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Jarrod Cagwin Multi-Cultural Inspirations for approaching odd-metered rhythms on the drumset Article 1  Concepts of Swingi...
Multi-Cultural Inspirations for approaching odd-metered rhythms on the drumset  Article 1  Concepts of Swinging 9 16   The...
Rhythmic excerpt of Ma Muse M   Abuse, by Rabih Abou-Khalil From the album Morton   s Foot, on ENJA Records  2003  In the ...
Exercise Groups 2   3 Next is to apply your feet to the drum set, bass drum, and hi-hat foot respectively. Begin by separa...
Exercise Group 4 Next is to change your clapping pattern to phrases of 3 within the complete phrase of 9 16, omitting the ...
Exercise Group 5 At this point you can begin to apply your hands to the set. I recommend beginning by using brushes on the...
Exercise Group 6  Two Bar Phrases with Snare Drum and Floor Tom With these exercises we begin to add snare drum and floor ...
Concepts for Swinging 9 16 1.   a  Basic division of rhythm with Solkattu phrasing.  b  Separation of    Low   High    com...
Ma Muse M abuse  e   220  b   b b 4  5 16     f   Thom   4  5     j                     j          42  3  4 16 16         ...
b   b b 5  5  5 16            . 30  Ta ka  din..gu          .        n  .  Ta ka  Ta ka  din..gu  j 5  3 16    n          ...