Entertainment guide for Southwest Michigan covering music, art and culture.

smashmags.com NOV 2015 INTERVIEW BUCKCHERRY PAGE 12 MUSIC | EVENTS | ART & CULTURE | FOOD & DRINK FARM TO BELLY ISSUE Sprout Urban Farms’ Fundraiser - page 20 MORE: GREENBUSH - RETRIBUTION, RASA RIA RESTAURANT REVIEW, LISA CAN’T SING INTERVIEW SOUTHWEST MICHIGAN’S SOURCE FOR MUSIC ENTERTAINMENT & CULTURE NOVEMBER 2015 | THE FARM TO TABLE ISSUE | PAGE 1
smashmags.com NOV 2015  INTERVIEW BUCKCHERRY  PAGE 12  MUSIC   EVENTS   ART   CULTURE   FOOD   DRINK  FARM TO  BELLY ISSUE...
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Wings Event Center & Townsquare Media Present Burdick’s VIP $95 November 7 Noon to 6pm Wings Event Center Purchase TICKETS today! Beer Fanatic $65 General Admission $35 wingseventcenter.com NOVEMBER 2015 | THE FARM TO TABLE ISSUE | PAGE 3
Wings Event Center   Townsquare Media Present  Burdick   s VIP  95  November 7 Noon to 6pm Wings Event Center Purchase TIC...
IN THIS ISSUE GO Rounds: Album Review........................ 5 Movie Review - Crimson Peak ................... 6 Smash Beer Snob...or not Greenbush Retribution....................................7 VIntage Vinyl Revisited Neil Young: Tonight’s the Night......................8 November Music Board........................... 10-11 Interview - BuckCherry..................................12 Artist Profile Amber Rie Thurston................................. 14 Restaurant Review - Rasa Tia.................... 15 Jock in the Box Corey Winfield.......................................... 17 Kalamazoo Loaves & Fishes Benefit Concert........................................ 17 Lisa Can’t Sing - Interview........................ 18 Farm to Belly Dining Experience.............. 20 Dezemberfest @ Territorial Brewing Company....................21 SMASH MUSIC CORNER.............................23 SUPPORTERS OF THIS ISSUE ARCADIA ALES BALLET ARTS ENSEMBLE FRANKE CENTER FOR THE ARTS KALAMAZOO STATE THEATRE LORDS OF THE TRIDENT OLD DOG TAVERN PAPA PETES SPROUT URBAN FARMS THE MUSIC FACTORY TROXEL REALTY CO. If you’d like to advertise in Smash Magazine or on our website SMASHMAGS.COM, visit SMASHMAGS.COM/RATES for pricing, art requirements and deadline information. SMASHMAGS.COM P.O. Box 1376, Battle Creek, MI 49016 | S MAS H MAG S .CO M from the publisher Well believe it or not the holidays are upon us! Time to get hunkered down for the winter; get out the snow skies and sleds. Ohh and I see they already have Christmas decorations out on shelves!! What the hell! Santacon is coming up right around the corner so start thinking about what crazy elfin costume and head down to Kalamazoo for a fun night of holiday cheer! Make sure to check out the Kalamazoo Folk Life benefit for Loaves and Fishes this month and help support our local food pantry. There are tons of things going on this winter in Southwest Michigan and Smash will be there to give you the snow down. Publisher Robin Cunningham robin@smashmags.com Editor Bruce Tuck bruce@smashmags.com Creative Director Nicholas Zastrow nicholas@smashmags.com Writers John Barrett Kasi Casterline Todd Cope Nick Hatzinikolis Hannah Berger Colin Smith Bruce Tuck Advertising Robin Cunningham 269-986-3912 rates@smashmags.com So hold on cause here we go!! Events and Shows Submit listings to events@smashmags.com Disclaimer KEEP UP WITH WHAT’S UP! SMASH Magazine is dedicated to providing a platform for artists and musicians to promote and display their work. Because they have a unique way of expressing themselves it is important for people who pick up the magazine to understand you might not always like what you see. There are also articles that may contain sarcasm and adult content. This publication is intended for a mature audience. Click over to smashmags.com or visit us at facebook.com/ bcsmashmag to sign up for our email list. We’ll send you a monthly digital copy of Smash Magazine, and not fill your inbox up with useless emails. PAGE 4
IN THIS ISSUE GO Rounds  Album Review........................ 5 Movie Review - Crimson Peak ................... 6 Smash Be...
The Go Rounds ALBUM REVIEW BY COLIN SMITH November 19, 2015 6pm linger & drink ~ 7pm eat & be merry Springfield Farmers Market ~ 503 Military Ave., Springfield, MI 49037 Brought to you by Sprout, dinner provided by UMAMI Ramen and local farmers, dessert brought to you by Great Scott Ice Cream, event hosted by Springfield Farmer’s Market, and local beer provide by Territorial Brewing Company. (Liquor bar also available) $50 per ticket Available for purchase at Springfield Farmers Market, Battle Creek Farmers Market at Umami Ramen, Sprout Farmstand at 245 N Kendall and on Facebook. Proceeds from this event go toward Farm to School programming with Sprout in the Greater BC Area to include: school gardens, after school markets, and local food in the cafeteria, educating our youngest citizens about their food system and how they can change it for the better. Go Rounds Goes about Changing The Go Rounds have always been a high-energy, twangy, and lush outfit. They released their third full-length record, don’t go not changin, and it’s their first one since their 2012 feathername, among myriad EPs and singles in between the two. And they kick it off with big sounds. Multiple guitars chime in and out on the first track “Texas Desert Rose,” creating a sensation as if the listener is wading among the waves in Lake Michigan. The reverb and drumbeat sounds reminiscent of the indie band Local Natives, but what makes the Go Rounds original is how they blend older influences like Americana while using the studio as an instrument. Echoing vocals haunt a few of the songs. A track is played backwards at the end of their first song (like the Beatles’ “Rain” or “Tomorrow Never Knows”), and urban field sounds round out some of the songs’ edges — like the barroom banter in “Do You? (I Do)” or the car honks at the end of “Lay with Love.” Other tracks are a bit more straight-forward. “No Rival” features a ragtime chord progression and its definitive, jerky beat. They show that they can groove too. There’s the expressive guitar solo chugging along in “No Rival,” as well as the wavy synth that steals the lead on the dancey “Shock n Awe.” Psychedelic as they may be, some tracks will make you want to do the foxtrot and others you might take up a dance that’s a little more du jour. The band’s been busy this past summer and fall. Among producing a plethora of music videos, the lead singer and lyricist Graham Parson has been interviewed on Michigan Public Radio as well as Paste Magazine. Parsons also keeps himself busy between running a summer music festival in his hometown in the Upper Peninsula and running the Kalamazoo after school music program “The Gift of Music.” They simply don’t stop moving. Their songs are twangy and yet trippy. Citing genres in general may be arbitrary, but they definitely are for the Go Rounds in particular. Sure, there’s an influence of Americana, and yet the synthesizers and the rock rhythms in “Monica” and “Waxy Moon Pie” aren’t old-sounding. The band merely blends in old sounds. They also rock loud — even raucously on a song like “Waxy Moon Pie” — without running the risk of sounding unimaginative or tried. don’t go not changin sounds like an album of rebirth. As a comprehensive record, the songs create a narrative of letting out the old and the negative but not in any righteous or even repressive way. The record songs like a natural way of letting yourself bloom. NOVEMBER 2015 | THE FARM TO TABLE ISSUE | PAGE 5
The Go Rounds ALBUM REVIEW BY COLIN SMITH  November 19, 2015  6pm linger   drink   7pm eat   be merry Springfield Farmers ...
