 18 x 14 inches signed lower right Private Collection New York Estimate 5 000 7 000 PROVENANCE 35 EDWARD MILLMAN American 1907 1964 WINDSWEPT BARN gouache on paperboard 22 x 28 inches sight signed and dated 39 lower right Gift of the artist to his sister by descent to his granddaughter Property of The Boston Art Club PROVENANCE Art Institute of Chicago 19th International Exhibition of Watercolors 1940 Estimate 3 000 5 000 EXHIBITED 34 35 25
34 RAPHAEL SOYER American  1899-1987  WAITING AT THE STATION  oil on canvas, 18 x 14 inches, signed lower right.  Private ...
Farm life was all I knew for the first 20 years of my life In painting these canvases I felt again the vastness of endless skies experienced again the penetrating cold of Nebraska winters lived again as farmers live in spirit I am very much a farmer Dale Nichols Dale Nichols was born in rural David City Nebraska in 1904 His early life had a profound influence on his paintings which centered on the recreations of the farm life The search for pure American Art was growing and the public was interested in scenes of American life Nichols emerged as an artist when Regionalism and Rural Regionalism were growing as a collecting genre His paintings are classified as a succession from Grant Wood Thomas Hart Benton and John Stuart Curry Nichols studied in Chicago at the Academy of Fine Arts and the Art Institute with Carl Wentz He became a successful illustrator watercolorist designer writer lecturer block printer and painter In the 1930s and 40s he created artwork for direct mail industrial advertising From 1942 1948 he succeeded Grant Wood as art editor of the Encyclopedia Britannica During his career he had eighteen solo exhibitions and exhibited in more that eighty regional and national exhibitions In Sunset on the Farm offered here Nichols talent for reproducing light and shadows is evident His distinctive style has attracted collectors since the 1930s Sunset on the Farm captures the qualities and themes of his best paintings The painting illustrates how despite the snow and the cold farm work in Nebraska goes on At sunset the farmer his son and his dog all walk home together The sense of eeriness and quiet in Sunset on the Farm gives the painting a sense of otherworldliness barns and rolling hills dominate the landscape rather than skyscrapers and pavement American collector s in the 1930s looked to buy Rural Regionalist art to capture the disappearing idyllic agricultural lifestyle Nichols work has been avidly collected since in numerous public and private collections throughout the country as well as the Metropolitan Museum of Art in New York 26
   Farm life was all I knew for the first 20 years of my life. In painting these canvases, I felt again the vastness of en...
36 36 DALE NICHOLS American 1904 1995 SUNSET ON THE FARM oil on canvas 24 x 30 inches signed lower left The artist Private collection Missouri Estimate 50 000 75 000 PROVENANCE 27
36  36 DALE NICHOLS American  1904-1995  SUNSET ON THE FARM  oil on canvas, 24 x 30 inches, signed lower left. The artist ...
37 37 CHARLES WILSON KNAPP American 1823 1900 28 LANDSCAPE WITH COWS GRAZING RIVER IN AUTUMN oil on canvas 23 3 4 x 41 3 4 inches signed lower left oil on canvas 20 x 36 inches signed lower left Private Collection New York Estimate 6 000 8 000 PROVENANCE PROVENANCE 38 38 CHARLES WILSON KNAPP American 1823 1900 Private Collection Greenwich Connecticut Estimate 3 000 5 000
37  37 CHARLES WILSON KNAPP American  1823-1900   28    LANDSCAPE WITH COWS GRAZING  RIVER IN AUTUMN  oil on canvas, 23 3 ...
39 39 JASPER FRANCIS CROPSEY American 1823 1900 FARM ALONG THE RIVER oil on canvas 13 3 4 x 23 3 4 inches signed and dated 1889 lower right Christie s December 6 1991 Lot 89 Private Collection Connecticut Estimate 30 000 50 000 PROVENANCE 29
39  39 JASPER FRANCIS CROPSEY American  1823-1900  FARM ALONG THE RIVER  oil on canvas, 13 3 4 x 23 3 4 inches, signed and...
40 40 THOMAS DOUGHTY American 1793 1856 LANDSCAPE WITH PINE TREES AND HOUSE oil on canvas 22 x 30 inches unsigned Private Collection Massachusetts Estimate 7 000 9 000 PROVENANCE 41 30 41 WILLIAM TROST RICHARDS ATTRIBUTED American 1833 1905 A SUNNY MORNING STROLL IN THE COUNTRY oil on canvas 14 x 20 inches unsigned Private Collection Massachusetts This painting relates to other known works by Richards of rural Pennsylvania A painting with the same title sold at Sotheby s on December 1 2004 Lot 83 There is a partial label on the stretcher from Williams Emporium 7 th St Phila Estimate 8 000 12 000 PROVENANCE
40  40 THOMAS DOUGHTY American  1793-1856  LANDSCAPE WITH PINE TREES AND HOUSE  oil on canvas, 22 x 30 inches, unsigned.  ...
42 42 GEORGE INNESS American 1825 1894 A CLOUDY DAY oil on canvas 25 x 30 inches signed and dated 1886 lower center The artist Estate of the above Fifth Avenue Galleries New York Executor s Sale of Paintings by the Late George Inness N A 12 14 February 1895 Lot 132 Joseph H Spafford acquired from the above Mrs Spafford by bequest from the above With Leroy Ireland New York 1951 Ernest Closuit Fort Worth Texas With Meredith Long Company Houston Texas circa 1960 Private collection PROVENANCE New York American Fine Arts Society Exhibition of the Paintings Left by the Late George Inness December 27 1894 no 90 EXHIBITED L Ireland The Works of George Inness An Illustrated catalogue raisonn Austin Texas 1965 p 336 no 1324 illustrated M Quick George Inness A catalogue raisonn vol II New Brunswick New Jersey 2007 pp 282 83 311 no 966 illustrated Estimate 30 000 50 000 ILLUSTRATED 31
42  42 GEORGE INNESS American  1825-1894   A CLOUDY DAY   oil on canvas, 25 x 30 inches, signed and dated  1886  lower cen...
Alfred Thompson Bricher was one of America s best known seascape painters of the nineteenth century Unlike the artists of the two generations preceding his who sought untamed wilderness views in the Catskill Mountains the White Mountains and the Adirondacks Bricher specialized in landscapes featuring placid inland bodies of water and picturesque scenes of the New England seaboard Today Bricher is widely appreciated by art historians for his mastery of Luminist realism As a Luminist painter he was predominantly interested in the pictorial effects of light and translucency It is always possible to ascertain specifics such as the time of day weather conditions and geography in his work yet his paintings manifest a spiritual quality that was an important component of the Hudson River School In 1879 Bricher was elected an Associate member of the National Academy of Design His work was seen regularly in the annual exhibitions of both the Academy and the American Watercolor Society Bricher also exhibited at the Art Institute of Chicago the Boston Art Club and the gallery of James Gill in Springfield Massachusetts Following a second marriage in 1881 Bricher built a summer home and studio in Southampton Long Island Here he interpreted the expansive coast and quaint village areas in paintings displayed at annual exhibitions from 1882 until 1894 He painted all along the south shore of Long Island He exhibited views of rugged Montauk Point at the eastern tip between 1882 and 1885 Water Mills adjacent to Southampton from 1882 to 1888 Patchogue and Blue Point on Great South Bay protected from the Atlantic by Fire Island from 1886 91 further west Freeport and Far Rockaway from 1888 to 1891 and Wantagh in 1893 1 By the time he died in 1908 Bricher s career had spanned a period of momentous evolution in American art indeed from the era of the Hudson River School to the imminent appearance of Synchromism or color abstraction It is little wonder then that when Bricher died at New Dorp on September 30 1908 his obituary commented Bricher did not receive the notice in the press that the artist s ability and reputation deserved Today works by Bricher can found in the permanent collections of many of America s most prestigious museums the Metropolitan Museum of Art the Brooklyn Museum of Art the Smithsonian American Art Museum the White House The Wadsworth Atheneum and the Pennsylvania Academy of Fine Arts Evening Glow offered here is a fine example of Bricher s technique of illuminating the canvas with color glowing light and warmth The empty rowboat in the foreground is also a familiar subject for Bricher Evening Glow is housed in a magnificent gold leaf frame that is most likely original to the painting 1 Alfred Thompson Bricher 1837 1908 by Jeffrey R Brown assisted by Ellen W Lee 1973 Portions of this essay courtesy of Hollis Taggart Galleries 32
Alfred Thompson Bricher was one of America   s best-known seascape painters of the nineteenth century. Unlike the artists ...
43 43 ALFRED THOMPSON BRICHER American 1837 1908 EVENING GLOW oil on canvas 15 x 32 inches signed lower right Jack Farley Troy Pennsylvania before 1950 To his grandson John and Carolyn Imbt Troy Pennsylvania c 1980 By descent to their son Acquired by the present owner from above Barridoff Galleries August 2000 lot 147 Estimate 50 000 70 000 PROVENANCE 33
43  43 ALFRED THOMPSON BRICHER American  1837-1908  EVENING GLOW  oil on canvas, 15 x 32 inches, signed lower right. Jack ...
44A 44B 44C 44D 44 ALFRED THOMPSON BRICHER American 1837 1908 GROUP OF FOUR A ROCKS AND SHIPS AT GRAND MANAN MAINE 1886 B COAST OF MAINE C CLOUDY DAY MAINE COAST D ROWBOATS ON THE SHORE MAINE 1885 a watercolor en grisaille with Chinese white on paper a 2 7 8 x 7 1 8 inches b 3 1 4 x 7 1 4 inches c 3 1 4 x 8 inches d 3 1 4 x 7 3 4 inches signed with monogram lower right inscribed in pencil on matboard 98 Rocks and Ships at Grand Manan Maine 1886 Original drawing by 1837 Alfred T Bricher 1908 A W S A N A b watercolor en grisaille with Chinese white on paper signed with monogram lower right inscribed in pencil on matboard 51 Coast of Maine 1888 Original drawing by 1837 Alfred T Bricher 1908 A W S A N A c watercolor en grisaille with Chinese white on paper signed with monogram lower right inscribed in pencil on matboard 26 20 Original drawing by 1837 Alfred T Bricher 1908 A W S A N A d watercolor en grisaille with Chinese white on paper signed with monogram lower right inscribed in pencil on matboard 95 Done 1885 Original drawing by 1837 Alfred T Bricher 1908 A W S A N A These drawings were purchased as an intact sketchbook from his niece by Clayton Liberatore Gallery of New York City and Bridgehampton Long Island Private Collection Connecticut Estimate 3 000 5 000 PROVENANCE 34
44A  44B  44C  44D  44 ALFRED THOMPSON BRICHER American  1837-1908   GROUP OF FOUR   A   ROCKS AND SHIPS AT GRAND MANAN, M...
45 45 JAMES MC DOUGAL HART American 1828 1901 LOON LAKE MORNING oil on canvas 30 x 50 inches unsigned Private Collection Maryland Estimate 12 000 18 000 PROVENANCE 35
45  45 JAMES MC DOUGAL HART American  1828-1901   LOON LAKE MORNING   oil on canvas, 30 x 50 inches, unsigned. Private Col...
Walter Launt Palmer was already thirty four years old when he painted his first winter masterpiece January which he exhibited at the National Academy of Design in 1887 The work earned him the notable Hallgarten Prize and led to his election as an associate of the Academy 1 The cool reaching blue shadows of the winter scenes that he painted almost exclusively thereafter were a considerable departure from the cozy decorative interiors and sun drenched Venetian scenes created earlier in his career Still Palmer s winter views tempered by greens yellows and pinks scattered across the snow are often as warm and intimate as his previous work Such is the case with Upland Stream Mohawk Valley The trees alongside the stream create a cloistered affect while the bright pinks blues and yellows lend a sense that dawn is rising just beyond the bend The water is running and the snow appears heavy as it would in the early hours of a winter thaw The composition and approach are textbook Palmer however the execution remains extraordinary the stream shines and the snow is pearlescent Palmer s legacy as a winter painter has somewhat obscured his origins as a conventionally trained and versatile artist The son of the sculptor Erastus Dow Palmer Walter grew up in an arts minded environment in Albany where painters such as John F Kensett Jervis McEntee and Frederick Edwin Church visited Palmer later studied with Church who praised his work regularly and remained a life long friend 2 He counted William Merritt Chase and John Singer Sargent among his close associates and he won numerous prizes throughout his career including gold medals at the annual exhibitions of the Philadelphia Art Club and the Boston Art Club in 1894 and 1895 respectively In 1907 he won the silver medal at the Philadelphia Art Club for a work also titled November Snow In 1921 his painting Silent Dawn was purchased by the Metropolitan Museum of Art 3 1 John Tarantine Walter Launt Palmer 1854 1932 exhib cat Youngstown Butler Institute of Art 1988 3 2 Tarantine 3 3 Mann 176 36
Walter Launt Palmer was already thirty-four years old when he painted his first winter masterpiece, January, which he exhi...
46 46 WALTER LAUNT PALMER American 1854 1932 UPLAND STREAM MOHAWK VALLEY oil on canvas 25 1 2 x 30 inches signed lower right Mrs Morton Dexter Museum of Fine Arts Boston Massachusetts gift from the above Private Collection Dallas Texas PROVENANCE M Mann Walter Launt Palmer Poetic Reality Atglen Pennsylvania 1984 p 165 pl 1031 illustrated Label on the reverse Gift of Mrs Morton Dexter Estimate 30 000 50 000 ILLUSTRATED 37
46  46 WALTER LAUNT PALMER American  1854-1932   UPLAND STREAM, MOHAWK VALLEY   oil on canvas, 25 1 2 x 30 inches, signed ...
47 47 ALBERT FITCH BELLOWS American 1911 1988 oil on canvas 12 x 20 inches signed and dated 1881 lower right Private Collection New York Estimate 2 000 3 000 The Albany Gallery Albany New York Private Collection Florida Estimate 4 000 6 000 PROVENANCE 38 VIEW ON LAKE GEORGE FEEDING TIME oil on board 15 x 19 3 4 inches initialed lower left 48 48 GEORGE W WATERS American 1832 1912 PROVENANCE
47  47 ALBERT FITCH BELLOWS American  1911-1988   oil on canvas, 12 x 20 inches, signed and dated  1881  lower right.  Pri...
49 49 WILLIAM BRADFORD American 1823 1892 SHIP OFF THE COAST OF LABRADOR oil on canvas 9 x 14 inches signed lower right Private Collection Connecticut Estimate 15 000 25 000 PROVENANCE 39
49  49 WILLIAM BRADFORD American  1823-1892  SHIP OFF THE COAST OF LABRADOR  oil on canvas, 9 x 14 inches, signed lower ri...
50 WILLIAM SAMUEL HORTON American 1865 1936 GSTAAD SWITZERLAND AT NIGHT oil on canvas 27 5 8 x 31 1 2 inches signed lower right Private Collection Texas Estimate 7 000 10 000 PROVENANCE 50 51 WILLIAM SAMUEL HORTON American 1865 1936 VILLAGE IN SWITZERLAND oil on canvas 27 x 31 3 8 inches signed lower right Private Collection Texas Estimate 5 000 7 000 PROVENANCE 51 40
50 WILLIAM SAMUEL HORTON American  1865-1936   GSTAAD, SWITZERLAND AT NIGHT   oil on canvas, 27 5 8 x 31 1 2 inches, signe...
52 52 WALTER GRANVILLE SMITH American 1870 1938 SENTINEL TREES BELLPORT LONG ISLAND oil on canvas 37 3 8 x 49 1 4 inches signed and dated 1914 lower right Grand Central Galleries New York New York Private Collection Arizona A letter from the artist to the original buyer dated Sept 11th 1926 describing the painting and location accompanies the Lot Estimate 7 000 10 000 PROVENANCE 41
52  52 WALTER GRANVILLE-SMITH American  1870-1938   SENTINEL TREES,  BELLPORT, LONG ISLAND  oil on canvas, 37 3 8 x 49 1 4...
Charles Courtney Curran was born in Kentucky and raised in Ohio He first studied at the Cincinnati School of Design before moving to New York City in 1882 In New York City he attended the National Academy of Design NAD and the Art Student s League He exhibited his first painting at the NAD in 1883 at 23 years old From 1888 1891 Curran studied at the Academie Julian in Paris While abroad he successfully exhibited works at the Paris Salon and at Durand Ruel Gallery In 1891 Curran returned to the States where he continued to enjoy success exhibiting at the World s Columbian Exposition in Chicago the NAD Exposition Universelle in Paris the Pan American Exposition in Buffalo the Louisiana Purchase exhibition and many others He was elected a full Academician in 1904 Curran was a doting father who frequently painted his children as subjects Among his favorite subjects was his daughter Emily born in 1903 Jane Faquin Ward writes the artist painted her outdoors eating breakfast going to sleep at night and playing with her toys The last description refers to he present canvas Maternal Cares the location unknown at the time of Ward s publication Some of the dolls may be the same as those in The Concert a painting of Emily playing the piano to an audience of dolls and stuffed animals Coll of Mr and Mrs Henry Schwob Maternal Cares was a popular painting by Curran at the time it was painted Gardner Teall illustrated it in a gloating review of Curran in a 1916 issue of Hearst s it is the sort of art which comes before one like a sudden vision of natural blessedness unruffled by storms of experience It may be a little miss playing with her dolls and you will find them all undisturbed by the suggestion of earthliness worldliness or soddenness We should be grateful to any painter who so sincerely brings to every one of us the vision of youth s gloriousness Shannon s is pleased to present Maternal Cares the first of a collection of 7 lots by Charles Courtney Curran in this auction 42
Charles Courtney Curran was born in Kentucky and raised in Ohio. He first studied at the Cincinnati School of Design befor...