CRIMSON PEAK movie review from falling snow, the rest from the lace of the heroine’s nightgown – and then you notice the blood. It spatters her collar, flows down her hand and congeals on the scar on her cheek, all as her voiceover states “Ghosts are real.” Going back to her childhood, we see the girl stirring in bed, unable to sleep. Looking up, she sees a cloudy apparition, a female form with bones seen through her spectral body. In a voice the girl recognizes as her mother’s, the shade warns about Crimson Peak, then disappears. It would be many years before she would see another ghost, but see them she would. by John Barrett Jr. - “DJ Verve” on WIDR’s Birdland – 12-4 PM Sundays Rated R; 97 minutes. Rated R; 119 minutes. Written and Directed by Guillermo del Toro; starring Mia Wasikowska as Edith Cushing, Tom Hiddleston as Baronet Thomas Sharpe, Jessica Chastain as Lucille Sharpe, and Charlie Hunnam as Dr. Alan McMichael. If you see this film, you will go back. Not just in time, to the early days of the 20th Century, but in age as well; this plays like a fairy tale, a story you hear when young and believe in every flamboyant detail. The characters are simple and the story quite basic, but this is not about either: you watch this film for the atmosphere, which starts heavy and grows thicker from there. From the muck-riddled streets to the shimmering ballgowns, the opening scenes look and feel right; when husband and wife enter the massive manor house the effect is smothering, as the lady’s world turns small indeed. What happens from there is easy to figure out, but engrossing to watch. The first thing we see is a pale blue sky, slowly turned white as the camera comes to earth. Some of the white is SMASHMAGS.COM The scene now shifts to the present, by which we mean 1901. Miss Edith Cushing, now grown and full of imagination, approaches a publisher to hopefully sell her first book. On her way to the office she meets a friend talking about Sir Thomas Sharpe, a British lord now visiting this country. Edith calls him a titled parasite and the two exchange catty words before Edith reaches her destination. The publisher is unimpressed with her ghost story, saying it needs a romantic element to build interest. In short fashion Edith does add romance, not to the book but to her own story. Back home Edith confers with her father, a successful businessman. Convinced her handwriting looks ‘feminine’ and hurts her chance for publication, she asks Dad to use his office typewriter. He agrees, and on the day she comes to the office, Thomas Sharpe is also there, seeking investors for a mining excavator he’s invented. From first sight Dad doesn’t trust him, especially when the lord takes notice of Edith. Staying home when Father attends a reception for Sharpe, Edith is surprised to see the baronet, supposedly lost and needing her to locate the reception. Once at the party Thomas waltzes with Edith, winning her heart and causing Dad’s blood to boil. Mr. Cushing distrusts Sharpe and his sister Lucille, to the point of engaging a private detective to dig into the lord’s past. Knowing the siblings need money, he writes Lucille a large check on condition that the two leave for England and that Thomas break up with Edith. This he does, publicly and rudely; Edith slaps him and runs away crying. Soon afterwards at his private club, Mr. Cushing dies when a figure in black smashes his head against a sink. A short time later Edith arrives in England with a ring on her finger and the title of Lady Sharpe. Nearly all of what follows takes place in the Sharpes’ manor house, formally called Allerdale Hall but nicknamed Crimson Peak as it stands on a hill of rich red clay. This clay is the lord’s greatest asset and his mine’s going fallow is the cause of his poverty and his motivation for building the excavator. The house itself is stunning to behold and may be the film’s most interesting character. Immense and bristling with spires, the house is like the Sharpe family itself: beautiful from a distance and less so when viewed up close. Most of the interior furnishings have been sold off, giant holes mar the roof in several places, and there are many rooms where Edith is told she can not go. Once home Thomas ignores Edith to work on his machine while Lucille is cordial but icy, serving endless cups of tea while adding an extra ingredient to Edith’s cup. It isn’t long before Lady Sharpe feels like a prisoner in her own house; Lucille won’t even give her the house keys. More time is spent with the family dog than with her husband, who seems awfully curious about when Edith receives her father’s inheritance. Growing weaker and spending much of the time in her empty bed, Edith is met by a series of ghosts, wispy and transparent like her mother’s, only these are red as the clay outside. One in the bathtub looks like the Sharpes’ mother, and another female wraith holds a baby skeleton in its arms. Edith screams for help but Thomas knows nothing about the ghosts and Lucille offers her more tea. Collecting her mail from the village post office, a letter addressed to “Mrs. E. Sharpe” is written in Italian for a woman named Enola Sciotti. Knowing that the name Enola appears on a steamer trunk in the basement and on a key in Lucille’s key ring, Edith filches the key and heads for the basement. There she finds photos and papers of three other women, all past wives of Thomas Sharpe. In one photo Enola holds the dog Edith now plays with; in another she holds a baby Thomas never spoke of. Now Edith knows the identity of the maternal ghost, and she suspects who is responsible for her death. Sensing the danger and finally realizing Thomas wants her money more than her self, Edith tries to run away and is blocked by a great wall of snow, from a storm that hits the countryside every year. The film’s dreamlike quality is especially strong in this sequence; Edith’s long blonde hair makes her look like a grown-up Alice. (And in fact, she is: Mia Wasikowska played the character in Tim Burton’s Alice in Wonderland.) At the same time Dr. McMichael, a friend of Edith’s from the States, arrives at the village and walks to the manor when no carriage will take him. If Edith is Red Riding Hood and Thomas the wolf, McMichael is the woodsman. Once the doctor arrives Edith says what she knows and McMichael does likewise, filling us in on the Sharpes’ sordid past. They start to leave but Thomas stabs McMichael and drags him to the basement, where giant vats of red clay hold the bodies of past victims. Not that we haven’t guessed this already. With Edith alone upstairs, Lucille emerges to menace her. In exposition of stuff we already surmised, Lucille reveals that she killed her mother (oh really?) that she is poisoning Edith (oh PAGE 6
CRIMSON PEAK movie review from falling snow, the rest from the lace of the heroine   s nightgown     and then you notice t...
really?) and that the ghost baby we saw earlier was Lucille’s child and not Enola’s. The film earns its R rating in the final minutes as the women go at it with knives, giving Edith the scars we saw in the opening scene and giving Lucille a chest wound that ultimately kills her. In the basement she finds McMichael, whom Thomas was unable to kill, and the two walk away from the now-empty house on the hill of red clay. The story may not be much and you can guess the plot points before the characters do, but visually this is a banquet. The costumes are breathtaking and the characters truly seem from another era. Tom Hiddleston, Loki from the Marvel movies, looks a bit like Peter Cushing, which works great in the Gothic surroundings. While most of the effects are CG magic, the manor house is not; the entire thing was built full-scale, and towers over the movie as it towers over the Sharpes. You leave the theater as if you’ve woken up from a dream; like many dreams this film may not be logical, but memorable and beautiful it certainly is. THE NON-BEER SNOBS GUIDE TO LOCAL CRAFT BEER BY BRUCE TUCK With the onslaught of microbreweries and tap houses popping up all over the country and Southwest Michigan having some of the best, it is fitting that we bring you our monthly review of some of local flavor. If you are a beer snob, you may not want to read this, it may not give you an in-depth perspective of each ingredient and how it pairs with the others but it will give you a perspective from your average beer drinker. I had the pleasure of tasting a brew from one of our coastal friends at Greenbush Brewery. They have a thing at Greenbush— they brew beers that are 6% ABV or higher and will never settle for less. That’s right, they’re stubborn. And they won’t be pegged solely by the passionate, sometimesconfounding names they lend their brews. Large, charismatic grain bills are the mark of the fullflavored creations by which they truly define themselves. RETRIBUTION…Who says only monks get to have all the fun? This Belgian-style ale is brewed with pureed dates, raisins and brown sugar and doles out a little extra soul-saving. At first glance, the brownish red color, seems to indicate that it’s a kin to a Killians style red ale, but the first nose is all raisin/dates. A bit of hop STYLE: BELGIAN-STYLE ALE ABV: 10.00% IBU: 28 AVAILABILITY: YEAR-ROUND with a ton of real flavor and not a lot of sweet made this a smooth drinking, refreshing ale. I felt like I could drink this Belgian style ale with a salty seafood dish or just a bowl of pretzles, but none the less, it is a refreshing smooth brew with a kick that only Greenbush can offer. Greenbush Brewery 5885 Sawyer Rd, Sawyer, MI 49125 (269) 405-1076 WWW.GREENBUSHBREWING.COM NOVEMBER 2015 | THE FARM TO TABLE ISSUE | PAGE 7
really   and that the ghost baby we saw earlier was Lucille   s child and not Enola   s. The film earns its R rating in th...
A LOOK BACK AT ROCK RECORDS YOU NEVER HEARD, OR MAY HAVE FORGOTTEN BY TODD COPE “Bruce Berry was a working man, he used to load that Econoline van. A sparkle was in his eye, but his life was in his hands. Well, late at night when the people were gone, he used to pick up my guitar and sing a song in a shaky voice, that was real as the day was long.”(Lyrics from the title track of “Tonight’s the Night” from Neil Young - 1975) Rock and roll is a dirty job. No one knows this more than the much unheralded stage technician, or “roadie”, who are the folks who lug the gear and set up and tear down for concerts. In 1988, my niece Jennifer (who’s a year older than me...figure that one out) was the secretary for the Detroit Pistons at the newly opened Palace of Auburn Hills, the new home for the Pistons who had just escaped the cavernous digs of the Pontiac Silverdome. This was the “Bad Boys” era for the Pistons, who won back to back NBA championships in 1989 and 1990. Jen spent her days dealing with the day to day operations of the Pistons and the Palace, being entertained by touring musicians bursting into her office unannounced, and the regular ritual of fending off the advances of John Salley. One of the nicer things my niece did was pull the strings to get me a job at the Palace as a stage technician. I was a wide-eyed 21 year old with a starter mullet, an unwarranted ego, and a thirst for rock and roll. SMASHMAGS.COM My days ranged from showing up at 6am to help unload Pink Floyd’s quadraphonic PA system, to mopping Michael Jackson’s stage, to duct taping to the stage, the pressure-sensitive floor mats that activated Def Leppard’s microphones when stepped upon, to assisting the sound tech of the Scorpions in the dis-assembly of the drum monitors around the drum kit. This fella didn’t speak the English, so I wasn’t effectively warned when he decided to pull back a speaker off a stand at high velocity directly into my left knee, screaming at me in German all the while. (To this day, I can still predict rain with my left knee) You know you’re in a different line of work, when you walk in the back door to punch in for your job and you hear Robert Plant on stage, wailing out “Communication Breakdown”. (Even more-so when Gregg Allman walks in the door directly behind you, with a floozy on each arm, and gives you “the nod”) We stage techs made $10 an hour, and after a usual shift, we walked out with around $40-$50, a t-shirt from the band, and a bottle of beer(usually Dos Equis for some reason, and I don’t care what the most interesting man in the world says, that crap tastes like battery acid) It wasn’t all “pizza and fairy tales” though. The Detroit area stage techs union was on strike, so I was basically a “scab” employee, who walked past the angry picket lines more than once to get to my job. One late night after work, I got in my trusty 1975 Chevy Impala to go home, put it in reverse to back out of the parking space at the Palace, and one of my tires popped instantly. The union strikers had cleverly hidden a cement block-mounted parking sign underneath my car. Eventually it dawned on me that all this was really just a bunch of damn work, and I got out of the roadie biz. Probably the most interesting show I worked before I bailed was Neil Young. Neil Young is one of the most legendary, eclectic and eccentric artists in rock history, from his early days with the Buffalo Springfield, to his association with Crosby, Stills and Nash, his solo career, and his pet garage band Crazy Horse. A man definitely dead-set on doing things HIS way, and not being controlled or coerced into any situation that he didn’t feel was completely genuine. For God’s sake, he once got sued by his record company for making a record that the label deliberately felt wasn’t representative of his style. I walked in the back door of the Palace to tear down for Neil’s show, and the first thing I noticed was that Neil was using the basic stock Palace stage, which at the time was rarely used by any major touring act, as most big name bands traveled with their own beyond stupid elaborate stages that took a God-awful lot of time to put up and tear down. Next, I noticed that all of the power used to run everything he had onstage was plugged into the basic wall outlets of the Palace with freaking extension cords! Every other touring act would have a gaggle of massive power supply boxes in road cases on wheels, with ginormous braided cabling that could probably handle the needs for O’Hare Airport. One of Neil’s roadies motioned for me to help him roll a 7’ long road case across the stage, and I discovered that I got the honor of helping to pack away Neil’s big ole’ Native American totem pole, that was almost always a fixture on Neil’s live stage. Neil had always had a fascination with Native American culture, which was reflected in everything from the themes of the songs he recorded “Pocahontas”, “Broken Arrow”, and “Cortez the Killer”, to the name of his band “Crazy Horse”. Getting the opportunity to roadie for Neil Young back then gets me to thinking about former rock roadie Bruce Berry, who worked for Neil, as well as the members of Crosby, Stills & Nash individually. In 1973, Neil Young was going through one of his many transitions in his life and career, traumatized by two of the people closest to him, former Crazy Horse guitarist Danny Whitten, and roadie Bruce Berry dying within months of each other from heroin overdoses. Berry was a charismatic, trustworthy employee and friend to CSN&Y, always on the road with the band, and known for loading all their instruments into his trademark white Ford Econoline van. Danny Whitten, fired from Crazy Horse due to his addiction, used his severance pay from the band to fund his lethal overdose, and was the one responsible for get- PAGE 8
A LOOK BACK AT ROCK RECORDS YOU NEVER HEARD, OR MAY HAVE FORGOTTEN BY TODD COPE     Bruce Berry was a working man, he used...
ting Berry hooked on the drug, transforming him from being a loyal employee, to a junkie, fired from the band because he started selling their guitars for drug money. Becoming disenchanted by his commercial success from his previous album, the highly polished “Harvest”, and his work with CSN&Y, in August, 1973, Neil Young entered Studio Instrument Rentals in Hollywood, CA and channeled his inner turmoil into art, recording the majority of what would become his sixth studio album “Tonight’s the Night” in one day. Produced by Young and Neil’s longtime producer, the eccentric David Briggs, Tonight’s the Night featured a band known as the “Santa Monica Flyers”, consisting of Billy Talbot and Ralph Molina from Crazy Horse on bass & drums, and backing vocals, Nils Lofgren on guitar, piano and backing vocals, Ben Keith on steel guitar and backing vocals, and Neil on piano, guitar, harp and lead vocals. The album opens with the title track, a narrative about the plight of Bruce Berry, and sets the tone for the record, with its eerie vocals and loose and boozy vibe. The band was pretty much completely loaded for the entire making of the album, which is apparent with the warbling vocals and the speeding up and slowing down of tempos. “Speaking Out”, a wistful piano tune, alluding to Neil’s relationship with actress Carrie Snodgress, who gave birth to Neil’s first child “Zeke”, features some tasty guitar soloing from Nils Lofgren. “World On a String”, driven by brash guitar chords is an ode to Neil’s displeasure of his commercial success.(“The world on a string doesn’t mean anything”) “Borrowed Tune” is just that. Neil’s intentional rip-off and tribute to “Lady Jane” by the Rolling Stones. The raucous, guitar driven “Come On Baby Let’s Go Downtown” featuring Danny Whitten on vocals was recorded years earlier and is a fine example of the early days of Crazy Horse. “Roll Another Number(For the Road)” is primo sloppy, drunken country and showcases some lovely pedal steel guitar from Ben Keith. “Tired Eyes”, a somber ballad, paints the sad picture of the despair of drug addiction (“He tried to do his best, but he could not.”). The caboose of the album, a reprise of the title track “Tonight’s the Night, Pt. 2” ends the affair just as it started, in rambling fashion. The release of Tonight’s the Night was delayed until 1975 for reasons that are unclear. Either the label, Reprise Records initially rejected the record due to its unkempt rawness, or Neil decided to delay it from its initial release date of 1974 after touring the album, and waited until after a massive tour with Crosby, Stills and Nash in 1975 to release it, at which time, Neil also shelved another album of newer material in order to release Tonight’s the Night. Finally released on June 20, 1975, Tonight’s the Night peaked at number 25 on the Billboard 200 album chart. It didn’t become one of Neil’s bigger commercial successes, but anti-success was sort of his vision at the time anyway. The album, however, was recognized as a unique masterpiece by the critics, and in 2003, was ranked number 331 on Rolling Stone Magazine’s list of the 500 greatest albums of all time. I rather enjoy this record with “Drinking Made Easy” on the AXS channel on in the background with the sound off. A really great album for when you’re in the mood to dwell on the trivial regrets of your life for far too long... Feel the Neil! Todd Cope is the guitarist for King Kooler (www. reverbnation.com/kingkooler) and has currently accepted the punting coach position at the University of Michigan... We’re bringing back the “Stickum”! Kalamazoo KALAMAZOO SANTACON SA TURD AY DECEMbER 12 6:00pm - 2:0 0am live music • drink specials • costume c onte sts the mo fun HOLID event st AY in D OWNTOWN Kalamazoo Get Jolly! more deta ils to follow on santac onkalamazo o.com NOVEMBER 2015 | THE FARM TO TABLE ISSUE | PAGE 9
ting Berry hooked on the drug, transforming him from being a loyal employee, to a junkie, fired from the band because he s...
NOVEMBER M BACKROADS SALOON 15325 W MICHIGAN AVE MARSHALL 269-781-7091 TYPO Friday 6 9:30pm MEGAN RAE BAND Saturday 7 9:30pm BRIAN LORENTE Friday 13 9:30pm HOOSIER HIGHWAY Saturday 14 9:30pm UNION GUNS Friday 20 9:30pm TANYA MARIE HARRIS Saturday 21 9:30pm SETH BERNARD, CHRIS BATHGATE, GIFTS OR CREATURES CZARS 505 JONATHAN RICHMAN FEATURING TOMMY LARKINS ON THE DRUMS REGGAE NIGHT WITH INDIKA Saturday 14 8pm Tuesday 17 7:30pm Thursday 19 8pm THE RAGBIRDS WSG OLIVIA MAINVILLE & THE AQUATIC TROUPE Saturday 21 8pm STEEL CITY ROVERS Wednesday 25 9:30pm WSG BELFAST GIN Friday 28 9:30pm BELL’S ECCENTRIC CAFÉ 355 E KALAMAZOO AVE KALAMAZOO 269-382-2332 WAYNE SZALINSKI WSG TRIATHALON, GLOWFRIENDS, DAD JEANS Thursday 5 8pm PHAROAHE MONCH WSG DEZERT EEZ, MANCHILD, OBESE GHOST CHILDREN Friday 6 8:30pm THE INFAMOUS STRINGDUSTERS WSG HORSESHOES & HAND GRENADES Saturday 7 7pm MEGAN DOOLEY ALBUM RELEASE WSG BONEJO, HANNAH ROSE & THE GRAVETONES Thursday 12 8pm ANDY FRASCO & THE UN WSG THE MAINSTAYS, JESSE RAY & THE CAROLINA CATFISH Friday 6 10pm COUNTRY NIGHT WITH BRIAN RANDALL BAND PIGEONS PLAYING PING Saturday 7 10pm PONG, FRESH HOPS, YARD SQUAD WITH EVERYDAY JUNIOR KOOL JOHNEY KOOL SIERRA SHAME TWO TIMIN BAND 505 PLEASANT ST SOUTH HAVEN 269-983-1188 Friday 27 8pm Friday 13 10pm THE WISE WERSA Saturday 14 10pm BEX MARSHALL Fridaa 20 10pm MISWEST HYPE Wednesday 25 10pm STRAWBERRY HERITAGE IMPACT 7 WSG COLD MOUNTAIN Saturday 28 10pm CHILD, THE CANDY LANDYS Saturday 28 8pm BLACK RIVER TAVERN 403 PHOENIX ST. SOUTH HAVEN 269-637-4837 SERITA’S BLACK ROSE Friday 6 10pm VINYLICIOUS Saturday 10 10pm MORTALS 2 BAND Friday 13 10pm THE REAL FANTASTICS Saturday 14 10pm JAKE STEVENS BAND Friday 20 10pm THE DOCK@BAYVIEW 12504 E. D AVE RICHLAND 269-731-4911 KIT LEBLANC & PAUL FREEBURN Friday 6 DANI JAMERSON BAND Saturday 7 POST 530 Friday 13 POST 530 Saturday 14 SKELETONES Friday 20 NATE HOLLEY Wednesday 25 10pm Saturday 21 7pm KALAMAZOO VALLEY