53 53 CHARLES COURTNEY CURRAN American 1861 1942 MATERNAL CARES oil on canvas 20 x 30 inches signed and dated 1909 lower right Fentress Collection Waco Texas PROVENANCE Teal Gardner Poems in Paint The Work of Charles C Curran in Hearst s Aug 1916 vol 30 no 2 p 102 104 illus p 104 Estimate 60 000 80 000 ILLUSTRATED 43
53  53 CHARLES COURTNEY CURRAN American  1861-1942   MATERNAL CARES   oil on canvas, 20 x 30 inches, signed and dated  190...
Charles Courtney Curran was born in Hartford Kentucky on February 13 1861 the son of Ulysses Thompson Curran and his wife Elizabeth Thompson He spent his childhood in Sandusky Ohio In 1883 he studied at the Cincinnati School of Design with Thomas B Nobel the Art Students League the National Academy of Design with Walter Satterlee and with Constant Lefebvre and Doucet at the Academie Julian in Paris 1889 1891 He was a celebrated and successful artist in his lifetime earning a distinction for lifetime artistic achievements from the Salmugundi Club in 1934 From 1908 1910 Curran built Winahdin a family summer home in Cragsmoor New York It was there that he painted the pastel colored landscapes for which he best remembered lots 54 55 and 56 For 40 years Curran and his family would summer in Cragsmoor a growing artist colony since the late 19th century The artist and his family were very active in the community participating in summer social activities and helping to improve the town Curran would load his painting equipment into a child s red wagon and head off to Bear Hill to work 1 Curran s best works from his Cragsmoor years feature young elegant women in bright sunlight The subjects are typically perched on cliffs set against a dramatic sky In Blue and Gold Curran captures a snapshot of four adolescents playing along the rocky mountain top The model in the foreground has been identified as Julia Polk Hunsicker a Cragsmoor local who posed for artists including Curran and Helen M Turner Her blue dress and golden hair could have inspired the title of the work or perhaps the blue sky and the golden sunlight 2 Curran s work is in the permanent collections of the Terra Museum of American Art IL National Museum of Art Smithsonian Institution Wash D C PAFA Witte Memorial Museum San Antonio TX Fort Worth Art Museum TX Metropolitan Museum of Art Vassar College Columbus Museum of Art Art Museum Montclair NJ and many other national collections 1 Faquin Jane Ward with Maria Jaelnak Charles Courtney Curran Seeking the Ideal Dixon Gallery and Gardens 2014 p 25 2 Faquin and Jalenak p 110 44
Charles Courtney Curran was born in Hartford, Kentucky on February 13, 1861, the son of Ulysses Thompson Curran and his wi...
54 54 CHARLES COURTNEY CURRAN American 1861 1942 BLUE AND GOLD oil on canvas mounted on board 30 x 40 inches signed titled and dated 1929 lower right signed titled numbered 232 3 C C C on the reverse Emily Curran daughter of the Artist Cragsmoor New York Kaycee Benton Cragsmoor New York John Carmichael PROVENANCE Windy Summits Fertile Valleys An Artistic Journey Through The Shawangunk Mountains The Hudson River Museum September 26 November 7 1982 The Artist s Garden American Impressionism and the Garden Movement 1887 1920 February 13 2015 May 24 2015 The Pennsylvania Academy of the Fine Arts Philadelphia Pennsylvania Selections from our Permanent Collection October 27 2014 November 1 2014 National Arts Club New York New York Charles Courtney Curran Seeking the Ideal July 27 2014 October 5 2014 Dixon Gallery and Gardens Memphis Tennessee November 1 2014 February 1 2015 and The Frick Art Museum at the Frick Art Historical Center Pittsburgh Pennsylvania Exhibited The Cragsmoor Free Library Cragsmoor New York EXHIBITED Curran Record Book 232 30 Faquin Jane Ward Seeking the Ideal Charles Courtney Curran catalog no 60 Estimate 40 000 60 000 ILLUSTRATED 45
54  54 CHARLES COURTNEY CURRAN American  1861-1942   BLUE AND GOLD   oil on canvas mounted on board, 30 x 40 inches, signe...
55 55 CHARLES COURTNEY CURRAN American 1861 1942 THE CATSKILLS FROM WOODGREEN CRAGSMOOR oil on board 8 x 10 1 2 inches signed and dated 1931 lower right BLEAK ROCK A Massachusetts Estate Private Collection Massachusetts Estimate 3 000 5 000 Private Collection Pennsylvania Estimate 3 000 5 000 PROVENANCE 56 46 56 CHARLES COURTNEY CURRAN American 1861 1942 oil on canvas mounted on board 8 3 4 x 10 inches signed lower left initialed and numbered 246 18 on the reverse PROVENANCE
55  55 CHARLES COURTNEY CURRAN American  1861-1942   THE CATSKILLS FROM WOODGREEN,  CRAGSMOOR  oil on board, 8 x 10 1 2 in...
57 57 WALTER LAUNT PALMER American 1854 1932 A WINTER IDYLL gouache and tempera on board 18 x 24 inches signed lower right Lagakos Turak Gallery Philadelphia Pennsylvania Estimate 12 000 18 000 PROVENANCE 47
57  57 WALTER LAUNT PALMER American  1854-1932   A WINTER IDYLL   gouache and tempera on board, 18 x 24 inches, signed low...
58 58 F LUIS MORA American 1874 1940 SELF PORTRAIT oil on canvas 22 x 35 1 2 inches signed lower right Estate of Jo Mora Jr nephew of F Luis Mora Private collection Connecticut PROVENANCE Mattatuck Museum Arts and History Center Waterbury Connecticut F Luis Mora and the Expression of Beauty September 25 2009 February 7 2010 EXHIBITED Baron Lynne Pauls F Luis Mora America s First Hispanic Master Falk Art Reference Madison CT 2008 p 60 A copy of the book accompanies the Lot In 1987 Mora was twenty three years old and working as an instructor at the Chase School of Art in New York City The school was named for its owner William Merritt Chase who was Mora s mentor In homage to Chase the background relief in Mora s self portrait is painted in the Impressionist style The figure is Realistic as were all of Mora s figures in that era Thanks to Lynne Pauls Baron author of F Luis Mora America s First Hispanic Master for her assistance in cataloging this lot Estimate 8 000 12 000 ILLUSTRATED 48
58  58 F. LUIS MORA American  1874-1940  SELF PORTRAIT  oil on canvas, 22 x 35 1 2 inches, signed lower right. Estate of J...
EDMUND CHARLES TARBELL American 1862 1938 Edmund Charles Tarbell as both a teacher and painter was a leading influence in the development of the Boston School and a founding member of the celebrated American Art group The Ten Tarbell born in West Groton Massachusetts spent his life in New England As a young artist he lived in Boston teaching at the Museum School and painting portraits in his own unique Impressionist style He quickly became a success and in 1905 moved with his family to suburban New Castle New Hampshire Tarbell lost his father as a young boy and when he was fifteen was sent to live in Boston with his grandparents When his grandfather died in 1877 his mother and step father returned to Boston to care for Tarbell and his step sister Nellie In Boston he took a job at a lithography firm and begin to take art classes at the Boston Museum of Fine Arts School as a student of Otto Grundman There he met Frank Benson and Robert Reid later fellow organizers of The Ten From 1884 1886 Tarbell travelled through Europe with Benson and Abbott Fuller Graves studying at the Academie Julian and visiting Venice When he returned to Boston Tarbell joined the faculty of the Museum School remaining there until 1912 The present portrait of Maria Sophia Fernald Tarbell illustrates the artist s mother in Tarbell s characteristic early Impressionist style Tarbell would later depict his sitters in more elaborate interiors This painting is indicative of Tarbells s facility with paint as the subtle shades of white coalesce into a modeled portrait Tarbell probably saw Whistler s provocative Arrangement in Grey and Black No 1 Whistler s Mother while in Paris In contrast to Whistler Tarbell softened his mother s appearance He gave her prominence as a subject by painting in a smaller more intimate scale and by inscribing the painting TO MY MOTHER Although we only see a profile view Mrs Tarbell looks poised and elegant As Sebastian Smee writes in 2016 review of the Portsmouth Historical Society Show Tarbell s turn of the century symphony in white titled My Mother a stiffbacked salute both to his mom and to Whistler s
EDMUND CHARLES TARBELL American  1862-1938   Edmund Charles Tarbell, as both a teacher and painter, was a leading influenc...
59 EDMUND CHARLES TARBELL American 1862 1938 TO MY MOTHER PORTRAIT OF MARIA SOPHIA FERNALD TARBELL 1840 1910 oil on canvas 18 x 14 inches signed and titled lower right By descent in the family of the artist to the artist s great grandson Private Collection Massachusetts PROVENANCE Newport Art Museum From Pennsylvania to Paradise June 2 September 9 2012 Portsmouth Historical Society Illuminating Tarbell March 3 June 3 2016 EXHIBITED Sebastian Smee Life and Art on the Piscatuaqua in the Boston Globe June 3 2016 Estimate 30 000 50 000 LITERATURE 50
59 EDMUND CHARLES TARBELL American  1862-1938   TO MY MOTHER  PORTRAIT OF MARIA SOPHIA  FERNALD  TARBELL  1840-1910   oil ...
59 51
59    51
60 60 THOMAS WILMER DEWING American 1851 1938 PORTRAIT OF PANSY COTTON MARIETTE BENEDICT COTTON charcoal and pencil on paper 17 1 2 x 13 1 2 inches signed with monogram lower left Jill Newhouse Gallery New York New York Hollis Taggart Galleries New York New York Adelson Galleries New York New York Private Collection Massachusetts Estimate 15 000 25 000 PROVENANCE 52
60  60 THOMAS WILMER DEWING American  1851-1938   PORTRAIT OF PANSY COTTON  MARIETTE BENEDICT COTTON    charcoal and penci...
61 61 JULIAN ALDEN WEIR American 1852 1919 WOMAN IN A BOAT gouache and pencil on paper 6 1 2 x 9 1 2 inches sight artist s stamp lower left By descent in the family of the artist to the artist s great granddaughter Private Collection Massachusetts Estimate 8 000 12 000 PROVENANCE 53
61  61 JULIAN ALDEN WEIR American  1852-1919  WOMAN IN A BOAT  gouache and pencil on paper, 6 1 2 x 9 1 2 inches  sight , ...
This 1922 oil painting was painted by Curran in his New York City Studio at 39 West 67th Street Soon after it was painted Curran sent it in April 1922 to the M A Newhouse Sons Gallery St Louis Missouri The M A Newhouse Sons Gallery and Curran were closely affiliated for many years The painting is listed in Curran s records book as 206 1 In 1921 The Curran s traveled to Venice and purchased a pair of Venetian glass vases one of which was damaged soon after returning home The undamaged vase was used by Curran as a device in Heirlooms From the beginning of his career as an art teacher Curran would choose some of his women students as models Before these young women could begin their modeling sessions with the artist they had to be interviewed and given approval by Curran s wife Grace Wickham Curran Most of these art student models would get paid an hourly rate and invariably they would also end up with an extra bonus of getting private art lessons from Curran According to Kaycee Benton s research the model for this painting was one of Curran s students Ms Benton felt that the student shown in the photograph with Curran was most likely the model from the painting 54
This 1922 oil painting was painted by Curran in his New York City Studio at 39 West 67th Street. Soon after it was painted...
62 62 CHARLES COURTNEY CURRAN American 1861 1942 HEIRLOOMS oil on canvas 22 x 18 inches signed lower right signed and numbered 206 1 C C C on the reverse M A Newhouse Sons Gallery St Louis Missouri 1922 1923 sold to a private collector descended in the family until 2005 Private Collection Connecticut Estimate 40 000 60 000 PROVENANCE 55
62  62 CHARLES COURTNEY CURRAN American  1861-1942  HEIRLOOMS  oil on canvas, 22 x 18 inches, signed lower right, signed a...
63 63 CHARLES WEBSTER HAWTHORNE American 1872 1930 RAINY DAY PROVINCETOWN oil on board 20 x 20 inches signed lower right titled on the reverse The Estate of the artist to his grandson Property of The Boston Art Club PROVENANCE Babcock Gallery New York New York label on the reverse Cape Cod Museum of Art Illuminating Our Permanent Collection Modernism and Cape Cod Landscape June 26 August 26 2014 Numbered 135 in the Estate Inventory inscription and labels on the reverse Estimate 7 000 9 000 EXHIBITED 56
63  63 CHARLES WEBSTER HAWTHORNE American  1872-1930   RAINY DAY, PROVINCETOWN   oil on board, 20 x 20 inches, signed lowe...
64 64 PAULINE LENNARDS PALMER American 1867 1938 BACKSTREET PROVINCETOWN CA 1924 oil on board 20 x 24 inches signed lower right D Clinton Hynes Fine Art Chicago Illinois Private Collection Illinois Private Collection Rhode Island PROVENANCE Lakeview Museum of Arts and Sciences Pauline Palmer American Impressionist 1867 1938 Peoria Illinois 1984 cat no 16 Estimate 20 000 30 000 EXHIBITED 57
64  64 PAULINE LENNARDS PALMER American  1867-1938   BACKSTREET, PROVINCETOWN,  CA. 1924  oil on board, 20 x 24 inches, si...
While studying in Munich between 1872 1878 Chase visited a number of the nearby cities Here he captures a scene in Rothenburg ob der Tauber a small well preserved medieval town northwest of Munich The name of the city is actually a shortened version of Rothenburg oberhalb der Tauber Rothenburg above the Tauber and refers to it being situated on the hilltop overlooking the Tauber River Rothenburg s close proximity to Munich made it an appealing escape from the city for Chase and fellow artists Old Houses Near Rothenburg was first exhibited at the 1880 Society of American Artists Exhibition In a review for the show a critic commented A Scene from a Village also by Mr Chase a dark and Dupre like scene with a wild sky and village dwellings having steep roofs Varnishing Day Scenes New Times March 16 1880 5 A critic for the Art Amateur described the work as depicting a village street with thatched roofs that was one of Chase s rich enjoyable pieces of Munich in the happiest vein of the school American Artists Art Amateur 3 no 5 1880 90 By this time the painting was listed as being owned by Samuel T Peters 18541921 Peters was a Trustee of The Metropolitan Museum of Art and a member of the Committee on Oriental Art who had brought together an exceptional collection of early Chinese pottery and had lent the museum many rare pieces After his death over a hundred of these were given to the Metropolitan Museum of Art by his wife He may have purchased the work during the 1880 exhibition of the Society of American Artists because a work with this title was not shown again until 1910 at the National Arts Club Or perhaps Peters acquired Old Houses Near Rothenburg during a visit to the artist s Tenth Street Studio where it was displayed amidst other carefully arranged but haphazard looking Metrpolitan Museum of Art William Merritt Chase Memorial array of decorative objects and paintings Exhibition Feb 19 March 18 1917 Lent by Samuel T Peters This work is included on Peat s checklist as being owned by Samuel T Peters Above from Ronald Pisano William Merritt Chase Landscapes in Oil vol 3 New Haven Yale University Press 2010 After the 1880 and 1910 exhibitions Old Houses Near Rothenburg was shown on loan from Samuel T Peters at the Metropolitan Museum s Art Loan Exhibition of Paintings by William Merritt Chase in 1917 no 6 Pictured here is a view of the exhibition where the painting is visible in its original frame The painting was last exhibited in 1949 in a retrospective Chase Centennial Exhibition at the John Herron Museum in Indiana William Merritt Chase is one of the most celebrated American artists He was influential teacher of plein aire painting and a tremendously successful artist working in a progressive style that included elements of Tonalism Impressionism and Realism Chase was born in Franklin Indiana and he begin his artistic training under Benjamin Hayes He spent a brief period in St Louis Missouri studying under Munich trained artist John Mulvaney His talent was apparent and patrons from St Louis sponsored a trip for Chase to go to Munich and study bravura painting at the Royal Academy Bravura is a type of brushstroke used by John Singer Sargent Anders Zorn Velazquez and others To accomplish this style painters use what appears to be quick brushstroke but is actually a deliberate purposeful paint application From 1872 1878 Chase studied in Munich with friends J Frank Currier Frank Duveneck and John Twachtman Old Houses Near Rothenberg is an excellent early masterwork by Chase exhibiting his talent with the bravura style and his early mastery of painting 58
While studying in Munich between 1872-1878, Chase visited a number of the nearby cities. Here he captures a scene in    Ro...