MUSEUM 230 N ROSE ST KALAMAZOO 269-373-7990 DELILAH DEWYLDE AND THE LOST BOYS WSG MEGAN DOOLEY Friday 6 6pm Sunday 1 7pm PLAIN JAYNE WHAT LURKS BELOW, THE HOLY WARHEADS, COSMONAUT, DRINK THEIR BLOOD KOFFEE KLUTCH 2 W MICHIGAN AVE GALESBURG 269-665-5282 Thursday 25 SINGER SONGWRITER NIGHT Every Thursday DOUBLE STRUNG Friday 6 6:30-8:30 COYOTE MOON Friday 13 6:30-8:30 ERIK & ROBIN PETERSON Friday 20 6:30-8:30 FRED WEBSTER & FRIENDS Friday 27 6:30-8:30 LONDON GRILL 214 E MICHIGAN AVE KALAMAZOO 269-381-9212 Sunday 7 pm THE MUSIC FACTORY HEX BOMBS, BARE KNUCKLE HOOLIGANS, THE FUNCTIONAL CITIZENS, POLYCHROME VIOLENCE Friday 20 8pm ARIA FLAME, MERCY ISLE Wednesday 25 8pm HAIRMANIA MAUDE’S TAPHOUSE Friday 20 OUT OF FAVOR BOYS BLARNEY CASTLE ADAM LABEAUX Friday 20 7pm Friday 27 7pm Saturday 4 6pm Saturday 7 7pm WHISKEY BEFORE BREAKFAST Friday 6 7pm Tuesday 3 6pm JIM FRANZ & THE BAD BOYS, TWO HAND TOUCH, HYBRID STATE THE BOG ROAD Every Sunday 4-6pm 191 ANGELL ST. BATTLE CREEK 269-962-2121 WHITECHAPEL PSYCROPTIC CULTURE Friday 13 8pm KILLER LOCAL THE BONES OF J.R. SUPPORT: DEAD EYES JONES, AXEL QUINLAN, ALWAYS DREAMING LESS IS MORE Friday 13 Saturday 28 T.Y.P.O. BROWN COW, BRUISER Fri. 27 & Sat. 28 QUEEN, KATY NEEDS A BAND Friday 13 7pm ROCK SHOP Saturday 28 10pm Fri. 20 & Sat. 21 T.Y.P.O. DAVID LLOYD JAROD KNOX Fri. 6 & Sat. 7 Saturday 7 8pm BROOK FARMS Friday 27 4218 S SPRINKLE RD KALAMAZOO 269-349-2965 PAGEANT, SAXSQUATCH & BRIDGE THE MEGAN RAE BAND BAND, JON TIMM, Fri. 13 & Sat. 14 ADAM DANIS THE BREAKOUT BAND Friday 6 8pm POP CULT Wednesday 25 Saturday 28 NOB HILL BBIGPIGG, CHOKE CHAINS, PROGNOSIS NEGATIVE, DEAD MAN’S L Thursday 12 Friday 27 10pm SMASHMAGS.COM TINSLEY ELLIS NASHON HOLLOWAY 440 EAST NORTH ST. KALAMAZOO 269-385-9359 117 E ALLEGAN ST OTSEGO 269-692-3377 DJ BALLISTIC DOUGLAS JAMES BAND DIVERSION Friday 13 8pm 214 E MANSION ST MARSHALL 269-781-0001 KARI HOLMES & THE MODERN DAY DRIFTERS IRISH SESSIONS PAT ZELENKA PROJECT Saturday 21 Saturday 21 10pm FRANKE CENTER FOR THE LOUIE’S TROPHY HOUSE ARTS GRILL SCHLITZ CREEK DAN AGNE Saturday 21 BRIDGE TO GRACE, 3 MINUTES TO OBLIVION Friday 20 7pm BLOOD ON THE DANCE FLOOR, MODEL CITIZEN, INFAMOUS, GARLAND Saturday 21 6pm 3 YEARS HOLLOW, NICK CASTER Saturday 28 7pm Friday 27 PAGE 10
NOVEMBER M BACKROADS SALOON  15325 W MICHIGAN AVE MARSHALL 269-781-7091  TYPO  Friday 6 9 30pm MEGAN RAE BAND  Saturday 7 ...
MUSIC BOARD MR. PRESIDENTS NIGHTCLUB 304 N. BURDICK STREET KALAMAZOO 269-381-1110 DAVID LLOYD AND FRIENDS Every Wed. at 5pm PAPA PETE’S 502 SOUTH BURDICK KALAMAZOO 269-388-2196 VIOLENT VESSEL Thursday 5 BUKU Friday 6 NUE MOVEMENT OLD DOG TAVERN 402 E KALAMAZOO AVE KALAMAZOO 269-381-5677 JAZZ BRUNCH WITH ELLIOT BILD Every Sunday 11am TOM DUFFIELD Mondays at 5pm BLUES NIGHT Mondays at 8pm BRANDEN MANN Tuesdays at 8pm BEN JAMMIN AND ANALISA Every Saturday 10am DUFFIELD CARRON PROJECT Every Saturday 5-8pm THE REAL FANTASTICS Friday 6 9pm OLD TIME JAM Sunday 8 2pm HIRED HANDS Friday 13 5pm STEVEN LEE PESCH Friday 13 9pm DRAGON WAGON Saturday 14 9pm BRASS RAIL Friday 20 5pm SINGER SONGWRITER NIGHT Friday 20 9pm BIG MONT AND THE NEXT GENERATION Saturday 21 9pm THE ALL AMERICAN FUNK PARADE Friday 27 9pm RIVER BEND REUNION! Saturday 28 9pm Saturday 7 LARGE MOTH BASS Friday 13 CURTIS’ COUNTRY NIGHT Saturday 14 LEMONDS BENEFIT SHOW Thursday 19 THE JACKPINE SNAG Friday 20 A BREATH AWAY Saturday 21 WHISTLE STOP REVIEW Fri. 27 & Sat. 28 RUPERT’S BREW HOUSE 773 W MICHIGAN AVE. KALAMAZOO 269-337-9911 EVERY TUESDAY JAZZ JAM EVERY THURSDAY BLUES REGGAE LOU 8PM CARDBOARD HIGHWAY TAPE RELEASE Friday 6 10pm DARKER DAYS KONSPIRACY KAMP , KINETIC AFFECT , JACK NAPIER’S BRAND X ,PSIDLPROS, PRIME SUSPECTS MUSIC GROUP, CHECKMAIT, SSENT, DAVID SHAYNE , JENNIFER DAMA, LELAND PRATT , MICKY TAO , ERIC D STEWARD , MAJYCKRADIO EVOLUTION (GUEST SPEAKER), ZORDON ON THE 1S & 2S Saturday 7 9pm POCKET CANDIES, KING MEDIAN Thursday 12 9pm VIBE AND DIRECT Friday 13 9pm SKINNY HODGE BLUES BAND Saturday 14 9pm STATE THEATRE RUDOLPH THE RED 404 S BURDICK ST KALAMAZOO 269-345-6500 Wednesday 25 5:30pm DRU HILL Friday 27 9pm Friday 6 7pm SILVER AND GOLD Friday 20 9pm GREENSKY BLUEGRASS BRANDEN MANN SINGER SONWRITER NIGHT Fri. 27 & Sat. 28 8pm SHAKESPEARS LOWER LEVEL 214 EAST KALAMAZOO KALAMAZOO 269-488-3330 THE FEATURES, KAMIKAZE GIRLS, BIKE TUFF, JAKE SIMMONS AND THE LITTLE GHOSTS Friday 6 8pm KVBA BLUES FUNDRAISER SWB, MARCI LINN Sunday 8 3pm NOT BLOOD PAINT, ABRAHAHM, KID TESTED LIFE SIZED GHOST FRIDAY 13 9pm LUKAS PEDERSON ERIKA SCHERRY BAND Tuesday 3 8pm WMU SCHOOL OF MUSIC Thursday 5 8pm GATER BLUES BAND Friday 6 9pm THE KALAMAZOO FUNK COLLECTIVE Saturday 7 9pm SHELAGH AND ROBBIE Tuesday 10 8pm GLJO Wednesday 11 8pm SAM PILNICK PROJECT Thursday 12 8pm MONICA PLUS TWO Saturday 21 8pm HAIRMANIA Friday 27 8pm Saturday 28 9pm 1299 COLUMBIA AVE 125 S. KALAMAZOO MALL BATTLE CREEK KALAMAZOO 269-979-9273 269-384-6756 THAT FREAK QUINCY, BIG BLACK GALACTIC, BONEJO STARFARM BARN ON FIRE WAREHOUSE BRIAN KEITH WALLEN Friday 20 9pm BIG BOSS BLUES THE UNION CABARET & GRILL MILEGALIZE FUNDRAISER, PLEASANT DRIVE , DESMOND JONES, BRANDEN MANN AND THE REPRIMAND, REGGAE LOU Saturday 14 8pm DINNER AND A SHOW BRANDI CARLILE WSG BRYNN ELLIOTT Friday 13 8pm Saturday 28 9pm NOSED REINDEER Friday 13 9pm MP AND THE POP ROCKS Saturday 14 9pm THE BRENA TRIO Tuesday 17 8pm Thursday 19 8pm STEVE HILGER BAND Friday 20 9pm KEITH HALL’S HOME COOKIN FEATURING ANDREW SCHROCK Saturday 20 9pm ALEX MAYS Saturday 14 9pm MARTILA SANDERS & GEE-Q Friday 27 9pm SUNDAY PUNK ROCK MATINEE Sunday 28 5-9pm M89 SPORTS BAR & GRILL 129 E ALLEGAN ST OTSEGO 269-694-6970 BRONK BROTHERS Fri 6 & Sat 7 HATFIELD AND THE MCCOYS Fri 13 & Sat 14 GOUGLAS JAMES BAND Friday 20 JARED KNOX Saturday 21 BOOM TOWN Fri 27 & Sat 28 Tuesday 24 8pm NOVEMBER 2015 | THE FARM TO TABLE ISSUE | PAGE 11
MUSIC BOARD MR. PRESIDENTS NIGHTCLUB  304 N. BURDICK STREET KALAMAZOO 269-381-1110  DAVID LLOYD AND FRIENDS  Every Wed. at...