65 65 WILLIAM MERRITT CHASE American 1849 1916 OLD HOUSES NEAR ROTHENBURG oil on canvas 24 1 4 x 30 inches signed lower right Private Collection New York PROVENANCE Society of American Artists New York City 1180 no 24 National Arts Club William Merritt Chase Retrospective Exhibition New York City January 5 January 13 1910 no 10 lent by Samuel T Peters Metropolitan Museum of Art William Merritt Chase Memorial Exhibition February 19 March 18 1917 no 6 lent by Samuel T Peters John Herron Art Museum Indianapolis Indiana Chase Centennial Exhibition Commemorating the Birth of William Merritt Chase November 1 1849 November 1 December 11 1949 EXHIBITED Pisano Ronald G William Merritt Chase Landscapes in Oil Yale University Press New Haven L2 page 3 Estimate 30 000 50 000 ILLUSTRATED 59
65  65 WILLIAM MERRITT CHASE American  1849-1916   OLD HOUSES NEAR ROTHENBURG   oil on canvas, 24 1 4 x 30 inches, signed ...
66 66 ANDREW MELROSE American 1836 1901 oil on canvas 24 x 20 inches initialed lower left THE PICNIC Schutz Company Greenwich Connecticut Private Collection Greenwich Connecticut Estimate 6 000 8 000 PROVENANCE 60
66  66 ANDREW MELROSE American  1836-1901  oil on canvas, 24 x 20 inches, initialed lower left.  THE PICNIC   Schutz   Com...
67 67 WILLARD LEROY METCALF American 1858 1925 LENGTHENING SHADOWS NO 1 RESTING AT THE HAYSTACK oil on panel 12 5 8 x 16 1 4 inches signed and dated 88 lower left William Vanderbilt Sullivan Allen Rye New York Mildred Sutton Ward Marlor Rye New York Private Collection Connecticut PROVENANCE Boston Massachusetts St Botolph Club Exhibition of Paintings by W L Metcalf March 18 April 1 1889 no 6 This work will be included in the forthcoming catalogue raisonn being compiled by Betty Krulik Willard Leroy Metcalf catalogue raisonn Project Inc A letter from the catalogue raisonn committee accompanies the Lot Estimate 30 000 50 000 EXHIBITED 61
67  67 WILLARD LEROY METCALF American  1858-1925   LENGTHENING SHADOWS, NO. 1   RESTING AT THE HAYSTACK   oil on panel, 12...
68 68 ELIZABETH NOURSE American 1859 1938 BELGIAN FLOWER VENDORS GRAVENSTEEN CASTLE gouache on paperboard 13 x 16 1 2 inches signed dated 1902 and inscribed Gent Belgium lower right Private Collection Massachusetts PROVENANCE Cincinnati Art Galleries A Retrospective September 10 2005 Cincinnati Ohio Estimate 8 000 12 000 EXHIBITED 62
68  68 ELIZABETH NOURSE American  1859-1938   BELGIAN FLOWER VENDORS, GRAVENSTEEN CASTLE   gouache on paperboard, 13 x 16 ...
69 69 EUGEN JETTEL Austrian 1845 1901 THE SUNFLOWER oil on canvas 17 1 2 x 30 1 4 inches signed and dated illegibly lower right Galerie Sedelmeyer Paris Private Collection of Henry F English Hillhouse Avenue New Haven Connecticut Private Collection Connecticut Estimate 3 000 5 000 PROVENANCE 63
69  69 EUGEN JETTEL Austrian  1845-1901   THE SUNFLOWER   oil on canvas, 17 1 2 x 30 1 4 inches, signed and dated illegibl...
70A 70 JOHN F FRANCIS American 1808 1886 A PAIR STILL LIFE WITH OYSTERS WHISKEY AND BISCUITS STILL LIFE WITH GRAPES AND APPLES oil on board a 10 3 4 x 13 5 8 signed lower right and dated 1867 b 11 3 8 x 14 1 4 inches unsigned inscribed illegibly on the reverse Private Collection Philadelphia Pennsylvania Private Collection New Jersey Estimate 8 000 12 000 PROVENANCE 70B 64
70A  70 JOHN F. FRANCIS American  1808-1886   A PAIR  STILL LIFE WITH OYSTERS, WHISKEY AND BISCUITS STILL LIFE WITH GRAPES...
71 71 ROBERT SPEAR DUNNING American 1829 1905 STILL LIFE WITH PEACHES PEARS AND GRAPES oil on canvas 13 x 17 inches signed and dated 1891 on the reverse Private Collection Massachusetts Estimate 25 000 35 000 PROVENANCE 65
71  71 ROBERT SPEAR DUNNING American  1829-1905  STILL LIFE WITH PEACHES, PEARS AND GRAPES  oil on canvas, 13 x 17 inches,...
72 72 ANTONIO ARGENTI Italian 1845 1916 white marble 24 H 61 1 2 H with custom base signed and inscribed Milano RIPOSINO Private Collection Connecticut Estimate 10 000 15 000 PROVENANCE 66
72  72 ANTONIO ARGENTI Italian  1845-1916  white marble, 24  H  61 1 2   H with custom base  signed and inscribed  Milano ...
73 73 CHAUNCEY BRADLEY IVES American 1810 1894 WINGED CUPID white marble 42 1 2 H signed at base Private Collection New York A graphite drawing by Chauncey Bradley Ives of Winged Cupid from the Cropsey Album is in the Metropolitan Museum of Art s Collection 1970 9 19 Estimate 20 000 30 000 PROVENANCE 67
73  73 CHAUNCEY BRADLEY IVES American  1810-1894  WINGED CUPID  white marble, 42 1 2  H, signed at base. Private Collectio...
74 IVAN OLINSKY American Russian 1878 1962 WOMAN WITH FLOWERS oil on canvas 30 x 24 inches signed upper right Private Collection New Jersey Estimate 3 000 5 000 PROVENANCE 74 75 IVAN OLINSKY American Russian 1878 1962 GIRL WITH A RED BOW oil on board 12 x 9 inches signed upper right Christie s October 1 2009 Lot 106 Private Collection New Jersey Estimate 3 000 5 000 PROVENANCE 75 68
74 IVAN OLINSKY American Russian  1878-1962  WOMAN WITH FLOWERS  oil on canvas, 30 x 24 inches, signed upper right. Privat...
76 76 LEON JEAN BASILE PERRAULT French 1832 1908 AFTER A SWIM oil on canvas 40 x 26 inches signed lower right Private Collection Georgia Estimate 30 000 50 000 PROVENANCE 69
76  76 LEON JEAN BASILE PERRAULT French  1832-1908  AFTER A SWIM  oil on canvas, 40 x 26 inches, signed lower right. Priva...
77 77 EMILE AUGUSTE PINCHART French 1842 1924 PAYING RESPECTS oil on canvas 37 1 4 x 29 1 2 inches signed lower right Private Collection Ohio Estimate 8 000 12 000 PROVENANCE 70
77  77 EMILE AUGUSTE PINCHART French  1842-1924   PAYING RESPECTS   oil on canvas, 37 1 4 x 29 1 2 inches, signed lower ri...
78 78 LUIGI BECHI Italian 1830 1919 LA VISITA SUNDAY VISIT oil on canvas 34 1 2 x 47 inches signed lower left Private Collection California Note A small 19x14 inch sketch of this oil was sold in Italy at Casad Aste Galleria Pananti February 19 2011 Lot 1157 for 15 000 Estimate 30 000 50 000 PROVENANCE 71
78  78 LUIGI BECHI Italian  1830-1919   LA VISITA   SUNDAY VISIT   oil on canvas, 34 1 2 x 47 inches, signed lower left. P...
79 CYRUS EDWIN DALLIN American 1861 1944 SIGNAL OF PEACE bronze 13 1 2 H signed dated 1890 and inscribed Gorham 6 Private Collection California Estimate 4 000 6 000 PROVENANCE 79 80 ISIDORE JULES BONHEUR French 1827 1901 JOCKEY ON HORSE bronze 14 1 4 H signed and inscribed Boudet 43 Be Des Capucines Peyrol foundry mark Private Collection New York Estimate 7 000 10 000 PROVENANCE 80 72
79 CYRUS EDWIN DALLIN American  1861-1944   SIGNAL OF PEACE   bronze, 13 1 2  H, signed, dated  1890  and inscribed  Gorha...
81 81 WILL SPARKS American 1862 1937 ADOBE VILLAGE MOONLIGHT oil on canvas 24 x 36 inches unsigned dated May 6 1930 on reverse Dr Irwin Schoen Maxwell Galleries San Francisco Private Collection Georgia PROVENANCE Laguna Beach Museum of Art July 10 1979 August 28 1979 EXHIBITED Southern California Artist 1890 1940 Laguna Beach Museum of Art page 175 California Design 1910 Timothy Anderson page 47 plate 39 Moure NancyD California Landscape Painting in American Art Review Nov dec 1974 illus p 140 Estimate 10 000 15 000 ILLUSTRATED 73
81  81 WILL SPARKS American  1862-1937  ADOBE VILLAGE, MOONLIGHT  oil on canvas, 24 x 36 inches, unsigned, dated  May 6, 1...
82 82 ARTHUR FITZWILLIAM TAIT American 1819 1905 SHEEP RESTING IN ROCKY LANDSCAPE oil on canvas 24 x 30 inches signed inscribed NY and dated 85 lower right signed and dated illegibly on the reverse Private Collection Greenwich Connecticut Estimate 5 000 7 000 PROVENANCE 83 74 83 ALBERT BIERSTADT AFTER American 1830 1902 THE ROCKY MOUNTAINS LANDER S PEAK steel engraving by James Smillie after a painting by Albert Bierstadt 16 3 4 x 27 3 4 inches 26th Street Market New York New York Private Collection Massachusetts Estimate 2 000 4 000 PROVENANCE
82  82 ARTHUR FITZWILLIAM TAIT American  1819-1905  SHEEP RESTING IN ROCKY LANDSCAPE  oil on canvas, 24 x 30 inches, signe...
84 84 FREDERIC REMINGTON American 1861 1909 ARREST OF A POACHER IN THE FOREST gouache on paper 21 1 4 x 29 5 8 sight signed lower left Graham Gallery New York New York J N Bartfield Galleries New York New York Private Collection Vermont PROVENANCE Whitney Gallery of Western Art Cody Wyoming 1974 Season EXHIBITED Harper s Monthly April 1894 Emperor William s Stud Farm and Hunting Forest by Poultney Bigelow p 748 Estimate 20 000 30 000 LITERATURE 75
84  84 FREDERIC REMINGTON American  1861-1909  ARREST OF A POACHER IN THE FOREST  gouache on paper, 21 1 4 x 29 5 8  sight...
85 85 HENRY RASCHEN American 1854 1937 NATIVE AMERICAN IN RIVER LANDSCAPE oil on canvas 26 1 4 x 46 inches signed lower right Private Collection New York Estimate 6 000 8 000 PROVENANCE 86 76 86 FEODOR VON LUERZER Austrian American 1851 1913 CAMP ON LAKE COEUR D ALENE oil on canvas 24 x 38 inches signed and dated indistinctly lower right Antoinette Hatfield Art Gallery Portland Oregon Private Collection Oregon Estimate 4 000 6 000 PROVENANCE
85  85 HENRY RASCHEN American  1854-1937  NATIVE AMERICAN IN RIVER LANDSCAPE  oil on canvas, 26 1 4 x 46 inches, signed lo...
87 87 EDMUND HENRY OSTHAUS American 1858 1928 AFTER THE HUNT watercolor on paper 28 5 8 x 19 3 4 inches signed lower right Private Collection Ohio Estimate 10 000 15 000 PROVENANCE 77
87  87 EDMUND HENRY OSTHAUS American  1858-1928   AFTER THE HUNT   watercolor on paper, 28 5 8 x 19 3 4 inches, signed low...
88 88 ALFRED THOMPSON BRICHER American 1837 1908 RIVER LANDSCAPE WITH WATERFALL oil on board 8 1 4 x 13 3 8 inches signed ATB and dated 6 indistinctly lower right Private Collection Louisiana Private Collection Connecticut Estimate 5 000 7 000 PROVENANCE 89 ERNEST PARTON American 1845 1933 VIRGINIA WATERS oil on canvas 36 x 28 inches signed lower left Schutz Company Greenwich Connecticut Private Collection Greenwich Connecticut Estimate 4 000 6 000 PROVENANCE 89 78
88  88 ALFRED THOMPSON BRICHER American  1837-1908  RIVER LANDSCAPE WITH WATERFALL  oil on board, 8 1 4 x 13 3 8 inches, s...
90 90 JOHN WILLIAMSON American 1826 1885 LUMINIST VISTA oil on canvas 22 x 36 inches initialed lower left Private Collection Maryland Estimate 20 000 40 000 PROVENANCE 79
90  90 JOHN WILLIAMSON American  1826-1885  LUMINIST VISTA  oil on canvas, 22 x 36 inches, initialed lower left. Private C...
91 91 HUGH BOLTON JONES American 1848 1927 FALL LANDSCAPE oil on canvas 16 1 4 x 24 inches signed lower right Thomaston Place Auction March 31 2007 Lot 105 Private Collection New York Estimate 5 000 7 000 PROVENANCE 92 HUGH BOLTON JONES American 1848 1927 THE LURE OF AUTUMN oil on board 20 1 4 x 14 1 4 inches signed lower right Dr Mrs Willard Rouse Jillson Frankfort Kentucky by descent in the family Private Collection California PROVENANCE The J B Speed Memorial Museum Exhibition of Paintings Lent by Dr and Mrs Willard Rouse Jillson Frankfort Kentucky May 5 May 26 1940 no 12 Estimate 4 000 6 000 EXHIBITED 92 80
91  91 HUGH BOLTON JONES American  1848-1927  FALL LANDSCAPE  oil on canvas, 16 1 4 x 24 inches, signed lower right. Thoma...
93 93 ALEXANDER HELWIG WYANT American 1836 1892 AUTUMN IN THE ADIRONDACKS oil on canvas 20 x 30 inches signed lower center Thomas Colville Fine Art New Haven Connecticut Alexander Galleries New York New York Godel Co New York New York Private Collection Michigan Private Collection Florida PROVENANCE Alexander Gallery New York The Hudson River School Congenial Observations September October 1987 no 34 illustrated as Adirondack Lake This work is listed on the Wyant website by Anthony E Battelle reference number 116 018 as Autumn Lake Scene Estimate 20 000 30 000 EXHIBITED 81
93  93 ALEXANDER HELWIG WYANT American  1836-1892  AUTUMN IN THE ADIRONDACKS  oil on canvas, 20 x 30 inches, signed lower ...
94 94 AUGUSTUS SAINT GAUDENS American 1848 1907 PORTRAIT OF ROBERT LOUIS STEVENSON bronze 11 3 4 inches diameter signed upper right copyright stamp DCXI lower right Private Collection New York PROVENANCE J H Dryfhout B Fox Augustus Saint Gaudens The Portrait Reliefs New York 1969 nos 39 41 other examples illustrated J H Dryfhout Metamorphoses in Nineteenth Century Sculpture Cambridge Massachusetts 1975 pp 187 200 fig 9 another example illustrated J H Dryfhout The Work of Augustus Saint Gaudens Hanover New Hampshire 1982 pp 174 76 nos 133 34 another example illustrated Estimate 12 000 18 000 ILLUSTRATED 82
94  94 AUGUSTUS SAINT-GAUDENS American  1848-1907  PORTRAIT OF ROBERT LOUIS STEVENSON  bronze, 11 3 4 inches  diameter , s...
RECENTLY REDISCOVERED PORTRAIT MINIATURES OF PRESIDENT GEORGE AND FIRST LADY MARTHA WASHINGTON Charles Henry Hart in his 1917 introduction to the Historical Descriptive and Critical Catalogue of the Works of American Artists in the Collection of Herbert L Pratt describes his hopes that the catalog will introduce many persons to the importance of collecting American art and that it may be an incentive for each to go and do likewise before it is too late by the absorption of available examples by the great museums of the Country Pratt an early collector of American Art amassed an impressive collection paintings drawings pastels and miniatures in the early 20th century The catalog of the collection compiled by Hart describes paintings by the who is who in early American art John Singleton Copley Thomas Sully Gilbert Stuart Benjamin West and Charles Wilson Peale to name a few The present miniatures portraits of George and Martha Washington are rare gems of early American Art Pratt astutely acquired both miniatures to form a pendant pair of the First President and First Lady Hart s catalog description of Martha Washington s portrait aptly describes the small memento The execution and color of this portrait can be given no other term than exquisite It is everything that a fine miniature portrait should be and is particularly interesting as a portrait of Mrs Washington for its distinction and nice characterization as also for its agreement in features with the portraits by Robertson Field and others and its unlikeness to those in Stuart s famous Athenaeum head where the nose is concave while in all other portraits of her it is convex 1 Hart attributes the work to Henry Elouis a French born artist working in America Although he is known to have given Eleanor Nellie Parke Custis painting lessons more recent scholarship reattributes the present miniature to Walter Robertson 2 Robertson was an Irish artist who visited American between 1793 and 1796 He was friends with Gilbert Stuart and came to America to make pleasing miniature copies of Stuart s portraits 3 The Robertson attribution would also account for Mrs Washington s blue eyes an unconvincing characterization the artist was known to include Robin Jaffee Frank in her book Love and Loss writes Many of Robertson s elegant solemn sitters have a certain sameness posed against brownish backgrounds they appear to be members of one family sharing the genetic traits of rounded usually blue eyes set into deep sockets and elongated noses 4 Although none of the references mention the plaited hair on the reverse of the miniature it is thought to be either George Washington s Martha Washington s or a combination of the two This was typical of portrait miniatures as a way to remember sweethearts and distant or lost friends The Annual Report of the Mount Vernon Ladies Association 1969 notes that Robertson was paid for two pictures of the President and one of Mrs Washington in November 1794 Hart s description of Robert Field s Washington reads This miniature is one of several copies made by Field from Stuart s portrait of Washington for Mrs Washington and which she presented as mementoes of the General to his particular friends It is a very beautiful portrait but not a very close copy of the original and is especially interesting from the fact that Mrs Washington selected Stuart s first portrait of Washington showing the right side of the face to be copied she preferring it to the Athenaeum head that did not satisfy her as a likeness of her husband This one was given to Samuel Meredith Treasurer of the United States from whose family it passed to the late Mr C C Moreau of Brooklyn N Y and thence to Mr Pratt 5 Robert Field s portrait of George Washington was painted after a portrait by Gilbert Stuart of the so called Vaughn Type Field borrowed the portrait from William Winstanley a mutual acquaintance through Field s friendship with Dr and Mrs William Thornton of Washington City Mrs Thornton notes in her diary Mr Field called and borrowed of Mr Winstanley Genl Washington s picture by Stuart to copy in miniature She later writes Mr Field brought the miniature of Genl Washington which he is painting from Stuart s original lent him by Mr Winstanley it is a beautiful picture The present miniature is presumed to be the first miniature copied from the Stuart portrait and presented to Mrs Washington as a prototype One year after Washington s death 1799 Mrs Washington selected Field for a commission of miniatures of her late husband to give to their family and a close friend From November 1800 to the following year Field completed several remarkably beautiful and highly prized miniatures of George Washington and two portraits of Mrs Washington Eight are known six depicting Washington as president in civilian dress and two in military attire Each is based on a Stuart Vaughn type portrait owned by Winstanley with modifications made presumably per the request of Mrs Washington to make the miniatures more like the subject Apart from those commissioned by Mrs Washington Field was commissioned by the late president s friends for additional copies Field writes of the present Meredith Moreau Pratt Miniature The background is more minutely cross hatched and the mid height falls at the top of the cravat instead of at the edge of the chin as in its fellows It is thus the most aberrant member which may indicate that it is the master copy 6 1 Hart Charles H Historical Descriptive and Critical Catalogue of the Works of American Artists in Collection of Herbert L Pratt New York 1917 p 109 2 See Christie s Jan 16 17 2003 lot 338 A 24 x 20 inch portrait matching the miniature inscribed Martha Washington painted by H Elouis from the life while giving her art lessons This possibly indicates that Nellie Parke Custis was the original owner of Robertson s miniature and Elouis portrait was done as a later copy 3 Wehle Harry B and Theodore Bolton American Miniatures 1730 1850 One Hundred and Seventy Three Portraits Garden City N Y Garden City Publishing Co Inc 1937 p 30 4 Frank Robin J Love and Loss American Portrait and Mourning Miniatures New Haven Yale University 2000 158 5 Hart p 134 6 Hart p 165
RECENTLY REDISCOVERED PORTRAIT MINIATURES OF PRESIDENT GEORGE AND FIRST LADY MARTHA WASHINGTON.  Charles Henry Hart in his...
95 95 ROBERT FIELD British 1769 1829 THE MEREDITH MOREAU PRATT MINIATURE OF PRESIDENT WASHINGTON 1801 watercolor 3 3 8 inches x 2 9 16 inches signed R F and dated 1801 lower left Thomas Meredith son of General Samuel Meredith 1740 1817 first Treasurer of the United States 1801 To his son Samuel R Meredith 1853 Charles C Moreau New York 1858 To his son C L Moreau Herbert L Pratt Private Collection PROVENANCE Piers Harry Robert Field Portrait Painter in Oils Miniature and Water Colours and Engraver New York F F Sherman 1927 cat no 88 p 165 Hart Charles H Historical Descriptive and Critical Catalogue of the Works of American Artists in Collection of Herbert L Pratt New York 1917 cat no 75 p 134 Wehle Harry B and Theodore Bolton American Miniatures 1730 1850 One Hundred and Seventy Three Portraits Garden City N Y Garden City Publishing Co Inc 1937 pp xvii 33 illus pl XVIII Bolton Theodore Early American Portrait Painters in Miniature New York F F Sherman 1921 p 52 Johnston Elizabeth B Original Portraits of Washington Boston Osgood and Company 1882 pp 110 115 116 pl XVI illus Johnson Dale T American Portrait Miniatures in the Manney Collection New York Metropolitan Museum 1990 p 117 discussed F F Sherman 1921 E A Johnston Original Portraits of Washington 1882 pp 110 115 116 pl XVI In a rose gold case with blue glass over foil decoration on the reverse Estimate 60 000 80 000 LITERATURE The letter reproduced here was sent to Charles C Moreau who purchased the portrait miniature from Samuel R Meredith in 1858 Johnston Elizabeth B Original Portraits of Washington 84
95  95 ROBERT FIELD British  1769-1829  THE MEREDITH-MOREAU-PRATT MINIATURE OF PRESIDENT WASHINGTON, 1801  watercolor, 3 3...
96 96 WALTER ROBERTSON Irish active in America 1793 1796 PORTRAIT OF MARTHA WASHINGTON ca 1794 watercolor 2 3 8 x 1 7 8 inches unsigned Herbert L Pratt Private Collection PROVENANCE Piers Harry Robert Field Portrait Painter in Oils Miniature and Water Colours and Engraver New York F F Sherman 1927 cat no 88 p 165 Hart Charles H Historical Descriptive and Critical Catalogue of the Works of American Artists in Collection of Herbert L Pratt New York 1917 cat no 75 p 134 Bolton Theodore Early American Portrait Painters in Miniature New York F F Sherman 1921 pp 46 47 Wehle Harry B and Theodore Bolton American Miniatures 1730 1850 One Hundred and Seventy Three Portraits Garden City N Y Garden City Publishing Co Inc 1937 pp xvi 30 31 illus color pl XV Catalogue of an Exhibition of Portrait Miniatures Painted in America 1720 1850 New York Metropolitan Museum of Art 1927 46 47 illus In a rose gold case with with enamel with movable ring Plaited hair on the reverse Estimate 60 000 80 000 ILLUSTRATED 85
96  96 WALTER ROBERTSON Irish  active in America, 1793-1796  PORTRAIT OF MARTHA WASHINGTON, ca. 1794  watercolor, 2 3 8 x ...
97 JEAN ANTOINE LAURENT French 1763 1832 PORTRAIT OF MARIE ANTOINETTE AFTER ELIZABETH VIGEE LEBRUN watercolor 6 1 2 x 5 inches signed lower right Private Collection of Henry F English Hillhouse Avenue New Haven Connecticut Private Collection Connecticut Estimate 4 000 6 000 PROVENANCE 97 98 WILLIAM PETHER British c 1738 1821 MARIE JOS PHINE LOUISE DE SAVOIE COMTESSE DE PROVENCE watercolor 4 x 3 1 8 inches signed lower left Private Collection This miniature is a painting after a drawing of the Comtesse by Elisabeth Louise Vigee Lebrun French 1755 1842 now in the Royal Collection London RCIN 913123 Estimate 5 000 7 000 PROVENANCE 98 86
97 JEAN ANTOINE LAURENT French  1763-1832  PORTRAIT OF MARIE ANTOINETTE, AFTER ELIZABETH VIGEE LEBRUN  watercolor, 6 1 2 x...
99 100 99 FRIEDRICH HEINRICH FUGER German 1751 1818 100 JACQUES MARIE LEGROS French 1777 1825 PORTRAIT OF A GENTLEMAN KING VON ROM KING OF ROME Private Collection New York Estimate 6 000 8 000 PROVENANCE watercolor 2 1 4 x 1 1 2 inches signed PROVENANCE watercolor 3 3 8 x 2 1 2 inches signed lower left Private Collection Estimate 1 200 1 800 101 BRITISH SCHOOL British 18th 19th Century A PAIR LADY WITH FEATHERED CAP PORTRAIT OF A LADY watercolor 2 3 4 x 2 1 2 inches unsigned A New York Estate Estimate 1 200 1 800 PROVENANCE 101A 101B 87
99  100  99 FRIEDRICH HEINRICH FUGER German  1751-1818   100 JACQUES-MARIE LEGROS French  1777-1825   PORTRAIT OF A GENTLE...
102 102 FRANCISCO ZUNIGA Mexican 1912 1998 LA MUJER SENTADA black Mexican marble 12 3 4 H signed and dated 1981 at base The artist Sindin Galleries New York New York circa 1983 Private Collection Connecticut PROVENANCE Francisco Z iga Cat logo razonado vol men I escultura 1923 1993 Mexico City Albedr o Fundaci n Z iga Laborde 1999 p 532 no 904 as Dos Mujeres Sentadas 1981 Our thanks to Karen Sindin and Ariel Zuniga for their assistance cataloging this lot Estimate 20 000 30 000 ILLUSTRATED 88
102  102 FRANCISCO ZUNIGA Mexican  1912-1998  LA MUJER SENTADA  black Mexican marble, 12 3 4  H, signed and dated  1981  a...
103 103 HUGHIE LEE SMITH American 1915 1999 STANDING WOMAN IN PROFILE PINK oil on canvas 20 x 16 inches signed lower right D C Moore Gallery New York New York Private Collection Estimate 8 000 12 000 PROVENANCE 89
103  103 HUGHIE LEE-SMITH American  1915-1999   STANDING WOMAN IN PROFILE, PINK   oil on canvas, 20 x 16 inches, signed lo...
104 104 ABBOTT FULLER GRAVES American 1859 1936 STILL LIFE WITH ROSES oil on canvas 14 x 20 inches signed lower right Private Collection New York Estimate 7 000 10 000 PROVENANCE 105 WINIFRED ADAMS American 1871 1955 STILL LIFE WITH PLATE PITCHER AND FLOWERS oil on canvas 29 1 4 x 22 inches signed lower right Private Collection New York New York Estimate 2 500 3 500 PROVENANCE 105 90
104  104 ABBOTT FULLER GRAVES American  1859-1936  STILL LIFE WITH ROSES  oil on canvas, 14 x 20 inches, signed lower righ...
106 106 MARCEL DYF French 1899 1985 DAHLIA ET GUEULES DE LOUP oil on canvas 28 3 4 x 23 1 2 inches signed lower right The artist Private Collection New York This painting is listed in the artist s inventory being compiled by Mrs Claudine Dyf ID number 642 Estimate 10 000 15 000 PROVENANCE 91
106  106 MARCEL DYF French  1899-1985   DAHLIA ET GUEULES DE LOUP   oil on canvas, 28 3 4 x 23 1 2 inches, signed lower ri...
107 PETER POSKAS American b 1939 UPLAND APPLE oil on canvas 28 3 4 x 30 inches signed lower right Sherry French Gallery Inc New York New York Private Collection Vermont Estimate 4 000 6 000 PROVENANCE 108 PETER POSKAS American b 1939 KITCHEN WINDOW oil on canvas 16 1 2 x 19 inches signed lower right Sherry French Gallery Inc New York New York Private Collection Vermont PROVENANCE The William Benton Museum of Art The University of Connecticut Storrs Connecticut Peter Poskas The Connecticut View May 14 July 27 1984 Estimate 3 000 5 000 EXHIBITED 107 108 92
107 PETER POSKAS American  b. 1939   UPLAND APPLE   oil on canvas, 28 3 4 x 30 inches, signed lower right. Sherry French G...
109 109 ERIC SLOANE American 1905 1985 PENNSYLVANIA BARN oil on masonite 23 3 8 x 31 1 2 inches signed and titled lower left Abercrombie and Fitch Co New York New York Private Collection New York New York Estimate 10 000 15 000 PROVENANCE 93
109  109 ERIC SLOANE American  1905-1985   PENNSYLVANIA BARN   oil on masonite, 23 3 8 x 31 1 2 inches, signed and titled ...
110 110 ROBERT EICHELBERGER American 1861 1890 MID DAY REST oil on canvas 29 x 26 inches signed lower right Private Collection Boston Massachusetts By purchase to the art dealer William Poster Boston Massachusetts Property of The Boston Art Club PROVENANCE The Centennial Exposition of the Ohio Valley and Central States July 4 November 8 1888 The Boston Art Club January 14 February 11 1888 103 Estimate 6 000 8 000 EXHIBITED 94
110  110 ROBERT EICHELBERGER American  1861-1890   MID-DAY REST   oil on canvas, 29 x 26 inches, signed lower right. Priva...
111 Property of a corporate collection 111 HENRY MOSLER American 1841 1920 THE HUSKING BEE oil on canvas 72 1 2 x 121 inches signed inscribed New York and dated 1890 lower right Charles B Tyler Los Angeles California Private Collection 1987 Sotheby s December 3 2008 Lot 152 PROVENANCE Henry Mosler Rediscovered A 19th Century American Jewish Artist Sept Dec 1996 The Hebrew Union College Skirball Museum Los Angeles California Estimate 25 000 35 000 EXHIBITED 95
111  Property of a corporate collection 111 HENRY MOSLER American  1841-1920   THE HUSKING BEE   oil on canvas, 72 1 2 x 1...
112 112 WORTHINGTON WHITTREDGE American 1820 1910 THE OLD CANOE oil on canvas 11 3 4 x 19 7 8 inches unsigned Private Collection Connecticut A letter of authenticity from Anthony Jansen accompanies the lot Estimate 8 000 12 000 PROVENANCE 96
112  112 WORTHINGTON WHITTREDGE American  1820-1910  THE OLD CANOE  oil on canvas, 11 3 4 x 19 7 8 inches, unsigned. Priva...
113 113 JOHN ROSS KEY American 1837 1920 SAILBOATS WITH CATTLE GRAZING oil on board 7 3 4 x 15 inches signed and dated 1871 lower right Private Collection Florida Estimate 7 000 10 000 PROVENANCE 97
113  113 JOHN ROSS KEY American  1837-1920  SAILBOATS WITH CATTLE GRAZING  oil on board, 7 3 4 x 15 inches, signed and dat...
114 114 WALTER LAUNT PALMER American 1854 1932 BRIDGE IN WINTER watercolor on paper 14 1 2 x 24 1 2 inches signed lower left Private Collection New York PROVENANCE Exhibition label from The Boston Art Club on the reverse Estimate 10 000 15 000 EXHIBITED 98
114  114 WALTER LAUNT PALMER American  1854-1932  BRIDGE IN WINTER  watercolor on paper, 14 1 2 x 24 1 2 inches, signed lo...
115 115 DWIGHT WILLIAM TRYON American 1849 1925 OCTOBER IN NEW ENGLAND oil on canvas 20 x 30 inches signed and dated 1881 lower right Private Collection Texas Private Collection Connecticut Old labels on reverse one inscribed DW Tryon 152 W 57th St NY October in New England the other possibly an old frame label from Gill s New Art Store Estimate 20 000 30 000 PROVENANCE 99
115  115 DWIGHT WILLIAM TRYON American  1849-1925  OCTOBER IN NEW ENGLAND  oil on canvas, 20 x 30 inches, signed and dated...
116 ANTHONY THIEME American 1888 1954 STILL WATER oil on canvas 25 x 30 inches signed lower right and inscribed Venetian Boat on the reverse Christie s October 3 2001 Lot 105 Private Collection New York Estimate 5 000 7 000 PROVENANCE 116 117 ANTHONY THIEME American 1888 1954 WINTER BROOK oil on canvas 20 x 24 inches signed lower left titled on the reverse Private Collection Connecticut Estimate 3 000 5 000 PROVENANCE 117 100
116 ANTHONY THIEME American  1888-1954   STILL WATER   oil on canvas, 25 x 30 inches, signed lower right and inscribed  Ve...
118 118 EMILE ALBERT GRUPPE American 1896 1978 WINTER LANDSCAPE oil on canvas 25 x 30 inches signed and dated 1924 lower right Private Collection New York Private Collection New Jersey Estimate 10 000 15 000 PROVENANCE 101
118  118 EMILE ALBERT GRUPPE American  1896-1978  WINTER LANDSCAPE  oil on canvas, 25 x 30 inches, signed and dated  1924 ...