PHONE INTERVIEW WITH KEITH NELSON (LEAD GUITARIST) OF BUCKCHERRY by Nick Hatzinikolis Buckcherry is a rock band from Anaheim California formed in 1995. The band released two albums, Buckcherry (1999) that has hit singles “Lit Up”, “For the Movies”, Dead Again and “Check Your Head”. In 2001 the release of “Time Bomb”, before dissolving in the summer of 2002. In 2005, lead vocalist Josh Todd and lead guitarist Keith Nelson reformed the band with a new line up and released a new album in 2006. The name Buckcherry came from a drag queen they knew named Buck Cherry in Los Angeles. Buck Cherry was the moniker of John Armstrong, guitarist for the 1980’s new-wave group “The Modernettes” and also because it’s a flip of rock pioneer Chuck Berry’s name. The new album “Rock ‘N’ Roll”, the seventh studio album from California rockers and, can be streamed in its entirety via Pandora Premieres. The CD was released on August 21 via F-Bomb Records/Caroline. “Rock ‘N’ Roll” track listing: 01. Bring It On Back 02. Tight Pants 03. Wish To Carry On 04. The Feeling Never Dies 05. Cradle 06. The Madness 07. Wood 08. Rain’s Falling 09. Sex Appeal 10. Get With It Buckcherry features Josh Todd (vocals), Keith Nelson (guitar), Stevie D. (guitar), Xavier Muriel (drums) and Kelly LeMieux (bass) and uphold the tenants of rock music with an arsenal of new anthems primed to explode on impact and with energy, sexy swagger, and primal chops intact. It’s something that the boys have done since day one, but according to band members it’s more necessary now than ever. It doesn’t really matter to us, as long as they’re a good band we really don’t care. Now we have been fortunate to be able to play with bands like Hell Yeah and Nickleback in addition to KISS, Kid Rock and Motley Crue. I guess we’re willing to play with anyone that doesn’t suck! Ya know! SMASH Magazine had the chance to talk to Keith Nelson founding member of the band and lead guitarist to talk about the new album and tour in support of their new album “Rock N Roll” with a recent stop in Kalamazoo at the Entrainment District on Sept 18th. KN- (Laughing) Yeah, yeah, just don’t suck! You know, music is such a wonderful gift and working with these bands have just giving us so much to our lives. First and most important, we are fans of music, the only rule is you gotta be good! SMASH – Keith, Have you played in Kalamazoo before? KN -Yeah, I have been there before, it’s the home of original Gibson guitar factory, and it’s a very important place in rock and roll history! SMASH - You are out on tour that kicked off a couple of weeks ago, as we mentioned at the top of the interview supporting the new release of album “Rock N Roll”. Do you want to talk a little about that? KN- Well, It’s a Rock and Roll album made by a Rock and Roll band. What a novel concept huh? It all stated to come together on our last tour, we had some ideas and when we got home we finished some writing in about a month then we started rehearsing the band live and bringing in songs, and pulling it all together. We had about 18 songs, we went into the studio and hit record. The most or what we thought were the most cohesive songs made it on the record. We came up with the title after the fact. SMASH - Everyone who knows Buckcherry, knows that the band is “diverse”. You have been out on tour with Kiss, Nickleback, Hell Yeah and a bunch of others. Was that part of the bands strategy to partner up with different bands to expand your own fan base? KN- Any artist wants to expand their fan base, it’s not we invented something new or a unique thing. We haven’t shied away from playing with anyone. SMASHMAGS.COM SMASH - Is that the official standard or criteria? They can’t suck? SMASH - Since you are back on the road with the new album “Rock N Roll”, can you talk a little about the process of making a record, then getting ready for a tour. KN- Sure, it all starts with an idea in your head, the challenge you have is taking it form an idea to a finished product. You have the record then it play it live. So the process is Josh Todd (Lead Vocalist) and I will throw song ideas around, it could be a chorus or it could be melody, we wrap ourselves around that until you get a song or at least until you get parts of a song. Then the rest of the band starts playing what you get the life into the idea until there is a finished product until it sounds like us, then it just a matter of getting what we sound like live recorded and the real only way to do that is to play as a band. We always go the live feel, that’s because we are a live band and that makes the most sense. They we will write 35-40 songs until we feel we have some good stuff. Then you made decisions what sound and feel, is there enough slow songs, up tempo songs and what we think is a good journey for the listener as well so once you hear it you want to hear it over and over again. We want to make records that we would want to buy as a fan. Then just do it well when you on stage! SMASH - So, what can a person expect form the new album “Rock N Roll”? KN-The new album “Rock N Roll “has everything, some slow ballads that I’m really proud of and up tempo stuff and some stuff that kicks you in the ass, it just a cool musical journey and a great PAGE 12
PHONE INTERVIEW WITH KEITH NELSON  LEAD GUITARIST  OF BUCKCHERRY by Nick Hatzinikolis Buckcherry is a rock band from Anahe...
representation of exactly where this band is now. SMASH- I was checking out some tracks before talking with you, “Bring It On Back” and “Tight Pants” were two that I played over and over, it was in to it! KN- Cool! “Bring it On Back” was the first song wrote for the record (Josh Todd) was singing the chorus over and over, I made some music around it and we kept working on it until the rest of the band started to play it live , that’s how you got the breakout guitar solo on it. That’s a product of five guys in a room bashing it about. About “Tight Pants”, we listen to a lot of funk as a band, we’re big fans of all that stuff. Bands like Parliament and James Brown, all that stuff is part of our DNA. Stevie D. (Guitar player) came in with this funky little riff, and we just started jamming on it, it evolved into what you hear on the track. We worked it and added some horns to see how it worked, which is something we never done that before and it ended up working out pretty good I think! We have a new video out for it, it’s an interesting video, and it’s about a day in the life of a girls butt. It’s pretty entertaining! SMASH - Let’s talk a minute about your record company F-Bomb, are you the only artist on the label or do you have others bands on it as well? KN- Right now, we are the only ones on the F-Bomb label, we are working very hard to make all the mistakes (Laughing) and get them out of the way, you know. We’ve never owned a record label before but we watched many a record label operate. I think it was a good time for us to experiment with the current state of the music business and figure out what we like and what we don’t like about it, so we started the label because we could and we had the opportunity to do it so and we are going to being to look for new bands and new talent for the label. BAND LINE-UP ON PAGE 17 SMASH - Sounds like a great opportunity to get another revenue stream in for you, right? KN- Well, we all know if want to get rich, don’t start a fucking record company! But we’re trying anyway! It’s really a labor of love, you know, rock bands don’t sell records like they used to and that’s alright, we just want to be able to do it our way! SMASH - Keith, thanks again for your time and good luck with the album and tour! KN- Thank you, we’ll catch up soon! NOVEMBER 2015 | THE FARM TO TABLE ISSUE | PAGE 13
representation of exactly where this band is now.  SMASH- I was checking out some tracks before  talking with you,    Brin...
AMBER RIE THURSTON By: Aubrey E. Thompke Having the privilege to talk with a friend and fellow artist recently I was delighted that her art form has again grown to most interesting extremes. Amber Rie Thurston, a local artist from Marshall, MI practices her art in quite non-traditional methods. Starting to explore a new medium, in about 2011 Amber began to test her skills with x-ray art. This is no simple process. Her background and teaching to become a radiographer only provided her with guidelines. She began teaching herself to x-ray flowers and objects, each of which having different weights and masses. The composition of each object provides the basic platform when taking an x-ray. Mathematics are highly used in this field, a subject Amber is not fond of. X-ray art differs greatly from the normal use of x-rays with the human body. Nine months of trial and error led to Amber finally creating her own x-ray art. Much effort is put into recreating the image either digitally or with photography in order to make her art available to her fans and client base, all of the process Amber tackles on her own. Creating art while raising two active boys, ages 12 and 9 as well as being a newlywed and working full time keeps her more than busy. include marketing and self-promotion. As an artist myself I can attest to the hurdles an artist faces in this area of business. You not only are putting your work out into the public eye, exposing yourself so to speak, but you also have to sell yourself. The scrutiny and judgment passed by her onlookers has been not always been of the positive nature. Amber’s art doesn’t always appeal to everyone which she deems acceptable considering art is in the eye of the beholder. She appreciates that some will love it and others may find it unappealing or frightening. For her the art she makes is purely for satisfaction and having achieved her high-school goal of “creating a piece of art and selling it” she is well on her way to making art more a part of her life. In her newfound venture of working with the bones of animals she has again self-taught herself the process of maceration. This process does not decay hair or feathers but allows the bone to be free of flesh, muscle and other parts of the insides. All of the bones she has acquired are found or given to her, there is a very respectful attitude she possesses in the care of these bones. In cleaning and preserving these bones she gives them life again. Her intent is to honor the animals that have passed. The bones are used to create jewelry and framing to compliment her x-ray art. Not many of us will spot some road kill and think to ourselves, “that might make a lovely piece of art.” Well, we can leave that to Amber (AMBERZ79@GMAIL.COM). Amber faces other challenges as a non-traditional contemporary artist, some of which SMASHMAGS.COM PAGE 14
AMBER RIE THURSTON By  Aubrey E. Thompke  Having the privilege to talk with a friend and fellow artist recently I was deli...
Rasa Ria Authentic Malaysian & Indonesian Cusine By Hannah Berger Situated between two dry cleaners, it would be very easy to miss the unassuming, squat, and cramped building that houses Kalamazoo’s only Malaysian restaurant. But to miss it would be a tragedy, because what the restaurant is lacking in atmosphere and decor is made up for, and far exceeded by the warm and savory food. Rasa Ria’s reasonable pricing allows you to order a variety of dishes and still keep the bill under $30. Whatever you choose is sure to impress. Malaysian food is a superb melding of several different cultures and cuisines, such as Indian, Chinese, Indonesian, Thai, and Portuguese, and I saw many of these influences present throughout the meal. Guests should start with the Teh Tarik, a popular drink served on street corners all over Southeast Asia, which is milky black tea that is frothy and sugary. This appropriately sweet drink is equal parts palate cleanser and treat. Next, try the ever-popular beef rendang, which is one of the most ubiquitous dishes in Malaysia. This dish is subtly spiced, and the flavors reveal themselves in layers. It includes large pieces of perfectly grilled beef with diced potatoes that melt in your mouth, spicy yellow curry, citrusy lemongrass, dashes of garlic and onion, and finishes with notes of sweet and tropical coconut milk. The leftover sauce is a perfect addition to the provided rice. The star of the meal was the Mee Gorang, which is like an elevated Lo Mein. Rasa Ria’s version includes stir-fried egg noodles with shrimp and Chinese cabbage in a savory brown sauce. The noodles were a perfect texture and the entire dish felt like comfort food my Midwestern home, despite its East Asian origins. My one critique would be that most of the food was brown in color and could have benefitted from some fresh herbs or more colorful vegetables. The décor and atmosphere leaves much to be desired as well, as does the wait staff. Our waiter was curt and lethargic, but he got our order right and the important thing is that the food was filling, exciting, and delicious. Despite these imperfections, I would recommend Rasa Ria to anyone seeking adventurous and delicious flavors at a low price. Rasa Ria MON 4:00 PM - 8:30 PM TUE-FRI 12:00 PM - 8:30 PM SAT 12:00 PM - 7:30 PM SUN CLOSED (269) 381-0788 1921 W MAIN ST KALAMAZOO, MI The beef and soy sauce was a surprisingly bright dish with plenty of zesty ginger and citrus. The charred purple onions and crisp carrots added just the right amount of crunch and color. NOVEMBER 2015 | THE FARM TO TABLE ISSUE | PAGE 15
Rasa Ria  Authentic Malaysian   Indonesian Cusine By Hannah Berger  Situated between two dry cleaners, it would be very ea...
Monday Happy Hour All Day $3 Off pizzas Tuesday $2.50 Wells all day $6 BBQ Pork Wednesday Ladies Night Half-off drinks for the ladies! starting @ 6pm Thursday $2 Retro Beers All Day Friday $5 Bump-and-a-Wash A shot of whiskey and Miller beer Saturday 402 E. Kalamazoo Ave. 269-381-5677 www.olddogtavern.com Monday’s Tom Duffield @ 5 Tuesday’s $6 Bloody Mary Bar $5 Mimosas Open Mic W/ Brannde Mann Sign up at 7pm Sunday Live Music 9pm - 1am $6 Bloody Mary Bar $5 Mimosas $4 Bartender’s Choice Mixed Shots All Day Friday’s Saturday’s Ben Jammin and Analisa 10am Duffield Caron Project 5pm Sunday’s ACROSS THE STREET FROM..... Jazz Brunch 11am-2pm Blues Jam 6pm-9pm HOURS OF OPERATION MONDAY 11am - Midnight TUESDAY - FRIDAY 11am - 2am SATURDAY 10am - 2am SUNDAY 10am - Midnight SMASHMAGS.COM PAGE 16
Monday  Happy Hour All Day  3 Off pizzas  Tuesday   2.50 Wells all day  6 BBQ Pork  Wednesday  Ladies Night Half-off drink...
Corey Winfield WIRX 107.1 FM Morning Show Host By Nick Hatzinikolis where I spent the last seven years until I received a call offering me the PD job back home here at WIRX. This month’s “Jock in the box” features from WIRX 107.1 FM in St. Joseph / Benton Harbor, its morning show host, air personality and Program Director Corey Winfield. Corey is a West Michigan guy that graduated from Coloma High School and Lake Michigan College. SMASH Magazine caught up to Corey for some Q & A after his morning show. SMASH- Where did you get your start in radio? COREY- I started in 1996, I was 17 and a senior in High School and was just fired from a job at a video rental store. My mom told me to take some time before I graduated and figure out what I really wanted to do in life. I’ve always loved to entertain people and to make them laugh so I thought that with a radio station right here in Southwest Michigan it would be a good place to try to get into. Mike Thomas (Now the head of CBS Sports Radio) was the PD (Program Director) of WIRX at the time and after weeks and weeks of pestering he gave me a shot to be a board op. He then went on a firing spree an I quickly found my way on the air doing overnights on the weekends, to nights on the weekends, then nights during the week, middays, afternoons then off to Kalamazoo to take a job offer at WRKR. After two years there I moved to San Antonio and worked for a year and a half before moving to Dallas and working for two years. Seeing stations cutting staff being a trend I decided the more valuable I could become the more likely I could stay in this industry. I took a PD job in Fort Smith, Arkansas for KKBD Kalamazoo Loaves and Fishes Benefit Concert Band Info SATURDAY NOVEMBER 21 TRINITY LUTHERAN CHURCH 504 S WESTNEDGE AVENUE, KALAMAZOO, DOORS OPEN 6:00PM CONCERT 6:30PM SMASH-What made you want to be a radio DJ? For information contact June Kucks 269-649-4529. COREY- I’m not a DJ… Those guys do clubs/weddings/parties and are usually making good money. Hailing from the mountains of Kalamazoo, Schlitz Creek performs a unique variety of bluegrass music that cannot be classified as strictly traditional or progressive. Performing material from such bluegrass legends as the Dillards and Flatt & Scruggs, they also surprise and delight audiences with selections from the Monkees, Bob Seger, the Beatles, Kenny Rogers, the Bee Gees, and Cheap Trick. Band members include: Nick Deaton on banjo, Dave Dekema, lead guitar, John Speeter on mandolin and Nick Griffith on bass. SMASH-What would people that listen to you be surprised to know about you? COREY- They’d find it surprising that I’m really very shy and very private. I don’t like to go out, I don’t like to be noticed and I can be a jerk… Well, they might not be surprised by the last one… SMASH-What is your favorite band (past or present) or person(s) you would like to meet? (Past or present) and why? COREY-I’d like to meet my great, great, great, great grandparents. Just like to know where my roots come from… SMASH-How do you see radio changing / how has it changed regarding demographics? Ability to lure in younger listeners? COREY- There are a lot of ways to hear new music now, more convenient than it used to be. But when people listen to their radio they feel like they’re still a part of a conversation. That’s what makes radio so great, we can be their friend even though we’re not invited and they get to choose when they want us to leave. SMASH - Where do you see the industry as a whole / direction radio is going? COREY- Radio has already changed so much in the past 20 years in way I would have never imagined already. It’s hard to say what’s coming in the next 20 years! I would love to be able to stick around and be a part of it. Great things I’m sure… SCHILTZ CREEK DANA SCOTT Dana Scott local musician and front women for Blues/ Rock band Big Trouble. Musical influences include everything from Elvis to Mary Gauthier to traditional country. Dana has played several Farmers markets, Local Benefits and Kalamazoo’s very own Art Hop! BOB ROWE AND THE GREEN VALLEY BOYS Bob Rowe and The Green Valley Boys are widely known for their fine blend of traditional country, folk, and gospel music. Bob is well-known for his original music and wide repertoire. In 2010, Bob’s version of the Leonard Cohen classic “Halleluiah” reached number 12 on the national pop, satellite, and college charts. The Green Valley Boys are famous for having the longest-running country music television show in any market. Rem Wall and the Green Valley Boys played on channel 3 for over 34 years, preceeded by a popular radio show on WKZO radio. Bob and The Green Valley Boys regularly perform programs for the elderly and the forgotten in addition to other concerts and appearances. They are currently featured in the Michigan Country Music Hall of Fame! BENJAMMIN & ANALISA GAUTHIER Ben and Analisa teach kids concepts such as health, hygiene, conflict resolution, and core subjects through interactive music using hand drums, guitar, ukulele, drum sticks, stories and a few puppets to teach children life skills through audience participation and song. Come join the band! RON VANLENTE Ron hails from a Southwest Michigan traditional music family but lived in North Carolina for many years. Now back in Michigan he is a United Methodist pastor in Coloma. Ron’s has extensive experience as an impresario and performer at festivals and other venues here and on east coast. His deep grasp of the traditional lexicon includes folk, bluegrass, blues and popular music. BROOK FARM STRING BAND The Brook Farm String Band is Kent (fiddle) and Deborah (banjo and English concertina) Fisher and Pete (guitar and vocals) Humphreys who have been a mainstay of traditional string band music in the Kalamazoo for decades. The Fishers are the long time proprietors of Brook Farm General Market from whence the band’s name was taken. When these mighty fine musicians ply their talents to old time dance tunes, Celtic jigs and reels or heart-felt ballads, a superior time is had by all. NOVEMBER 2015 | THE FARM TO TABLE ISSUE | PAGE 17
Corey Winfield  WIRX 107.1 FM Morning Show Host By Nick Hatzinikolis where I spent the last seven years until I received a...