119 119 GEORGE GARDNER SYMONS American 1863 1930 NEW ENGLAND WINTER oil on canvas 25 x 30 inches signed lower left The Gordon Art Galleries Detroit Michigan purchased by Mr E C Sullivan Detroit 1925 By descent to Mary Sheridan Hamilton Ontario By descent to a Private Collection Toronto Private Collection Connecticut Estimate 15 000 25 000 PROVENANCE 102
119  119 GEORGE GARDNER SYMONS American  1863-1930  NEW ENGLAND WINTER  oil on canvas, 25 x 30 inches, signed lower left. ...
120 120 WALT KUHN American 1877 1949 BLANFORD NOVA SCOTIA oil on canvas 33 x 40 inches signed lower right Kennedy Galleries New York New York Sotheby s September 24 2008 Lot 40 Private Collection New Jersey Estimate 20 000 30 000 PROVENANCE 103
120  120 WALT KUHN American  1877-1949   BLANFORD, NOVA SCOTIA   oil on canvas, 33 x 40 inches, signed lower right.  Kenne...
121 CONTINENTAL SCHOOL 18th Century probably PORTRAIT OF MOTHER AND CHILD oil on canvas on board 28 1 4 x 19 inches unsigned Private Collection Minnesota Estimate 1 500 2 500 PROVENANCE 122 SPANISH SCHOOL Spanish ca 1800 VISTA DEL PREDIO ROQUETA oil on canvas 32 1 2 x 69 1 2 inches unsigned Private Collection Connecticut The title is painted on the bottom of the canvas See infared photo showing inscription on Shannons com Estimate 5 000 7 000 PROVENANCE 121 122 104
121 CONTINENTAL SCHOOL 18th Century  probably  PORTRAIT OF MOTHER AND CHILD  oil on canvas on board, 28 1 4 x 19 inches, u...
123 123 ANTONIO CASANOVA Y ESTORACH Spanish 1847 1896 ISABELLA I OF CASTILLE CONQUEROR OF GRANADA oil on canvas 40 x 51 inches signed lower left Private Collection New Jersey Estimate 10 000 15 000 PROVENANCE 105
123  123 ANTONIO CASANOVA Y ESTORACH Spanish  1847-1896  ISABELLA I OF CASTILLE, CONQUEROR OF GRANADA  oil on canvas, 40 x...
124 LUCAS SAMARAS American Greek b 1936 FLOWERS IN A VASE oil on canvas 32 x 24 inches unsigned Private Collection Connecticut A letter of authenticity dated February 2 2011 from The Pace Gallery accompanies the Lot Estimate 6 000 8 000 PROVENANCE 125 NICOL S GARC A URIBURU Argentine 1937 2016 OMBU oil on canvas 20 x 24 inches signed lower left Private Collection Buenos Aires Argentina Private Collection Connecticut Estimate 6 000 8 000 PROVENANCE 124 125 106
124 LUCAS SAMARAS American Greek  b.1936  FLOWERS IN A VASE  oil on canvas, 32 x 24 inches, unsigned. Private Collection, ...
126 126 ANDRE BRASILIER French b 1929 LE VOILIER oil on canvas 25 5 8 x 19 1 4 inches signed lower left David Findlay Gallery New York New York Private Collection New York Estimate 12 000 18 000 PROVENANCE 107
126  126 ANDRE BRASILIER French  b. 1929  LE VOILIER  oil on canvas, 25 5 8 x 19 1 4 inches, signed lower left. David Find...
127 127 CHARLES HINMAN American b 1932 DRESOGENY acrylic on shaped canvas 58 x 96 x 7 inches signed titled and dated 1981 on the reverse Irving Galleries Palm Beach Florida Private Collection New York Estimate 8 000 12 000 PROVENANCE 108
127  127 CHARLES HINMAN American  b. 1932   DRESOGENY   acrylic on shaped canvas, 58 x 96 x 7 inches, signed, titled and d...
128 128 LOUISE BOURGEOIS American French 1911 2010 GIVE OR TAKE III HOW DO YOU FEEL THIS MORNING bronze 4 H x 9 W x 6 D initialed and dated 90 edition 1 40 Gift of the artist courtesy of the Robert Miller Gallery to benefit The New Museum of Contemporary Art New York Private Collection New York PROVENANCE Denver Metropolitan State College Louise Bourgeois Selections from the Ginny Williams Collection March April 2004 another example exhibited London Tate Modern and Paris Centre Georges Pompidou Louise Bourgeois Retrospective October 2007 June 2008 another example exhibited St dtische Museen Jena Louise Bourgeois Sculpture Drawings and Prints September November 2010 p 57 another example exhibited and illustrated EXHIBITED C Kotik T Sultan and C Leigh Louise Bourgeois The Locus of Memory 1982 1993 New York 1994 p 110 another example illustrated F Morris ed Louise Bourgeois London 2007 p 313 Produced in an edition of 40 plus 13 artist s proofs Estimate 15 000 25 000 ILLUSTRATED 109
128  128 LOUISE BOURGEOIS American French  1911-2010   GIVE OR TAKE III  HOW DO YOU FEEL THIS MORNING     bronze, 4  H x 9...
129 ALICE L MATTERN American 1909 1945 CON MOTO oil on canvas 42 x 35 inches signed lower right Purchased from the artist by Dr Webster Boston Massachusetts By descent to his daughter Property of The Boston Art Club PROVENANCE Solomon R Guggenheim Foundation Carnegie Hall New York New York April 15 October 15 1944 Cazenovia Junior College Cazenovia New York November 15 December 15 1944 Memorial Exhibition of the Artist 1946 The Museum of Non Objective Art New York New York Illustrated in the catalog of the exhibition Estimate 10 000 15 000 EXHIBITED 129 130 JOHN WESLEY American b 1920 PEACOCKS ink on paper 22 1 2 x 18 1 4 inches signed and dated 1962 lower left Robert Elkon Gallery New York New York Private Collection Vermont A label from Art Lending Services The Museum of Modern Art on the reverse Estimate 4 000 6 000 PROVENANCE 130 110
129 ALICE L. MATTERN American  1909-1945   CON MOTO   oil on canvas, 42 x 35 inches, signed lower right. Purchased from th...
131 131 CLEVE GRAY American 1918 2004 ROCKS IN WATER SMALL acrylic on canvas 40 x 60 inches signed titled and dated 83 on the reverse John and Eve Guggenheim Hilton Head South Carolina descended in the family Private Collection South Carolina Estimate 7 000 10 000 PROVENANCE 132A 132 GRACE HARTIGAN American 1922 2008 a collage ink and acrylic on paper 17 1 2 x 14 1 2 inches signed and dated 61 lower right double sided work with a No 6 sticker on the reverse b 17 1 2 x 16 inches unsigned No 3 sticker on the reverse TWO UNTITLED ABSTRACT COLLAGES Private Collection New York Estimate 2 000 3 000 PROVENANCE 132B 111
131  131 CLEVE GRAY American  1918-2004   ROCKS IN WATER  SMALL    acrylic on canvas, 40 x 60 inches, signed, titled and d...
133 133 GEORGE L K MORRIS American 1905 1975 UNTITLED oil on panel 18 x 13 7 8 inches signed lower right signed with monogrammed initials and dated 1937 on the reverse The Downtown Gallery New York New York Gary Snyder Fine Art New York New York Debra Force Fine Art New York New York Private Collection Massachusetts Private Collection Connecticut Estimate 8 000 12 000 PROVENANCE 112
133  133 GEORGE L.K. MORRIS American  1905-1975  UNTITLED  oil on panel, 18 x 13 7 8 inches, signed lower right, signed wi...
134 135 ROLPH SCARLETT American 1889 1984 134 ROLPH SCARLETT American 1889 1984 UNTITLED UNTITLED acrylic on board 47 2 x 70 2 inches signed lower left acrylic on board 25 3 8 x 25 3 8 inches signed lower left Private Collection Connecticut Estimate 6 000 8 000 PROVENANCE PROVENANCE 1 1 Private Collection Connecticut Estimate 4 000 6 000 135 113
134  135 ROLPH SCARLETT American  1889-1984   134 ROLPH SCARLETT American  1889-1984  UNTITLED  UNTITLED  acrylic on board...
136 ROLPH SCARLETT American 1889 1984 ABSTRACT oil on canvas 21 x 15 inches signed lower right Private Collection New York Estimate 3 000 5 000 PROVENANCE 137 LEROY NEIMAN American 1921 2012 CHORUS GIRLS acrylic on board 18 x 23 5 8 inches signed lower left Private Collection New York Private Collection New Jersey Estimate 8 000 12 000 PROVENANCE 136 137 114
136 ROLPH SCARLETT American  1889-1984  ABSTRACT  oil on canvas, 21 x 15 inches, signed lower right. Private Collection, N...
138 138 LEROY NEIMAN American 1921 2012 139 LEROY NEIMAN American 1921 2012 16TH AT CYPRESS 18TH AT PEBBLE BEACH A P serigraph 28 3 8 x 37 3 4 inches signed lower right and numbered 28 350 lower left published 1982 Private Collection Florida Estimate 3 000 5 000 Private Collection Florida Estimate 3 000 5 000 serigraph 23 2 x 42 inches signed lower right and numbered 95 400 lower left published 1984 1 PROVENANCE PROVENANCE 139 115
138  138 LEROY NEIMAN American  1921-2012   139 LEROY NEIMAN American  1921-2012  16TH AT CYPRESS  18TH AT PEBBLE BEACH A ...
140 140 LE PHO French Vietnamese 1907 2001 COMPOSITION 33828 oil on canvas 39 1 2 x 28 3 4 inches signed lower right Wally Findlay Galleries International Private Collection Caracas Venezuela by descent to present owner Estimate 25 000 35 000 PROVENANCE 116
140  140 LE PHO French Vietnamese  1907-2001  COMPOSITION 33828  oil on canvas, 39 1 2 x 28 3 4 inches, signed lower right...
141 141 LE PHO French Vietnamese 1907 2001 LADY WITH FLOWERS oil on canvas 20 x 25 3 4 inches signed lower right Wally Findlay Galleries Chicago Illinois Private Collection Connecticut Estimate 12 000 18 000 PROVENANCE 117
141  141 LE PHO French Vietnamese  1907-2001  LADY WITH FLOWERS  oil on canvas, 20 x 25 3 4 inches, signed lower right. Wa...
142 BRENDA PUTNAM American 1890 1975 SELF PORTRAIT bronze 17 H signed and inscribed Paris 1928 Kunst FNDRY NY Private Collection Ohio Estimate 1 500 2 500 PROVENANCE 143 ANNA HYATT HUNTINGTON American 1876 1973 CHARGING MOUNTAIN GOATS BOOKENDS bronze 7 1 4 H signed numbered 147 and 148 and inscribed Gorham Co Founders Q447 foundry mark Private Collection New York Estimate 5 000 7 000 PROVENANCE 142 143 118
142 BRENDA PUTNAM American  1890-1975  SELF PORTRAIT  bronze, 17  H, signed and inscribed  Paris, 1928, Kunst FNDRY, NY . ...
144 FREDRICK WILLIAM MACMONNIES American 1863 1937 PAN OF ROHALLION MDCCCLXL bronze 15 H with marble base 17 H signed titled and inscribed France H Rouard Fondeur Private Collection New York Estimate 4 000 6 000 PROVENANCE 144 145 BESSIE POTTER VONNOH American 1872 1955 JULIA MARLOWE AS JULIET bronze 19 1 8 H signed inscribed Julia Marlowe and numbered 6 9 000000 at the base Private Collection Massachusetts Estimate 4 000 6 000 PROVENANCE 145 119
144 FREDRICK WILLIAM MACMONNIES American  1863-1937   PAN OF ROHALLION MDCCCLXL   bronze, 15  H, with marble base 17  H, s...
The following lot of 25 paintings by Thomas Hoyne depicts automobiles from 1901 1937 The automobiles illustrated in the paintings were part of the William F Harrah Harrah s Casino collection By the time of his death in 1978 Bill Harrah had assembled the largest and most historically significant collection of antique cars in the world In total his collection reached approximately 1 400 vehicles Most of his automobiles were sold in the 1980s but his legacy lives on at the National Automobile Museum One can assume that Mr Harrah hired Thomas Hoyne well known for his illustrations of fishing and sailing vessels to paint some of his favorite cars for him This is an intriguing collection of artworks of pre war automobiles and an historical documentation of the automobile industry All 25 paintings along with a descriptions and dates of each automobile can be viewed at shannons com 120
The following lot of 25 paintings by Thomas Hoyne depicts automobiles from 1901-1937. The automobiles illustrated in the p...
146 THOMAS M HOYNE American 1924 1989 GROUP OF 25 PAINTINGS ORIGINAL ILLUSTRATIONS OF VINTAGE AUTOMOBILES mixed media 13 1 4 x 17 7 8 inches sight each signed Alexander Gallery New York New York Corporate Collection acquired from the above in 1994 Estimate 10 000 15 000 PROVENANCE 121
146 THOMAS M. HOYNE American  1924-1989   GROUP OF 25 PAINTINGS  ORIGINAL ILLUSTRATIONS OF VINTAGE AUTOMOBILES  mixed medi...
147 JUMANA EL HUSSEINI Palestinian b 1932 PALESTINIAN COUPLE oil on canvas 31 1 2 x 25 5 8 inches signed and dated lower right signed Jumana El Husseini Bayazid and dated 1972 on the reverse Private Collection Colorado Estimate 10 000 15 000 PROVENANCE 147 148 GUSTAVO MONTOYA Mexican 1905 2003 INA CHIAPANECA oil on canvas 24 x 18 inches signed lower right signed titled inscribed Mexico D F and dated Mayo 17 1973 on the reverse Private Collection Colorado Estimate 6 000 8 000 PROVENANCE 148 122
147 JUMANA EL HUSSEINI Palestinian  b. 1932  PALESTINIAN COUPLE  oil on canvas, 31 1 2 x 25 5 8 inches, signed and dated l...
149 149 IGOR TULPANOV Russian b 1939 GIRL WITH DANDELION FANTASY AND REALISM oil on canvas 36 x 48 inches signed and inscribed on the reverse Shapiro Auctions November 5 2008 Lot 148 Private Collection New Jersey Estimate 10 000 12 000 PROVENANCE 123
149  149 IGOR TULPANOV Russian  b. 1939   GIRL WITH DANDELION   FANTASY AND REALISM   oil on canvas, 36 x 48 inches, signe...
150A 150 JACOB EICHHOLTZ American 1776 1842 MR AND MRS LONGENECKER PAIR OF PORTRAITS oil on canvas 30 x 25 inches unsigned Mrs Newell Wilkinsburg 1912 Alexander Gallery New York New York Private Collection acquired from the above in 1981 Corporate Collection acquired from the above in 1992 PROVENANCE Rebecca J Beal Jacob Eichholtz 1776 1842 Philadelphia 1969 numbers 492 493 p 145 Estimate 10 000 15 000 ILLUSTRATED 150B 124
150A  150 JACOB EICHHOLTZ American  1776-1842  MR. AND MRS. LONGENECKER  PAIR OF PORTRAITS   oil on canvas, 30 x 25 inches...
151 JOHN JAMES AUDUBON American 1785 1851 MISS AUDUBON oil on canvas 19 1 2 x 18 1 2 inches unsigned A New Jersey Estate Frank Bulkeley Smith Worcester Massachusetts Private Collection New York PROVENANCE The Widely Known Collection of the Connoisseur the Late Frank Bulkeley Smith of Worcester Mass The American Art Galleries Madison Square Garden New York New York April 17 23 1920 EXHIBITED The Widely Known Collection of the Connoisseur the Late Frank Bulkeley Smith of Worcester Mass Exhibition Catalog The American Art Galleries New York 1920 cat no 32 illus A photograveure printing block from the 1920 exhibition catalog accompanies the Lot Estimate 8 000 12 000 ILLUSTRATED 151 152 JOHN JAMES AUDUBON American 1785 1851 ROSALIE KEMBLE SULLY DAUGHTER OF THOMAS SULLY oil on paper on board 11 3 4 x 10 inches unsigned H A Hammond Smith New York 1928 Parke Bernet Galleries lot 739 1938 Private Collection New York PROVENANCE Museum of the City of New York New York 1933 Recorded in the Art Inventories Catalog of the Smithsonian American Art Museum Estimate 3 000 5 000 EXHIBITED 152 125
151 JOHN JAMES AUDUBON American  1785-1851   MISS AUDUBON   oil on canvas, 19 1 2 x 18 1 2 inches, unsigned. A New Jersey ...
153 JOHN KOCH American 1909 1978 STILL LIFE WITH WATERMELON AND ROSES oil on canvas 24 x 20 inches signed lower right inscribed A demonstration for the painters of The Fitzgerald Gallery 19 E 7th St July 1961 on the reverse Private Collection New York Estimate 5 000 7 000 PROVENANCE 154 GIFFORD BEAL American 1879 1956 FISH HOUSES WINTER DAY CIRCA 1928 oil on board 10 1 4 x 20 1 2 inches unsigned The estate of the artist Kraushaar Galleries New York Private Collection New York A larger version of this painting sold at Sotheby s in April 2015 for 112 500 Estimate 5 000 7 000 PROVENANCE 153 154 126
153 JOHN KOCH American  1909-1978  STILL LIFE WITH WATERMELON AND ROSES  oil on canvas, 24 x 20 inches, signed lower right...