Lisa CAn’t Sing By: Nick Hatzinikolis re-imagines classic tunes from the past with a fresh sound and energy. Their ever-changing set list includes everything from Pat Benatar to Blondie and Joan Jett to Def Leppard, Motley Crue and Quiet Riot. “Lisa Can’t Sing” band members are vocalist Lisa Drzick, guitarist Harry Phillips, bassist Deb Van Den Brink and drum skin smasher Dave Drzick. “Energetic! Amazing! Awesome! Fun! So Cool” Terms that regularly describes this quartet of Retro 80’s Rockers from Kalamazoo. “Lisa Can’t Sing” has played and rocked numerous music venues across West Michigan with their sing-out-loud brand of youknow-this-song rock ‘n roll show; venues played include the Arcadia Rock Fest, Wild Bull, Shakespeare’s Pub, Old Dog Tavern, Rupert’s Brew House and Louie’s Trophy House. They also recently played at the Kalamazoo Valley Museum as a featured Friday Night Highlight Series performer. “Lisa Can’t Sing” has shared the stage with national touring tribute bands, such as The Spazmatics, Who’s Bad, Led ZepAgain, Guns 4 Roses and Heart Alive! So don’t let their name fool you, Lisa proves she CAN sing as her dynamic band SMASHMAGS.COM At the time of the band was forming, all of the members worked at WWMT Newschannel 3. Lisa is the director for the morning and noon newscasts as well as the director of the Lori Moore show on CW7. Deb is an account executive selling commercial air time to businesses, Dave is in the marketing and promotions department, Harry also worked in the marketing and promotions department but currently work s for Charter / Spectrum in a similar role. The band actually originated about 12 years ago when Dave and Harry, working together in the marketing department at WWMT Newschannel 3, realized they both played instruments. Harry played guitar and Dave played drums, they also liked the same style of music. They ended up jamming at each other’s houses playing Van Halen and other rock tunes. They did this for 3 or 4 weeks and decided to put a band together with a 3rd person to form a trio. They challenged each other to learn different songs until it evolved into a band. SMASH – So, how did the name “Lisa Can’t Sing” come about? HARRY -The name came years later… we had a drummer, guitarist and a bass player, but no name. Our bass player at the time was also the singer. LISA - They wanted to record a song to play on a commercial for WWMT Newschannel 3. The singer at that time thought it would be cool to have a female back-up and harmony for the jingle and have the extra layers on the recording. Dave mentions that “hey, my wife Lisa can sing”. HARRY - Lisa did record it and enjoyed the process and when the singer listened to the recording later, he decided to re-record his voice over the tracks that Lisa just did, which made Lisa’s harmonies no longer a match to his new track which left Lisa’s vocals on the “editing table”. LISA - Mind you, he did not me tell any of this. So they bring the recorded track into the producer for the commercial. The singer pulls Dave and Harry off to the side and tells them what he did, at that same time apologizing. HARRY - Lisa walks into the meeting and asks” what are you apologizing for?” She quickly finds out what it is, she turns around while throwing her hands in the air and said, “Well, you might as well call the damn thing Lisa Can’t Sing”! DAVE - The singer later decides he does not want to be the singer of the band. LISA - After a lot of practicing in our basement, they started auditioning new singers. I’m upstairs and I’m singing along and I know these songs. DAVE - You (Lisa) would be rolling your eyes and shaking your head after these different people would finish their audition. Saying she was tired of hearing these songs being played without a singer, Lisa came down after a break and starting singing and mind you she was singing AC/DC Bon Scott songs. We asked her to join the band! But, we were also decided we were keeping the name of the band “It was meant to be!” SMASH- So tell me about your first gig as “Lisa Can’t Sing” with Lisa in the line up LISA, HARRY AND DAVE- We got out first “real“ gig at a birthday party playing in a warehouse which was crazy fun! We also played at the WWMT Newschannel 3 Christmas party but the 1st real, for real gig was at the Blackhawk in Richland on St. Patrick’s Day. We all figured this was going to a great time, a lot of fun and the bass player suddenly says- “no, I’m out, not playing” a week before the gig! That kinda derailed us for a little bit. We were now stuck looking for a new bass player and it all startled to fizzle out. PAGE 18
Lisa CAn   t Sing By  Nick Hatzinikolis  re-imagines classic tunes from the past with a fresh sound and energy. Their ever...
SMASH- So was that the beginning of the end of “Lisa Can’t Sing” HARRY - Well, years later, I find this unmarked DVD in the basement and not knowing what it was, I pop it into my computer. My daughter says “Is that you in a band? Do you still do that? I replied “No.” She says “Why Not?” I said “I do not know”. I called Dave up the next day and asked “hey, do you still play?” Dave says yeah, so after a little while after jamming in the basement without a singer, we again ask Lisa about singing and Lisa was saying “No way”, and “You’re insane” “There is no time for this, we have small kids” etc. Dave tells me, that he is still working on her and a day after that phone call; Dave calls me to tell me “we have a gig”! I’m like “what are you talking about?” Dave says Lisa found us a gig! LISA - For an annual block party and pig roast that was looking for a band to play, and I was thinking, hmm… I’m in a band and we play 80’s music. They all agreed and now we have this gig. Now the panic sets in because we need a bass player in about 6 weeks. SMASH- So what did you do? HARRY - We had a few names, and Deb’s name came up, we were kinda surprised that she played. I knew her a little from working with her at WWMT Newschannel 3 but we really didn’t “know” her. I just knew that she was into music. It’s funny you know all of these people but you really don’t know them outside of your department because of the lack of interaction outside of your area. DAVE – I was talking to a co-worker in the parking lot about needing a bass player and he took me up to the sales department and said here is your bass player! Deb, with a surprised look turns around and said “What?” We all knew something was up because of the attitude she had walking through the station that “something was up in your past!” (All laughing) she had to be a bass player! SMASH- How difficult was it to put things together for the block party in that short time? DEB –I hadn’t much played in about 15 years or so. I had “retired” from playing in an all original alternative / rock genre band in Detroit, I had really thought about selling my amp because it was collecting a lot of dust but luckily I didn’t. That first practice together for me… it was a train wreck! Playing cover tunes for me was a totally new experience! But you learn a lot from playing covers, it challenging and fun! So after our first practice, I was mortified! It was difficult to hold the strings down and my hands were out of shape and my coordination was way off. When I left the practice, I thought to myself “Never again!” Dave came into my office the next day and said “That was awesome!” I was “stupefied.” “Really?” I said, “Ok, I’ll try it again. “How about next Wednesday?” They handed me a set list of 50 songs and said you need to learn this in 6 weeks and like, “what?!” How about I learn 25 songs. I did, we did, and we were paid in pork! DAVE - At this block party, we were introduced by Kalamazoo Mayor Bobby Hopewell and it was like, we need to deliver! This is for real! SMASH- How busy are you or how DAVE- We used generators to power the equipment, we had a blast and we were voted the number 1 parade float! If you’re looking for a good time, SMASH- You’re known as the Retro as thoroughly entertaining! You’re Rockers, primarily 80’s music, any thoughts of other styles of music headed for the set list? guaranteed to see the audience singing along to songs that that DAVE- We have played songs once that get the boot the next gig. We play the theme from “Scooby-Doo” and it kills! We also have played the theme from “Phineas and Ferb”. We are thought of as an 80’s band, but every so often, we’ll play something from “Pink” or something from the 70’s. It depends on the venue, the crowd and if we like a song that maybe we heard recently. without the hair spray and spandex! LISA - When it comes down to it, we have so much fun with it; we like to think it comes across the audience. We’ll do anything that gets the crowd dancing! check out “Lisa Can’t Sing”! Watching “Lisa Can’t Sing” is great fun, they are very energetic as well they know and obviously enjoy, just “That’s what she said!” You can catch them soon playing at the Old Dog Tavern with their next show scheduled there on December 5th. Check them out on social media at Reverb Nation@ lisacantsing, Facebook @LisaCantSing and on Twitter@lisacantsing Ballet Arts Ensemble Cathleen Huling Artistic Director busy playing do you want to be? DAVE - We play about once a month, we can play more but with work and family, that seems about right for us. We play all size venues; as a drummer, I like the big stage, Deb likes the small “greasy” places. It all works for us, we also were asked to perform on a float for Kalamazoo’s annual “Do-Dah” parade, it sounded like a great idea but we started to think about logistics. Saturday, December 5 2 pm and 7 pm Sunday, December 6 2 pm Chenery Auditorium • Kalamazoo MI with the Featuring Guest Professional Dancers Kalamazoo Children’s Chorus Suzuki Violin Academy Dr. Raymond Harvey as Mother Ginger Reserved Seats $13 to $20 Tickets available at Miller Auditorium box office (269.387.2300) or online at . SMASH- How do you get power to your equipment? Daniel Brier Conductor Special ticket rates for groups of 20 or more are available. Fresh flower bouquets by Schafer’s Flowers available at the door while supplies last. NOVEMBER 2015 | THE FARM TO TABLE ISSUE | PAGE 19
SMASH- So was that the beginning of the end of    Lisa Can   t Sing     HARRY - Well, years later, I find this unmarked DV...
A FARM TO BELLY DINING EXPERIENCE A fundraiser hosted by Sprout Urban Farms By Kasi Casterline If you care about the food you put in your body (and you should because no one else does) you want to put the freshest local ingredients possible into your diet. Well it doesn’t get any fresher or more local than Sprout’s Farm to Belly Dining experience. I had the joy of attending their first in this series of fundraising events and I was in love with every detail. Sprout utilizes only locally grown ingredients to prepare a diverse menu, it’s a fun concept, and the proceeds benefit the non-profit’s efforts. They plan to have 6-8 events per year and I can’t wait to attend the next one! Sprout’s mission is to help people prosper through food, community, and enterprise. They accomplish this through education and advocacy by teaching neighborhoods and schools in the community how to grow their own food and by providing the resources and support to do so. They also operate food hubs, buying and selling produce from 15-20 local farms, making it easy for farmers so sell beyond 1-2 farmer’s market stands. They act as a broker in the wholesale market, buying from local farmers and selling to restaurants, hospitals, schools, and in their mobile markets that target schools, senior citizens, and subsidized housing, as well as the local Springfield and Battle Creek farmer’s markets. They also operate a CSA program in which citizens can purchase shares and receive fresh produce each week. SMASHMAGS.COM Farm to Belly version 1.0 was hosted at one of my new favorite spots, Territorial Brewing Company, which specializes in German beer and cuisine. Entertainment was provided by the blue grass band Double Strung, which my daughter became fast friends, and was even invited on stage to sing a silly song with the band! Each course was unique and flavorful and Sprout staff and farmers engaged diners with information about the sources and programs. munity something new, something different, something that makes Battle Creek just a little bit cooler. If you don’t have any plans I hope you’ll check it out! Version 2.0 is quickly approaching on Thursday, November 19th. It will be hosted at the Springfield Farmer’s Market which features an incubator kitchen utilized by guest chef Umami Ramen. Participants will enjoy Asian tapas with all ingredients sourced by the Sprout food hub. Beer will be provided by Territorial Brewing Company and there will also be a bartender slinging mixed drinks. A jazz trio will set the tone for this dining experience and a silent auction will also boost donations. And Great Scott Ice Cream Company will be providing dessert as they did at the first event and it is so delicious! Not only is this a great fun event that raises funds for an awesome organization it’s an educational experience. As I tasted each course I was amazed at the variety of flavorful foods available right in my back yard. My daughter tried new dishes and I like to think it made her think about where her food comes from. Sprout’s Chief Excitement Officer Jeremy Andrews has done it again, brought our comPAGE 20
A FARM TO BELLY DINING EXPERIENCE  A fundraiser hosted by Sprout Urban Farms By Kasi Casterline If you care about the food...
Dezemberfest Readers familiar with German beer culture and history will know that “dezemberfest” isn’t a real thing. You’ll also notice that November 27 isn’t December. But that doesn’t stop Battle Creek’s Territorial Brewing Company from throwing a fun outdoor event full of German beer, food and games. Territorial will be offering eight beers on tap, including the release of their black lager, Finsterschaf Schwarzbier, to wash down pretzels and bratwursts. In addition to delicious German food and beer, you can also participate in many fun German games. The stein holding contest will challenge drinkers to hold out a full 1-liter stein (which weights approximately 5 pounds) in front of them for as long as possible. Think that sounds easy? The average person will only last for 4 minutes. Start practicing now by hauling around gallons of milk with full stretched arms. They will also be offering cornhole and hammerschlägen, a game involving hammering nails into a log with as few swings as possible. The family-friendly event will also include a bounce house and face paintings for kids. EVENT DETAILS •  IGHT BEERS ON TAP, INCLUDING THE RELEASE OF E FINSTERSCHAF SCHWARZBIER (BLACK LAGER) • PRETZELS AND BRATWURST •  TEIN HOLDING CONTESTS, HAMMERSCHLÄGEN S AND CORNHOLE •  OUNCE HOUSE (FOR THE KIDS ONLY!) AND FACE B PAINTING •  IX OF BANDS FROM POLKA TO BLUEGRASS TO M LOCAL ACTS (TBA) NOVEMBER 27 & 28 NOON - 11:00PM ADMISSION: $20 for 21 and up (includes first beer) $5 for under 21 & designated drivers Free for kids 5 and under. Also join Territorial on November 27 for the second annual Black Friday Breakfast starting at 8 am. The event features a traditional Bavarian breakfast of weisswurst, pretzels and hefeweizen. NOVEMBER 2015 | THE FARM TO TABLE ISSUE | PAGE 21
Dezemberfest Readers familiar with German beer culture and history will know that    dezemberfest    isn   t a real thing....
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DANZIG – SKELETONS GENRE – GOTH METAL RELEASED – NOVEMBER 2015 WWW.DANZIG-VEROTIK.COM KURT COBAIN – MONTAGE OF HECK, THE HOME RECORDINGS GENRE - ALTERNATIVE RELEASED – NOVEMBER 2015 The forthcoming tenth studio album by Danzig, confirmed for a November 27, 2015 release in the EU. Skeletons is an album of cover songs ranging from Elvis Presley to Black Sabbath. The album’s first single, originally released online in 2012 and played live since, is the theme from the biker film of the same name, “Devil’s Angels”. Montage of Heck: The Home Recordings is an upcoming Kurt Cobain album and soundtrack to the film Kurt Cobain: Montage of Heck, scheduled to be released on November 13, 2015 by Universal Music. There will be both a standard 13 track CD and a deluxe 31 track double CD release. The 13 track standard version focuses on the music found on Cobain’s personal cassettes and the 31 track deThe album had been talked about by Glenn Danzig luxe version showcases tracks from the documenfor years, even prior to the previous effort of Deth tary including spoken word, demos and full songs. Red Sabaoth. So far, it is difficult to determine when the entire album was recorded, as it has been talked Standard edition: about in interviews for so many years. In response to this, Glenn has stated: “I had to put it out now or else there would be so many songs I’d want to do that I wouldn’t be able to do it. Even the way I did it, there are so many songs I still wanted to cover. My attitude with covers is, make it your own or else leave it alone.” Devil’s Angels is the album’s first single, released on 7” vinyl. The b-side features an exclusive “Vocal & Keyboard Version” of the cult movie title track Satan from “Satan’s Sadists”. Of the song, Glenn said: “I’ve wanted to record Devil’s Angels since 1979 and this is exactly the same arrangement I had for it back then, so it pretty much sounds like that late ‘70s style of mine. I’m really happy with the way it turned out; it actually came out much better than I had hoped it would.” 1.”The Yodel Song” (Clean) 2.”Been a Son” 3.”The Happy Guitar” (Instrumental) 4.”Clean Up Before She Comes” 5.”Reverb Experiment” 6.”You Can’t Change Me/Burn My Britches/Something in the Way” 7.”Scoff” 8.”Desire” 9.”And I Love Her” 10.”Sappy” 11.”Letters to Frances” 12.”Frances Farmer Will Have Her Revenge on Seattle” 13.”She Only Lies” Deluxe edition[edit] 1.”The Yodel Song” Explicit 2.”Been a Son (Early Demo)” 3.”What More Can I Say” 4.”1988 Capitol Lake Jam Commercial” 5.”The Happy Guitar” (Instrumental) [6] [7] 6.”Montage of Kurt” 7.”Beans” 8.”Burn the Rain” 9.”Clean Up Before She Comes (Early Demo)” 10.”Reverb Experiment” 11.”Montage of Kurt II” 12.”Rehash” 13.”You Can’t Change Me/Burn My Britches/Something in the Way (Early Demo) 14.”Scoff (Early Demo)” 15.”Aberdeen” Explicit 16.”Bright Smile” 17.”Underground Celebritism” 18.”Retreat” (Instrumental) [8] 19.”Desire” 20.”And I Love Her” 21.”Sea Monkeys” 22.”Sappy (Early Demo)” 23.”Letters to Frances” 24.”Scream” 25.”Frances Farmer Will Have Her Revenge on Seattle (Demo)” 26.”Kurt Ambiance” 27.”She Only Lies” 28.”Kurt Audio Collage” 29.”Poison’s Gone” 30.”Rhesus Monkey” 31.”Do Re Mi (Medley)” LITTLE MIX – GET WEIRD GENRE - POP RELEASED – NOVEMBER 2015 WWW.LITTLE-MIX.COM The upcoming third studio album by British girl group Little Mix, scheduled to be released on 6 November 2015, through Syco Music and Columbia Records. The album was preceded by the release of lead single “Black Magic”. At the 2015 Brit Awards, the group confirmed that their album was completed, describing it as having a “whole new sound” and projecting the release for some time in 2015. Having written over 100 songs for their third album, in May 2015 Little Mix released “Black Magic”, the lead single from their upcoming third album. Little Mix also co-wrote Britney Spears and Iggy Azalea’s single “Pretty Girls”, which was also released in May 2015. The group has confirmed that the album is more of pop sound compared to Salute with the songs being very fun, colorful and personality driven. On 15 July 2015, the group officially announced on Twitter that their third studio album is titled Get Weird, and would be available for pre-order the next day. In February 2015, Little Mix revealed that they had chosen the lead single from Get Weird. On 14 May 2015, Little Mix revealed the song’s title to be “Black Magic”, after the single’s cover art surfaced on music identification service Shazam. “Black Magic” was scheduled to premiere on 26 May but was later moved forward to 21 May, after the single leaked online on 20 May. The single was released digitally in the UK on 10 July. On 25 September 2015, the group released “Love Me Like You” as the second single from the album. NOVEMBER 2015 | THE FARM TO TABLE ISSUE | PAGE 23
DANZIG     SKELETONS GENRE     GOTH METAL RELEASED     NOVEMBER 2015 WWW.DANZIG-VEROTIK.COM  KURT COBAIN     MONTAGE OF HE...
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