155 155 JOHN LA FARGE American 1835 1910 156 PAULINE LENNARDS PALMER American 1867 1938 THE SPHINX gouache and watercolor on paper 4 5 8 x 6 1 2 inches initialed and dated 1865 lower right AT THE BEACH Private Collection Vermont Estimate 3 000 5 000 Private Collection California Estimate 4 000 6 000 PROVENANCE oil on board 5 3 8 x 7 7 8 inches sight signed lower left PROVENANCE 156 127
155  155 JOHN LA FARGE American  1835-1910   156 PAULINE LENNARDS PALMER American  1867-1938    THE SPHINX   gouache and w...
157 157 HENRY MARTIN GASSER American 1909 1981 SALVATION watercolor on paper 8 x 10 inches signed lower right signed and titled on the reverse A New Jersey Estate Estimate 2 500 3 500 PROVENANCE 158 128 158 LELAND BELL American 1922 1991 THE GROUP oil on canvas initialed lower right 34 x 47 inches signed on the reverse Acquired directly from the artist Private Collection New York Estimate 8 000 12 000 PROVENANCE
157  157 HENRY MARTIN GASSER American  1909-1981   SALVATION   watercolor on paper, 8 x 10 inches, signed lower right, sig...
159 159 MICHEL DELACROIX French b 1933 LE RESTAURANT DE L UNIVERS oil on canvas 24 x 28 3 4 inches signed titled and inscribed Paris on the reverse signed inscribed Paris and numbered A15 on the stretcher Private Collection New York New York Estimate 12 000 18 000 PROVENANCE 160 WALTER NOWATKA American b 1945 CENTRAL WARD 1962 oil on canvas 36 x 24 1 8 inches signed lower left signed dated and titled on the reverse Collection of the artist Private Collection New Jersey Note from the artist on the reverse Central Ward Newark NJ Painted in John Grabach s Class 1962Oct Central Ward PR Before 1967 Riots Estimate 2 000 3 000 PROVENANCE 160 129
159  159 MICHEL DELACROIX French  b. 1933   LE RESTAURANT DE L UNIVERS   oil on canvas, 24 x 28 3 4 inches, signed, titled...
161 RALPH ALBERT BLAKELOCK American 1847 1919 JAPANESE LANTERN paper laid down on panel 7 x 3 7 8 inches unsigned Purchased by the present owner directly from the artist s grandson Unadilla New York Estimate 9 000 12 000 PROVENANCE 162 RALPH ALBERT BLAKELOCK American 1847 1919 LAGOON WITH FIGURE oil on panel 2 5 8 x 4 5 8 inches unsigned Purchased by the present owner directly from the artist s grandson Unadilla New York Estimate 3 000 5 000 PROVENANCE 161 162 130
161 RALPH ALBERT BLAKELOCK American  1847-1919  JAPANESE LANTERN  paper laid down on panel, 7 x 3 7 8 inches, unsigned. Pu...
163 163 EDMUND DARCH LEWIS American 1832 1928 164 EDMUND DARCH LEWIS American 1832 1928 ALONG THE SUSQUEHANNA oil on canvas 30 x 50 inches signed and dated 1878 lower right LANDSCAPE NEAR THE SUSQUEHANNA Private Collection Pennsylvania Estimate 4 000 6 000 PROVENANCE PROVENANCE oil on canvas 39 1 4 x 53 1 4 inches signed and dated 1857 lower right Private Collection Greenwich Connecticut Estimate 2 500 3 500 164 131
163  163 EDMUND DARCH LEWIS American  1832-1928   164 EDMUND DARCH LEWIS American  1832-1928    ALONG THE SUSQUEHANNA   oi...
165 165 AMERICAN SCHOOL American 19th Century VIEW OF NEWPORT RHODE ISLAND oil on canvas 14 x 24 inches unsigned Private Collection New Jersey Estimate 3 000 5 000 PROVENANCE 166 WILLIAM LOUIS SONNTAG SR American 1822 1900 EXTENSIVE MOUNTAIN VISTA oil on canvas 45 1 2 x 36 3 8 inches signed and inscribed Florence lower left Private Collection New York Estimate 4 000 6 000 PROVENANCE 166 132
165  165 AMERICAN SCHOOL American  19th Century  VIEW OF NEWPORT, RHODE ISLAND  oil on canvas, 14 x 24 inches, unsigned.  ...
167 AARON DRAPER SHATTUCK American 1832 1928 WOODLAND INTERIOR oil on canvas 16 x 12 1 2 inches signed lower left Private Collection Connecticut This work is listed in the Aaron Draper Shattuck catalogue raisonn by The Salmon Brook Historical Society no 278 Estimate 3 000 5 000 PROVENANCE 167 168 DWIGHT WILLIAM TRYON American 1849 1925 FALL SUNSET oil on academy board 12 x 9 inches signed lower left Private Collection New York Estimate 5 000 7 000 PROVENANCE 168 133
167 AARON DRAPER SHATTUCK American  1832-1928  WOODLAND INTERIOR  oil on canvas, 16 x 12 1 2 inches, signed lower left. Pr...
169 OLAF WIEGHORST American 1899 1988 GROUP OF FIVE ENCOUNTER WITH GRIZZLY THE GALLOP ROPING A STEER WILD HORSES IN A CORRAL ON THE TRAIL pencil on paper a 10 3 4 x 6 3 8 b 9 3 4 x 7 1 8 c 7 1 4 x 9 5 8 d 7 3 8 x 11 1 4 e 7 x 9 3 8 inches unsigned Spanierman Gallery New York New York Private Collection New York Estimate 3 000 5 000 PROVENANCE 169A 169C 169D 134 169B 169E
169 OLAF WIEGHORST American  1899-1988   GROUP OF FIVE   ENCOUNTER WITH GRIZZLY   THE GALLOP   ROPING A STEER   WILD HORSE...
170 ANNA HYATT HUNTINGTON American 1876 1973 REACHING PANTHER bronze 6 3 8 H signed and numbered 038 Gorham foundry mark Private Collection New York Estimate 5 000 7 000 PROVENANCE 170 171 ANNA HYATT HUNTINGTON American 1876 1973 PANTHER WITH CUBS bronze 2 3 8 H x 5 1 2 W signed and numbered 36 Gorham foundry mark Private Collection New York Estimate 3 000 5 000 PROVENANCE 171 172 VICTOR PETER French 1840 1918 BEAR CUBS bronze 9 H signed lower center inscribed Susse Fres Ed trs Paris A Maryland Estate Estimate 1 500 2 500 PROVENANCE 172 135
170 ANNA HYATT HUNTINGTON American  1876-1973  REACHING PANTHER  bronze, 6 3 8  H, signed and numbered  038,  Gorham found...
173 CHARLES H CHAPIN American 1830 1889 SUMMER oil on canvas 11 x 18 inches signed lower left signed titled and dated April 10 1869 on stretcher Private Collection New Jersey Period exhibition label on the reverse listing the artist as the owner and dated April 10 1869 Estimate 1 500 2 500 PROVENANCE 173 174 SCHOOL OF GEORGE HENRY DURRIE American 1820 1863 NEW HAVEN AND EAST ROCK FROM WHITNEY PEAK oil on paper laid down on board 16 x 11 1 2 inches unsigned Kennedy Galleries New York New York Private Collection Connecticut Estimate 3 000 5 000 PROVENANCE 174 175 CLINTON OGILVEE American 1838 1900 A SUMMER DAY IN ESSEX COUNTY oil on canvas 10 3 8 x 18 inches signed and dated 1878 lower right signed titled dated and inscribed NY on the reverse Private Collection New York Estimate 1 500 2 500 PROVENANCE 175 136
173 CHARLES H. CHAPIN American  1830-1889   SUMMER   oil on canvas, 11 x 18 inches, signed lower left, signed, titled and ...
176 JOHN CARLETON WIGGINS American 1848 1932 COWS WATERING oil on canvas 18 x 30 inches signed lower left Private Collection New Jersey Estimate 3 000 5 000 PROVENANCE 176 177 JOHN LEE FITCH American 1836 1895 LANDSCAPE WITH TREES AND STREAM oil on canvas 14 1 2 x 16 5 8 inches signed lower left A New Jersey Estate Estimate 3 000 5 000 PROVENANCE 177 178 THOMAS BIGELOW CRAIG American 1849 1924 LANDSCAPE WITH CATTLE oil on board 14 x 22 1 8 inches signed lower right and on the reverse Private Collection Florida PROVENANCE National Academy of Design Pennsylvania Academy of Fine Arts Estimate 1 200 1 800 EXHIBITED 178 137
176 JOHN CARLETON WIGGINS American  1848-1932  COWS WATERING  oil on canvas, 18 x 30 inches, signed lower left. Private Co...
179 RODOLFO NIETO Mexican 1936 1988 UNTITLED ABSTRACT oil on paper 24 x 27 1 2 inches signed lower center A New York Estate Estimate 8 000 12 000 PROVENANCE 179 180 MIKLOS FARKASHAZY Hungarian 1895 1964 TWO WORKS PIG PEN STILL LIFE oil on board a 9 x 12 1 2 inches sight signed lower left b 12 1 2 x 9 inches sight signed upper right Gallery 63 Inc New York New York Private Collection Vermont Estimate 2 500 3 500 PROVENANCE 180A 138 180B
179 RODOLFO NIETO Mexican  1936-1988  UNTITLED ABSTRACT  oil on paper, 24 x 27 1 2 inches, signed lower center. A New York...
181B 181 ALEXANDER LIBERMAN Ukrainian 1912 1999 GROUP OF THREE PHOTOGRAPHS THE ARTIST IN HIS STUDIO MARC CHAGALL PORTRAIT SEATED AND SMILING VENCE 1952 PICASSO AT NOU NOU S GOLF JUAN 1954 THE ARTIST IN HIS STUDIO FERNAND LEGER SEATED STUDYING STAINED GLASS WINDOW DESIGNS FOR CHURCH AT AUDIN COURT PARIS 1953 181A 181C gelatin silver print mounted on board a 14 x 9 b 7 1 4 x 11 c 14 x 10 1 2 inches Private Collection New York PROVENANCE The Museum of Modern Art New York New York a Museum number 4 b Museum number Q20 c Museum number N 9 Estimate 2 000 3 000 EXHIBITED 182 RAYMOND JONSON American 1891 1982 WATERCOLOR NO 5 1951 mixed media on paper 12 x 20 inches signed titled and dated on the reverse The artist Private Collection New Mexico Private Collection California Private Collection Connecticut Estimate 2 500 3 500 PROVENANCE 182 139
181B  181 ALEXANDER LIBERMAN Ukrainian  1912-1999   GROUP OF THREE PHOTOGRAPHS   THE ARTIST IN HIS STUDIO - MARC CHAGALL, ...
183 CECILIA BEAUX American 1855 1942 CLARA FARGO THOMAS charcoal on masonite 19 3 4 x 15 3 4 inches signed lower left The Artist Estate of Clara Fargo Thomas descended to her son Joseph Thomas III Private Collection Massachusetts Label on the reverse In CB s studio 132 E 19th St top floor opposite our house 135 E 19th Estimate 5 000 7 000 PROVENANCE 183 184 JULIAN ALDEN WEIR American 1852 1919 PORTRAIT OF A WOMAN oil on canvas 14 x 11 inches signed and dated 1899 upper right Private Collection New York New York Estimate 1 500 2 500 PROVENANCE 184 140
183 CECILIA BEAUX American  1855-1942   CLARA FARGO THOMAS   charcoal on masonite, 19 3 4 x 15 3 4 inches, signed lower le...
185 EDWIN AUSTIN ABBEY American 1852 1911 YOUNG GIRL WITH BLUE BOW pastel and pencil on paper 18 5 8 x 13 3 4 inches signed and dated 1890 lower right Spanierman Gallery New York New York Soufer Gallery New York New York Louis Newman Gallery Beverly Hills California Debra Force Fine Art Inc New York New York Private Collection Massachusetts Estimate 4 000 6 000 PROVENANCE 185 186 CECILIA BEAUX American 1855 1942 PORTRAIT OF JOSEPH B THOMAS IV AS AN INFANT 1917 charcoal on paperboard 13 3 4 x 9 3 4 inches signed lower left Private Collection Massachusetts Estimate 3 000 5 000 PROVENANCE 186 141
185 EDWIN AUSTIN ABBEY American  1852-1911  YOUNG GIRL WITH BLUE BOW  pastel and pencil on paper, 18 5 8 x 13 3 4 inches, ...
187 187 ALEXANDRE RENE VERON French 1826 1897 GOAT HERDER AND FLOCK ON A LOW BLUFF SUNSET oil on canvas 28 3 4 x 46 inches signed lower right and dated 1860 Acquired in the 19th Century by a New England Institution Private Collection Connecticut Estimate 4 000 6 000 PROVENANCE 188 LUIGI LOIR French 1845 1916 DANS LE PARC gouache on paper 8 x 10 inches signed lower center Estate of Mrs John Barry Ryan Private Collection Florida PROVENANCE Hazlitt Gooden Fox London England Nineteenth Century French Drawings June 15 July 15 1983 no 41 This work depicts a corner of the Luxembourg Gardens Paris Estimate 5 000 7 000 EXHIBITED 188 142
187  187 ALEXANDRE RENE VERON French  1826-1897   GOAT HERDER AND FLOCK ON A LOW BLUFF, SUNSET   oil on canvas, 28 3 4 x 4...
189 189 CHAUNCEY FOSTER RYDER American 1868 1949 190 JOHN JOSEPH ENNEKING American 1841 1916 SUNLIT LANDSCAPE MOUNT LOVEWELL IN SPRINGTIME oil on canvas 32 x 44 inches signed lower left oil on board 12 x 14 inches signed lower right Fentress Collection Waco Texas Estimate 7 000 10 000 PROVENANCE Private Collection Maryland Estimate 3 000 5 000 PROVENANCE 190 143
189  189 CHAUNCEY FOSTER RYDER American  1868-1949   190 JOHN JOSEPH ENNEKING American  1841-1916  SUNLIT LANDSCAPE   MOUN...
191 HOWARD LOGAN HILDEBRANDT American 1872 1958 SUMMER DAYS oil on board 9 3 4 x 7 3 4 inches signed lower left Salmagundi Club New York New York Private Collection Massachusetts Estimate 2 500 3 500 PROVENANCE 191 192 GEORGE SHERIDAN KNOWLES British 1863 1931 PEACEFUL PASTIMES oil on canvas 36 x 24 inches unsigned Private Collection Massachusetts Estimate 6 000 8 000 PROVENANCE 192 144
191 HOWARD LOGAN HILDEBRANDT American  1872-1958   SUMMER DAYS   oil on board, 9 3 4 x 7 3 4 inches, signed lower left. Sa...
193 EDOUARD TOUDOUZE French 1848 1907 THE MUSIC LESSON oil on panel 13 1 2 x 9 1 4 inches signed lower left Private Collection New York Estimate 5 000 7 000 PROVENANCE 194 JULES RENE HERVE French 1887 1981 BALLERINAS oil on canvas 23 1 2 x 32 inches signed lower right signed on the reverse Private Collection Massachusetts Estimate 3 000 5 000 PROVENANCE 193 194 145
193 EDOUARD TOUDOUZE French  1848-1907  THE MUSIC LESSON  oil on panel, 13 1 2 x 9 1 4 inches, signed lower left. Private ...
195 ROBERT C GRUPPE American b 1944 LITTLE RIVER oil on canvas 30 x 36 inches signed lower right Private Collection New York PROVENANCE Rockport Art Association Estimate 1 500 2 500 EXHIBITED 195 196 WALTER FARNDON American 1876 1964 AUTUMN STREET SCENE oil on board 30 x 36 inches signed lower right A Connecticut Estate Estimate 1 500 2 500 PROVENANCE 196 197 WALTER FARNDON American 1876 1964 COTTAGE BY THE SHORE oil on board 14 x 18 inches signed lower left A Connecticut Estate Estimate 2 000 3 000 PROVENANCE 197 146
195 ROBERT C. GRUPPE American  b. 1944   LITTLE RIVER   oil on canvas, 30 x 36 inches, signed lower right. Private Collect...
198 198 UNIVERSO PICAZO CARRERA Cuban 1910 1968 199 MAX KUEHNE American 1880 1968 CUBAN LANDSCAPE WITH PALM TREES oil on canvas 24 x 27 4 inches signed and dated 1945 upper right oil on masonite 28 x 40 inches signed lower left Private Collection New York New York Estimate 3 000 5 000 Private Collection New Jersey Estimate 4 000 6 000 3 PROVENANCE AN IMPRESSION OF AUTUMN PROVENANCE 199 147
198  198 UNIVERSO PICAZO CARRERA Cuban  1910-1968   199 MAX KUEHNE American  1880-1968   CUBAN LANDSCAPE WITH PALM TREES  ...
200 BRUCE BRAITHWAITE American b 1950 BRYANT PARK SKATES oil on canvas 18 x 24 inches signed lower right signed titled numbered 499 inscribed Bank of America Winter Village NYC and dated 2016 on the reverse The artist Estimate 1 500 2 500 PROVENANCE 200 201 KYRA MARKHAM American 1891 1967 THE STUDIO oil on board 20 x 16 inches signed and dated 37 lower left Private Collection Connecticut Estimate 3 000 5 000 PROVENANCE 201 202 BRUCE BRAITHWAITE American b 1950 59TH E SWEEPER oil on canvas 18 x 24 inches signed lower left signed titled numbered 498 inscribed 59th E at Park Ave NYC and dated 2016 on the reverse The artist Estimate 1 500 2 500 PROVENANCE 202 148
200 BRUCE BRAITHWAITE American  b. 1950   BRYANT PARK SKATES   oil on canvas, 18 x 24 inches, signed lower right, signed, ...
203 E E CUMMINGS American 1894 1962 ABSTRACTION oil on canvas 20 x16 inches unsigned dated May 2 43 on the reverse in a Heydenryk Frame Estate of the artist to his daughter Gift from daughter to Luethi Peterson Camp New Hampshire Private Collection New Hampshire Property of The Boston Art Club Label on the reverse From E E Cummings Collection donated to Luethi Peterson Camps in 1969 Estimate 3 000 5 000 PROVENANCE 204 OSCAR FLORIANUS BLUEMNER American 1867 1938 BATH BEACH watercolor over pencil 5 x 7 inches monogram lower left titled and dated 1901 upper center margin Private Collection Shannon s October 26 2006 Lot 39 Private Collection Dallas Texas Notes in the artist s hand are on the reverse Estimate 5 000 7 000 203 PROVENANCE 205 HENRY KNOX SMITH American 1879 1934 THE EARTH TREMBLED oil on canvas 20 x 34 inches signed lower left signed titled and dated April 1936 on the reverse ACA Galleries New York New York Private Collection Farmington Michigan Property of The Boston Art Club Estimate 3 000 5 000 PROVENANCE 204 205 149
203 E.E. CUMMINGS American  1894-1962   ABSTRACTION   oil on canvas, 20 x16 inches, unsigned, dated  May 2  43  on the rev...
206 206 ARTHUR BOWEN DAVIES American 1862 1928 NYMPHS oil on canvas 21 x 26 inches signed lower right Mortimer Brandt Gallery New York New York Private Collection New York Estimate 3 000 5 000 PROVENANCE 207 LESLIE PRINCE THOMPSON American 1880 1963 NEW ENGLAND SUMMER AFTERNOON oil on canvas 30 x 24 inches signed and dated 1903 lower right Private Collection Maine PROVENANCE Boston Art Club exhibition label on the reverse Estimate 4 000 6 000 EXHIBITED 207 150
206  206 ARTHUR BOWEN DAVIES American  1862-1928  NYMPHS  oil on canvas, 21 x 26 inches, signed lower right. Mortimer Bran...
208 AUGUSTUS VINCENT TACK American 1870 1949 PONT AVEN 1896 oil on canvas 18 x 22 inches signed lower right Vincent Vallarino Fine Art New York New York Private Collection Massachusetts Private Collection Connecticut Augustus Vincent Tack was considered a prodigy artist and became one of the most widely exhibited American artists of the 19th and 20th centuries He studied with Twachtman and La Farge at the Art Students League from 1889 1890 and his submission to the annual exhibition of the Society of American Artists won him the highest honor and placement of any artist Tack then traveled to Paris studying with Meerson at the Ecole des Beaux Art and frequently visited Claude Monet at his studio in Giverny Pont Aven is a rare early example of Plein Air painting by the artist showing his fresh fluid and intuitive brushwork capturing the activities of this bustling town Estimate 4 000 6 000 PROVENANCE 208 209 ELIE ANATOLE PAVIL Ukrainian 1873 1948 PARLOR SCENES SIX FRAMED TOGETHER oil on panel 6 x 8 5 8 inches each upper center panel signed lower right Private Collection New York Estimate 5 000 7 000 PROVENANCE 209 151
208 AUGUSTUS VINCENT TACK American  1870-1949   PONT AVEN  1896  oil on canvas, 18 x 22 inches, signed lower right. Vincen...
210 210 REGINALD MARSH American 1898 1954 NEW YORK HARBOR watercolor and gouache 11 1 8 x 15 1 2 inches sight signed and dated 1940 lower left A New York Estate Estimate 4 000 6 000 PROVENANCE 211 152 211 THERESA FERBER BERNSTEIN American Polish 1890 2002 RIVERSIDE DRIVE oil on canvas 10 x 12 1 2 inches signed lower right Bray s Inc Art Galleries New York New York Private Collection New York Private Collection Massachusetts Estimate 1 500 2 500 PROVENANCE
210  210 REGINALD MARSH American  1898-1954  NEW YORK HARBOR  watercolor and gouache, 11 1 8 x 15 1 2 inches  sight , sign...
212 212 CHARLES COURTNEY CURRAN American 1861 1942 THE FARM AT SUNSET oil on masonite 17 3 4 x 21 7 8 inches signed and titled on the reverse Private Collection Rhode Island Inscribed on the reverse Record number 260 21 C C C Estimate 4 000 6 000 PROVENANCE 213 JOHANN BERTHELSEN American 1883 1972 FIFTH AVE LOOKING SOUTH FROM SIXTIETH STREET oil on artist board 16 x 11 7 8 inches signed lower right Raydon Gallery New York New York Private Collection New York Estimate 5 000 7 000 PROVENANCE 213 153
212  212 CHARLES COURTNEY CURRAN American  1861-1942   THE FARM AT SUNSET   oil on masonite, 17 3 4 x 21 7 8 inches, signe...
214 SOREL ETROG Canadian b 1933 ABSTRACT FORM bronze 10 1 2 H signed and numbered 2 10 Mrs Vera G List prominent Contemporary Art Collector and Philanthropist New York New York and Greenwich Connecticut to her grandson the present owner New York Estimate 6 000 8 000 PROVENANCE 215 ARMAN American French 1928 2005 KRISHNA broken medallion suspended in lucite 11 3 4 x 11 7 8 inches signed lower right Private Collection Connecticut Estimate 2 000 3 000 PROVENANCE 214 215 216 GEORGE DUDDING American 20th Century FICTION 1990 copper 87 1 2 H unsigned David Beitzel Gallery New York New York Mrs Vera G List prominent Contemporary Art Collector and Philanthropist New York New York and Greenwich Connecticut to her grandson the present owner New York Estimate 1 500 2 500 PROVENANCE 216 154
214 SOREL ETROG Canadian  b. 1933  ABSTRACT FORM  bronze, 10 1 2  H, signed and numbered  2 10 . Mrs. Vera G. List, promin...
217B 217A 217 ANDRE DERAIN French 1880 1957 A PAIR PORTRAIT STUDY OF HEADS FIGURE STUDY a pencil on paper b charcoal on paper 9 3 4 x 6 3 4 sight each stamped by artist s estate Private Collection Connecticut Estimate 1 500 2 500 PROVENANCE 218 CARLO BONOMI Italian 1880 1961 A FAMILY bronze 24 1 2 H x 16 W signed indistinct foundry mark dated 1930 and inscribed Epreuve D Artist Paris Private Collection New York Estimate 2 500 3 500 PROVENANCE 218 155
217B  217A  217 ANDRE DERAIN French  1880-1957   A PAIR  PORTRAIT STUDY OF HEADS FIGURE STUDY   a  pencil on paper,  b  ch...
219 VICTOR COLEMAN ANDERSON American 1882 1937 SPRING ON THE WAYS RYE NEW YORK oil on board 16 1 4 x 20 inches signed lower right Private Collection New York Estimate 3 000 5 000 PROVENANCE 219 220 CHARLES SYDNEY HOPKINSON American 1869 1962 PORTRAIT OF DOROTHEA DEAN oil on canvas 30 x 19 inches signed lower right Private Collection Vermont Estimate 2 000 3 000 PROVENANCE 220 221 GARY BURGHOFF American b 1943 PRIDE OF ALASKA oil on canvas 14 x 18 inches signed and dated 2001 lower right signed dated and titled on the reverse Private Estate Connecticut This painting is one in a series titled The North American Suite A note from the artist accompanies the Lot Note Gary Burghoff starred as Radar in the popular 1970 s televison series M A S H Estimate 2 000 3 000 PROVENANCE 221 156
219 VICTOR COLEMAN ANDERSON American  1882-1937   SPRING ON THE WAYS, RYE, NEW YORK   oil on board, 16 1 4 x 20 inches, si...
222 HOWARD RUSSELL BUTLER American 1856 1934 CARIBBEAN SEA DURING A THUNDERSTORM 1921 oil on canvas on board 10 1 4 x 14 1 4 inches signed lower right Private Collection New York PROVENANCE Eye on the Storm Long Island s Dangerous Coast The Long Island Museum Stony Brook New York June 21 October 26 2009 Estimate 1 500 2 500 EXHIBITED 222 223 EDWARD MORAN ATTRIBUTED American 1829 1901 STORMY SEAS oil on canvas 15 x 18 inches unsigned Private Collection Arizona Estimate 3 000 5 000 PROVENANCE 223 224 224 DANIEL HUNTINGTON American 1816 1906 LANDSCAPE oil on canvas 17 x 24 1 2 inches unsigned Private Collection New Jersey Estimate 3 000 5 000 PROVENANCE 225 CHARLES HERBERT WOODBURY American 1864 1940 STORMY DAY AT THE PIER 1928 oil on canvas 20 x 27 inches initialed and dated CHW 1928 along edge of canvas Liros Gallery Inc Blue Hill Maine Private Collection Beverly Hills California Estimate 2 500 3 500 PROVENANCE 225 157
222 HOWARD RUSSELL BUTLER American  1856-1934   CARIBBEAN SEA DURING A THUNDERSTORM, 1921   oil on canvas on board, 10 1 4...
226 227 226 JULES PIERRE VAN BIESBROECK Belgian 1873 1965 227 FILIPPO INDONI Italian c 1842 c 1908 L AMI DE LA FRANCE oil on board 17 7 8 x 14 7 8 inches signed lower right watercolor on paper 20 1 2 x 14 sight signed lower right A New Jersey Estate Estimate 3 000 5 000 PROVENANCE PROVENANCE ORIENTALIST SCENE A New Jersey Estate Estimate 2 500 3 500 228 GEORGE WHARTON EDWARDS American 1859 1950 ANDALUSIAN WEDDING JOURNEY oil on canvas 30 x 30 inches signed lower right and on the frame Grand Central Art Galleries New York New York Private Collection Arizona PROVENANCE Grand Central Art Galleries Member Prize Exhibition New York New York Note on the artist s letterhead on the reverse Andalusian wedding parties in the large decorated farm wagons from the country make a most colorful feature during the Seville Feris or yearly fair which follow the Semana Santa Painted outside Seville in the year 1924 A letter from the artist to the original owner dated January 1930 describing the painting accompanies the Lot Estimate 2 000 3 000 EXHIBITED 228 158
226  227  226 JULES  PIERRE  VAN BIESBROECK Belgian  1873-1965   227 FILIPPO INDONI Italian  c.1842- c.1908    L AMI DE LA...
229 ARTHUR KIMMEL GETZ American 1913 1996 WASHINGTON SQUARE PARK oil and ink on paper 21 5 8 x 16 1 2 inches sight signed lower right The artist Private Collection New York Private Collection Massachusetts Produced by the artist for the cover of a New York University bulletin in 1979 Estimate 2 000 3 000 PROVENANCE 229 230 JEAN LOUIS DEMARNE French c 1752 1829 PAYSAGE LANDSCAPE oil on board 5 1 4 x 6 3 8 inches unsigned Galerie Guy Stein Paris 1935 Private Collection Probably no 26 in the 1935 auction catalog from Galerie Guy Stein Paris A photocopy of the catalog included with the lot Estimate 2 000 3 000 PROVENANCE 230 231 EUGENIO ALVAREZ DUMONT Spanish 1864 1927 LADIES AT THE BEACH oil on canvas 6 x 12 inches signed lower right Private Collection Massachusetts Estimate 1 500 2 500 PROVENANCE 231 159
229 ARTHUR KIMMEL GETZ American  1913-1996  WASHINGTON SQUARE PARK  oil and ink on paper, 21 5 8 x 16 1 2 inches  sight , ...
232 VAN DEARING PERRINE American 1869 1955 I AM HE OF THE LONG AGO WHO LOOKED UPON THE GLORY OF THE SUN AND DREW ITS DISK UPON THE SAND oil on canvas 42 x 35 inches signed lower right Estate of the artist to his daughter Estate of the daughter to Private Collection Connecticut Grand Central Art Gallery New York New York Property of The Boston Art Club PROVENANCE Illustrated as frontispiece in the book A Full Life The story of Van Dearing Perrine By Lolita L W Flockhart 1939 Estimate 4 000 6 000 ILLUSTRATED 232 233 MICHELE CASCELLA American Italian 1892 1989 FLOWERS IN VASE oil on canvas 30 x 25 inches signed lower left Private Collection New Jersey Estimate 4 000 6 000 PROVENANCE 233 234 ARUN BOSE American 1934 2007 ABSTRACT RISING oil on canvas 44 x 44 inches signed lower right Private Collection New York Estimate 2 000 4 000 PROVENANCE 234 160
232 VAN DEARING PERRINE American  1869-1955   I AM HE OF THE LONG AGO, WHO LOOKED UPON THE GLORY OF THE SUN, AND DREW ITS ...
235 GEORGE COCHRANE LAMBDIN American 1830 1896 THE MORNING LESSON oil on canvas 24 x 18 1 4 inches signed lower left signed titled inscribed and dated New York 1868 on the reverse Private Collection Connecticut Estimate 3 000 5 000 PROVENANCE 236 CONTINENTAL SCHOOL European 19th Century ALLEGORICAL SCENE oil on canvas 9 1 2 x 7 1 2 inches bears signature Moreau and dated illegibly lower right A New Jersey Estate Estimate 1 000 1 500 PROVENANCE 235 236 237 CHARLES COURTNEY CURRAN American 1861 1942 THE PORTICO OF ST MARKS VENICE oil on panel 10 1 2 x 8 1 8 inches signed and dated 1921 lower right A New York Estate Inscribed on the reverse Record 202 11 C C C Estimate 2 500 3 500 PROVENANCE 237 161
235 GEORGE COCHRANE LAMBDIN American  1830-1896   THE MORNING LESSON   oil on canvas, 24 x 18 1 4 inches, signed lower lef...
238 RAOUL MAUCHERAT DE LONGPRE French 1855 1911 FLORAL STILL LIFE watercolor on paper 27 3 8 x 19 1 4 inches signed lower center right Private Collection Maryland Estimate 2 500 3 500 PROVENANCE 239 SCHOOL OF ANNE VALLAYER COSTER French 1774 1818 VASE OF FLOWERS WITH FRUIT AND PEACOCK oil on canvas 26 1 2 x 32 inches unsigned Private Collection New York Estimate 3 000 5 000 PROVENANCE 238 239 162
238 RAOUL MAUCHERAT DE LONGPRE French  1855-1911  FLORAL STILL LIFE  watercolor on paper, 27 3 8 x 19 1 4 inches, signed l...
240 JEAN LOUIS ERNEST MEISSONIER French 1815 1891 CAVALIER PLAYING CARDS oil on panel 7 1 8 x 5 1 4 inches monogrammed lower right Private Collection New York Estimate 3 000 5 000 PROVENANCE 240 241 RUDOLF WILHELM AUGUSTE LEHMANN German 1819 1905 THE EYES OF INNOCENCE oil on canvas 31 x 25 1 2 inches signed and dated 1852 lower right center Private Collection New Jersey Estimate 4 000 6 000 PROVENANCE 241 242 ERNST MEISEL German 1838 1895 MARIE ANTOINETTE IN CHAMBERS oil on canvas 27 x 20 1 2 inches signed lower left Shannon s Fine Art Auctioneers April 22 1999 Lot 203 Private Collection New Jersey Estimate 1 500 2 500 PROVENANCE 242 163
240 JEAN LOUIS ERNEST MEISSONIER French  1815-1891  CAVALIER PLAYING CARDS  oil on panel, 7 1 8 x 5 1 4 inches, monogramme...
243 ARTHUR FITZWILLIAM TAIT American 1819 1905 ROOSTER oil on panel 8 1 4 x 10 inches signed inscribed NY and dated 91 lower right Private Collection Connecticut Estimate 3 000 5 000 PROVENANCE 243 244 AUGUST LAUX American 1847 1921 STRAWBERRIES oil on canvas 12 x 16 inches signed lower left Private Collection New York Estimate 2 000 3 000 PROVENANCE 244 245 CONRAD WISE CHAPMAN American 1842 1910 PEACHES ON A BRANCH oil on paper on canvas 7 1 8 x 5 1 4 inches initialed dated July 28 and inscribed Paris lower right 9 x 5 3 4 inches Private Collection Massachusetts Shannon s October 28 2010 Lot 39 Private Collection Dallas Texas Estimate 2 000 3 000 PROVENANCE 245 164
243 ARTHUR FITZWILLIAM TAIT American  1819-1905   ROOSTER   oil on panel, 8 1 4 x 10 inches, signed, inscribed  NY  and da...
246 IDA PULIS LATHROP American 1859 1937 STILL LIFE WITH BEETS AND RED PEPPERS oil on canvas 20 x 15 inches signed lower right Private Collection Canada Estimate 3 000 5 000 PROVENANCE 246 247 IDA PULIS LATHROP American 1859 1937 STILL LIFE WITH PUMPKINS AND ONIONS oil on canvas 18 x 24 inches signed lower right Private Collection Canada Estimate 2 500 3 500 PROVENANCE 247 248 IDA PULIS LATHROP American 1859 1937 SPANISH ONIONS oil on canvas 15 x 20 inches signed lower right Private Collection Canada Estimate 3 000 5 000 PROVENANCE 248 165
246 IDA PULIS LATHROP American  1859-1937  STILL LIFE WITH BEETS AND RED PEPPERS  oil on canvas, 20 x 15 inches, signed lo...
249 WILLIAM S ROBINSON American 1861 1945 SPRING LANDSCAPE oil on academy board 12 1 4 x 18 inches signed lower left The Estate of Victor Beago Private Collection Oklahoma Estimate 3 000 5 000 PROVENANCE 249 250 FRANCIS GATES American 1863 1952 FEEDING TIME oil on board 15 x 19 3 4 inches initialed lower left Private Collection New York Estimate 1 500 2 500 PROVENANCE 250 251 GUY CARLETON WIGGINS American 1883 1962 LANDSCAPE oil on board 12 x 16 inches signed lower left Private Collection Maryland Private Collection New Jersey A letter of authenticity from Guy A Wiggins accompanies the lot Estimate 3 000 5 000 PROVENANCE 251 166
249 WILLIAM S. ROBINSON American  1861-1945  SPRING LANDSCAPE  oil on academy board, 12 1 4 x 18 inches, signed lower left...
252 JOHANN BERTHELSEN American 1883 1972 BROOKLYN BRIDGE oil on board 12 x 9 1 2 inches signed lower right signed and titled on reverse Private Collection Connecticut Estimate 2 500 3 500 PROVENANCE 252 253 RUDOLF SCHEFFLER German 1884 1973 THE EAST RIVER AND BROOKLYN BRIDGE oil on canvas 13 x 19 inches signed lower left Private Collection New York Artist s estate stamp on frame Estimate 1 500 2 500 PROVENANCE 253 254 MAUD MARY MASON American 1867 1956 VIEW OF GRAMERCY PARK FROM 36 GRAMERCY PARK EAST oil on canvasboard 19 3 4 x 15 3 4 inches signed lower left R H Macy New York New York Private Collection Estimate 1 500 2 500 PROVENANCE 254 End of Sale 167
252 JOHANN BERTHELSEN American  1883-1972   BROOKLYN BRIDGE   oil on board, 12 x 9 1 2 inches, signed lower right, signed ...
INDEX A Abbey Edwin Austin 185 Adams Winifred 105 American School 165 Anderson Victor Coleman 219 Argenti Antonio Arman Audubon John James Cascella Michele 233 Francis John F 70 Chapin Charles H 173 French School Of Jared 32 Chapman Conrad Wise 245 Fuger Friedrich Heinrich 99 Chase William Merritt 65 Coates Edmund C 22 Continental School 121 236 Craig Thomas Bigelow 178 Cropsey Jasper Francis 39 Cummings E E 203 Curran Charles Courtney 53 54 55 56 72 215 151 152 B G Gasser Henry Martin 157 Gates Francis 250 Gaul Arrah Lee 12 Getz Arthur Kimmel 229 Granville Smith Walter 52 Graves Abbott Fuller 104 Gray Cleve 131 Gruppe Emile Albert 7 118 Gruppe Robert C 195 62 212 237 Beal Gifford 154 Beaux Cecilia 183 186 Bechi Luigi 78 Bela Mayer Peter 9 Bell Leland 158 Bellows Albert Fitch 47 Bernhard Lucion 33 Bernstein Theresa Ferber 211 Berthelsen Johann 1 2 3 213 252 D Dallin Cyrus Edwin 79 Davies Arthur Bowen 206 De Haas Mauritz Frederick H 23 De Longpre Raoul Maucherat 238 H Haring Keith 28 29 Hart James Mc Dougal 45 Hartigan Grace 132 60 Hawthorne Charles Webster 63 Doughty Thomas 40 Herve Jules Rene 194 Dudding George 216 Hildebrandt Howard Logan 191 Dumont Eugenio Alvarez 231 Hinman Charles 127 Dunning Robert Spear 71 Hopkinson Charles Sydney 220 Durrie School Of George H 174 Horton William Samuel 50 51 Dyf Marcel 106 Hoyne Thomas M 146 Huntington Anna Hyatt 143 170 171 Huntington Daniel 224 Husseini Jumana El 147 Delacroix Michel 159 Demarne Jean Louis 230 Derain Andre 217 Dewing Thomas Wilmer Bierstadt After Albert 83 Blakelock Ralph Albert 161 162 Bluemner Oscar Florianus 204 Bolotowsky Ilya 30 31 Bonheur Isidore Jules 80 Bonomi Carlo 218 Bose Arun 234 Bourgeois Louise 128 Bradford William 49 Braithwaite Bruce 14 200 202 Brasilier Andre 126 Brega Douglas 6 Bricher Alfred Thompson 43 44 88 British School 101 Brown William Mason 21 Bryant Everett Lloyd 13 Burghoff Gary 221 F Butler Howard Russell 222 Farkashazy Miklos 180 Jannelli Vincent 15 Farndon Walter 10 196 197 Jettel Eugen 69 Field Robert 95 Jones Hugh Bolton 91 92 Fitch John Lee 177 Jonson Raymond 182 C Carrera Universo Picazo 168 198 E Edwards George Wharton 228 Eichelberger Robert 110 Eichholtz Jacob 150 I Enneking John Joseph 190 Indoni Filippo 227 Estorach Antonio Casanova Y 123 Inness George 42 Etrog Sorel Ives Chauncey Bradley 73 214 J
INDEX  A Abbey, Edwin Austin  185  Adams, Winifred  105  American School  165  Anderson, Victor Coleman  219  Argenti, Ant...
INDEX K Kelpe Paul 25 Key John Ross 113 Knapp Charles Wilson 37 38 Knowles George Sheridan 192 Koch John 153 Kuehne Max 199 Kuhn Walt 120 L La Farge John 155 Lambdin George Cochrane 235 Lathrop Ida Pulis 246 247 Nichols Dale 36 Soyer Raphael 34 Nieto Rodolfo 179 Spanish School 122 Nourse Elizabeth 68 Sparks Will 81 Nowatka Walter 160 Symons George Gardner 119 O T Ogilvee Clinton 175 Olinsky Ivan 74 75 Osthaus Edmund Henry 87 P Palmer Walter Launt 46 57 114 Palmer Pauline Lennards 64 156 Parton Ernest 89 Pavil Elie Anatole 209 Perrault Leon Jean Basile 76 Perrine Van Dearing 232 Peter Victor 172 Pether William 98 Pho Le 140 141 Pinchart Emile Auguste 77 Poskas Peter 16 17 18 19 248 Laurent Jean Antoine 97 Laux August 244 Lee Smith Hughie 103 Legros Jacques Marie 100 Lehmann Rudolf Wilhelm A 241 Lewis Edmund Darch 163 164 Liberman Alexander 181 Loir Luigi 188 M Tack Augustus Vincent 208 Tait Arthur Fitzwilliam 82 243 Tarbell Edmund Charles 59 Terelak John C 4 5 Thieme Anthony 8 116 117 Thompson Leslie Prince 207 Toudouze Edouard 193 Tryon Dwight William 115 168 Tulpanov Igor 149 U Uriburu Nicol s Garc a 125 V Vallayer Coster School Of Anne 239 107 108 Van Biesbroeck Jules Pierre 226 Prentice Levi Wells 20 Veron Alexandre Rene 187 Putnam Brenda 142 Vicente Esteban 24 Von Luerzer Feodor 86 Vonnoh Bessie Potter 145 Macmonnies Fredrick William 144 Markham Kyra 201 Marsh Reginald 210 R Mason Maud Mary 254 Raschen Henry 85 Mattern Alice L 129 Remington Frederic 84 W 41 26 27 242 Richards Attr William T Warhol Andy Meisel Ernst 96 48 240 Robertson Walter Waters George W Meissonier Jean Louis Ernest Melrose Andrew 66 Robinson William S 249 Weir Julian Alden 61 184 Metcalf Willard Leroy 67 Ryder Chauncey Foster 189 Wesley John 130 Millman Edward 35 Whittredge Worthington 112 Montoya Gustavo 148 S Wieghorst Olaf 169 Mora F Luis 58 Saint Gaudens Augustus 94 Wiggins John Carleton 176 Moran Attributed Edward 223 Samaras Lucas 124 Wiggins Guy Carleton 251 Morris George L K 133 Scarlett Rolph 134 135 136 Williamson John 90 Mosler Henry 111 Scheffler Rudolf 253 Woodbury Charles Herbert 225 Shattuck Aaron Draper 167 Wyant Alexander Helwig 93 Sloane Eric 109 N Neiman Leroy 137 138 139 Smith Henry Knox 205 Z Nicholas T M 11 Sonntag Sr William Louis 166 Zuniga Francisco 102 169
INDEX  K Kelpe, Paul  25  Key, John Ross  113  Knapp, Charles Wilson  37, 38  Knowles, George Sheridan  192  Koch, John  1...
CONSIGNMENTS INVITED Working with SHANNON S to sell your Fine Art will always make you more money We say this with confidence we charge a lower than average commission rate have no hidden fees for photography catalog listings unsold lots insurance etc simply put you keep more of what your art sells for Upcoming Auctions January 16 2017 2 00pm On Line Only Fine Art Discovery Auction Consignment deadline December 15 2016 April 27 2017 6 00pm Important American European Paintings Drawings Prints Sculpture Consignment deadline May 1 2016 To submit artwork for consideration please email photos to info shannons com or visit www shannons com DIRECTIONS To Shannon s Milford Gallery FROM NEW YORK I 95 North to exit 40 Left at the end of the ramp onto Old Gate Lane Proceed to the traffic light and turn right onto Woodmont Road At the second light take a left onto Quarry Road and an immediate left into the parking lot F R O M N E W H AV E N I 95 South to exit 40 Left at the end of the ramp onto Woodmont Road At the third light take a left onto Quarry Road and an immediate left into the parking lot 170
CONSIGNMENTS INVITED Working with SHANNON   S to sell your Fine Art will always make you more money. We say this with conf...
ABSENTEE BID FORM PHONE BID FORM CHECK ONE Bids must Be received at least 24 hours prior to day of sale Bidding Increments Lot Artist s Name Maximum Bid 0 2 000 100 2 000 5 000 250 5 000 10 000 500 10 000 20 000 1 000 20 000 50 000 2 000 Over 50 000 5 000 Over 100 000 10 000 The Auctioneer has the discretion to accept bids not commensurate with this pattern Excluding buyers premium I understand that Shannon s will execute my bids as a convenience and will not be held responsible for errors or the inadvertent failure to execute bids On my behalf Shannon s will try to purchase these lots for the lowest possible price If identical absentee bids are left Shannon s will give precedence to the first one received I have read and agree to the Conditions of Sale printed in this catalog Payment for successful bids must be made within two weeks of the sale A premium of 20 of the successful bid up to and including 500 000 and 12 on any amount exceeding 500 000 will be applied to the hammer price of all lots sold to be paid by the buyer as part of the purchase price Name Address City State Phone Alternate Fax Email Signature required Date Zip M A I L O R FA X B I D S TO SHANNON S Bid Department 354 Woodmont Road Milford CT 06460 Phone 203 877 1711 Fax 203 877 1719 Email bids shannons com 171
     ABSENTEE BID FORM       PHONE BID FORM   CHECK ONE   Bids must Be received at least 24 hours prior to day of sale. Bi...
CONDITIONS OF SALE Shannon s LLC Fine Art Auctioneers acts solely as an agent for various owners and consignors It exercises care in describing all items listed and uses judgment in attributing authorship but offers no guarantee regarding authenticity condition or description The items described in this catalog which description may be amended by notice or announcement at sale time are offered for sale by Shannon s LLC as agent for various owners or others authorized to sell the items Hereinafter Shannon s LLC is referred to as the Sellers agent The owners or others authorized to sell the items are hereinafter referred to as Sellers The person or persons acknowledged by the auctioneer to be the highest bidder on an item shall be hereinafter referred to as the Buyer or Buyers used up to the amount of 10 000 per auction Purchases are subject to 6 35 CT sales tax ALL ITEMS MUST BE PAID FOR WITHIN 14 DAYS OF THE SALE AT WHICH POINT THEY WILL BE RELEASED FOR SHIPMENT OR DELIVERY 7 Limited Warrantee Although Shannon s LLC exercises due care in describing the items listed and use good judgment in attributing authorship it does not make any express or implied warrantee as to such authorship Notwithstanding Shannon s LLC may but shall have no obligation to consider any reasonable request for refund on the grounds of authenticity of authorship only and only under the following conditions Shannon s LLC reserves the right to change the terms of sale by oral announcement Any such change shall become part of the Conditions of Sale By placing of a bid whether present at the sale in person or by agent by written or oral bid by telephone or other means the Buyer agrees to be bound by these conditions of sale A Notification must be made to Shannon s in writing within 7 days of receipt of the item 1 The highest bidder acknowledged by the auctioneer shall be the Buyer In the event of any dispute between bidders the auctioneer has the absolute discretion to determine which bidder is the successful Buyer or to re offer the item in dispute and resell it C The limited warrantee does not extend to the lots identified as attributions school circle manner or after 2 In the event of any dispute after the sale Shannon s LLC s record of the final sale price and of the successful buyer shall be conclusive Shannon s LLC reserves the right to withdraw any item before or during the sale 3 Shannon s LLC reserves the right to sell items which are not listed in the catalogue 4 Items in the auction are sold subject to a reserve Such reserve is confidential but in no case will the reserve exceed the low estimate The auctioneer may reject any bid or increment not commensurate with the value of the lot 5 Order bids are accepted A deposit may be required Absent parties may place bids by mail email fax or in person prior to the sale Order bids must be placed 24 hours prior to the day of sale Shannon s LLC will execute such bids up to the maximum amount specified Phones must be reserved 24 hours prior to the day of sale Phone bidders are encouraged to leave a cover bid in case of technical failure Shannon s is not responsible for errors or omissions in the execution of these bids 6 A premium of 20 of the successful bid up to and including 500 000 and 12 on any amount exceeding 500 000 per lot will be applied to the individual hammer price of all lots sold to be paid by the buyer as part of the purchase price Payment may be made by cash check or wire transfer Visa or MasterCard may be 172 B The items must be returned within 28 days of the sale accompanied by written testimony from a recognized authority that the lot in question is a forgery D The limited warrantee is applicable only to the original Buyer 8 All property is sold as is 9 As a convenience to the Buyer Shannon s LLC will make a referral for packing and shipping This is at the request expense and risk of the Buyer and Shannon s assumes no responsibility for the items or the timing of delivery Insurance for in transit items is the responsibility of the buyer 10 Shannon s has retained the Art Loss Register to check all uniquely identifiable items offered for sale in the catalog that are estimated for 5 000 or more against the computerized database of stolen or lost artwork maintained by the Art Loss Register A search certificate can be provided by the Art Loss Register for an additional fee The Art Loss Register can be reached by mail at 108 West 39th Street Suite 506 New York 10018 or by email at info alrny com The Art Loss Register does not guarantee the provenance or title of any catalogued item against which they search and will not be liable for any direct or consequential losses of any nature howsoever arising The statement is not to affect detract from or override Shannon s Conditions of Sale and in the event of any conflict Shannon s Conditions of Sale will take priority to the terms of this statement BIDDING AT THIS AUCTION WHETHER IN PERSON BY AGENT ORDER BID TELEPHONE INTERNET OR OTHER MEANS CONSTITUTES YOUR ACKNOWLEDGEMENT AND ACCEPTANCE OF THESE CONDITIONS OF SALE
CONDITIONS OF SALE Shannon   s LLC Fine Art Auctioneers acts solely as an agent for various owners and consignors. It exer...
354 Woodmont Road Milford CT 06460 203 877 1711 Fax 203 877 1719
354 Woodmont Road, Milford, CT 06460      203  877-1711     Fax  203  877-1719